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Cristobal Tapia De Veer Wins Fourth Emmy For The White Lotus Amid Fallout With Mike White | Glamsham.com
Lifestyle

Cristobal Tapia De Veer Wins Fourth Emmy For The White Lotus Amid Fallout With Mike White | Glamsham.com

by jummy84 September 8, 2025
written by jummy84

A Win Wrapped in Drama:
The Creative Arts Emmys 2025 brought a big moment for composer Cristobal Tapia de Veer, who picked up his fourth Emmy for The White Lotus. His trophy came in the category of

Best Original Main Title Theme Music for Season 3.
But while the honor celebrated his artistry, it also arrived under the shadow of his very public falling out with series creator Mike White.

The Acceptance: Without HBO or White
Tapia de Veer did not attend the Los Angeles ceremony but celebrated remotely. On Instagram, he shared: “I just won my fourth Emmy Award: best theme for The White Lotus Season 3. I respect the Academy because those votes can’t be bought. No smear campaign distracted them. Thank you, this means a lot to me in more than one way.”

He paired his words with a clip of the winning theme playing over a video of a firefly, writing that the melody was inspired by filming that moment.

Notably, there was no mention of HBO or Mike White, a telling omission given the rocky history between them.

Congratulations to all of the winners of the 74th EMMY Awards!

OUTSTANDING ORIGINAL MAIN TITLE THEME MUSIC

Cristobal Tapia de Veer
The White Lotus#emmyawards #emmys2022 #cristobaltapiadeveer #thewhitelotus #hbo #maintitletheme #composer pic.twitter.com/j3HjcxOXZX

— SCL New York (@scl_ny) September 5, 2022

The Creative Rift:
Earlier this year, Tapia de Veer confirmed he would not return for Season 4, citing clashes with White and the production team. He claimed their disputes dated back to Season 1, where he fought to keep his darker, experimental vision intact.

“Maybe I was being unprofessional. But what I gave him did this — did those Emmys, people going crazy. It was worth the tension,” Tapia de Veer told the New York Times.
White, in turn, responded in interviews by downplaying the feud but admitted they “butted heads,” especially during Season 3.

“He is very talented. But I don’t think he respected me,” White said on The Howard Stern Show, adding that Tapia de Veer resisted feedback once the show became a hit.

The White Lotus and Its Awards Run:
Despite the off-screen tensions, The White Lotus continues to be an Emmy powerhouse. Across its first three seasons, the HBO series has earned 16 Emmys, with Tapia de Veer personally winning four:
Two for Best Main Title Theme (Seasons 1 & 3)
Two for Original Dramatic Score (Seasons 1 & 2)

Season 3 alone picked up 15 nominations, including Outstanding Drama Series.

Final Take:
Tapia de Veer’s fourth Emmy proves how essential his haunting, off-kilter themes were in defining The White Lotus. Yet his departure raises questions about how the show will evolve musically in Season 4 without the man who gave it its sonic identity.

The feud may have overshadowed the win, but the Emmy also serves as a reminder: sometimes creative tension, however messy, can produce unforgettable art.

September 8, 2025 0 comments
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White Lotus Composer Wins Emmy After Mike White Feud
TV & Streaming

White Lotus Composer Wins Emmy After Mike White Feud

by jummy84 September 8, 2025
written by jummy84

The White Lotus composer Cristobal Tapia de Veer has won the award for best original main title theme music at the 2025 Creative Arts Emmy Awards following a public falling out with the show’s creator Mike White. The win marks de Veer’s third Emmy for the HBO drama, which he’s scored since its premiere in 2021.

In April, de Veer told The New York Times that he would not be returning for the series’ fourth season, saying, “I announced to the [editorial] team a few months ago that I was not coming back, that I was leaving. … At some point, [White] heard about that.”

