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Lawrence Saint-Victor —
TV & Streaming

Lawrence Saint-Victor Gets Emotional as Carter Sends Hope off to Liam

by jummy84 October 5, 2025
written by jummy84

Life can change pretty quickly, and not for the better! That’s what Carter Walton, played by Lawrence Saint-Victor, found out on The Bold and the Beautiful last week when he went from wanting to plan his wedding to Hope (Annika Noelle) to setting her free from their relationship.

The day started out well with the two celebrating Hope’s fashion line, Hope For The Future, being reinstated at Forrester Creations. The jubilation over the revived division prompted Carter to tell Hope that he wanted to plan their wedding.

Alas, viewers saw Carter come to a fast but firm realization that Hope’s heart was with her ex-husband, Liam (Scott Clifton), and their daughter, Beth (Jordyn Gracie). For his heartbreaking performance as a man who has inexpiably lost out in love again, TV Insider is bestowing Performer of the Week honors on Saint-Victor.

Hope became distracted from her wedding plans to Carter by taking a text from Liam that included a photo of him and Beth at their Daddy/Daughter dance. Carter couldn’t help but notice the emotional shift that the woman he loves was able to make so quickly. While moms usually aren’t on the guest lists for those events, Carter knowingly told Hope, “And you want to be there, don’t you?”

Saint-Victor brought an understated gravitas to his delivery on that line and others as he was in the process of coming to the inevitable conclusion that Carter’s relationship with Hope was on the verge of ending.

CBS

“You want to be with Beth and Liam tonight,” Carter said to Hope. Saint-Victor performed the word “tonight” in a way that indicated Carter knew that this wasn’t just for one evening. It was going to be forever.

Hoping against hope that the relationship still might be salvaged, Carter gave a nervous chuckle when he pointed out to Hope that she wasn’t obligated to be at a “Daddy/Daughter” dance given its nature. However, he couldn’t deny where Hope stood. He knew it before she did, in fact.

“Go, be with your family,” Carter told Hope after she shared that she’d love to be there with Beth on her special night.

Again, Saint-Victor played that Carter wasn’t just letting Hope go for the night – he was sending her away forever.

Hope wasn’t quite there yet, realizing that this would be a split for good. She offered to stay in touch with him as the evening progressed. “Stay as long as it feels right,” Carter said with nothing but love in his voice. Slowly, Hope started to come to the conclusion that something was amiss and Carter was talking about an issue that was more substantial than them just being apart for a dance.

“I know we both had ‘hope for our future,’” Carter wistfully said as he noted the play on words between his personal desire and the name of Hope’s company. This wasn’t the first time that the phrase “hope for the future” was employed in dialogue that had nothing directly to do with Hope’s fashion line. We’ve been waiting for someone on the show who uttered those words to be aware of the pun, and Saint-Victor chose to have Carter be aware of the ironic wording at a very emotional time.

He then put it all on the table. “This is really difficult,” he said. Carter struggled a bit but then he found the words that would set Hope free.

“Give your daughter what she wants,” Carter said. “Give her her parents back. That’s what’s in your heart.”

Then, Carter took the engagement ring off Hope’s finger. The two cried and kissed, realizing that while they still loved each other this was for the greater good.

“Goodbye,” Carter said. While some actors can’t muster up tears, Saint-Victor did in these scenes, reminding viewers that real men can — and do — cry.

Emotionally drained, Carter went to Il Giardino to hear Daphne Rose (Murielle Hilaire) perform. Later, she joined him at his table and he updated her on his status as a single man. Despite calling himself a “loser at love,” Carter was able to muster a bit of a smile when Daphne took his hand. (Perhaps there’s hope for their…well, you know the rest.)

Time will tell if and when Carter manages to capture someone’s heart. However, there’s no question that Saint-Victor has the ability to touch our hearts with his vulnerable performances. Bravo!

The Bold and the Beautiful, Weekdays, CBS

October 5, 2025 0 comments
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'She Went Through Deep Emotional Pain', Recalls Abhishek When Jaya Bachchan Was Asked To Image Him As The Dead Body During A Shoot
Bollywood

‘She Went Through Deep Emotional Pain’, Recalls Abhishek When Jaya Bachchan Was Asked To Image Him As The Dead Body During A Shoot

by jummy84 October 4, 2025
written by jummy84

Almost every actor of the entertainment industry has to undergo grief pain and emotional rollercoaster to get into their character so did Bollywood’s legendary actress Jaya Bachchan. According to some of the media reports, she once faced a deeply personal and emotional challenge while filming “Hazaar Chaurasi Ki Maa” in 1998. Director Govind Nihalani asked her to imagine her son Abhishek Bachchan’s death for a pivotal scene, which left her visibly shaken.

