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Events

Raccoon Media Group and Messe München announce strategic partnership to redefine ISPO’s global future

by jummy84
written by jummy84

(L-R Mike Seaman, Group CEO at Raccoon Media Group, Doug Emslie, Chairman Raccoon Media Group, Stefan Rummel, Co-CEO at Messe Munchen and Harald Kirchschlager, Executive Director Corporate Strategy & Development at Messe München)

Raccoon Media Group and Messe München are joining forces to usher in a new era for ISPO, the world’s largest and most influential trade event for the sporting goods and outdoor industry. Under the joint venture, Raccoon Media Group will be responsible for the operational leadership of the event, with key figureheads from Messe München transferring into the new leadership structure to deliver an ambitious, future-facing vision.

From 2026, ISPO will start with a new strategic concept, refined event date of 3-5 November, avoiding key international holidays and aligning more strategically with buying cycles, as well as a new venue with a relocation to the RAI, Amsterdam. This opens the doors to a more globally connected marketplace and supports accessibility to a broader international audience. The concept represents a significant strategic shift designed to futureproof the event for the evolving demands of the global sports and outdoor market and to once again, create an event that is globally significant.

As part of this transformation, a €3 million investment programme has been announced, comprising:

  • €1 million into advocacy, supporting not-for-profit organisations that protect the natural environments in which people play, increasing participation and safeguarding the grassroots of the sports industry
  • €1 million into a global hosted buyer programme, ensuring robust ROI for exhibitors and attendees while strengthening international business opportunities
  • €1 million into a world-class content programme, designed to deliver cutting-edge insight, thought leadership and education across the sports and outdoor ecosystem

The reimagined ISPO will begin with The ISPO Leaders’ Summit, a C-suite conference bringing together global industry leaders for a first-class content programme. The Summit will welcome globally impactful C-suite executives, policymakers and industry leaders—including confirmed speakers Jimmy Chin (Filmmaker and Mountaineer), Hap Klopp (Founder, The North Face), Professor Laura McAllister (Vice President of UEFA), Andy Rubin (Deputy Chair, Pentland Group), John Lacey (CEO, Burton) and Pia Heidenmark Cook (Former Group Chief Sustainability Officer Ingka/IKEA) to shape the strategic agenda for a year of growth and innovation across the industry.

Following this will be a two-day streamlined and focused exhibition, uniting the global sporting goods, winter and outdoor community under one roof to showcase innovation, foster collaboration and drive commercial success.

The 2025 event will mark a dignified and memorable ISPO Show in Munich under Messe München’s stewardship. This year’s edition will define the first strategic cornerstones for the future – a milestone event that provides the ideal launchpad for the next chapter. Following this remarkable event, the leadership team of the newly established joint venture company will take the helm post-2025. For the first time in the event’s history, rebooking for the following edition will be available onsite – providing exhibitors and partners with a seamless transition into the next era of ISPO.

Mike Seaman, Group CEO of Raccoon Media Group, commented:
“We are incredibly proud to take ISPO into its next chapter. By combining the rich heritage and reputation of ISPO with our agile, forward-thinking, community-driven approach, we are creating an event that not only reflects the future of sport and the outdoors but actively shapes it. Our investments in advocacy, hosted buyers and content underline our commitment to delivering tangible value for the entire industry—from grassroots organisations to global brands.

Seaman continued: “The Sports and Outdoor market in Europe has fragmented over the last decade and needs a cohesive platform to discuss key issues, network and do business. In the USA we have seen the reduction in trade shows and the subsequent effects on the industry and associations – all during a time when advocacy and communal voice is needed the most on key issues like public lands.  We need to build ISPO into an event that is necessary and needed by the Sports and Outdoor Community. ISPO should help to protect the places we play, unite the industry and inspire the next generation of brands, leaders and businesses and that’s exactly what we plan to deliver.”

“We respond to market changes with care and consideration. The joint venture with Raccoon Media Group is a real new beginning and brings opportunities for the continuation of our traditional event. The focus on the growth of our major events at home and abroad strengthens our global market position as a top trade fair company. The industry will benefit from the partnership and receive important impetus,” say the two CEOs of Messe München, Stefan Rummel and Dr Reinhard Pfeiffer, in a joint statement.