According to de Veer, he and White butted heads over the show’s opening theme song, specifically the “ooh-loo-loo-loos” that were a part of the season one track. In season three, the sound was removed from the series’ opening credit music, but was still featured on the full version of the track, with de Veer admitting, “I just stuck to what I was doing. And when I was giving versions, it was still the same thing.”

Days after de Veer’s New York Times story ran, White responded to the article in an interview with Howard Stern, saying, “I honestly don’t know what happened, except now I’m reading his interviews because he decides to do some PR campaign about him leaving the show. I don’t think he respected me. He wants people to know that he’s edgy and dark and I’m, I don’t know, like I watch reality TV. We never really even fought. He says we feuded. I don’t think I ever had a fight with him — except for maybe some emails. It was basically me giving him notes. I don’t think he liked to go through the process of getting notes from me, or wanting revisions, because he didn’t respect me. I knew he wasn’t a team player and that he wanted to do it his way. I was thrown that he would go to The New York Times to shit on me and the show three days before the finale. It was kind of a bitch move.”

For his part, de Veer noted his reluctance to take notes from White in the Times, saying, “Maybe I was being unprofessional, and, for sure, Mike feels that I was always unprofessional to him because I didn’t give him what he wanted. But what I gave him did this, you know — [won] those Emmys, people going crazy [for the show],” he said. “That is the main thing that I’m most happy about — it was worth all the tension and almost forcing the music into the show, in a way, because I didn’t have that many allies in there … This was a good struggle.”

De Veer won Emmys for both best music composition and best original main title music in 2022 and best music composition in 2023 for The White Lotus, which received a total of 23 Emmy nominations overall this year. The 2025 award for best music composition went to Severance.

The 2025 Creative Arts Emmy Awards are held on Saturday, Sept. 6 and Sunday, Sept. 7 at the Peacock Theater in Los Angeles. Check out the full list of winners here.

September 8, 2025 0 comments
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Shawn Hatosy and Merritt Wever Win for Best Guest Actor/Actress in a Drama
TV & Streaming

Shawn Hatosy, Merritt Wever Wins

by jummy84 September 7, 2025
written by jummy84

Shawn Hatosy and Merritt Wever won the awards for best drama guest actor and actress at the 2025 Creative Arts Emmys.

Hatosy earned both his first Emmy nomination and win for his role as Dr. Jack Abbot in the premiere season of HBO‘s The Pitt. “I very much want to thank John Wells who has thrown me so many lifelines over the years,” Hatosy said, shouting out the show’s co-creator and executive producer, in his acceptance speech. “I’d say more but I’m gonna cry and that would be embarassing,” he added before also acknowledging his co-star and series lead.

“Noah Wyle, your leadership, your performance on The Pitt is extraordinary,” Hatosy continued. “It’s unbelievable being on the other side of what you’re bringing.”

Wever, who didn’t attend the awards, received her third Emmy for her portrayal of Gretchen George in season two of Severance. Fellow guest actresses Jane Alexander and Gwendoline Christie were also nominated for their roles in the Apple TV+ series.

Additional nominees in the best guest actress in a drama category were Kaitlyn Dever and Catherine O’Hara, who received nods for The Last of Us, and Cherry Jones for The Handmaids Tale. The other best guest actor nominees were Giancarlo Esposito for The Boys, Scott Glenn for The White Lotus, Forest Whitaker for Andor and Jeffrey Wright and Joe Pantoliano, who were both nominated for their roles in The Last of Us.

The Pitt received a total of 13 Emmy nominations this year. Severance leads the 2025 Emmy nominees overall with a total of 27 nods.

The 2025 Creative Arts Emmy Awards are held on Saturday, Sept. 6 and Sunday, Sept. 7 at the Peacock Theater in Los Angeles. Check out the full list of winners here.

September 7, 2025 0 comments
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'Rebel Ridge' Wins 2025 Emmy for Best TV Movie
TV & Streaming

‘Rebel Ridge’ Wins 2025 Emmy for Best TV Movie

by jummy84 September 7, 2025
written by jummy84

Rebel Ridge took home the award for best TV movie at the 2025 Creative Arts Emmy Awards.

