shows
Despite not fitting the tropical stereotype often attributed to (and intensely exploited by the Latin music industry, Argentina has always found ways to stand out. Historically known for tango and one of South America’s richest rock legacies (thanks to names like Fito Páez and Soda Stereo), the country is also an inexhaustible source of pop culture exports, from iconic telenovelas like Chiquititas and Rebelde Way to a new wave of global pop stars. Milo J stands in an interesting position regarding Argentina’s music scene.
When Latin music had a post-Despacito boom in the 2010s, Argentina’s most visionary artists carved a place in the Latin pop explosion with smart, self-assured moves. Singers like TINI, María Becerra, and Nicki Nicole emerged as A-listers of the movement, shaping their careers around the aesthetics and performance style of global pop stars.
Meanwhile, Argentine producers such as Bizarrap brought an electronic edge to reggaeton and urban pop, merging dance, house, and trap. Argentine music has never thrived only by “riding the wave” of rhythms born elsewhere, however. It has also built its own genres and styles (like RKT and turreo), and artists like Cazzu and Ca7riel & Paco Amoroso have experimented with pop and Latinidades in fresh, creative ways.
At first, the young Milo J seemed to belong to that latter context. After achieving international recognition with “Bzrp Music Sessions, Vol. 57” (2023), many expected him to continue exploring the trendy genre-blending trap-pop that defined his early sound, as seen in Rara Vez (2023), which remains his most significant success to date. Instead, in La Vida Era Más Corta (2025), Milo J went all the way back into the parts of Argentine music that the world is less familiar with: its traditional, folk music.
Those who’ve been paying attention to Milo J may have spotted clues of his musical ambitions in tracks like “Carencias de Cordura” (2023) or “NI CARLOS NI JOSE” (2024). La Vida Era Más Corta, however, is the most straightforward demonstration of the lengths he is willing to go for his artistry, which is impressive for an 18-year-old.
Perhaps the only unsurprising thing about his new album is his voice: a clean, direct, meslima-free, grounded baritone which sounds almost weightless. Here, Milo J’s timbre finally gets room to breathe. Divided into two discs, this project leaves no room for remixes or collages. Genres such as tango, chacarera, and Argentine folk are presented in their purest form. There’s no heritage-baiting or pop accessibility-chasing here.
In a 2025 interview with Apple Music, Milo J cited his grandmother from Santiago del Estero (Argentina’s oldest city and its cradle of folklore) as one of the album’s guiding inspirations. Indeed, La Vida Era Más Corta sounds like a musical tapestry woven from the shared roots of the Andino-Platine world, the cultural continuum that connects the South American pampas to the Andes.
There are even a few samba beats in the closing seconds of “Llora Llora”. Perhaps this is meant to be a discreet hint at Brazil, which is also part of that geographic-cultural collective, although not through samba, but through the gaúcho culture of its southern region, instead.
The album’s palette of timbres is colored by instruments such as the Andean flutes of “Solfican12” and by voices including Argentine rap star Trueno, Chilean trap singer AKRILLA, Argentine chacarera icons Cuti y Roberto Carabajal, and Argentine folk singer Soledad Pastorutti, among others. The collaboration with Silvio Rodríguez is also a highlight: the Cuban icon was a longtime idol of Milo J’s grandmother.
Although not stemming from South America, Rodriguez has a long tradition of collaborating with exponents of Latin American cancionero, including Mercedes Sosa, the ultimate voice of Argentine folk across Latin America. Sosa is also present in La Vida Era Más Corta: Milo J’s posthumous duet with her is the album’s closing track. What could better evoke the country’s musical heritage than that?
Nevertheless, La Vida Era Más Corta is far from a cheerful celebration of South American kinship. It’s a melancholic, deeply introspective record, whose tone is set from the first lyrics: “I have some tattoos under my skin that haven’t healed, and others that are reincarnated” (“Bajo de la piel”). That ache, both nostalgic and existential, lingers through the end.
In a way, what Milo J does in La Vida Era Más Corta compares to what Rosalía did in El Mal Querer (the Spanish singer’s stunning flamenco album released in 2018): it’s a display of youth inserting itself in an ancient landscape with more pride in its history than anxiety to modernize it. Thus far, among the most well-shaped Spanish-language albums of 2025, La Vida Era Más Corta arrives at a moment when Latin pop stars with global exposure are embracing their roots with more pride than ever, and Milo J does that for Argentina gorgeously and sincerely.
It’s that time of the year again — for Freeform to play some of its best holiday hits for its 25 Days of Christmas special! From the classics, such as Home Alone, to the modern favorites like The Santa Clause trilogy, Disney knows how to turn our binge-watching into a cheerful time.