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Melbourne indie upstarts shoot for global stardom
Music

Melbourne indie upstarts shoot for global stardom

by jummy84
written by jummy84

After turning heads locally in 2023 with their excellent debut album ‘Lush Life’, Melbourne band The Belair Lip Bombs made international headlines last year when they were announced as the newest signees to Jack White’s Third Man Records – in turn, making them the very first Australian act to join the label. It’s a big mantle to step up to, but it feels like a task the four-piece are equipped for – after all, it’s the drive and confidence that was present on ‘Lush Life’ that got them the gig in the first place.

The band’s second album ‘Again’, despite its title, is not a once-more go-around of ‘Lush Life’. Instead, it looks at that LP’s already-versatile nature and maps out new terrain for the ambitious indie rockers to explore. Such boldness is present in lead single ‘Hey You’, which buzzes with urgency due to its hypnotic Rhodes loop and the pounding, persistent drumming of new drummer Daniel Devlin (formerly of Delivery). It, paired with the satisfying rock-out finale of ‘Don’t Let Them Tell You (It’s Fair)’, showcases the band in full flight – reminding listeners that the Lip Bombs are a rock band first, indie band second.

Despite the aforementioned line-up change between ‘Lush Life’ and now, the band feel more sure of themselves from a musical standpoint. Lead guitarist Michael Bradvica, in particular, is an assertive presence throughout. His Nile Rodgers-style “chucking” on ‘Cinema’ gives the track both groove and depth, while his deft playing on the vulnerable, emotive ‘Smiling’ almost creates a dialogue of sorts between himself and vocalist Maisie Everett with transfixing results.

For her part, Everett has continued to develop her heartfelt vocal delivery on ‘Again’, making especially strong use of it in the album’s quieter, more pensive moments. Piano ballad ‘Burning Up’ might be the biggest sonic departure of the band’s young career thus far, and certainly feels like a considerable risk even when they’ve already established an eclecticism within their sound. For those that don’t talk over the quiet songs, however, a remarkable new side to the band can be found blossoming and blooming over the song’s four-minute runtime.

Rummaging through the wreckage of a relationship, Everett devastatingly assesses herself as “a prick in your thumb” and her former flame “a bruise in [her] lung”. “We were made for each other,” she sighs, “but we gotta blow out the flame.” With the churning guitars and swinging drumsticks traded in for E-bows and jazz brushes, the band aim for the heartstrings and don’t miss.

At an already exciting time for Australian music as a cultural export – from the rise of punk and hardcore acts like Amyl & The Sniffers and Speed, to the continuing arena dominance of Tame Impala and Rüfüs Du Sol – there’s unquestionably a space for The Belair Lip Bombs to thrive globally. ‘Again’, to paraphrase U2, feels like them auditioning to be the biggest band in the world.

Details

  • Record label: Third Man Records
  • Release date: October 31, 2025

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Is African Beauty the Next Big Global Trend?
Fashion

Is African Beauty the Next Big Global Trend?

by jummy84
written by jummy84

The world is waking up to the properties of these botanicals. The global market for moringa, for example — one of Africa’s most popular ingredients — is projected to reach $25.1 billion by 2035, up from $9.7 billion in 2024, according to US-based market research firm Spherical Insights. Cosmetics and personal care is one of the main application segments, underscoring the appetite for plant-based actives from the continent.

African botanicals have been used locally for generations, but the key opportunity for S’Able Labs lies in marrying natural products with cutting-edge skincare formulations to target a broader audience. “Where A-beauty is so well placed is in taking [traditional ingredients] to another level,” she says. “I want to see oat amino acids combined with kaolin clay, or black seed oil with vitamin C and ferulic acid.”

Among the more established players in the A-beauty space is RandR Skincare, founded by Valerie Obaze in Nigeria, which recently celebrated its 15th anniversary. The brand reimagined shea butter — traditionally sold solid — into a liquid format for ease of use and presented it in ways Obaze describes as “modern and desirable”.

For Obaze, what differentiates A-beauty is its approach to production and community. Many manufacturers of natural ingredients on the continent, particularly in West Africa, operate as cooperatives. RandR purchases from them at a fair price and provides training and financial literacy support to the women involved in production.

Liha Beauty’s core ingredients, including ivory and gold shea butters, are also sourced from cooperatives in Nigeria and Ghana, where the brand says it has built long-term relationships with women-led producers. “These partnerships ensure fair trade and maintain the traditional handcrafting methods that preserve the purity of the shea,” says co-founder Janita Brock.