Jaya Bachchan With Abhishek Bacchan

Jaya Bachchan Was Left Debastated

Let us tell you that Abhishek Bachchan, who was working as an assistant director at the time, recalled his mother’s distress. “She came back home and was deeply upset,” he said. Actually, Jaya Bachchan had to film a scene where she had to identify her son’s dead body, and the director’s request to imagine Abhishek’s death added to her emotional turmoil to that specific scene making it seems more realistic.

Jaya Bachchan

Also Read: ‘I Wish I Had Spoken Up For Her’, Sanjay Kapur’s Sister Mandhira Came In Support of Karisma Kapoor

During a recent conversation, Abhishek Bachchan reflected on the challenges actors face in bringing characters to life. “It sounds harsh, but actors go through this,” he said. “Even if he hadn’t said it, he would have thought it through to embody that emotion. You bring a lot of personal things into your work.” Abhishek emphasized the importance of directors in shaping an actor’s performance, likening actors to “puppets” who bring their emotions and experiences to their roles.

Jaya Bachchan

If we talk about the professional front of Abhishek Bachchan, then let us tell you that he has an exciting lineup of films, including “King” with Shah Rukh Khan and Suhana Khan, directed by Siddharth Anand. The film is set to release in 2027. Recently, Abhishek was seen in “I Want to Talk,” directed by Shoojit Sircar, which has received positive reviews.

October 4, 2025 0 comments
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Mahesh Manjrekar’s first wife Deepa Mehta dies, son Satya pens emotional tribute
Bollywood

Mahesh Manjrekar’s first wife Deepa Mehta dies, son Satya pens emotional tribute

by jummy84 September 28, 2025
written by jummy84

Updated on: Sept 28, 2025 07:45 pm IST

Mahesh Manjrekar’s first wife Deepa Mehta has died. Their son, Satya Manjrekar, confirmed the news.

Costume designer Deepa Mehta, who was previously married to filmmaker and actor Mahesh Manjrekar, has died. Mahesh and Deepa’s son, Satya Manjrekar, confirmed the news. As condolences and tributes poured in from friends and well-wishers, he reposted them in his Instagram Stories.

Filmmaker Mahesh Manjrekar’s first wife Deepa Mehta has died.

Deepa Mehta dies, son shares note

Satya shared a picture of Deepa on his Instagram Stories and wrote in the caption: “I miss you Mumma (red heart and white pigeon emoticons).” Several acquaintances of the late costume designers shared their tributes on social media.

Satya via his Instagram Stories.
Satya via his Instagram Stories.

One said, “Lost a guiding light today. She was more than a mother, she was an inspiration. Her strength, courage and passion in building her saree business empowered so many girls to dream big. She will always live on through the lives she touched and the paths she paved. Prayers and strengths to you Satya. May her inspiring soul give you courage.” For the unversed, Deepa ran a saree brand called Queen of Hearts. The brand gained wide popularity in the Marathi film industry.

About Mahesh and Deepa

Mahesh Manjrekar married Deepa Mehta in 1987. The two had known each other since their college days. They welcomed two children — daughter Ashwami Manjrekar and son Satya Manjrekar. However, their marriage ended in 1995, after which their children continued to live with Mahesh.

After separating from Deepa, Mahesh married actress Medha Manjrekar, with whom he has a daughter, Saiee Manjrekar. Saiee made her acting debut in Bollywood opposite Salman Khan in Dabangg 3. She has since appeared in films like Major and Kuch Khattaa Ho Jaay.

September 28, 2025 0 comments
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Rani Mukerji and Kajol sitting together
Bollywood

Kajol and Rani Mukerji Get Emotional While Unveiling Durga Puja Pandal, Share First Glimpse of ‘Maa’ See Here!

by jummy84 September 28, 2025
written by jummy84

Cousin-sisters Kajol and Rani Mukerji continued a beloved family tradition by unveiling their family’s Durga Puja pandal, marking the start of the celebrations. A gentle winter chill fills the air, but the festive spirit brings warmth, joy, and togetherness. As Dussehra nears, devotees everywhere honour Goddess Durga with prayers, flowers, and rituals. Bollywood stars Kajol and Rani proudly participate, keeping alive their family’s long-standing tradition. Their presence adds a special charm to the festivities. The Mukerji family celebrates with devotion, love, and happiness, welcoming the goddess with open hearts and sharing the joy of Durga Puja with everyone.