Get the entire 25 Days of Christmas schedule right here!
- Monday, December 1
7:00 a.m. Richie’s Rich Christmas Wish
10:30 a.m. Cricket on the Hearth
11:30 a.m. The Santa Clause
1:35 p.m. The Santa Clause 2
4:00 p.m. The Santa Clause 3: The Escape Clause
6:00 p.m. Home Alone
8:25 p.m. Home Alone 2: Lost in New York
12:00 a.m. Jingle all the Way - Tuesday, December 2
7:00 a.m. I’ll Be Home for Christmas (1998)
10:30 a.m. Love Actually
1:35 p.m. Tim Burton’s The Nightmare Before Christmas
3:10 p.m. Home Alone
5:40 p.m. Home Alone 2: Lost in New York
8:20 p.m. Dr. Seuss’ How the Grinch Stole Christmas (2000)
12:00 a.m. Jingle All the Way 2 - Wednesday, December 3
7:00 a.m. Life-Size 2: A Christmas Eve
10:30 a.m. The Wonderful World of Disney: Holiday Spectacular (2025)
12:30 p.m. The Legend of Frosty the Snowman
2:00 p.m. The Santa Clause
4:05 p.m. The Santa Clause 2
6:30 p.m. Dr. Seuss’ How the Grinch Stole Christmas (2000)
9:00 p.m. Disney’s A Christmas Carol
12:00 a.m. The Santa Clause 3: The Escape Clause - Thursday, December 4
7:00 a.m. Miracle on 34th Street (1947)
10:30 a.m. Mickey’s Once Upon a Christmas
12:00 p.m. Jingle All the Way
2:00 p.m. Jingle All the Way 2
4:00 p.m. Home Alone (Freeform Pop’n Knowledge)
6:25 p.m. Home Alone 2: Lost in New York
9:00 p.m. Dr. Seuss’ The Grinch (2018)
12:00 a.m. Richie Rich’s Christmas Wish - Friday, December 5
7:00 a.m. The Family Stone
9:30 a.m. I’ll Be Home For Christmas (1998)
11:35 a.m. Mariah Carey’s All I Want For Christmas Is You
1:40 p.m. Mickey’s Twice Upon a Christmas
3:10 p.m. Dr. Seuss’ The Grinch (2018)
5:10 p.m. The Santa Clause
7:20 p.m. The Santa Clause 2
9:50 p.m. The Santa Clause 3: The Escape Clause
11:55 p.m. Disney’s A Christmas Carol - Saturday, December 6
7:00 a.m. The Legend of Frosty the Snowman
8:35 a.m. Mariah Carey’s All I Want for Christmas Is You
10:40 a.m. Arthur Christmas
12:45 p.m. Miracle on 34th Street” (1994)
3:25 p.m. Home Alone
5:55 p.m. Home Alone 2: Lost in New York
8:35 p.m. Frosty the Snowman
9:10 p.m. Rudolph the Red-Nosed Reindeer
10:15 p.m. Dr. Seuss’ How the Grinch Stole Christmas
12:55 a.m. Santa Claus Is Coming to Town - Sunday, December 7
7:00 a.m. Arthur Christmas
9:05 a.m. Miracle on 34th Street (1994)
11:45 a.m. Disney’s A Christmas Carol
1:50 p.m. Santa Claus Is Comin’ to Town
2:55 p.m. Frosty the Snowman
3:30 p.m. Rudolph the Red-Nosed Reindeer
4:35 p.m. Dr. Seuss’ How the Grinch Stole Christmas (2000)
7:15 p.m. Home Alone
9:45 p.m. Home Alone 2: Lost in New York
12:25 a.m. Tim Burton’s The Nightmare Before Christmas - Monday, December 8
7:00 a.m. Home Alone 3
10:30 a.m. The Little Drummer Boy (1968)
11:05 a.m. Home Alone
1:35 p.m. Home Alone 2: Lost in New York
4:15 p.m. Dr. Seuss’ How the Grinch Stole Christmas (2000)
6:55 p.m. Disney’s A Christmas Carol
9:00 p.m. Dr Seuss’ The Grinch (2018)
12:00 a.m. Santa Buddies: The Legend of Santa Paws - Tuesday, December 9
7:00 a.m. Snow
10:30 a.m. Cricket on the Hearth
11:35 a.m. Dr. Seuss’ How the Grinch Stole Christmas (2000)
2:15 p.m. Dr Seuss’ The Grinch (2018)
4:15 p.m. The Santa Clause
6:25 p.m. The Santa Clause 2
8:55 p.m. The Santa Clause 3: The Escape Clause
