celebpeek
  • Home
  • Bollywood
  • Hollywood
  • Lifestyle
  • Fashion
celebpeek
  • Music
  • Celebrity News
  • Events
  • TV & Streaming
Home » ReadytoWear
Tag:

ReadytoWear

House of Dagmar Spring 2026 Ready-to-Wear Collection
Fashion

House of Dagmar Spring 2026 Ready-to-Wear Collection

by jummy84 December 14, 2025
written by jummy84

Two months ago the House of Dagmar opened a new flagship store in Stockholm. Designed by New York-based Alyssa Kapito, the interiors are spare, but the use of warm brown woods and a parquet floor that plays off other more whimsical geometries, like a diamond patterned wire wall grid, keep the space from feeling cold and strictly minimal.

The spring collection that will soon be available in it is also enticingly inhabitable. When the forecast predicts rain, for example, Dagmar’s clients will want to move into the brand’s elegant (detachable) cape trench. This offering has a light touch overall. The knits with which Dagmar first made its name, are now developed in-house and are whisper thin. A button-front pointelle with scalloped stripes offers an update on the marinière look, while layered knits in a soft blue that’s just on the other side of white, can be dressed up or down. Adding a touching element is the sharp looking, easy-to-wear check tailoring of lightweight summer wool, which was conceived as an homage to Giorgio Armani before his passing

December 14, 2025 0 comments
0 FacebookTwitterPinterestEmail
Ronny Kobo: A Trendy-Yet-Timeless, Celeb-Loved Ready-to-Wear Label
Fashion

Ronny Kobo: A Trendy-Yet-Timeless, Celeb-Loved Ready-to-Wear Label

by jummy84 November 14, 2025
written by jummy84


Brand Bio is Fashionista’s guide to the best independent fashion and beauty brands — a resource for retailers, job seekers, B2B companies and consumers alike. If you’d like your brand to be featured, fill out this form. Ronny KoboHeadquarters: New York, NYE-commerce: ronnykobo.comSocial Media: …

Continue reading

November 14, 2025 0 comments
0 FacebookTwitterPinterestEmail
Rio Spring 2026 Ready-to-Wear Collection
Fashion

Rio Spring 2026 Ready-to-Wear Collection

by jummy84 November 13, 2025
written by jummy84

It’s been–to say the least–a turbulent year for Los Angeles, with last winter’s wildfires giving way to ongoing ICE raids that have disproportionately targeted the city’s sizable Latino community. At The Rio World’s runway show at The Broad on Tuesday, November 11, though, resistance was not just palpable but joyful; the event, dubbed “A Poem and a Protest” was billed as “an immersive evening of fashion, music, performance, and art honoring creative spirit and cultural expression while celebrating the Latinx community of Los Angeles.”

Rio Uribe’s collection creatively reflected the influence that Latinos have had on the L.A. goth scene, with models dancing down the runway in dramatic black-and-white makeup, giant hoops, bucket hats, visible thong bikini bottoms under miniskirts, and—in one memorable instance–a skinny scarf. (Were we ever so young?)

Uribe’s talent for blurring oppressive and binary gender lines was as evident as ever, with the audience–which included model Vivian Wilson and influencer Aaliyah Mendes–hooting appreciatively at a low-slung, frayed, puffed take on a uniform kilt that seemed to recall Emma Corrin’s 2021 Miu Miu micro-mini, begging the question: is this the era of the schoolthey skirt?

Fun abounded through denim newsboy caps, sheer plaid T-shirts displaying bikini tops underneath, and fur coats that could have been borrowed from a grandmother’s closet layered over bare chests, but the night’s potent political message was consistent and carefully executed; a surveillance drone buzzed persistently in the air from the show’s opening moments to its close, and when singer Cain Culto–who also walked in the show–took the mic to perform his song “KFC Santería” (sample lyric: “F*ck Trump, F*CK ICE, free Palestine”), the tips of his fingers were blue, as if he’d recently been fingerprinted.

“I started designing the collection in summer of 2024, and it was very much about beauty and poetry and how much I love the beaches and the laid-back style; I made a lot of pieces that are ruffled and stretchy and comfortable with some sparkle and denim, but when we started seeing ICE raids and protests and budget cuts, I decided it would be kind of irresponsible or out of touch to continue with that collection,” Uribe said, adding, “We started building out this very armor-like section of the show that was quilted, reflective, ready for anything. In my mind, my girl is leaving work, going to a protest to stand up for herself and her friends, and then going out to dinner or to the club. What would that outfit look like? What does she need to be wearing?”