Kajol and Rani Mukerji Emotionally Unveil Durga Puja Pandal

The Mukerji family of Bollywood continued their long-standing tradition of hosting the annual North Bombay Sarbojanin Durga Puja. Like every year, this time too, Kajol and Rani Mukerji performed the idol unveiling of Goddess Durga. The cousin-sisters stunned in elegant traditional looks—Kajol draped a beige organza saree with a zari-bordered edge paired with a red blouse, while Rani chose a graceful white Bengali silk-blend saree. Keeping their make-up minimal, both looked effortlessly beautiful.

Rani and Kajol at Durga Puja Pandal

Kajol and Rani Mukerji unveiled the idol of Durga Maa by drawing back the curtains at the pandal, as the sacred chant Aigiri Nandini echoed in the background. Once the idol was fully revealed, the Mukerji sisters folded their hands in reverence, their faces glowing with devotion. Both Kajol and Rani appeared deeply moved, their emotions reflecting the divine moment before the Goddess.

Kajol and Rani Mukerji Joined by Ayan Mukerji, Honouring His Late Father’s Tradition

Kajol and Rani Mukerji weren’t the only members of the Mukerji family present at the pandal. They were accompanied by Kajol’s sister, Tanishaa, and their cousin, filmmaker Ayan Mukerji. Known for directing Brahmastra, Ayan marked his first Durga Puja celebration since the passing of his father, veteran actor Deb Mukherjee, fondly called Debu by the family, who died on March 14, 2025. Tanishaa told IANS that their beloved ‘Debu Kaka’ was the one who organized the Durga Puja pandal every year. This year, the celebrations carried a mix of joy and sorrow for the Mukerji family. For those unaware, Rani Mukerji took on the role of co-organiser for the family’s Durga Puja 2025. Sharing her thoughts, Tanishaa said:

Ayan Mukerji, Kajol and Rani Mukerji at Durga Maa Pandal

“It is a time of little sadness for our family, along with a little excitement because this year there have been three deaths in our family. Our Debu Kaka (Deb Mukherjee), who used to organise Durga Puja every year, is no more, and for us it would be a little difficult to attend the puja this time. However, there is a lot of excitement as well because we are taking his dream forward.”

Tanishaa, Rani Mukerji and Kajol

Each year, Kajol and Rani Mukerji lead their family enthusiastically, chatting warmly with relatives and offering flowers to Goddess Durga’s idol. This year too, their devotion remains just as strong, though the celebrations carry a quieter tone, as the family continues to grieve the loss of three loved ones. To watch, click here.

September 28, 2025 0 comments
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Wicked: For Good Dialogues - Ariana Grande And Cynthia Erivo's Emotional Rollercoaster In This  Musical Fantasy Film | Glamsham.com
Lifestyle

Wicked: For Good Dialogues – Ariana Grande And Cynthia Erivo’s Emotional Rollercoaster In This  Musical Fantasy Film | Glamsham.com

by jummy84 September 27, 2025
written by jummy84

The final Wicked: For Good trailer has finally arrived, giving us an electrifying first glimpse at the climactic sequel to the beloved Wicked franchise. Released on September 24, the trailer hints at a darker, more emotionally fraught installment within the world of Oz as conflict ignites between Ariana Grande’s Glinda and Cynthia Erivo’s Elphaba.

The trailer opens with a heated exchange between the two witches. Glinda says, “I’m a public figure now, people expect me to—” before Elphaba cuts in sharply with, “Fly?” What follows is a striking showdown, including a moment where Glinda smashes her wand against Elphaba’s broom on the Yellow Brick Road, symbolizing their fractured bond.

Fans of the Broadway musical will be thrilled to hear powerful renditions of iconic songs, including Glinda’s polished “Thank Goodness” and Elphaba’s defiant “No Good Deed.” Romance adds further emotional weight, as Elphaba and Fiyero (Jonathan Bailey) share a passionate midair duet in “As Long As You’re Mine.”

Chaos ensues when Glinda and Fiyero’s wedding is interrupted by stampeding animals, leading Madame Morrible (Michelle Yeoh) to exclaim, “This is the work of the Wicked Witch!” While the story delves into betrayal and sacrifice, moments of levity remain—like Glinda’s gleeful line, “I’m obsess-u-lated!” as she floats in her signature bubble.

The trailer gives the audience a nostalgic vision of the classic characters of Oz—the Cowardly Lion, Tin Man, and Scarecrow—and the climactic moment that Nessa Rose (Marissa Bode) floats into the air as her shoes shimmer into the tattered ruby slippers.

Also Read: The Ultimate Showdown: Ariana Grande vs. Cynthia Erivo in the Final Wicked: For Good Trailer!