12:00 a.m. The Search for Santa Paws - Wednesday, December 10
7:00 a.m. Snow 2: Brain Freeze
10:30 a.m. Kung Fu Panda Holiday
11:00 a.m. Jingle All the Way
1:05 p.m. Jingle All the Way 2
3:10 p.m. Home Alone
5:40 p.m. Home Alone 2: Lost in New York
8:20 p.m. Dr. Seuss’ How the Grinch Stole Christmas (2000)
12:00 a.m. Santa Paws 2: The Santa Pups - Thursday, December 11
7:00 a.m. Santa’s Little Helper (2015)
10:30 a.m. The Family Man (2000)
1:25 p.m. Disney’s A Christmas Carol
3:25 p.m. Dr. Seuss’ How the Grinch Stole Christmas (2000)
6:00 p.m. Frozen
8:25 p.m. Frozen II
10:30 p.m. Olaf’s Frozen Adventure
12:00 a.m. Tim Burton’s The Nightmare Before Christmas
1:30 a.m. The Little Drummer Boy (1968) - Friday, December 12
7:00 a.m. Home Alone 3
9:00 a.m. Home Alone
11:25 a.m. Home Alone 2: Lost in New York
2:00 p.m. Home Alone
4:25 p.m. Home Alone 2: Lost in New York
7:00 p.m. Home Alone
9:25 p.m. Home Alone 2: Lost in New York
12:00 a.m. Home Alone 3 - Saturday, December 13
7:00 a.m. Merry Madagascar
7:30 a.m. Kung Fu Panda Holiday
8:00 a.m. Santa Buddies: The Legend of Santa Paws
10:05 a.m. The Search for Santa Paws
12:10 p.m. Santa Paws 2: The Santa Pups
2:10 p.m. Disney’s “Prep & Landing
2:40 p.m. Disney’s “Prep & Landing: The Snowball Protocol
3:15 p.m. Toy Story
5:15 p.m. Toy Story 2
7:20 p.m. Toy Story 3
9:50 p.m. Toy Story 4
12:00 a.m. Toy Story That Time Forgot
12:30 a.m. The Legend of Frosty the Snowman - Sunday, December 14
7:00 a.m. The Legend of Frosty the Snowman
8:30 a.m. Home Alone
10:55 a.m. Home Alone 2: Lost in New York
1:30 p.m. Arthur Christmas
3:30 p.m. Tim Burton’s The Nightmare Before Christmas
5:10 p.m. Disney’s A Christmas Carol
7:15 p.m. The Santa Clause
9:25 p.m. The Santa Clause 2
11:55 p.m. The Santa Clause 3: The Escape Clause - Monday, December 15
7:00 a.m. Jingle All the Way
10:30 a.m. Miracle on 34th Street (1994)
1:05 p.m. Disney’s A Christmas Carol
3:10 p.m. Home Alone
5:40 p.m. Home Alone 2: Lost in New York
8:20 p.m. Dr. Seuss’ How the Grinch Stole Christmas (2000)
12:00 a.m. Dr. Seuss’ The Grinch (2018) - Tuesday, December 16
7:00 a.m. Jingle All the Way 2
10:30 a.m. Kung Fu Panda Holiday
11:05 a.m. Arthur Christmas
1:10 p.m. Dr. Seuss’ How the Grinch Stole Christmas (2000)
3:50 p.m. Dr. Seuss’ The Grinch (2018)
5:50 p.m. Home Alone
8:20 p.m. Home Alone 2: Lost in New York
12:00 a.m. Santa’s Little Helper - Wednesday, December 17
7:00 a.m. Arthur Christmas
10:30 a.m. Merry Madagascar
11:00 a.m. The Little Drummer Boy (1968)
11:30 a.m. Home Alone
1:55 p.m. Home Alone 2: Lost in New York
4:25 p.m. The Santa Clause
6:30 p.m. The Santa Clause 2
8:55 p.m. The Santa Clause 3: The Escape Clause
12:00 a.m. Mariah Carey’s All I Want for Christmas Is You - Thursday, December 18
7:00 a.m. Mariah Carey’s All I Want for Christmas Is You
10:30 a.m. The Little Drummer Boy (1968)
11:00 a.m. Miracle on 34th Street (1994)
1:30 p.m. The Santa Clause
3:40 p.m. The Santa Clause 2
6:10 p.m. The Santa Clause 3: The Escape Clause
8:15 p.m. Rudolph the Red-Nosed Reindeer
9:20 p.m. Frosty the Snowman
9:55 p.m. Santa Claus Is Comin’ to Town
12:00 a.m. Home Alone 3 - Friday, December 19