As the strains of cumbia and ’90s música romántica rang out through the crowd and the smoky perfume of a model’s lit cigarette reached the front row at the night’s end, the actual LAPD helicopters circling over downtown L.A. only reinforced the ominous yet defiant message sent by the silhouette of the drone against the Broad’s side: if you’re being watched (and imitated 24/7, you might as well put on a show.

November 13, 2025 0 comments
0 FacebookTwitterPinterestEmail
Barbara Tfank Spring 2026 Ready-to-Wear Collection
Fashion

Barbara Tfank Spring 2026 Ready-to-Wear Collection

by jummy84 November 4, 2025
written by jummy84

“Life is getting more casual. Let’s face it,” proclaimed Barbara Tfank during a recent video call to discuss her spring 2026 collection. It’s a new reality for the bridalwear designer, who is sought after for one-of-a-kind evening looks. Unlike her past collections, which had a more old-school formal feel, this season her models wore simple Manolo Blahnik flip-flop heels that more accurately reflect the way young women are dressing these days. She also embraced more cotton fabrications in an effort to make her offerings as suitable for daytime as they are for nighttime; including a matching cotton cropped top and skirt set. The designer explained she could imagine young women wearing it to work with a cardigan draped on top, and straight to a party afterwards. To further emphasize the skirt’s part-ready feel, she lined it with a crinoline to help maintain its shape and structure.

Tfank is a designer who cares about sustainability. She utilized deadstock fabrics and materials from previous collections she found in her atelier to create fun and flirty mini-dresses ready-made for now.

November 4, 2025 0 comments
0 FacebookTwitterPinterestEmail
Lee Mathews Spring 2026 Ready-to-Wear Collection
Fashion

Lee Mathews Spring 2026 Ready-to-Wear Collection

by jummy84 October 31, 2025
written by jummy84

Last season, Lee Mathews filled the first portion of her 25th anniversary runway show with dresses, outerwear, and sets that were predominantly white. It brought the focus to her silhouettes, which are characteristically intricate, unconstraining, and wearable in equal measure. Her latest collection was born of a new excitement about other time-honed archetypes. 

“The pushing forward to find all the new ideas… I’d rather go and be reminded of some of the things we used to do that were lovely, and haven’t seen the light of day for a long time, and start to re-work those,” Mathews shared. That began this season with “digging through the linen cupboard” of archival samples to find pieces that sparked joy in the present. Her daughter Matilda—who scours eBay and Depop and other resale sites to find older Lee Mathews pieces, as a way of owning memories of her mother’s work from her own childhood—was a key inspiration. Mother and daughter refer to this accumulation of material memories as a “magic cupboard.” “It sounds a bit sentimental,” the designer said of the process of looking back, “but it actually felt right.”

That manifested in a collection of punchy hues, which played to Mathews’s abilities with color and composition, working as memories seen with fresh eyes. There were pairings of white cottons with bold primary colors, as well as nimble knits and floaty organza confections. Detailed patterns and girlish ribbon adornments were countered by invigorating monochromatic pieces, like a gauzy aqua-blue organza dress, over a corresponding slip with tiny flowers dotted across. Mathews can pinpoint memories associated with some looks, but steered clear of too-obvious replications of the past, using intuition to find a midway point between then and now. “[Most of] the prints are actually prints from previous collections, but you wouldn’t recognize them,” she added. “I think that’s what I would like to do going forward: take from the past to put in the future, and keep evolving the chemistry.”

She is also considering having the collection’s exhilarating pink pieces in store windows when the range arrives at boutiques in time for southern hemisphere high summer, for a jolt of energy and exuberance. 

October 31, 2025 0 comments
0 FacebookTwitterPinterestEmail
Vogue World Spring 2026 Ready-to-Wear Collection
Fashion

Vogue World Spring 2026 Ready-to-Wear Collection

by jummy84 October 27, 2025
written by jummy84

© 2025 Condé Nast. All rights reserved. Vogue may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. Ad Choices

October 27, 2025 0 comments
0 FacebookTwitterPinterestEmail
Vivienne Westwood Spring 2026 Ready-to-Wear Collection
Fashion

Vivienne Westwood Spring 2026 Ready-to-Wear Collection

by jummy84 October 25, 2025
written by jummy84

While the Vivienne Westwood team’s spring 2026 collection was shot in a house close to the Champs-Élysées, captured in its light-filled chambres and wild garden, it was just down the road at Christie’s auction house in London where inspiration first took root. There, the late Dame Vivienne Westwood’s wardrobe was on display for auction: her fall 1983 Witches collection, a corduroy suit she wore for decades, Yorkshire tweeds, 18th century samplers. This set the scene for designs made for traversing the English moors, discovering the dark and decay amid the vegetation.