Directed by Jon M. Chu and written by Winnie Holzman and Dana Fox, Wicked: For Good enters theaters on November 21, 2025, with an epic conclusion bursting with music, magic, and redemption.

We have dialogues from the trailer of Wicked For Good starring Ariana Grande and Cynthia Erivo. Check out Wicked For Good Dialogues below:

“Its more important than ever that you lift everyone’s spirits” – Madame Morrible (Michelle Yeoh)
i'm obsessulated - glinda upland (ariana grande)
“I’m obsessulated” – Glinda Upland (Ariana Grande)
"you can wave that wand all you want, but you have no real power" - elphaba thropp (cynthia erivo)
“You can wave that wand all you want, but you have no real power” – Elphaba Thropp (Cynthia Erivo)
"i'm a public figure now, people expect me to be encouraging" - glinda upland (ariana grande)
“I’m a public figure now, people expect me to be encouraging” – Glinda Upland (Ariana Grande)
"i'm off to see the wizard" - elphaba thropp (cynthia erivo)
“I’m off to see the wizard” – Elphaba Thropp (Cynthia Erivo)
"bring me the boom of the wicked witch of the west. so i have proof that she's dead" -  wonderful wizard of oz (jeff goldblum)
“Bring me the boom of the Wicked Witch of the west. So I have proof that she’s dead” – Wonderful Wizard of Oz (Jeff Goldblum)
"just look at me not with your eyes with theirs" - elphaba thropp (cynthia erivo)
“Just look at me not with your eyes with theirs” – Elphaba Thropp (Cynthia Erivo)
"think of what we could do together" - glinda upland (ariana grande)
“Think of what we could do together” – Glinda Upland (Ariana Grande)

September 27, 2025 0 comments
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Jimmy Kimmel Gives Emotional, Resolute Monologue in First Show Back from Suspension
Music

Jimmy Kimmel Gives Emotional, Resolute Monologue in First Show Back from Suspension

by jummy84 September 24, 2025
written by jummy84

Jimmy Kimmel returned to the air Tuesday night, five days after his late-night show was unexpectedly pulled by Disney amid FCC pressure over comments he made surrounding comments regarding Charlie Kirk’s murder. Many—including Kimmel himself—believed that his comments were misconstrued and that the FCC used the episode as an opportunity to exert undue influence over ABC affiliates, effectively silencing one of Donald Trump’s most prominent critics.

“I’m not sure who had a weirder 48 hours: me or the CEO of Tylenol,” Kimmel said to kick off his opening monologue.

Kimmel began by thanking fans, as well as the conservatives who supported him, including Ben Shapiro, Mitch McConnell, Ted Cruz, and Joe Rogan. “Even though I don’t agree with many of those people on most subjects — some of the things they say even make me want to throw up — it takes courage for them to speak out against this administration, and they did, and they deserve credit for it. Our government cannot be allowed to control what we do and do not say on television.”

From there, Kimmel directly addressed his comments regarding Charlie Kirk. “It was never my intention to make light of the murder of a young man,” he said through tears. “I don’t think there’s anything funny about it. I posted a message on Instagram of the day he was killed, sending love to his family and asking for compassion, and I meant it. I still do. Nor was it my intention to blame any specific group for the actions of what it was obviously a deeply disturbed individual. That was really the opposite of the point I was trying to make, but I understand that to some that felt either ill-timed or unclear, or maybe both, and for those who think I did point a finger, I get why you’re upset. If the situation was reversed, there’s a good chance I’d have felt the same way.”

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“I have many friends and family members on the other side who I love and remain close to even though we don’t agree on politics at all. I don’t think the murderer who shot Charlie Kirk represents anyone,” Kimmel continued. “This was a sick person, who believes violence was a solution, and it isn’t — ever.”

Kimmel also praised Kirk’s wife, Erika: “Erika Kirk forgave the man who shot her husband. She forgave him. That is an example we should follow. If you believe in the teachings of Jesus, as I do, there it was. That’s it. A selfless act of grace, forgiveness from a grieving widow.”

“It touched me deeply,” Kimmel added. “I hope it touches many, and if there’s anything we should take from this tragedy to carry forward, I hope it can be that and not this.”

Ultimately, Kimmel concluded: “I don’t want to make this about me. This show is not important. What is important is that we get to live in a country that allows us to have a show like this. I’ve had the opportunity to and spend time with comedians and talk show hosts from countries like Russia, countries in the Middle East who tell me they would get thrown in prison for making fun of those in power. And worse than being thrown in prison, they know how lucky we are here. Our freedom to speak is what they admire most about this country. And that’s something I’m embarrassed to say I took for granted until they pulled my friend Stephen [Colbert] off the air and tried to coerce the affiliates who run our show in the cities that you live in to take my show off the air. That’s not legal. That’s not American. That is unAmerican.”

