From introducing the masses to beloved designer labels like Marques’Almeida and Alameda Turquesa, to providing production resources for countless others, Portugal plays a key role in the global fashion industry. So it makes sense that Lisbon Fashion Week would be a discovery platform for …
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It seems the British media is done talking about Prince Andrew’s depravity and all of the crimes he’s committed. They’ve successfully deflected everything to “should Andrew be kicked out of Royal Lodge” and “look, the Windsors are doing another dumb half-measure to punish Andrew.” Another key part of Operation Deflect From Andrew is the British press’s favorite standard: attacking the Duke and Duchess of Sussex no matter what. Throughout this week, Mail columnists have been trying to keep up the attacks, even as it became abundantly clear that the monarchy has done the most to protect a serial sexual predator for decades. “But Meghan went to Paris,” they cried. “But Meghan’s business is struggling, we swear!”
Well, the Mail’s Alison Boshoff has a new exclusive: Meghan lost another staffer! Back in June, the Sussexes did a major housecleaning on their comms team, letting go of some of their comms people and hiring Emily Robinson, who used to work for Netflix (and did publicity for The Crown). I said at the time that Meredith Maines – the comms guru who was hired in February – was probably behind all of the June streamlining. Well, now it looks like Emily Robinson has left the Sussexes’ employ!
The Duchess of Sussex has parted company with her tenth publicist in just five years after a big name she poached from Netflix quit after just three months. Emily Robinson joined Harry and Meghan’s team as director of communications in June, but she has already jumped ship.
Ms Robinson was always a controversial hire as she had worked on The Crown for years – a show which aired a number of damaging narratives about the Royal Family. The final series included scenes in which the ‘ghost’ of Princess Diana appeared to speak to The Queen and Prince Charles, which many found insensitive.
One friend of LA-based Robinson, who built up a reputation as a ‘tough cookie’ at Netflix, said: ‘It was her decision. She left a few weeks ago. She’s not a quitter, so things must have been pretty horrible for her to go.’
Ms Robinson’s LinkedIn profile does not currently include any reference to having worked with the couple, but other roles which she has held are listed.
Ms Robinson is at least the tenth publicist to leave the employ of Meghan and Harry since they left the UK for California five years ago (although two former publicists, James Holt and Miranda Barbot, have been promoted into non-PR roles). Remaining on their team are Liam Maguire, director of communications in Europe, and Meredith Maines, their chief communications officer. They met the King’s press secretary, Tobyn Andreae, this summer – which is thought to have paved the way for Prince Harry to briefly see his father last month.
The couple have suffered numerous PR disasters, most recently the duchess’s surprise trip to Paris Fashion Week.
“…Most recently the duchess’s surprise trip to Paris Fashion Week…” Ah yes, the publicity disaster of “Meghan drawing global headlines for looking amazing at the Balenciaga show.” Obviously, that’s why Emily left! She was like, no, I cannot have my client getting so much attention at Paris Fashion Week! It’s far more likely that Robinson left for a better job, or maybe there’s another restructure happening within Archewell, especially with Meghan focusing so much on As Ever. I’m defending the Sussexes’ comms team FINALLY because this year, they’ve really turned things around. Some of us had begged them for years to be more responsive, and to not allow these evil f–king narratives to fester unchallenged. And this year, we saw those changes. I believe it’s because of Maines as well.
Photos courtesy of Netflix.
Updated on: Oct 23, 2025 10:08 pm IST
Dude box office collection day 7: Keerthiswaran’s Pradeep Ranganathan and Mamitha Baiju-starrer Dude was released in theatres on October 17 ahead of Diwali to mixed reviews. However, the film has held its own at the box office, crossing ₹55 crore in its first week. Here’s how it’s faring.
According to the trade website Sacnilk, Dude made an estimated ₹1.48 crore net in India on Thursday, taking its total domestic collection to ₹55.78 crore. The film had an opening of ₹9.75 crore last Friday, with it raking in ₹10.4 crore and ₹10.6 crore over the weekend. The film also performed well on Diwali, earning ₹10.8 crore. It saw an expected dip on Tuesday, earning ₹8.75 crore, and a further dip on Wednesday, bringing in only ₹4 crore. With the weekend coming up again, it remains to be seen how the film will sustain. The movie crossed the ₹100 crore mark worldwide in just six days.