7:00 a.m. Mickey’s Once Upon a Christmas
8:30 a.m. Santa Buddies: The Legend of Santa Paws
10:30 a.m. The Search of Santa Paws
12:30 p.m. Santa Paws 2: The Santa Pups
2:30 p.m. Santa Claus Is Comin’ to Town
3:35 p.m. Frosty the Snowman
4:10 p.m. Rudolph the Red-Nosed Reindeer
5:15 p.m. Home Alone
7:45 p.m. Home Alone 2: Lost in New York
10:25 p.m. Dr. Seuss’ The Grinch (2018)
12:25 a.m. Tim Burton’s The Nightmare Before Christmas - Saturday, December 20
7:00 a.m. Cricket on the Hearth
8:00 a.m. Arthur Christmas
10:00 a.m. Disney’s A Christmas Carol
12:05 p.m. The Santa Clause
2:10 p.m. The Santa Clause 2
4:40 p.m. The Santa Clause 3: The Escape Clause
6:45 p.m. Dr. Seuss’ The Grinch (2018)
8:45 p.m. Dr. Seuss’ How the Grinch Stole Christmas (2000)
11:25 p.m. Miracle on 34th Street (1994) - Sunday, December 21
7:00 a.m. Miracle on 34th Street (1994)
9:30 a.m. Jingle All the Way
11:30 a.m. Jingle All the Way 2
1:30 p.m. Dr. Seuss’ How the Grinch Stole Christmas (2000)
4:05 p.m. Santa Claus Is Comin’ to Town
5:10 p.m. Frosty the Snowman
5:45 p.m. Rudolph the Red-Nosed Reindeer
6:50 p.m. Home Alone
9:20 p.m. Home Alone 2: Lost in New York
12:00 a.m. Home Alone 3 - Monday, December 22
7:00 a.m. Kung Fu Panda Holiday
7:30 a.m. Home Alone
9:55 a.m. Home Alone 2: Lost in New York
12:30 p.m. Santa Claus Is Comin’ to Town
1:35 p.m. Rudolph the Red-Nosed Reindeer
2:40 p.m. Frosty the Snowman
3:15 p.m. The Santa Clause
5:20 p.m. The Santa Clause 2
7:50 p.m. The Santa Clause 3: The Escape Clause
9:55 p.m. Dr. Seuss’ The Grinch (2018)
11:55 p.m. Disney’s A Christmas Carol - Tuesday, December 23
7:00 a.m. Mickey’s Once Upon a Christmas
8:30 a.m. Mickey’s Twice Upon a Christmas
10:00 a.m. Frozen
12:25 p.m. Frozen II
2:30 p.m. Olaf’s Frozen Adventure
3:00 p.m. Disney’s A Christmas Carol
5:05 p.m. Home Alone 2: Lost in New York
7:45 p.m. Dr. Seuss’ The Grinch (2018)
9:45 p.m. Dr. Seuss’ How the Grinch Stole Christmas (2000)
12:25 a.m. Tim Burton’s The Nightmare Before Christmas - Wednesday, December 24 – Christmas Eve
7:00 a.m. Richie Rich’s Christmas Wish
10:30 a.m. Disney’s “Prep & Landing
11:00 a.m. The Santa Clause
1:05 p.m. The Santa Clause 2
3:30 p.m. The Santa Clause 3: The Escape Clause
5:35 p.m. Dr. Seuss’ How the Grinch Stole Christmas (2000)
8:15 p.m. Rudolph the Red-Nosed Reindeer
9:20 p.m. Frosty the Snowman
9:55 p.m. Santa Claus Is Comin’ to Town
12:00 a.m. I’ll Be Home for Christmas (1998) - Thursday, December 25 – Christmas Day
7:00 a.m. Disney’s A Christmas Carol
10:30 a.m. The Little Drummer Boy (1968)
11:00 a.m. Santa Claus Is Comin’ to Town
12:00 p.m. Disney Parks Magical Christmas Day Parade (2025)
2:00 p.m. Toy Story That Time Forgot (Disney-Pixar)
2:30 p.m. Dr. Seuss’ The Grinch (2018)
4:30 p.m. Frosty the Snowman
5:00 p.m. Rudolph the Red-Nosed Reindeer
6:00 p.m. Home Alone
8:25 p.m. Home Alone 2: Lost in New York
12:00 a.m. Dr. Seuss’ The Grinch (2018)
The Prodigy promise new “fuckin’ evil rave” music and to “deliver the punch” for huge 2026 shows
The Prodigy‘s Liam Howlett has spoken to NME about some “fuckin’ evil rave” music on the horizon and what’s in store for their run of huge outdoor shows in 2026.