The Netflix film, written, produced and directed by Jeremy Saulnier, stars Aaron Pierre as a former Marine who goes up against a corrupt police force in a small Louisiana town. The project beat out fellow nominees The Gorge, Mountainhead, Bridget Jones: Mad About the Boy and Nonnas in the TV movie category.

Saulnier spoke to The Hollywood Reporter ahead of the action-thriller’s September 2024 release about bringing it to fruition following a pandemic, writers and actors strikes and the exit of the movie’s original lead ahead of filming, saying, “Because we faced headwinds, [Rebel Ridge] did end up being a version of the movie that far exceeded my expectations. I’m fully at peace with it, and I love it in its current form before it’s even released. This is a first for me to have this much joy upon sharing my latest work.”

Of the five-year journey to Rebel Ridge hitting the screen, he added, “I do believe that this feels like the only version of the film that was destined to happen, and I’m so grateful that the fates connected me and Aaron Pierre, and that the crew and the cast had the fortitude to stick with us. And the support from Netflix all the way through to the end was just singular. I can’t think of any other comp where [a film] actually went through all this and over-fucking-achieved.”

The 2025 Creative Arts Emmy Awards are held on Saturday, Sept. 6 and Sunday, Sept. 7 at the Peacock Theater in Los Angeles. Check out the full list of winners here.

September 7, 2025 0 comments
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Dame Julie Andrews finally wins Emmy award for Bridgerton role
Celebrity News

Dame Julie Andrews finally wins Emmy award for Bridgerton role

by jummy84 September 7, 2025
written by jummy84

7 September 2025

Dame Julie Andrews has finally won an Emmy Award for her Bridgerton voice-over performance as Lady Whistledown.

Dame Julie Andrews finally wins Emmy award for Bridgerton role

The 89-year-old actress was previously nominated for the Outstanding Character Voice-Over Performance award in 2021, 2022 and 2023 and now in 2025 she has emerged victorious at last, beating off strong competition from Hank Azaria for The Simpsons, Maya Rudolph in Big Mouth, Alan Tudyk for Andor, Jeffrey Wright in What If…? and Invincible’s Steven Yeun.

2025 Creative Arts Emmys presenter Craig Robinson accepted the award on behalf of Andrews, who did not attend the ceremony.

Andrews was previously nominated at the Emmys for her role as Lady Whistledown in Bridgerton in 2021 and 2022 and again in 2023 for Queen Charlotte.

Bridgerton premiered on Netflix in 2020 and Andrews previously revealed she had never met any of her co-stars.

She told the Today show: “You know I’ve never met the company in person. Of course, I see them on the show sometimes. But I do all my recording far, far away from them.

“I think it’s gorgeous looking, and they’re all wonderful in it and they’re lovely people to work with. [Producer] Shonda Rhimes and the whole gang down, they’re terrific. And I’m thrilled that they asked me.”

Meanwhile, the top nominees were among the top winners on the first night of the 77th Creative Arts Emmy Awards in Los Angeles on Saturday (06.09.25), which was devoted to scripted programming and animation.

The Studio, starring Seth Rogen (who cocreated it with longtime partner Evan Goldberg) won nine awards, followed by Colin Farrell’s The Penguin with eight Emmys and psychological drama Severance, with six.

Severance had led the way with 27 nominations, The Penguin had 24 and The Studio tied for third with The White Lotus at 23.

The Studio’s awards included guest actor in a comedy series for Bryan Cranston, contemporary costumes for a series; production design for a narrative show (half-hour); casting for a comedy series; picture editing for a single camera comedy series; sound editing for a comedy or drama series (half-hour); sound mixing for a comedy or drama series (half-hour) and animation; music supervision; and cinematography for a series (half-hour).