On Wednesday, Ilaiyaraaja approached the Madras High Court, stating that two of his compositions had been used in Dude without his permission. According to PTI, the musician’s counsel made the submission before a single bench, which was hearing Ilayaraaja’s plea against three music companies, including Sony Music Entertainment India Private Limited, for the ‘unauthorised’ use of his songs. The judge directed the petitioner to file a separate plea on the matter. The court scheduled the next hearing in the case for November 19.
Dude tells the story of two youngsters named Agan (Pradeep) and Kural (Mamitha) who have grown up together since childhood. Their life takes a turn when Kural proposes marriage to Agan, and unexpected family secrets come to light. Sarathkumar and Rohini play key roles in the film.
Dancing With the Stars fans are about to be changed for good during the show’s first-ever Wicked Night. To celebrate the upcoming release of Wicked: For Good, the remaining couples will be dancing to hits from the beloved Broadway show and film adaptation. Director Jon M. Chu will be serving as a guest judge for the Week 6 performances.
Since no one went home at the end of Dedication Night, you can expect to see at least one Season 34 couple be eliminated on Wicked Night. There could even be a double elimination! Who will defy gravity in the ballroom this week and dance to the top of the leaderboard? Which couple will bid farewell to the competition?
Scroll down for a recap of the night’s performances and scores. Plus, follow along as we find out who got eliminated at the end of the episode.
Ahead of the performances, the pros came together for an epic ensemble routine to Wicked hits after a special introduction from Cynthia Erivo and Ariana Grande, our very own Elphaba and Glinda. Derek Hough even got in on the action during the “Dancing Through Life” segment!
Scott Hoying and Rylee Arnold kicked off the night with a contemporary to “The Wizard and I.” Chu started off by declaring this the “best season of Dancing With the Stars ever.” While he wished the transitions had been “cleaner,” Chu told Hoying that he “swept” him away to Oz. Bruno Tonioli commended Hoying on his “determination,” but he advised Hoying to control the passion a little more. Hough added onto Chu’s note about Hoying and Arnold’s transitions. He urged them to “think about making [the transitions] more seamless” moving forward. Hoying earned all 7s from the judges.
Lily Allen has announced her first album in seven years: West End Girl is out this Friday, October 24, via BMG. Its 14 songs were mostly written by Allen and her musical director, Blue May, and the pair executive-produced the LP alongside Seb Chew and Kito. Below, check out Spanish artist Nieves González’s cover art.
In a press release, Allen said, “I’m nervous. The record is vulnerable in a way that my music perhaps hasn’t been before—certainly not over the course of a whole album. I’ve tried to document my life in a new city and the events that led me to where I am in my life now. At the same time, I’ve used shared experiences as the basis for songs which try to delve into why we humans behave as we do, so the record is a mixture of fact and fiction which I hope serves as a reminder of how stoic yet also how frail we humans can be. In that respect I think it’s very much an album about the complexities of relationships and how we all navigate them. It’s a story…”
Since her last album, 2018’s No Shame, Allen has appeared in various West End London theater productions and co-founded the podcast Miss Me.
© Jose Albornoz
Welcome back to Beauty Marks: Vogue’s weekly edition of the best moments in celebrity beauty, from Vogue editors’ IG feeds, and all the glam of the fashion and pop culture landscapes. Each week, we curate the nail art to pin for your next nail appointment, new recruits to ‘Team Bob’, and major red carpet moments from the week’s most glamorous affairs. As always, it’s as much about celebrity beauty as it is about the makeup artists, hairstylists, and nail artists, as well as the creators crafting the trends you’re about to see everywhere.
This week, hair was a major focus among the celebrity set: Kaitlyn Dever delighted in a tousled bob, while Addison Rae opted for a classical, early ’00s up-do. Rachel Zegler tried out a glossy half-up, half-down pony, and Doechii was every bit of a bombshell with curls that seemed to come with their own wind machine. Stepping out for London’s BFI festival, Jennifer Lawrence was confident in her perfectly coiffed bangs.
Scroll through the week’s best of celebrity beauty and pop culture’s glam below, and head to the app to vote for your favorite.