After their UK and Ireland arena dates this April and May – a 12-date tour that sold out in record time and included two dates at Wembley Arena – the rave pioneers will now be playing some massive ‘Warrior’s Dance’ outdoor gigs next summer. These will mark some of the band’s biggest shows since the death of frontman Keith Flint in 2019.
“Every time we go out for a new tour or big shows like this, we spend a lot of time talking about what is possible – how can we make it better,” Howlett told NME. “We always try to make sure things are different and moving forward , but always delivering the punch, which it will.”
The tour will feature what promises to be a riotous Saturday show at Milton Keynes Bowl – made famous by the likes of David Bowie, Queen and Green Day – with the band returning after their legendary appearance at the iconic venue back in 2010.
“That Milton Keynes Bowl ‘Warriors Dance’ gig was like our Oasis at Knebworth,
it was a big moment for us as we had practically broken up during the early 2000’s,” recalled Howlett. “Then we all came back together in the studio to do ‘Invaders Must Die’ [2009], and that gig was the culmination of that album and what we had done before. It was an important and memorable gig for us.”
The founder, songwriter and multi-instrumentalist continued: “One thing that sticks in my mind is we were tearing around the site in golf buggies before it opened, racing around… Keef [Keith Flint] crashed into my one and ran me off the path into a bush.
“Keef was a master on two wheels, superbikes on track and the road, but he was a fucking terrible driver in anything with four wheels, during the mid ’90s Maxim [vocalist], Leeroy [Thornhill, former keyboardist] and me got to the point where we just refused to get in the car with him if he was driving.”
Howlett said that the band had considered playing other venues on the tour, but that the Bowl “just had more meaning for us”.
“A lot of shit has happened since then, and it just feels right to us to be back there to ignite the night once again,” he added.

The iconic DJs Carl Cox and David Rodigan will be on the bill for all four of The Prodigy’s ‘Warrior’s Dance’ shows, while drum’n’bass legend Andy C will play at the Milton Keynes and Manchester shows. Japanese producer ¥ØU$UK€ ¥UK1MAT$U and British trap metal artist SCARLXRD will also be at the Milton Keynes, Manchester and Edinburgh dates.
“We specifically asked Carl, Andy C and David Rodigan to join us on these gigs because each of them have been important figures of inspiration to us at key points with the band over the years,” explained Howlett. “I remember being in a club in London late 1990 and Carl played ‘Everybody In The Place’ from our first EP before it was released. I couldn’t believe it. That was the first time I’d heard my music being played outside the studio. That will always be a memorable moment for me.
“People who are into our band will know that Andy C remixed ‘Firestarter’, which was never gonna be an easy task. I know this because I find it fucking impossible to remix my own tunes, especially that one, but he smashed it apart, gave it a different angle and made a monster of a tune, a classic. Andy was also Flinty’s favourite DJ.”
Howlett also recalled how he would listen to Rodigan on the radio long before The Prodigy had formed. “He has always been there as a figurehead, playing inspirational rare music that I love, which became ingrained in my mind and part of the make-up of what I think about when writing Prodigy music,” he said. “I have a deep respect for all three of them.”
Spotlighting the rest of the support acts, he said: “We are also honoured to have the skills of ¥ØU$UK€ ¥UK1MAT$U direct from Japan, bringing his killer ‘Firestarter’ x ‘Kuliki’ mash-up from his Boiler Room set. And lastly SCARLXRD live, coming with his heavy as fuck mayhem.”
When Howlett last spoke to NME in 2024 (and the year before that), he teased progress on new material – saying that they were “writing bigger tunes and finding different ways to sonically attack the crowd”.
“Yeah, I did tell you that, didn’t I?” replied Hewlett when asked for an update this week, “and yeah, it’s coming along.”
He added: “Before, I described our sound as ‘evil rave’. This time the new tunes sound like ‘fuckin’ evil rave’.”
Asked if Flint’s fingerprints would be across the new record in any way, Howlett told us: “Keef will forever be deeply ingrained in The Prodigy sound. People will feel that when they hear our new music. When I’m writing beats in the studio, he’s always there in my mind, punching the air, spittin’ and snarlin’ in the background.”
So could we finally get some new tunes in 2026?
“Yeah,” replied Howlett. “New prodigy music will be heard next year.”