Liha Beauty’s core ingredients include ivory and gold shea butters.

Photo: Courtesy of Liha Beauty

A-beauty at scale

Scaling is the primary hurdle for A-beauty to reach the same global prominence as K-beauty and J-beauty. Many brands that use ingredients sourced from Africa rely on artisanal or cooperative-based ingredient production, but logistics, export costs and inconsistent infrastructure slow regional trade. Africa’s Continental Free Trade Agreement was designed to ease barriers to intra-continental trade by standardising tariffs. But in reality, implementation has been uneven across the countries that ratified it.

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'BTS Movie Weeks' Crosses $10M At Global Box Office Ahead Of Boyband's Comeback
TV & Streaming

‘BTS Movie Weeks’ Crosses $10M At Global Box Office Ahead Of Boyband’s Comeback

by jummy84
written by jummy84

BTS Movie Weeks, a collection of four concert films from Korea’s history-making boyband, BTS, has grossed over $10M at the global box office, according to HYBE and Trafalgar Releasing.

The concert films were released in over 80 territories, across 2,700 cinemas, and premiered globally from September 24 to October 5.

There are screenings still ongoing this month and into November, across South Korea, Vietnam and Japan.

BTS confirmed in July that a full-length album will be released in spring next year, alongside a world tour, marking the group’s long-awaited return. In 2022, the group went on hiatus, as members Jin, Suga, J-hope, RM, Jimin, V and Jung Kook enlisted for Korea‘s mandatory military service and pursued solo activities.

BTS Movie Weeks was distributed worldwide by Trafalgar Releasing, excluding South Korea and Japan, where the title was released by Megabox and Avex, respectively.

Accompanying the film screenings around the world, cinema foyers carried installations and themed message walls, and also offered dancefloors and gathering spaces for BTS fans to come together.

Four concert films were screened: BTS’ 2016 performance “On Stage : Epilogue,” 2017’s “Live Trilogy Episode III: The Wings Tour —The Final,” 2019 world tour “Love Yourself: Speak Yourself — London” and 2021’s “Muster Sowoozoo.”

BTS Movie Weeks marks the third collaboration between HYBE and Trafalgar Releasing with added fan and exhibitor activations. Previous partnerships include the “HYBE Cine Fest In LATAM” in 2024 and “HYBE Cine Fest In Asia” in 2025.

“We’re truly excited by the response to BTS Movie Weeks” said Marc Allenby, CEO of Trafalgar Releasing. “It’s a testament to the enduring power of BTS and the anticipation for their return, while also showcasing innovative new ways to create global event cinema experiences.”

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Events

DRPG Named Global Agency of the Year in Landmark 45th Anniversary Year

by jummy84
written by jummy84

Integrated communications group DRPG has been named Global Agency of the Year at the 2025 C&IT Awards, recognising its development from a UK-based film agency into a global business operating across three continents.

The accolade lands in a landmark year for the group, its 45th anniversary, and coincidentally its 45th industry award of the year, underlining four and a half decades of creativity, innovation, and collaboration in the live, digital, and film space.

In Europe, the establishment of DRPG Germany in 2018 strengthened the group’s regional presence. Related industry notoriety includes RheinTalk, a German-language thought leadership series promoting knowledge exchange and collaboration.

In North America, DRPG has expanded through the acquisitions of A-Vision in 2021 and The Special Event Company (TSEC) in 2024. These moves have created a full-service US operation delivering live experiences for clients such as Lenovo, Pepsi, GSK, and BT.

Through its partnership with Maritz Global Events, under the More Than Experience alliance, DRPG has further extended its international capabilities, combining creative delivery with large-scale operational capacity for global clients.

Dale Parmenter, CEO and founder of DRPG, said, “This award couldn’t be more symbolic – 45 years, 45 awards, and recognition as Global Agency of the Year. We’ve built something truly unique, one agency that delivers globally, thinks locally, and collaborates well.

“For me, it’s a moment to celebrate the people who make DRPG what it is. Every success, every evolution, has come from the talent, passion, and dedication of our teams around the world. This award belongs to them.”

In 2025, international work represented 28% of DRPG’s total activity, with projections to exceed 35% in 2026. Following the TSEC acquisition, North American revenue doubled, and EBITDA grew by 94%.