It was the season of creative director debuts and new ideas. There were upward of 15 new designers who took the helms at some of the biggest houses across the industry during the spring 2026 shows with highly anticipated debut collections, including Dario Vitale at Versace, Louise Trotter at Bottega Veneta, Jonathan Anderson at Christian Dior, and Matthieu Blazy at Chanel, who brought some of the most high-impact moments. This went in tandem with strong sophomore collections, where designers including Michael Rider at Celine and Haider Ackermann at Tom Ford continued to carefully construct and refine their visions.
Conversations throughout fashion month centered on the wave of change that is thrusting us into the future of fashion. It was a season about newness and challenging old ideas as designers presented collections that were doing something fresh and different. It was a palpable shift that ushered in shows that were cinematic, disruptive, bold, and optimistic. Sex appeal returned to the runway with seductive and provocative looks, off-kilter silhouettes reimagined femininity in fashion, and inventive styling including bold color clashing and advanced layering will influence editorial moments, red carpet looks, and how the fashion set is getting dressed. It was arguably the biggest fashion month ever, marking an unprecedented moment that will undoubtedly begin a new chapter in fashion. Ahead, read more on the 10 spring 2026 trends that are set to dominate fashion.
(Image credit: Launchmetrics Spotlight)
Debuts! Debuts! Debuts! There was an undeniable sense of newness on the runways that stemmed from the fresh creative leadership. At Chanel, Blazy took this head-on. “We can go two ways,” Blazy told Tim Blanks in an interview for Business of Fashion. “Either we do a clean, modern, by the codes, by the book Chanel show, and it’s a first step. Or we do this show as if it was our last. I took the last option.” The collection he unveiled was confident and new, including the finale look that embodied the joy and renewed energy we’ve been eager to see unfold. Though it infused the heritage and house codes from Coco Chanel, it was distinctly Blazy. This was mirrored at other debut shows too, including Anderson at Dior, Vitale at Versace, Trotter at Bottega Veneta, Pierpaolo Piccioli at Balenciaga, and Jack McCollough and Lazaro Hernandez at Loewe, who each brought their distinct visions to the runways.
(Image credit: Launchmetrics Spotlight)
If there were one collection from the entirety of the spring 2026 runway season that proved without a shadow of a doubt that sex is back in fashion, it was Hermès, a brand known to many for its more modest, sophisticated approach to dressing. The French house strayed from the norm this season, though, with Creative Director Nadège Vanhée embracing tighter and more revealing silhouettes made almost exclusively out of supple leather. Hermès wasn’t the only brand to err on the risqué side this season, though. Mugler’s new creative director, Miguel Castro Freitas, used his debut as a chance to do what the house has always done best: explicitly seductive tailoring. Meanwhile, Haider Ackermann’s second Tom Ford collection brought back the provocative look the brand’s founder is known for introducing at Gucci when he took the helm in 1994. From the ambiance to the clothes, everything at Ackermann’s sophomore show was both daring and sensual, bringing sexy back in a way that fashion people were all too willing to give a blatant two thumbs up for.
Massimo Dutti
Nappa Leather Midi Skirt
Saint Laurent
Francoise Boots
(Image credit: Launchmetrics Spotlight)
A bourgeois aesthetic has been percolating in fashion. Rider kicked the aesthetic off for spring 2026 at his debut Celine collection in July and doubled down on it for his summer 2026 sophomore show. Rider is distilling Left Bank Parisian style and American sportswear through a modern eye, making classic pieces like satin scarves, tailored trench coats, and colorful accessories feel cool and covetable once again. Rider has stated that his vision for Celine is built on “quality, for timelessness and for style,” and his designs emphasize well-crafted, collectible pieces that are meant to last and be worn for the long run over ephemeral trends. This attitude toward design was mirrored on the runways at more brands with a vision of the modern investment wardrobe. At Bottega Veneta, sumptuous pastel knits were styled with suiting. At Kallmeyer, printed satin scarves were draped over sleek navy jackets. At Tom Ford and Ralph Lauren, crisp white suiting interplayed with shirting and tied-up knits. It’s peak good taste.