The Penguins awards included contemporary makeup (non-prosthetic); prosthetic makeup; contemporary costumes for a limited or anthology series or movie; contemporary hairstyling; special visual effects in a single episode; sound editing for a limited or anthology series, movie or special; sound mixing for a limited or anthology series or movie; and music composition for a limited or anthology series, movie or special (original dramatic score).

Severance scored awards for guest actress in a drama series for Merritt Wever, production design for a narrative contemporary show (one hour or more); title design; sound mixing for a comedy or drama series (one hour); music composition for a series (original dramatic score); cinematography for a series (one hour).

Andor, Arcane and Love, Death + Robot all picked up four Emmys each.

2025 Creative Arts Emmys partial winners list (Full list can be found at televisionacademy.com).

Guest actress in a comedy series — Julianne Nicholson, Hacks, HBO/Max

Guest actor in a drama series — Shawn Hatosy, The Pitt, HBO/Max

Television movie — Rebel Ridge, Netflix

Performer in a short form comedy or drama series — Desi Lydic, The Daily Show: Desi Lydic Foxsplains, Comedy Central

Character voice-over performance — Julie Andrews, Bridgerton, Netflix

Casting for a drama series — The Pitt, HBO/Max

Casting for a limited or anthology series or movie — Adolescence, Netflix

Choreography for scripted programming — Marguerite Derricks, Étoile, Prime Video

Original music and lyrics — Christopher Lennertz, The Boys, Prime Video

Original main title theme music — Cristobal Tapia De Veer, The White Lotus, HBO/Max




September 7, 2025 0 comments
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Julie Andrews Wins & Nearly Sets a Record at 2025 Creative Arts Emmys
Music

Julie Andrews Wins & Nearly Sets a Record at 2025 Creative Arts Emmys

by jummy84 September 7, 2025
written by jummy84

Julie Andrews won her first Primetime Emmy in 20 years on Saturday (Sept. 6) – Night 1 of the Creative Arts Emmy Awards, which were presented at the Peacock Theater at L.A. Live. Andrews won outstanding character voice-over performance for her portrayal of Lady Whistledown on Bridgerton.

The legendary star, who turns 90 on Oct. 1, is not the oldest woman to win a Primetime Emmy. Her longtime pal Carol Burnett was approaching 91 when she won most her most recent Emmy in January 2024. The two stars made three acclaimed TV specials together.

Andrews had won two previous Primetime Emmys – outstanding variety musical series in 1973 for her weekly series The Julie Andrews Hour, and outstanding non-fiction series in 2005 for hosting Broadway: The American Musical for PBS. Andrews has also won two Grammys and an Oscar. Unfortunately, the Broadway legend never won a Tony, despite three nominations, keeping her from EGOT status.

Mick Giacchino won his first Primetime Emmy – outstanding music composition for a limited or anthology series, movie or special for The Penguin. Giacchino is the son of famed composer Michael Giacchino, who won a Primetime Emmy 20 years ago for Lost. The elder Giacchino has also won an Oscar and three Grammys.

Christopher Lennertz won his first Primetime Emmy – outstanding music and lyrics for the song “Let’s Put the Christ Back in Christmas,” which he wrote for The Boys. Lennertz beat strong competition, including high-profile songs by SNL alums Adam Sandler and Amy Poehler.

Cristobal Tapia de Veer won his fourth Primetime Emmy, all earned for his work on The White Lotus. He won this year for outstanding original main title theme music.

Theodore Shapiro won outstanding music composition for a series (original dramatic score) for the second time for his work on Severance.

Gabe Hilfer won outstanding music supervision for his work on The Studio. It’s his second win in that category for his work on a buzzy series. He won two years ago for The White Lotus.

The Creative Arts Emmys are being presented over two nights, Saturday, Sept. 6, and Sunday, Sept. 7. Highlights from the two ceremonies will air Saturday, Sept. 13, at 8 p.m. PT on FXX.