With a new generation of Prodigy fans to play to, so too are new waves of artists drawing inspiration from the headline-grabbing noise kings. Kneecap, for instance, have drawn comparison to the band for courting controversy while also tearing up festivals and dancefloors with their culture clash of sound.
“Well, there are lots of acts and bands out there doing their thing live,” ended Howlett. “I make sure I see as many as I can when I hear any noise about them, but none of them are The Prodigy.
“The Prodigy have only always been about the music, the escapism, the crowd, chaos, the unity, integrity and the ruckus. And that’s the way it will stay.”

The Prodigy’s full upcoming 2026 tour dates are below, with tickets to the new ‘Warrior’s Dance’ August gigs on general sale from 9am Friday (November 7) and available here.
APRIL 2026
15 – GLASGOW OVO Hydro
16 – MANCHESTER Co-op Live
18 – BIRMINGHAM Utilita Arena
19 – CARDIFF Utilita Arena
21 – BOURNEMOUTH BIC
22 – LEEDS first direct Arena
24 – LONDON OVO Arena Wembley
25 – LONDON OVO Arena Wembley
27 – BELFAST SSE Arena Belfast
28 – DUBLIN 3Arena
MAY 2026
01 – NOTTINGHAM Motorpoint Arena
02 – NEWCASTLE UPON TYNE Utilita Arena
AUGUST 2026
20 – DUBLIN IMMA
22 – MILTON KEYNES National Bowl
29 – EDINBURGH Royal Highland Showgrounds
30 – MANCHESTER Wythenshawe Park
Last year, Dirty Three returned with Love Changes Everything, their first studio album in 12 years, and played a number of shows in their native Australia in support of it. They’ve now announced their first North American tour since 2012. The shows will take place in March and April. See Dirty Three’s tour dates below.
Love Changes Everything marked Warren Ellis, Mick Turner, and Jim White’s follow-up to Toward the Low Sun. The musicians will soon also play shows in the United Kingdom and Europe, having not toured the region since 2016.
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Dirty Three:
11-29 Glasgow, Scotland – The Classic Grand
11-30 Glasgow, Scotland – The Classic Grand
12-01 Manchester, England – New Century
12-03 Leeds, England – Leeds Irish Centre
12-04 Bristol, England – Electric Bristol
12-06 Dublin, Ireland – Vicar Street
12-08 London, England – Barbican Centre
12-10 Utrecht, Netherlands – TivoliVredenburg
12-11 Brussels, Belgium – Ancienne Belgique
12-13 Tourcoing, France – Le Grand Mix
12-14 Paris, France – Élysée Montmartre
03-20 Portland, OR – Revolution Hall
03-21 Seattle, WA – Neumos
03-23 San Francisco, CA – Great American Music Hall
03-24 Los Angeles, CA – El Rey Theatre
03-27 Knoxville, TN – Big Ears Festival
03-28 Atlanta, GA – Terminal West
03-30 Washington D.C. – 9:30 Club
03-31 Baltimore, MD – The Recher
04-02 Philadelphia, PA – Underground Arts
04-03 Brooklyn, NY – Pioneer Works
04-04 Boston, MA – Sinclair
04-06 Detroit, MI – El Club
04-08 Chicago, IL – Thalia Hall
04-10 Toronto, Ontario – Concert Hall
04-11 Montreal, Quebec – Le Gesù
Baahubali The Epic box office collection day 5: Prabhas, Rana Daggubati film shows further dip, collects ₹27 crore
Updated on: Nov 04, 2025 10:11 pm IST
Baahubali: The Epic box office collection day 5: SS Rajamouli’s film, starring Prabhas, had a strong start but is showing a dip during the weekdays.
Baahubali The Epic box office box office collection day 5: SS Rajamouli’s Baahubali: The Epic, starring Prabhas, Rana Daggubati, Anushka Shetty and Tamannaah Bhatia, had a strong start at the box office when it was released on October 31. Since then, the remastered film has shown a consistent decline, with weekdays exhibiting a sharper drop. Here’s how it’s faring.
Baahubali: The Epic box office collection
According to trade website Sacnilk, Baahubali: The Epic collected an estimated ₹1.29 crore net in India on Tuesday, taking its total domestic collection to ₹27.39 crore. While these numbers are impressive for a re-release film, expectations were high for the film performing better than this. The films opened to a collection of ₹9.65 crore, along with ₹1.15 crore brought in from premieres.
Throughout the weekend, the film maintained momentum, despite a slight dip, bringing in ₹7.25 crore and ₹6.3 crore on Saturday and Sunday, respectively. However, on Monday, Baahubali: The Epic saw a sharp decline, earning ₹1.72 crore with a 72% dip. With the film having earned ₹26.10 crore net in India and ₹42.85 crore worldwide in five days, it remains to be seen how much the film collects in the coming days.