Polo Ralph Lauren
Double Breasted Blazer
Amiya
Nevia V-Neck Sweater
(Image credit: Launchmetrics Spotlight)
With so much happening in the world around us, our phones constantly buzzing with alerts about another piece of bad news, it felt like a welcome reprieve to see fashion that felt optimistic and full of joy for once, instead of muted and minimalist. It wasn’t just bright colors, either. Though, those certainly did show up at Tom Ford, Jacquemus, and Chloé. Better, however, was the overall fresh energy, with floral patterns big and small mimicking the start of a new season for top houses like Chanel, Bottega Veneta, and Balenciaga. This feeling of delight was perhaps best seen at Blazy’s Chanel debut, when he stepped out from behind the metaphorical curtain to receive his standing ovation from the awed crowd, as well as an ear-to-ear smile and hug from his first Chanel bride, played beautifully by Awar Odhiang, who donned a skirt covered in a feathery melange that met the moment immaculately.
CHLOÉ
Thin-Strap Minidress
By Malene Birger
Henna Brooch
Saint Laurent
Boxy Belted Coat
(Image credit: Launchmetrics Spotlight)
While designers are presenting silhouettes and ideas that are entirely new this season, they’re also challenging us to rethink how we’re wearing the clothes that are already sitting in our closets. Inventive styling on the runways brought the most dialed-back staples such as button-down shirts, pencil skirts, and gloves together in fresh ways that breathe new life into them with layering. At Loewe, poplin shirts were worn one on top of the other in too many layers to count. At Prada, button-down shirts, sheer skirts, exposed underwear, and stackers were sandwiched together. At Versace, cardigans were tied around the waist, fanning open from where a single button was secured at the top. This will shake up personal style and open up an aspirational way to dress with advanced layering.
KHAITE
Remo Leather Gloves
(Image credit: Launchmetrics Spotlight)
The best part about winter dressing is that, if in possession of a really great (preferably, really long) coat, you can basically wear anything underneath with nobody the wiser about its quality. Sweatsuit? No problem. Leggings and an oversize sweater? No one has to know. It’s every fashion person’s trick, one that’s been in practice for years, but rarely do we see it put to use post-March. Once spring hits, our coats go into storage and out come lighter layers, and eventually, no layers at all. For spring 2026, however, designers clearly wanted to change that, debuting hero coats with the power to become your entire outfit, even when temperatures are above freezing. At Tom Ford, apple green and sleek burgundy trenches did all the work of a whole ensemble entirely on their own, while Saint Laurent models strutted outside the Eiffel Tower in sporty yet sleek trench coats made of billowy bylon that spoke for themselves. (Just add some ludicrously capacious earrings and an even larger pair of sunglasses.) For a more laid-back approach, Fforme, Celine, and Bottega Veneta all served up options that gave a more elevated yet effortless look, all of which completely hide your outfit underneath.
Polo Ralph Lauren
Leopard Print Haircalf Overcoat
ZARA
Zw Collection Frock Coat
(Image credit: Launchmetrics Spotlight)
It seems like the rest of fashion is finally picking up what Anthony Vaccarello’s been putting down at Saint Laurent for the last few seasons, which is 1980s-inspired, well, everything. Think big shoulders, small waists, pussy bows, and punchy colors and patterns, ranging from loud florals to more refined polka dots. The French house leaned into the era even further for spring 2026, with Vaccarello pulling from Rive Gauche archives, combining flowing fabrics and bold colors to dress “enigmatic women asserting their power,” according to the show notes. Chemena Kamali and Dario Vitale took a brighter, more optimistic approach to ’80s dressing, with Kamali shifting from Chloé’s signature ’70s boho to ’80s L.A. glam and Vitale marking his debut at Versace with a crowd-pleasing collection full of looks we can imagine a modern-day Fran Drescher wearing if she reprised her role in The Nanny all these years later.
Helsa
Peplum Leather Jacket
ZARA
Polka Dot Midi Dress With Belt
(Image credit: Launchmetrics Spotlight)
Color was a through line this season, often appearing with the use of joyful, optimistic shades such. There wasn’t one standout color but rather a rainbow of contrasting hues that were paired together in unexpected ways. Versace had a bourgeois ’80s meets ’90s Miami Beach palette that brought together colors such as lilac, cherry red, and cobalt all in one look. Other looks in the Versace collection had just as wild color pairings that shouldn’t work on paper but simply made sense when brought together in the outfits on the runway. This theme continued across fashion month, including at brands such as Loewe, Fendi, Prada, and Proenza Schouler, where clashing shades infused color back into the runway in a way we haven’t seen in many seasons. In collections such as Valentino and Tory Burch, we also saw the addition of punchy hues in a subtler way. We tracked the rise of powerful color pairing throughout the season and expect it to make one of the biggest impacts on how people will be getting dressed in 2026.