The Studio was the big winner on Night 1, with nine awards. Other programs with multiple awards were The Penguin (eight); Severance (six); Andor, Arcane and Love, Death + Robots (four each); The Boys and Bridgerton (three each); and Adolescence and The Pitt (two each).

The Primetime Emmys will be telecast live coast-to-coast on Sunday, Sept. 14, from 8 to 11 p.m. ET on CBS and available to stream live and on demand on Paramount+. Comedian Nate Bargatze is hosting for the first time.

Here are the nominees in the five music categories that were presented on Saturday, with winners marked.

Outstanding Music Composition for a Series (Original Dramatic Score)

Andor • “Who Are You?” • Disney+ • Lucasfilm Ltd.; Brandon Roberts, Composer

Based on a True Story • “Relapse” • Peacock • UCP, Aggregate Films, and Parasox; Sherri Chung, Composer

Cobra Kai • “Blood in Blood Out” • Netflix • Sony Pictures Television for Netflix; Leo Birenberg, Zach Robinson, Composers

WINNER: Severance • “Cold Harbor” • Apple TV+ • Fifth Season in association with Apple; Theodore Shapiro, Composer

The Studio • “The Missing Reel” • Apple TV+ • Lionsgate Television in association with Apple; Antonio Sánchez, Composer

The White Lotus • “Amor Fati” • HBO | Max • HBO in association with Rip Cord and MC Pictures; Cristobal Tapia de Veer, Composer

Outstanding Music Composition for a Limited or Anthology Series, Movie or Special (Original Dramatic Score)

Black Mirror • “Hotel Reverie” • Netflix • Broke & Bones for Netflix; Ariel Marx, Composer

Black Mirror • “USS Callister: Into Infinity” • Netflix • Broke & Bones for Netflix; Daniel Pemberton, Composer

Dying For Sex • “It’s Not That Serious” • FX on Hulu • 20th Television; Ariel Marx, Composer

Monsters: The Lyle and Erik Menendez Story • “Spree” • Netflix • Ryan Murphy Productions for Netflix; Thomas Newman, Julia Newman, Composers

WINNER: The Penguin • “After Hours” • HBO | Max • HBO in association with Acid and Tender Productions, 6th & Idaho Motion Picture Company, Dylan Clark Productions, Chapel Place Productions, Zobot Projects, DC Studios, and Warner Bros. Television; Mick Giacchino, Composer

The Supremes at Earl’s All-You-Can-Eat • Hulu • Searchlight Pictures presents A Temple Hill production; Kathryn Bostic, Composer

Outstanding Original Music and Lyrics

Agatha All Along • “Circle Sewn With Fate” / “Unlock Thy Hidden Gate” / Song Title: “The Ballad of the Witches’ Road” • Disney+ • Marvel Television; Kristen Anderson-Lopez, Robert Lopez, Music & Lyrics

Andor • “Who Are You?” / Song Title: “We are the Ghor (Planetary Anthem)” • Disney+ • Lucasfilm Ltd.; Nicholas Britell, Tony Gilroy, Music & Lyrics

WINNER: The Boys • “We’ll Keep the Red Flag Flying Here” / Song Title: “Let’s Put the Christ Back in Christmas” • Prime Video • Amazon MGM Studios, Sony Pictures Television with Kripke Enterprises, Original Film, and Point Grey Pictures; Christopher Lennertz, Music & Lyrics

SNL50: The Anniversary Special • Song Title: “Adam Sandler’s Song: 50 Years” • NBC • SNL Studios in association with Universal Television and Broadway Video; Adam Sandler, Dan Bulla, Music & Lyrics

Will & Harper • Song Title: “Harper and Will Go West” • Netflix • A Netflix Documentary / A Wayfarer Studios Film / A Delirio Films Production / A Gloria Sanchez Production; Sean Douglas, Kristen Wiig, Music & Lyrics; Josh Greenbaum, Lyrics