About Baahubali: The Epic
Baahubali: The Epic is an amalgamation of Rajamouli’s Baahubali: The Beginning (2015) and Baahubali 2: The Conclusion (2017). It tells the story of a young man named Sivudu, also known as Amarendra Baahubali (Prabhas), who learns of his father’s death, Mahendra Baahubali (also played by Prabhas), with his uncle, Bhallaladeva (Rana), taking over the throne meant for him. The new remastered film teased an animated story at the end, titled Baahubali: The Eternal War, which is set to be released in 2027 and will expand on the world of Mahishmati.
Salman Khan shows off ripped physique at 59: Secret to his fitness is exercising 6 times, eating ‘ghar ka khana’
Salman Khan delighted his fans on Monday, November 3, when he shared a shirtless picture of himself on Instagram, showcasing his ripped physique. “Kuch haasil karne ke liye kuch chhodna padta hai…Yeh bina chhode hai (To achieve something one needs to let go of some things…this is without letting go),” the actor wrote in the caption, hinting that he did not go on extreme diets or workout routines to achieve the physique.
Also Read | Cardiologist with 40 years of experience shares ‘4 heroes in Indian kitchen’ that are better than any supplement
So, what is the secret to Salman Khan’s fitness? In a March 2025 interview with Live Mint, the Bollywood superstar’s trainer, Rakkesh R Uddiyar, who has been working with him for over 20 years, shared several details about his fitness regimen, from his workout routine to his diet chart. Let’s find out.
The secret to Salman Khan’s physique
According to Rakesh, the actor does not delve into fancy routines; rather, he keeps things traditional by going for an ‘old-school, typical bodybuilding regime called the giant set.’ This routine, according to Salman’s trainer, is called a HIIT workout, with no rest, and he does it with the AC always turned off.
“He performs about 10 different variations of chest exercises, such as inclines, push-ups, fly and more. We start with one exercise, and he moves to the next without a break. The only rest he takes is when walking from one exercise to another. He doesn’t do heavy weightlifting but focuses on volume training. He will drink water in between,” the fitness coach revealed.
The actor doesn’t believe in spending hours at the gym. Rather, he takes about 30 seconds of a break between each exercise, which, according to Rakesh, is the time needed to walk from one exercise to the next, and wraps up his HIIT routine within 45 minutes to 1 hour. “HIIT makes you sweat, tires you out faster and burns more calories in a shorter time,” the coach explained.

What is Salman Khan’s routine?
Not just a workout, the actor also follows a disciplined lifestyle to complement his fitness routine. According to the trainer, he wakes up early in the morning, followed by a fasted cardio. Then, he does weight training whenever he finds time. “Without weight training and cardio, he won’t sleep,” Rakesh added.
Additionally, Salman works out 6 days a week with one day of rest. Though when he is shooting, the actor does take a break from cardio, but never misses out on weight training.
‘He only eats home-cooked food…’
As for his meals, the actor follows a 5 meals a day diet plan, which includes porridge, eggs, and fruits in the morning, followed by home-cooked food, either fish or chicken, in the afternoon. Rakesh added, “He only eats home food, cooked by his mother. No matter what food you bring him, he would say, ‘Ghar ka khana do. Mummy ne jo banaya wahi khana lagao. Wahi khaunga (I will eat home-cooked food, made by my mom)’. Salman takes some rice and prefers more vegetables. His salads are a priority.”
As for cheat meals, the actor enjoys them once a week, but never exceeds his intake of 2,000 calories. As for his favourite, it is biryani.
Note to readers: This article is for informational purposes only and not a substitute for professional medical advice. Always seek the advice of your doctor with any questions about a medical condition.
This report is based on user-generated content from social media. HT.com has not independently verified the claims and does not endorse them.
Baahubali The Epic box office collection day 4: SS Rajamouli film shows massive dip, crosses ₹25 crore mark
Updated on: Nov 03, 2025 10:19 pm IST
Baahubali The Epic box office collection day 4: The film starring Prabhas, Rana Daggubati, Anushka Shetty and Tamannaah Bhatia saw a massive dip on Monday.
Baahubali The Epic box office collection day 4: SS Rajamouli’s Baahubali: The Epic, starring Prabhas, Rana Daggubati, Anushka Shetty and Tamannaah Bhatia in lead roles, was released in theatres on October 31. While the film performed well in its first weekend, it experienced a significant drop in collections on its first Monday.