Matt Franks, Global Director of Events at DRPG and CEO of The Special Event Company (TSEC), added: “For our clients, DRPG represents one connected network, a single global agency capable of delivering creative excellence anywhere in the world. Quality, creativity, service, consistency, time and cost efficiency: these are the reasons our clients see us as their agency of choice.”

Clients including BT, GSK, JLR, Novo Nordisk, Ferrari, IFS, and Lenovo now work with DRPG across multiple territories, supported by a single global service model.

Dagmar Mackett, Managing Director of DRP Germany, said, “Our strength lies in the breadth of what we offer, from live events and film to digital, strategy, and communications. Whether we’re producing a broadcast, an event, or a campaign, the approach is always the same: collaboration, shared insight, and creating value through integrated delivery.”

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Cricket in L1
Bollywood

Exclusive| Me Before You and Lazarus actor Sam Claflin on his global fandom: I don’t want to harbour…

by jummy84
written by jummy84

Sam Claflin became a globally renowned name with films like Pirates Of The Carribean: On Stranger Tides (2011), Me Before You (2016) and The Hunger Games series. As he gears up for the release of his mystery thriller series Lazarus, the British actor talks about the impact of this global fandom.

Sam Claflin

“I don’t think about it too much because that puts more pressure on things. I have a tendency to put everything into the world that’s in front of me on my mind. I feel lucky that there are people that watch the things that I’ve done. I try my best to sort of honour them as much as myself, but I feel the best way of honouring them is by honouring myself,” he says, adding, “I don’t want to harbour the responsibility of making other people happy anymore, but equally, I’m so grateful for everyone who’s got me to where I am and supported me through some really rough years. The better years are yet to come and I feel really lucky to be in this position.”

Watch the full video interview with Sam Claflin here:

Sharing his experience of working with legends like actor Bill Nighy and author-creator Harlan Coben, Sam Claflin calls it a “dream come true”. He adds, “I’ve been fortunate enough to have actually worked with Bill before, but we didn’t have many scenes together. So, having the opportunity to really go head-to-head with him during filming this was like a gift for an actor. He’s a very generous, giving and also a challenging actor to work with in a way that he just pushes you. He really forced me to be professional. As for Harlan, he is obviously an incredibly gifted writer. I’ve been a huge fan of the books and the adaptations that he has previously done. So it was a real no-brainer for me to get involved with this.”

His character Joel Lazarus goes through some intense situations in the series, and Sam admits that it did take a toll on him: “I had my own mini breakdown after filming. Without realizing it, the weight of the mental strain of playing Joe Lazarus, I did sort of carry over into my own life. I was just physically, emotionally and mentally tortured through the process of filming, but not in a bad way. I was also coming off the back of shooting something else, which again was very demanding. So, I put everything into it, everything that I had left in the tank anyway. It was an incredibly demanding and challenging role, but one that I was so eager to do and to do well. I was fortunately blessed with an incredible support network of great actors, filmmakers, and producers. I felt looked after but it definitely broke me in a great way.”

Glad about the love he receives from his Indian fans, Sam shares he hopes to visit the country soon. “I’ve never been to India and it’s on my list of places I’ve always been desperate to go. As an actor, I’ve been so blessed and fortunate to visit a few different places. And my hope is that India is going to be on that list one day and that there’s a project that will take me out there. But if not, I definitely have to go because I even have a friend who lives in Goa. So it’s on the list,” he ends.

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Events

Fenix has gone from launch to global recognition, earning trust from leading organisers and repeat business worldwide

by jummy84
written by jummy84

Fenix Event Tech is redefining what seamless event delivery looks like. Founded in 2024, we’ve grown from a bold start-up to a global player in less than two years, delivering for major events across Europe, the UK, the U.S., and beyond. Our mission is simple: to make event technology frictionless, adaptable, and human-focused.

What sets us apart is adaptability. Every event is unique, and we believe its technology should be too. From small executive meetings to large-scale international congresses, our modular ecosystem integrates with registration platforms, CRMs, and content systems through custom APIs. This ensures real-time updates, personalised badge printing, secure access control, and exhibitor lead capture—perfectly synchronised.