Outstanding Original Main Title Theme Music

Dept. Q • Netflix • A Netflix Series / A Left Bank Pictures Production, Carlos Rafael Rivera, Scott Frank, Composers

Dune: Prophecy • HBO | Max • HBO presents a Legendary Television production in association with Flying Life Productions, Herbert Properties LLC, and Wandering Jew Productions; Volker Bertelmann, Composer

Lazarus • Adult Swim • Sola Entertainment and Studio MAPPA; Kamasi Washington, Composer

The Residence • Netflix • A Netflix Original Series in association with shondalandmedia; Mark Mothersbaugh, Composer

WINNER: The White Lotus • HBO | Max • HBO in association with Rip Cord and MC Pictures; Cristobal Tapia de Veer, Composer

Your Friends & Neighbors • Apple TV+ • Apple Studios / Tropper Ink; Dominic Lewis, Hamilton Leithauser, Composers

Outstanding Music Supervision

Hacks • “I Love LA” • HBO | Max • Universal Television in association with Paulilu, First Thought Productions, Fremulon Productions, 3 Arts Entertainment; Matt Biffa, Music Supervisor

The Last of Us • “The Price” • HBO | Max • HBO in association with Sony Pictures Television, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog; Evyen Klean, Ian Broucek, Music Supervisors

The Righteous Gemstones • “You Hurled Me Into the Depths, Into the Very Heart of the Seas” • HBO | Max • HBO in association with Rough House Pictures; DeVoe Yates, Gabe Hilfer, Music Supervisors

Severance • “Cold Harbor” • Apple TV+ • Fifth Season in association with Apple, George Drakoulias, Music Supervisor

WINNER: The Studio • “The Promotion” • Apple TV+ • Lionsgate Television in association with Apple; Gabe Hilfer, Music Supervisor

The White Lotus • “Same Spirits, New Forms” • HBO | Max • HBO in association with Rip Cord and MC Pictures; Gabe Hilfer, Music Supervisor

September 7, 2025 0 comments
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Jarmusch's Boring Film Wins Venice 2025's Golden Lion Top Prize
Hollywood

Jarmusch’s Boring Film Wins Venice 2025’s Golden Lion Top Prize

by jummy84 September 6, 2025
written by jummy84

Jarmusch’s Boring Film Wins Venice 2025’s Golden Lion Top Prize

by Alex Billington
September 6, 2025
Source: Biennale

At the end of it all, we finally have our winners. The 82nd Venice Film Festival wrapped up this weekend on the sunny Lido island in Venice, and awards were handed out at a fancy awards show in the Sala Grande. The top prize at Venice is a Golden Lion (in honor of the iconic lion that is the symbol of the city) and it’s one of the top prizes in cinema along with the Palme d’Or from Cannes (which was given to Jafar Panahi in May). This year’s winner is a film titled Father Mother Sister Brother, the latest feature from American filmmaker Jim Jarmusch, back after a six year hiatus without making much. Alas it will go down in cinema history as one of the worst film festival prizes ever. Barely anyone liked this film, except for a handful of critics. No one think it deserves any awards. And somehow it won over some of the most incredible, awards-worthy films of the year: No Other Choice, Silent Friend, A House of Dynamite, The Testament of Ann Lee. What was the jury up to? Why this one? The ultimate nothing, boring, unexciting film has won an award it doesn’t deserve. Ugh. Last year in Venice, Pedro Almodovar’s The Room Next Door won over The Brutalist – another strange pick. The prize for Best Director was given out to Benny Safdie (another unexpected choice) along with a number of other very weird picks from the jury. View the full list of #Venezia82 winners below.

