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Adam Lippes Spring 2026 Ready-to-Wear Collection
Fashion

Adam Lippes Spring 2026 Ready-to-Wear Collection

by jummy84 September 12, 2025
written by jummy84

Adam Lippes has a lot to look forward to. A debut handbag collection launching in November. A new London store and three spaces in Japan, all opening in 2026. A first of its kind collaboration with a home appliance company. And possibly a new puppy? Gumball scampered around Lippes’s Fifth Avenue salon showroom like he owned the place.

His new spring collection will keep the brand momentum going, the boldness of his business plan seems to be reflected in how work. As with his resort offering, he used a December trip to Japan as a starting point, only here he turned up the dial. The vivid flower print and brocade of X and Y, a little cheeky by his standards, was inspired by the Shojo comic books read by young Japanese girls. The ballooning pants of last season, a riff on construction workers’ uniforms, were given the luxury treatment. In addition to chino cotton, he cut them in luxe evening silks and sheers. And peplums, modeled on kimono obis, were constructed to be removable from the slim skirts of different lengths they embellished.

Yet subtleties were just as essential to the story he was telling this season. The moire pattern of a brown silk satin scarf-neck blouse was rolled by an engraver, “the classic way.” If you spilled a drink, heaven forbid, the pattern “would just disappear,” Lippes said. The wood print of a shirt and full skirt modeled on the elaborate grain cultivated by Nakashima woodworkers, looked fairly mesmerizing—and will be cocktail party safe.

Also appealing is Lippes’s expanding denim offering. Though is launching a new collection of cowboy boots for his clientele in Texas and beyond (that’s another new project), don’t go expecting traditional five-pocket jeans. He treats his Japanese denim to special washes that render it almost unrecognizable in a shade of oyster gray, and cuts it like tailored suiting. A paperbag waist wiggle skirt with white buttons up the side is made in black double-face Japanese cotton twill from the “oldest denim house in the world”—a real showstopper.

September 12, 2025 0 comments
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Norma Kamali Spring 2026 Ready-to-Wear Collection
Fashion

Norma Kamali Spring 2026 Ready-to-Wear Collection

by jummy84 September 12, 2025
written by jummy84

For spring, Norma Kamali reissued (with some updates) and expanded on her famous sweats collection of 1980, which won her a Coty Award. “I literally knocked myself off,” the designer said with a delighted smile. That Kamali cut humble terry cloth fabric into fashionable garments meant not for the gym but the office and the dance floor was considered revolutionary at the time. (Plus ça change: Decades earlier fashion had been shocked by Coco Chanel’s elevation of jersey.)

While Kamali stressed that she took this decision because “it’s very sort of sober and clean . . . and it feels right for now,” she’s not unaware that she’s having a moment. Not only were the fall 2025 collections full of Kamalisms, but in June vintage dealer Juno de la Cruz started an Instagram page, Kamali Club, on which Chloë Sevigny, a long-time fan of the designer, has been active. Kamali’s 1980 collection was certainly a breakthrough moment, but, she emphasized, “It took me 14 years before I did the sweats, to be global, for me to know I could pay the rent.”

There are many reasons why the sweats seem in sync with the current moment, among them ’80s revivalism, a desire for comfort, and the evolution of the active trend into something that is less referential to the originals. Then there’s the unrelenting news cycle which has a lot of customers feeling cautious about where they put their money. For them, the designer introduced the Norma Kamali Lifestyle line of basics, all priced under $200. There’s no need to be drab, however; the designer intermingled sweats looks with silver lamé to vary textures. Other surface treatments include corded embroidery, and there was a peek-a-boo damask on mesh.

With the exception of a pink group, and some grays and silvers, this print-free collection was black and white, all the better to show off dramatic shoulder treatments. Adding a bit of softness to the offering was a segment of bohemian looks, including an off-the-shoulder stunner with extended handkerchief sleeves. One of the designs Kamali was most excited about was flat-front men’s-style pants in the gray terry. Like many pieces in the lineup they are, she noted “very sober and clean, which feels right, but also fun because of what it is.”

September 12, 2025 0 comments
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Lafayette 148 New York Spring 2026 Ready-to-Wear Collection
Fashion

Lafayette 148 New York Spring 2026 Ready-to-Wear Collection

by jummy84 September 12, 2025
written by jummy84

Lafayette 148 is celebrating its 30th anniversary this year. “We thought we would turn the lens to celebrating 30 years of dressing New York women,” said Emily Smith at the brand’s presentation in an airy Chelsea space. “Obviously we’ve gone more global since then.” She and her team had recently worked on a special collaboration with The Morning Show. “It was really fun to work on that project, working on characters and character building, so we kind of approached this collection the same way,” Smith said.