Fenix has gone from launch to global recognition, earning trust from leading organisers and repeat business worldwide img 5410Fenix has gone from launch to global recognition, earning trust from leading organisers and repeat business worldwide img 5410
Fenix has gone from launch to global recognition, earning trust from leading organisers and repeat business worldwide whatsapp image 2025 10 03 at 15.41.33 f2120a42Fenix has gone from launch to global recognition, earning trust from leading organisers and repeat business worldwide whatsapp image 2025 10 03 at 15.41.33 f2120a42

Our solutions go beyond branding and functionality. Every badge, entitlement, app flow, and scanning process is tailored to reflect the operational priorities and attendee experience of the organiser. The result is technology that feels invisible in its ease, yet powerful in its impact.

But our difference lies in more than systems. We operate as an extension of organisers’ teams, blending technical precision with the human touch that makes every delegate feel supported and welcomed. This combination of innovation, customisation, and care ensures friction-free delivery at every scale.

Fenix has gone from launch to global recognition, earning trust from leading organisers and repeat business worldwideimg 0964Fenix has gone from launch to global recognition, earning trust from leading organisers and repeat business worldwideimg 0964

In under 18 months, Fenix has gone from launch to global recognition, earning trust from leading organisers and repeat business worldwide. As proud finalists at the Event Technology Awards 2025 in Best Onsite Badging & Check-In Solutions and Best Technology Start-Up, we are committed to raising the bar for what event technology can achieve.

Fenix is more than technology. It’s the art of making complex events simple, scalable, and unforgettable.

Fenixeventtech.com | [email protected]

Fenix new contact usFenix new contact us

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Battlefield 6 error message: What does 'Global game quota exceeded' mean?
TV & Streaming

Battlefield 6 error message: What does ‘Global game quota exceeded’ mean?

by jummy84
written by jummy84

This creation suite is packed with the tools players need to build wild new multiplayer shooter experiences, as well as forays into new genres.

And yet, the ‘global game quota exceeded’ error has returned to spoil our fun. Here’s what it means, and what you can do if you’re hit by it.

What does ‘Global game quota exceeded’ mean in Battlefield 6?

As it did in Battlefield 2042, this error message is all about server capacity for building in the Portal.

Essentially, EA has a number of servers for running the online portions of Battlefield 6, and some are squarely focused on the Portal.

But, if too many players are building, there are no servers available and you get the dreaded ‘Global game quota exceeded’ message.

Can you fix ‘Global game quota exceeded’ in Battlefield 6?

There’s good news and bad news, and we’ll start with the latter – there really is no way to ‘fix’ the error. You’ll simply need to try again at another time, at least until EA works to amp up its server count (which may or may not happen).

You can keep an eye on the game’s Battlefield Comms account on X (formerly Twitter) for more information.

So, what’s the good news? The positive way of looking at this is that you can spend your time blitzing through the fairly short campaign or jumping into more standard multiplayer modes.

Since those don’t seem to have the same server capacity issues, you can be reviving, sniping, and generally having fun in the downtime where Portal is giving you the game quota error message.

RadioTimes.com awarded the game 4 out of 5 stars, saying: “My greatest issue with my time reviewing Battlefield 6 has been that, after having so much fun with friends during the beta, I have had to enjoy the last few weeks without them – you can’t get much higher praise for an online multiplayer title.”

“I’m not sure that Battlefield 6 lives up to the lofty heights of BF3 and 4, but whether that is nostalgia talking, who knows?”

“What I do know is that Battlefield 6 is certainly an excellent entry in the series, righting the wrongs of 2042 and setting the series back on the right path.”

“Maybe one day we’ll get our Levolution back, but for now, I think fans of the series should look forward to this one very much.”

Check out more of our Gaming coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more TV recommendations and reviews, listen to The Radio Times Podcast.

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Sunny Sanskari Ki Tulsi Kumari Box Office Day 9
Bollywood

Sunny Sanskari Ki Tulsi Kumari Box Office (Worldwide): Varun Dhawan’s Romantic Comedy Tops Global Charts; Becomes Highest-Grossing International Hit

by jummy84
written by jummy84

Varun Dhawan’s latest romantic comedy, Sunny Sanskari Ki Tulsi Kumari, has taken the international box office by storm, becoming his highest-grossing film overseas. The film, blending lighthearted humour, family emotions, and chart-topping music, has resonated deeply with audiences around the world.