Main Venice Awards

The jury chaired by filmmaker Alexander Payne and also including Stéphane Brizé, Maura Delpero, Cristian Mungiu, Mohammad Rasoulof, Fernanda Torres, and Zhao Tao, after watching all 21 films, has awarded:

Golden Lion for Best Film:
Father Mother Sister Brother by Jim Jarmusch

Silver Lion Grand Jury Prize:
The Voice of Hind Rajab by Kaouther Ben Hania

Silver Lion Award for Best Director:
Benny Safdie for the film The Smashing Machine

Coppa Volpi for Best Actress:
Xin Zhilei in the film Sun Rises on Us All (Ri Gua Zhong Tian) by Shangjun Cai

Coppa Volpi for Best Actor:
Toni Servillo in the film Grace (La Grazia) by Paolo Sorrentino

Award for Best Screenplay:
Valérie Donzelli for At Work (À pied d’oeuvre) also by Valérie Donzelli

Special Jury Prize:
Below the Clouds (Sotto le Nuvole) by Gianfranco Rosi

Marcello Mastroianni Award for Best Young Actor or Actress:
Luna Wedler in the film Silent Friend by Ildikó Enyedi

“Luigi De Laurentiis” Venice Award for a Debut Film:
Short Summer by Nastia Korkia

Armani Beauty Audience Award:
Calle Málaga by Maryam Touzani

Luna Wedler - Venice 2025 Winner

Orizzonti Section Awards

The Orizzonti Jury, chaired by filmmaker Julia Ducournau, also including Yuri Ancarani, Fernando Enrique Juan Lima, Shannon Murphy, and RaMell Ross, after watching 19 feature films in competition, awarded:

Orizzonti Award for Best Film:
On the Road (En el Camino) by David Pablos

Orizzonti Award for Best Director:
Anuparna Roy for the film Songs of Forgotten Trees

Special Orizzonti Jury Prize:
Lost Land (Harà Watan) by Akio Fujimoto

Orizzonti Award for Best Actress:
Benedetta Porcaroli in Kidnapping of Arabella (Il rapimento di Arabella) by Carolina Cavalli

Orizzonti Award for Best Actor:
Giacomo Covi in the film A Year of School (Un anno di scuola) by LauraSamani

Orizzonti Award for Best Screenplay:
Ana Cristina Barragán for The Ivy (Hiedra) also by Ana Cristina Barragán

That’s all for now. For the full list of awards (including a few more), head to labiennale.org. Congratulations to all of the winners this year. Though now it’s time to rant: this is terrible. Really, truly – an exceptionally frustrating, entirely nonsensical Golden Lion pick. WHY?! There is NO interesting or unique or innovative or clever filmmaking in Jarmusch’s film at all. It is infuriating to award this film the top prize at the Venice Film Festival over any number of other exceptional films that actually have some vibrant, vivid, masterful filmmaking within them: No Other Choice, Silent Friend, A House of Dynamite, The Testament of Ann Lee. I also did not want The Voice of Hind Rajab to win for political reasons. Important story & important film, but the filmmaking is not that interesting or exciting either. But at least that would’ve been better than this one. The rest of the awards also don’t make sense. Benny Safdie for Best Director? Huh!? Nothing for Park Chan-wook? One tiny award for Silent Friend which is a masterpiece? Jesse Plemons in Bugonia deserved to win for Best Actor. Amanda Seyfried in Ann Lee deserved to win for Best Actress. I’m so upset by this. But this is just my opinion and it’s time to move on. I’d rather get back to focusing on my favorites – the films that really do deserve our attention. As always, try to catch any of these films in the theater when they open. Hopefully they’ll be at another fest near you or releasing soon. For more of my Venice 2025 posts, click here.