Rococo-style suiting, the impeccably tailored Bettina jacket, mini-skirts, and shorts that recall the Cafe Society collection were remixed in treated denims, windswept silks, and undyed, organic fabrics, with a rumpled and ragtag feel—like a tumble taken in the Garden of Eden. The ever-popular Sunday dress was made in crinkled gauze, and there was a spectrum of kilts in classic and high-octane colored tartans. Soft, airy knitwear sets featured a new take on the ‘Paradise’ print by artist and frequent collaborator Dominic Myatt, depicting a trash-filled, tarnished utopia—a tribute to Westwood’s climate activism and the brand’s continued eco ethos.

Nods to recent runway pieces from Andreas Kronthaler confirmed a growing sense of fluidity for the house, from A.K. to bridal (though, would you believe, the brand’s first-ever bridal-focused show only took place in April 2025?). In the mix were a bag-waisted pair of pants for both men and women, a diaphanous, inky-print jumpsuit, and sequin and trussed-up taffeta evening gowns. The Westwood lens on sportier sensibilities—including a pair of playful, visor-like sunglasses—and a deeper offering of the house’s classic tailoring reflected the wants of a younger audience who have become enamored with Vivienne Westwood through Depop dives and Bella Hadid. The brand has garnered increasing interest from young men, especially, looking for those slashed and remade silhouettes.

October 25, 2025 0 comments
0 FacebookTwitterPinterestEmail
Kith Spring 2026 Ready-to-Wear Collection
Fashion

Kith Spring 2026 Ready-to-Wear Collection

by jummy84 October 22, 2025
written by jummy84

For winter, Ronnie Fieg continued building upon the “return to classic Kith,” that he presented on the runway back in September. It’s a more mature and considered offering this season, and not just because the lookbook opens with Fieg himself wearing a tobacco brown double-breasted suit—with matching tonal shirt and tie—from the brand’s ongoing Giorgio Armani collaboration. (Get this on Jeremy Strong, stat!)

Fieg relishes the winter collections because he can really indulge in his love for fabrics and layering, and this season was no exception, with an emphasis on blown-up takes on classic textures like bouclés and chain stitches, and workhorse fabrics that deceive the eye, like a tightly knit felted terry used for a very ’80s oversized cropped sweatshirt with a cropped fit, or a patchwork suede and leather jacket that was actually faux but had the perfect worn-in patina of a vintage piece. A spectacular felted wool suit with a boxy, cropped double-breasted jacket and creased pants had the artful drama of a Beuys but made for every-day. A pair of herringbone trousers had a soft drape and a slightly stiff hand that made them one of the standout pieces of the collection.

Elsewhere, a collaboration with the Japanese label Ssstein yielded some super-cozy, steal-from-your boyfriend/husband/friend/whatever fuzzy sweaters, and silk wool swishy button-down shirts. While it was one of Fieg’s more subdued collections in terms of color palette, Kith’s signature funky pieces were were well represented: the statement leather bomber jacket, a devastating dark green pony coach jacket, a groovy tapestry fleece, and a pair of pleated jeans with darts at the front and back of the hem with a slightly carrot shape. “This is one of the best-fitting pants I’ve ever had,” Fieg said, which is of course one of the many reasons why he continues to get it right each season; because he makes clothes he actually wears everyday, and not just in photo shoots.

October 22, 2025 0 comments
0 FacebookTwitterPinterestEmail
Ponte Spring 2026 Ready-to-Wear Collection
Fashion

Ponte Spring 2026 Ready-to-Wear Collection

by jummy84 October 21, 2025
written by jummy84

The organizing principle of Harry Pontefract’s spring 2026 collection—a dress-up party—provides a framework that unites his disparate characters and demonstrates to best advantage the evolution of the brand and its pillars. These are story-telling, “exploration into the body and proportions,” and mind-blowing technique. Take look 19, a suit that was, hour after hour after hour colored in with pencils and then hand-burnished with a spoon to “smooth the layers into each other,” the designer said on a call. The Joan of Arc-like character in look 21 is wearing a dress made of wire filaments “finer than hair” that was cut by a hairdresser and then brushed with magnets. 