Sunny Sanskari Ki Tulsi Kumari Box Office

In its first week alone, Sunny Sanskari Ki Tulsi Kumari has earned an impressive US$1.75 million (Rs 15.6 crore) abroad, highlighting Dhawan’s expanding global popularity. Notably, as per sources close to the production, its steady performance in North America saw the second Friday’s collections match those of the first, indicating strong word-of-mouth and repeat viewings.

The film has also outperformed several recent major releases across the UK, UAE, and Australia, including Param Sundari, Yoddha, Sky Force, Chandu Champion, Baaghi 4, and Metro In Dino. This robust overseas success not only marks a significant milestone in Dhawan’s career but also cements his status as one of Bollywood’s most bankable international stars.

Critics and fans alike have praised Dhawan for his impeccable comedic timing, expressive acting, and signature dance moves. His vibrant energy brings Sunny Sanskari to life, making the character both relatable and charming.

Adding to the film’s appeal are its hit songs, Panwadi, Bijuria and Ishq Manzoor which have become global sensations. Dhawan’s electrifying dance performances and effortless screen presence in these songs have garnered widespread acclaim, further boosting the film’s mass appeal. With Sunny Sanskari Ki Tulsi Kumari, Varun Dhawan has delivered a heartwarming entertainer that not only delights audiences but also reaffirms his position as a versatile star who can make people laugh, dance, and fall in love all at once.

About SSKTK

Directed by Shashank Khaitan, SSKTK is produced by Karan Johar, Adar Poonawalla, Apoorva Mehta, and Khaitan under the banners of Dharma Productions and Mentor Disciple Entertainment. The film stars Varun Dhawan as Sunny and Janhvi Kapoor as Tulsi Kumari. Also seen are Sanya Malhotra and Rohit Saraf as Ananya Bhatia and Vikram Singh.

For more news and updates from the entertainment world, stay tuned to Bollywood Bubble.

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Sky Nabs Matthew Macfadyen Comedy — Global Briefs
TV & Streaming

Sky Nabs Matthew Macfadyen Comedy — Global Briefs

by jummy84
written by jummy84

Sky Acquires Elizabeth Banks & Matthew Macfadyen Comedy

Sky has acquired The Miniature Wife, a U.S. comedy-drama starring Elizabeth Banks and Matthew Macfadyen, ahead of MIPCOM. The show will air on Sky and NOW in 2026. The series synopsis reads: Marriage gets hilariously complicated in The Miniature Wife, when Elizabeth Banks (Pitch Perfect, The Hunger Games) is unexpectedly shrunk in a technological mishap, much to the surprise of her husband, played by Matthew Macfadyen (Succession). Domestic life takes a turn for the perfectly mismatched pair, as their day-to-day turns into a razor-sharp battle for power. The Miniature Wife is produced by Media Res Studio and distributed by Sony Pictures Television.

Incredible Film Inks UK & Ireland Distribution Deal For Dutch-English Feature The North

EXCLUSIVE: Incredible Film has locked a distribution deal with UK-based Tull Stories for the Dutch-English feature The North. Tull Stories will handle the distribution of the film across the UK and Ireland. The North takes place a decade after Chris (Bart Harder) and Lluis (Carles Pulido) became best friends, as they set out on a 600-kilometre hike through the Scottish Highlands. Following the West Highland Way and The Cape Wrath Trail, they spend 30 days together in nature – hoping to rekindle their once-powerful friendship. Ahead of MIPCOM, Incredible Film has added Men at Work: Back in Business and Wild Heart to its slate. “We are continuing to expand our slate of bold, distinctive stories that travel. From emotionally charged dramas to uplifting feel-good features and powerful stories like The North – we’re showcasing not just variety in genre, but a consistent standard of high-end filmmaking and a slate designed to resonate across cultures and connect with audiences everywhere,” Daniëlle Raaphorst, CEO of Incredible Film, said in a statement.

Dinard Award Winners
Dragonfly by Paul Andrew Williams won the top award at the Dinard British & Irish Film Festival. Other winners include The Damned by Thordur Palsson, which won the Barrière Jury Prize; Harry Lawtey won the Best Actor Award for Mr. Burton. Mr. Burton also clocked the Audience Award, the Ouest-France Talent of Tomorrow Award went to Lillipop by Daisy-May Hudson, and the Shortcuts Audience Ciné+ OCS award went to Run Like We by Rhys Aaron Lewis. 

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