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Find more posts in: Awards, Movie News, Venice 25

September 6, 2025 0 comments
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Rachel Scott Is Proenza Schouler's New Creative Director
Fashion

ICYMI: Rachel Scott Named Proenza Schouler Creative Director, Giorgio Armani Dies at 91 & Soshiotsuki Wins 2025 LVMH Prize

by jummy84 September 6, 2025
written by jummy84


In case you missed them, we’ve rounded up our most popular stories of the week to help you stay in the loop. No need to thank us — just toast an espresso shot in our honor when you’re discussing who did what over your ricotta toast. Homepage photo: Brianna Capozzi/Courtesy of Proenza Schouler …

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September 6, 2025 0 comments
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Japanese Menswear Label Soshiotsuki Wins 2025 LVMH Prize
Fashion

Japanese Menswear Label Soshiotsuki Wins 2025 LVMH Prize

by jummy84 September 4, 2025
written by jummy84


On Wednesday, LVMH named Japanese menswear brand Soshiotsuki the winner of its 2025 LVMH Prize for Young Fashion Designers. Designer Soshi Otsuki founded his eponymous menswear label in 2015, and was even shortlisted for the 2016 LVMH Prize following his second collection. As the winner of this …

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September 4, 2025 0 comments
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Lokah Chapter 1: Chandra’s IMDb Score Sparks Buzz
Bollywood

Which Indian Superhero Movie Wins On IMDb?

by jummy84 September 2, 2025
written by jummy84

Lokah Chapter 1: Chandra’s IMDb Score Sparks Buzz
Lokah Chapter 1: Chandra’s IMDb Score Sparks Buzz(Photo Credit –Facebook/Netflix)

Following its theatrical release on August 28, 2025, Lokah Chapter 1: Chandra, Malayalam cinema’s first female-led superhero movie starring Kalyani Priyadarshan in the lead role, received positive reviews from critics and audiences alike. The Indian film industry has not produced many entries in the superhero genre, so comparisons with other notable titles are inevitable.

Let’s see how this ambitious Dominic Arun-directed film, bankrolled by Dulquer Salmaan’s Wayfarer Films, stacks up against some of the most popular modern Indian superhero movies like HanuMan, Brahmastra Part 1: Shiva, Minnal Murali, and Krish in terms of IMDb ratings. Is Lokah really the best Indian superhero movie so far? Let’s find out.

Lokah Chapter 1: Chandra vs. Popular Indian Superhero Movies – IMDb Ratings

As of now, Lokah Chapter 1: Chandra holds an impressive IMDb user rating of 8.3/10. For comparison, here are the scores of some notable post-2000 Indian superhero films:

  1. Minnal Murali (2021) – 7.8/10
  2. HanuMan (2024) – 7.7/10
  3. Bhavesh Joshi Superhero (2018) – 7.6/10
  4. Maaveeran (2023) – 7.4/10
  5. Veeran (2023) – 7.3/10
  6. Krrish (2006) – 6.5/10
  7. Brahmastra Part 1: Shiva (2022) – 5.6/10
  8. Ra.One (2011) – 4.9/10

Clearly, none of the above modern Indian superhero films of the post-2000 era have surpassed Lokah Chapter 1: Chandra in IMDb ratings. The closest competitor is another Malayalam superhero film, Minnal Murali, with a 7.8/10 score. It will be interesting to see if Lokah can maintain its position as the highest-rated Indian superhero movie in the coming days.

What Is Lokah Chapter 1: Chandra About?

Directed by Dominic Arun, the film follows Chandra (Kalyani Priyadarshan), a mysterious woman who arrives in Bangalore for unknown reasons. She works night shifts at a café and lives opposite two jobless youths, Sunny (Naslen) and Venu (Chandu Salimkumar). While Sunny is drawn to her, he senses something unusual. As Chandra’s true identity emerges, she becomes entangled in a dangerous organ trafficking ring and must face dark forces threatening the world.

Lokah Chapter 1: Chandra – Official Trailer

For more such stories, check out Down South 

Must Read: When Prabhas Chased Katrina Kaif For 6 Months, But She Allegedly Rejected His Baahubali 2 Star Power: “She Didn’t Think Working With Him Was Worth…”

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