Even the simplest looking designs are simple in the slightest. The “nun’s” habit (the designer wants the viewer to assign roles to the figures) is made with a circular pattern. The “harlequin” bodysuits are made of diamond-shaped pieces of hosiery. Each garment is like a party unto itself, celebrating craft and imagination, memory, and the body. A lumpen-looking t-shirt is filled with microbeads that allow it to be manipulated into different shapes; the shoulders of an oversized blazer lean forward; and the “gilded” looks achieve the “living sculpture” aspect Pontefract was after.

You’ll note that this review is posting after the season. The lag is deliberate because, as the designer said, Ponte is “its own kind of beast in a way, because it’s not fashion, it’s not art, it’s not one thing or the other.” What it is is extraordinary. Every season Pontefract pushes the limits of what is possible in terms of make. The hours that go into the garments are like those that go into couture pieces. Yet there is, despite it all, a down-to-earth Englishness about the work. 

“Maybe I’m dreaming,” mused Pontefract, “but for me I see them as really wearable pieces. That’s why we put a lot of work into them. I mean it’s nice to escape . . . . Click[ing] through a series of pieces, it’s always like, ‘what’s going to be the next person and the next one and the next one and the next one?’ It’s a nice surprise. And I think I’m starved for things like that. You want to be surprised. And because next season maybe we will do just 30 suits . . . .”  If so, they’re sure to break the mold. Masquerade or not, Ponte is always building bridges between this and a dream world.

October 21, 2025 0 comments
0 FacebookTwitterPinterestEmail
Bite Studios Spring 2026 Ready-to-Wear Collection
Fashion

Bite Studios Spring 2026 Ready-to-Wear Collection

by jummy84 October 15, 2025
written by jummy84

Summer—rather than sex—in the city is what Bite Studios cofounders Veronika Kant and William Lundgren had in mind when designing for spring. There was less tailoring than might be expected for a collection aimed at the working woman, yet a white suit in an organic silk/wool blend fabric, that was a year in development, was spot on. (Note the curved seam of the pants.) 

The unexpected sheerness of a plaid fabric and the doubling of material on the torso of a shirred-front daffodil yellow dress were examples of how transparency was used to achieve a sense of lightness. The addition of pleats at the top front and back of sleeves created a feeling of forward motion, which, on a terrific black satin trench, was emphasized by extra volume at the back, in a sort of gently tethered superhero’s cape.

October 15, 2025 0 comments
0 FacebookTwitterPinterestEmail
Newer Posts
Older Posts

Social Connect

Facebook Twitter Instagram Pinterest Youtube Snapchat

Recent Posts

  • 2009 feels like a whole other world away

  • Watch Ariana Grande and Jimmy Fallon Perform a History of Duets

  • Spotify’s Joe Hadley Talks ARIA Awards Partnership

  • Nick Offerman Announces 2026 “Big Woodchuck” Book Tour Dates

  • Snapped: Above & Beyond (A Photo Essay)

Newsletter

Subscribe my Newsletter for new blog posts, tips & new photos. Let's stay updated!

Categories

  • Bollywood (1,929)
  • Celebrity News (2,000)
  • Events (267)
  • Fashion (1,605)
  • Hollywood (1,020)
  • Lifestyle (890)
  • Music (2,002)
  • TV & Streaming (1,857)

Recent Posts

  • Shushu/Tong Shanghai Fall 2026 Collection

  • Here’s What Model Taylor Hill Is Buying Now

  • Julietta Is Hiring An Assistant Office Coordinator In Dumbo, Brooklyn, NY (In-Office)

Editors’ Picks

  • 2009 feels like a whole other world away

  • Watch Ariana Grande and Jimmy Fallon Perform a History of Duets

  • Spotify’s Joe Hadley Talks ARIA Awards Partnership

Latest Style

  • ‘Steal This Story, Please’ Review: Amy Goodman Documentary

  • Hulu Passes on La LA Anthony, Kim Kardashian Pilot ‘Group Chat’

  • Hannah Einbinder Slams AI Creators As “Losers”

  • Facebook
  • Twitter

@2020 - celebpeek. Designed and Developed by Pro


Back To Top
celebpeek
  • Home
  • Bollywood
  • Hollywood
  • Lifestyle
  • Fashion
celebpeek
  • Music
  • Celebrity News
  • Events
  • TV & Streaming