At the presentation, mannequins were outfitted with all kinds of New York-centric accessories—yellow Metrocards peeking out from crisp shirt pockets, classic “Thank You Have A Nice Day” coffee cups, and smiley face plastic bags done up in organza. The characters were each identified in quippy archetypes that adorned the foot of each mannequin, in a New Yorker-inspired typeface. There was “The Madison Avenue Matriarch” wearing a silk blouse and matching pleated skirt printed with illustrations of different iconic Manhattan locations, or “The Style Authority” in a white cotton poplin tunic, black skirt, and a leopard print cotton trenchcoat with a sateen finish (“For us leopard print is very neutral for New York”). It would’ve been nice to see that touch of humor and idiosyncrasy reflected more in the lookbook that accompanied the collection.

The clothes, meanwhile, were quintessentially Lafayette 148, although there was a more pared back approach this season. Instead of bold textures or fabric treatments, there seemed to be an emphasis on lightness, like a pink suit in tropical wool that let light through like a cotton poplin (“The Starchitect”, or the flirty black crochet dress woven with an organza ribbon left to create a layered frayed hem at the bottom (“The Guestlist Gatekeeper”). A simple dress with a built-in wrapped top appeared to be three separate pieces (“The Downtown Darling’). A button down shirt with extra-long front panels with button details could be draped, wrapped around, or left half-open to customize the fit. Worn by “The Diamond Status,” “The Editor-At-Large,” and “The Avant Garde,” they seemed poised to take the brand through the next 30 years. “For me the fact that you can take one piece and put it on three different people in three different ways is the beauty of it,” Smith said. “I really wanted to celebrate that.”

September 12, 2025 0 comments
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Michael Kors Collection Spring 2026 Ready-to-Wear
Fashion

Michael Kors Collection Spring 2026 Ready-to-Wear

by jummy84 September 11, 2025
written by jummy84

Michael Kors Collection Spring 2026 Ready-to-Wear

September 11, 2025 0 comments
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Alejandra Alonso Rojas Spring 2026 Ready-to-Wear Collection
Fashion

Alejandra Alonso Rojas Spring 2026 Ready-to-Wear Collection

by jummy84 September 11, 2025
written by jummy84

For the past few seasons, Alejandra Alonso Rojas has flirted with the idea of being a fully-sustainable designer—often making use of organic materials like silks or laces with low environmental impacts. But this spring, Rojas felt it was time to fully commit to this design ethos, so she released her first entirely-eco conscious collection made up of responsible fabrications. (All of her regenerative cottons, laces, or viscoses feature various GOTS or GRS certifications, which ensure they were made with recycled or non-harmful production processes.) She said it’s an M.O. that’s here to stay in her business—and better yet, Rojas also wanted to prove that such an approach does not mean sacrificing elevated or luxurious touches. “I didn’t want to do a fully-sustainable line that was basic,” she said. “In fact, it’s the most elevated collection I’ve ever made.”

As usual, Rojas looked to a sense of wanderlust for the direction of her new feminine dresses. The collection was inspired by a recent trip she took to Pompeii, Italy, where she was struck by the raw beauty of the archeological sites she visited. “I saw these paintings on the walls, and the colors—we incorporated a lot of these motifs that I took pictures of,” she said. Many of the eco materials she used—like regenerative cottons, or flax linens, “one of the most sustainable fibers because it needs so little water,”—had roughened-up textures to mimic the walls of Pompeii. One of her standout frocks, a pink number with a fitted bodice and full pleated skirt, also had frayed trimming to embody this duality. “There was something really nice about that rawness,” said Rojas.

Given her Spanish heritage, Rojas also couldn’t resist paying homage to her native country. She was influenced by the archives of the Casa de Alba in Spain—finding delight in the Alba family’s ornate art collections and fashions. This resulted in Rojas creating regal torero jackets (in a black crochet), sheer floor-length gowns made of recycled lace, and voluminous skirt silhouettes featuring under-layers made of recycled tulle. These may feel fanciful for the every day, especially for a designer known for her extreme ease and wearability, but it was a deliberate move on her part. “I wanted it to feel elevated. Sustainability is the highest luxury—it’s couture,” she said.

But it wasn’t just a technically-conscious collection. In addition to her eco materials, Rojas also wanted to incorporate more human touches to the assortment, like including lace appliqués crafted by artisans in Camariñas, Spain. “I was thinking about the planet, but also communities,” she said. Many of the materials she used, for instance, were FSC-certified, ensuring they come from responsibly-managed forests without disrupting the biodiversity and Indigenous communities surrounding them. “It’s an important certification from a nature and human point of view,” she said. These thoughtful choices may be indiscernible to the eye when taking in one of her new refined spring pieces, but Rojas will make them easily discoverable to the customer. “Every piece in the collection will have a QR code with details for transparency,” she said. “I have nothing to hide!”

September 11, 2025 0 comments
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Cinq à Sept Spring 2026 Ready-to-Wear
Fashion

Cinq à Sept Spring 2026 Ready-to-Wear

by jummy84 September 11, 2025
written by jummy84

Cinq à Sept Spring 2026 Ready-to-Wear

September 11, 2025 0 comments
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3.1 Phillip Lim Spring 2026 Ready-to-Wear Collection
Fashion

3.1 Phillip Lim Spring 2026 Ready-to-Wear Collection

by jummy84 September 10, 2025
written by jummy84

There’s a new woman in charge at 3.1 Phillip Lim. Michelle Rhee recently started as creative director of the brand, and she can only describe the process as a “whirlwind.” As an Asian American designer, she understands the impact of the legacy Phillip Lim left behind when he stepped down and what the label means. “The brand has always stood for the Asian American community. There’s something that makes 3.1 Phillip Lim more dimensional and bigger picture than just the products,” said Rhee at a showroom appointment.