Baahubali The Epic box office collection
According to trade website Sacnilk, Baahubali: The Epic made an estimated ₹1.35 crore net in India on its first Monday, taking its total domestic haul to ₹25.7 crore. The film had a good opening, making ₹1.15 crore from premieres alone on Thursday and ₹9.65 crore on Friday. Through the weekend, the film made ₹7.25 crore and ₹6.3 crore.
Its opening weekend collection stood at ₹24.35 crore in India and ₹39.75 crore worldwide. While a dip is expected, given that it’s a weekday, it remains to be seen if the film sustains through the week. In Baahubali’s initial run, Baahubali: The Beginning (2015) collected ₹650 crore worldwide, while Baahubali 2: The Conclusion (2017) made ₹1788.06 crore.
Baahubali: The Epic was released with high expectations, with the film’s conclusion even announcing an animated story, titled Baahubali: The Eternal War, mounted on a ₹120 crore budget. It remains to be seen if it makes a dent at the box office.
About Baahubali: The Epic
Baahubali: The Epic is director Rajamouli and producer Sobhu Yarlagadda’s pet project. It is an amalgamation of both the Baahubali films. The combined runtime of over 5 hours was trimmed to 3 hours and 44 minutes. During the film’s remaster, it was visually and sonically elevated, with some scenes either being trimmed or removed. The film opened to a positive response, with excited fans heading to theatres to watch it again on the silver screen.
Influencer and entrepreneur India Royale has long been publicly linked to rapper Lil Durk. Even amid his recent arrest and legal troubles, she’s making it clear she’s standing by him. India’s latest Instagram post has social media talking and many are reacting to her show of loyalty.
Related: Love Note! India Royale Got In Her Feelings And Seemingly Sent Lil Durk A Message From The Heart (VIDEO)
India Royale Is Sticking Beside Her Man Lil Durk
It’s officially been one year since Chicago rapper Lil Durk has been incarcerated. He remains held without bail on federal murder-for-hire charges tied to a 2022 killing. His trial isn’t set to begin until early 2026, according to reports. Still, that hasn’t stopped his longtime partner, India Royale, from standing by his side.
On Friday Oct. 31, India Royale hopped on her Instagram Story and shared a candid photo of her and Lil Durk exchanging a kiss. Along with the image, she captioned it: “The whole world can go sour on you, I’m never switching up.”
Social Media Reacts
The online world was buzzing after India’s post. Fans and critics reacted in the comments section of The Shade Room.
Instagram user @thelilsleaze wrote, “me and India the only loyal people on earth”
Another Instagram user @tu_tu_314 wrote, “May this love never find me. 😊”
While Instagram user @__khaydofchicago wrote, “Girl I miss him everyday too 🥺”
Instagram user @tolanithomas wrote, “Boack women and struggle love 😭😩”
Another Instagram user @iamwormdadon wrote, “🫶🏽 they don’t make em like you nomo hard to find a solid one to stay down forever”
While Instagram user @shaunmoney__ wrote, “If he don’t come home them
Post gone be a little different 😂”
Instagram user @g.y.n.e.r_ wrote, “Cause she knows his coming home soon 😂”
Another Instagram user @itsrose_bella wrote, “Whoopty do 😂”
While Instagram user @jay_lamp93 wrote, “Didn’t she already leave him once? I might be tripping”
An Update On Lil Durk’s Time Behind Bars
Lil Durk is facing serious legal troubles following his arrest in Florida in October 2024. Authorities charged him with federal murder-for-hire offenses tied to the 2022 killing of Quando Rondo’s cousin, Saviay’a Robinson. Prosecutors allege Durk organized the plot in retaliation for King Von’s death. According to XXL, authorities also allege Durk placed bounties on several individuals.He’s being held without bail in Los Angeles and has entered a plea of not guilty. His trial is set for January 6, 2026.
Related: India Royale And Lil Durk’s Family Releases Statement Alleging “False Evidence” Is Being Used In His Federal Case
What Do You Think Roomies?
From brooding vampires to growling werewolves, reanimated heartbreakers to chaos-causing slashers, horror has gifted us some of the most unexpectedly sexy creatures in pop culture. Let’s get honest: Some of these characters could get it. These are the monsters who make us nervously check our phones… and maybe our closets. They’re scary, dangerous, and maybe just a little bit irresistible. Our hearts are beating fast, whether that’s from a little bit of desire or mostly fear, we’ll never know.
In the spirit of Halloween, Swooon has rounded up the hottest monsters across movies and TV, from the undead to the unhinged, the furry to the fanged. Some will haunt your dreams, some will make you laugh, and all of them are totally deserving (in some universe) of a swipe right.