MARIA MCMANUS
Stretch-Wool Jacket
(Image credit: Launchmetrics Spotlight)
After years of ready-to-wear collections being described as pretty or wearable or hushed, spring 2026 brought up a very different conversation. For the season, designers at Tory Burch, Prada, Khaite, and Dior appeared to be driven by the “so wrong it’s right” mentality, drawing inspiration from imperfection and visual oddities as opposed to what’s traditionally been considered beautiful by society. In Prada’s show notes, Co-Creative Directors Raf Simons and Miuccia Prada discussed their use of “unexpected and unanticipated” elements being united on the body. They focused on liberating pieces from “seemingly inherent hierarchies,” using spring 2026 as an opportunity to make people think twice about how things have always been done. “There are radical reconsiderations of the fundamental properties of clothes—skirts find their points of suspension from the shoulder, brassières have shape without structure,” the show notes state. Frankenstein skirts, or garments crafted out of various opposing fabrics and cuts, became a primary example of the off-kilter nature of fashion in future seasons. At Tory Burch, the designer shared another comparable vision, noting “the complexity of women and different facets of their style,” and how both result in a mix of “precision and imperfection.” Clashing styles and juxtaposed aesthetics on the runway went to show how fashion is changing its approach, moving away from what women are expected to wear and toward what feels the most natural to them, which isn’t always clean lines, refined styling, and muted color palettes.
Prada
Shetland Wool Skirt
Tory Burch
Peep-Toe Sandals
(Image credit: Launchmetrics Spotlight)
Preppy dressing is back. Auralee has been linked with the preppy style resurgence for the past several seasons. Its take on pieces such as polos and cable-knit sweaters is bringing a refined and modern perspective on the classic styles. At Miu Miu, collared polo shirts in shades like tangerine were styled with midi skirts and printed scarves. At Loewe, polo shirts were also prevalent, often paired with V-neck sweaters on top in contrasting colors. Tory Burch, a brand closely connected to prep and American sportswear, brought elegant and sophisticated spin on the aesthetic. The collection was infused with inventive styling, including sports jackets with pops of bold color and layers of beaded necklaces. Perhaps the most unexpected brand to highlight the aesthetic was Prada, which featured crest-detailed polo jackets in shades such as Kelly green that are primed to be a cult buy next year. It’s a new lens on prep that is bringing preppy dressing back for 2026.
Alex Eagle X J.crew
Rugby Shirt
This year’s episodes of South Park have brought a resurgence of the franchise. Season 27 of the beloved series is a ratings bonanza for Comedy Central, as well as a creative triumph for its showrunners, Trey Parker and Matt Stone, and a delight for fans of irreverent topical satire. In fact, the animated hit’s fans have been so laser-focused on every detail of the show that they were quick to notice when Wednesday night’s episode marked the beginning of the show’s 28th season — an unannounced move that seemed to make little sense.
Wednesday night’s episode focused on several current issues, including surveillance, government encroachment on everyday life, and the annoying “6, 7” meme that has overtaken Gen Alpha. It also marked a whole new season of the show, which returned for its 27th season over the summer after a two-year hiatus to critical acclaim and the chagrin of the White House. Traditionally, South Park seasons consist of six episodes and, like most TV shows, have a long break until the next season begins. However, early in the latest run, it was widely reported that season 27 would consist of 10 new 22-minute episodes. All the better for the show’s many fans.
Ahead of Wednesday’s show, fans began to speculate as to why what was expected to be season 27’s sixth episode was being listed as season 28, episode 1. It must be a glitch, viewers assumed, or maybe a maneuver to fulfill Parker and Stone’s contractual obligations, given the retooling of their deal over the summer. It was perplexing for many to find that many of the plot threads set up in the five episodes that made up season 27 were continued as if they were the same season; in fact, nothing from the storylines — Donald Trump and Satan’s love child, Jesus’ entree into South Park Elementary as a counselor — had been resolved by episode five.
It turns out that this is a case of misreporting, a rep for the show suggested on Friday. Season 27 was never meant to be a full 10 episodes, and the showrunners had planned all along for Seasons 27 and 28 to bow at five episodes each, it seems. No announcement was made regarding the number of episodes in season 27 at the time it debuted, Comedy Central clarified to The Hollywood Reporter. This is all despite widespread reporting of a 10-episode run for the latest season. And what the rep told THR tracks: looking back at the press releases for this season, Comedy Central has consistently provided air dates for the upcoming episodes, but has never referred to them as part of a continuous season of 10 episodes.