For her first official collection, she wanted to still focus on the craft and the roots of 3.1 Phillip Lim. She spent her early days in the archive studying the brand’s signature pieces like the asymmetrical hemlines and homed in on new details. This season, asymmetrical dresses featured buttery viscose yarn with fringe trimmings, adding a fun and modern touch. Closet basics like leather jackets and trench coats came in new trapeze styles to add dimension and a touch of ease, allowing the wearer to feel stylish without much effort. “To me, the pieces feel how I want to feel at the moment. There’s just a very awesome body and dimension, but everything comes in really rich fabrications,” said Rhee.

Looking ahead, Rhee wants to focus on building a wardrobe for the everyday woman in New York and beyond. “I want to bring elements of femininity, but still with that New York edge and street cool the brand is known for, but also bring in a moment of fresh air with relaxing silhouettes.”

September 10, 2025 0 comments
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Fashion Institute of Technology Spring 2026 Ready-to-Wear
Fashion

Fashion Institute of Technology Spring 2026 Ready-to-Wear

by jummy84 September 10, 2025
written by jummy84

Fashion Institute of Technology Spring 2026 Ready-to-Wear

September 10, 2025 0 comments
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Brandon Maxwell Spring 2026 Ready-to-Wear Collection
Fashion

Brandon Maxwell Spring 2026 Ready-to-Wear Collection

by jummy84 September 10, 2025
written by jummy84

A decade ago, Brandon Maxwell was the new kid on the block, a stylist-turned-designer with his client Lady Gaga cheering him along from the front row. Most of the time, fashion can’t resist an anniversary, but Maxwell was clear about not focusing on his past at his Sotheby’s show location tonight. “There’s nothing really 10-year-anniversary about it other than the date,” he said. “I’m very much interested in looking forward.”

So, what does Maxwell see in his future? From the looks of this collection, he’s not just optimistic, he’s giddy. Start with the neoprene-backed plaid double-breasted blazer he opened with, and the slender bandeau boasting an emphatically big buckle he slipped underneath. Consider the fringe that draped from silk knit dresses and the cowhide print decorating a jean jacket. And get a load of the zoo animal illustrations that appeared on a boxy tee and pencil skirt. This was as loose as Maxwell’s been in years, maybe ever.

Funnily enough, he said he started the collection with wool silk failles and constricted and tight shapes. His shoulders bunched up near his ears as he remembered those early samples, and who wants to feel like that? For an antidote, he packed his team into the car and headed to the Design Library in the Hudson Valley, to see if anything sparked joy. “I’ve been trying to lean into my little pleasures in life and the things that make me happy,” he explained. “Part of what I was trying to do was tap into a sort of whimsical, childlike wonder.”

We’ve been hearing a lot about individual style lately; designers have assumed a less prescriptive attitude. It suits Maxwell. He’s tried on different styles and specialities over his 10 years in fashion—power tailoring and power ball gowns, among them—and has recently settled into a relaxed, yet urbane sportswear groove. Here, more of his Texas twang emerged: those bold buckles, the metal tip wedges, the leather bolo ties. For every well constructed jacket there was another silhouette in fluid jersey, and another in voluminous silk nylon, including a fun belted tracksuit sprouting feathers from the collar in cherry red. No constricted shapes—of the literal or the metaphorical variety.

September 10, 2025 0 comments
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Reem Acra Spring 2026 Ready-to-Wear Collection
Fashion

Reem Acra Spring 2026 Ready-to-Wear Collection

by jummy84 September 10, 2025
written by jummy84

Reem Acra’s spring 2026 appointments took place in an unusual manner; rather than her usual neat and tidy showroom, she turned her racks into trunks so that showroom attendees could envision what it would be like to unwrap a gown of their own, just like a princess would. “What I’m hearing from clients right now is that they want their whole wardrobes to be prepared for them,” explained Acra. “So I thought what a good idea it would be to just have our racks look like beautiful gift boxes filled with jeweled dresses ready to go for their events.”

Caftans are one of the brand’s best-selling pieces, and this season, they’ll come in even more colors and styles—including a version with a double-lined layer underneath for an extra formal touch. The designer emphasizes that caftans offer ample opportunities to show off personal style: she prefers to wear hers casually with slippers, but you can also pile on the bling and take it to the next level.

Acra is also exploring the needs of her younger clientele; she zeroed-in on a drop waist because “everyone works out and wants to show off their body,” along with more practical ankle-skimming dresses and skirts. She anticipates that popular pieces in this collection will be some of the skirts—they’ll come ankle grazing and with a touch of embroidery at the waist. While Acra pairs them with a more formal jacquard top, they also work more casually with a button-up or t-shirt.

September 10, 2025 0 comments
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