Yet the latest season has had a perplexing schedule. Episodes 2701 and 2702 aired on the standard week-over-week schedule, but then it was announced that the team had switched to a biweekly schedule before the delayed fifth episode. That now-apparent season finale aired three weeks later, on Sept. 24. It was another three weeks before Wednesday’s surprise season 28 premiere episode.
Could there be more to this that we don’t know? Perhaps. Does it matter, as long as South Park keeps delivering pitch-perfect satire? Not really.
4:30 p.m. — If I want to make it to the next day, I’m going to need some food in my house, so off to the grocery store we go, where I buy ingredients for a few recipes I have in mind, plus a little bouquet of flowers to brighten my home. To be completely honest, grocery shopping is an adulting task that I’m still getting used to. The total amount is a lot, but I justify it because it’ll be cheaper than eating out. And by using my Klarna Card, I can easily track how much I’m spending in the app. And the beauty of this card — and how it differs from other cards — is that I can use it two ways: as a regular debit card wherever Visa or virtual payments are accepted (so, pretty much everywhere) and as a way to plan for a bigger purchase and pay later.
Varun Dhawan and Janhvi Kapoor’s film Sunny Sanskari Ki Tulsi Kumari has continued to perform steadily at the box office through its second week. The family entertainer has managed to hold its ground despite new releases.
In its second week, the film collected Rs 2.50 crore on Friday, Rs 3.75 crore on Saturday, Rs 4.08 crore on Sunday, Rs 1.40 crore on Monday, Rs 1.75 crore on Tuesday, Rs 1.25 crore on Wednesday, and Rs 1.15 crore on Thursday. With these numbers, the film has shown a strong hold over weekdays after a healthy weekend, proving that positive word of mouth is working in its favour.
| Day 1 (Thursday) | Rs 10.11 Cr |
| Day 2 (Friday) | Rs 6.01 Cr |
| Day 3 (Saturday) | Rs 7.80 Cr |
| Day 4 (Sunday) | Rs 8.20 Cr |
| Day 5 (Monday) | Rs 3.25 Cr |
| Day 6 (Tuesday) | Rs 2.50 Cr |
| Day 7 (Wednesday) | Rs 5.03 Cr |
| Day 8 (Thursday) | Rs 2.5 Cr |
| Day 9 (Friday) | Rs 2.50 Cr |
| Day 10 (Saturday) | Rs 3.75 Cr |
| Day 11 (Sunday) | Rs 4.08 Cr |
| Day 12 (Monday) | Rs 1.40Cr |
| Day 13 (Tuesday) | Rs 1.75 Cr |
| Day 14 (Wednesday) | Rs 1.25Cr |
| Day 15 (Thursday) | Rs 1.15Cr |
| Total | Rs 58.99 Cr |
The movie, directed by Shashank Khaitan, has struck a chord with family audiences thanks to its lighthearted storytelling, colourful presentation, and the refreshing chemistry between Varun Dhawan and Janhvi Kapoor. Their pairing, along with entertaining songs and emotional moments, has made Sunny Sanskari Ki Tulsi Kumari a complete family package.
Even in its second week, shows in major cities and smaller towns have witnessed good occupancy, especially during evening shows. The film’s relatable storyline and clean entertainment factor have contributed to its consistent run.
Trade experts believe that the film’s steady performance is a positive sign, especially at a time when only a few family dramas manage to sustain beyond their first week. With significant weekend growth and unwavering audience support, Sunny Sanskari Ki Tulsi Kumari continues to win hearts across India.
If the film maintains this momentum in its third week, it could comfortably enter the list of the year’s successful entertainers. Varun and Janhvi’s delightful performances, coupled with the film’s emotional and humorous appeal, have made Sunny Sanskari Ki Tulsi Kumari one of the most loved family films of the season.
For more news and updates from the entertainment world, stay tuned to Bollywood Bubble.
Manisha has established a reputation for insightful and engaging storytelling with over six years of expertise in the industry. With a deep passion for cinema, she brings a unique perspective to her coverage, making it a trusted voice in the entertainment world.