He proceeded to use the latter part of his monologue to go after Trump and FCC chairman, Brendan Carr, for their attempts to stifle free speech. “Should the government be allowed to regulate which podcasts the cell phone companies and Wi-Fi providers are allowed to let you download to make sure they serve the public interest?” Kimmel asked. “You think that sounds crazy? 10 years ago, this sounded crazy: Brendan Carr, the chairman of the FCC, telling an American company, “We can do this the easy way or the hard way, and that these companies can find ways to change conduct and take action on Kimmel or there’s going to be additional work for the FCC ahead.” In addition to being a direct violation of the First Amendment, is not a particularly intelligent threat to make in public. Ted Cruz said he sounded like a mafioso… This genius said it on a podcast. Brendan Carr is the most embarrassing car Republicans have embraced since this one,” Kimmel joked he displayed a photo of a Tesla Cybertruck with Trump’s name painted on it.”

Then hitting Trump directly, Kimmel quipped, “He tried his best to cancel me. Instead he forced millions of people to watch the show. That backfired bigly. He might have to release the Epstein files to distract us from this now.”

To further his point, Kimmel closed his monologue with a bit featuring Robert De Niro playing the FCC’s new chairman/mob boss.

For his part, Trump is threatening legal action against ABC. In a Truth Social post shared ahead of Kimmel’s first episode back, Trump wrote:

“I can’t believe ABC Fake News gave Jimmy Kimmel his job back,” Trump wrote in a Truth Social post. “The White House was told by ABC that his Show was cancelled! Something happened between then and now because his audience is GONE, and his ‘talent’ was never there.”

“Why would they want someone back who does so poorly, who’s not funny, and who puts the Network in jeopardy by playing 99% positive Democrat GARBAGE. He is yet another arm of the DNC and, to the best of my knowledge, that would be a major Illegal Campaign Contribution. I think we’re going to test ABC out on this. Let’s see how we do. Last time I went after them, they gave me $16 Million Dollars. This one sounds even more lucrative. A true bunch of losers! Let Jimmy Kimmel rot in his bad Ratings.”

September 24, 2025 0 comments
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Married at First Sight groom Keye grows emotional in first look clip
TV & Streaming

Married at First Sight groom Keye grows emotional in first look clip

by jummy84 September 22, 2025
written by jummy84

However fellow couple Keye and Davide couldn’t be more pleased with the experts’ choice. But the teaser for the next episode suggested trouble in paradise, as Davide appears to be growing annoyed with Keye’s innuendos and jokes.

In an exclusive clip shared with RadioTimes.com, Keye is brought to tears when he opens up about his brother and family life growing up, confessing that he used deflection as a coping mechanism.

“My brother was very disabled, he had cerebral palsy,” Keye explained. “So when he was born, he was only meant to live until he was one. Thankfully, he lived until he was nine, just turning 10. Obviously it was a lot to deal with, and it was the same time as my parents were getting divorced…”

He continued: “So I guess the reason why, in so many situations, I deflect [is] because it was a coping mechanism that I always had to get me through a really difficult period.”

You can watch the full clip above.

Keye and Davide. Ellie Merridale / Channel 4

Keye and Davide tied the knot in the very first episode, with both seemingly happy with the experts’ matching.

Prior to the show airing, Keye was described as a man on a journey of personal self-discovery who was searching for a more meaningful and fulfilling life.

As for Davide, he was looking for someone kind-hearted, handsome, romantic and someone who will share his love of cats.

We’ll have to wait and see if the pair work out long-term.

Married at First Sight UK continues on Monday 22nd September at 9pm on E4.

Add Married at First Sight UK to your watchlist on the Radio Times: What to Watch app – download now for daily TV recommendations, features and more.

Check out more of our Entertainment coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more TV recommendations and reviews, listen to The Radio Times Podcast.

September 22, 2025 0 comments
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Parmeet Sethi Jokes About 'Refund' As Archana Puran Singh Gets Emotional In Dehradun
Bollywood

Parmeet Sethi Jokes About ‘Refund’ As Archana Puran Singh Gets Emotional In Dehradun

by jummy84 September 19, 2025
written by jummy84

Actor Archana Puran Singh’s recent trip to her hometown, Dehradun, gave her fans a delightful glimpse into her personal life, full of family stories and heartwarming moments. Documented in a new vlog, the trip featured her husband, Parmeet Sethi, their son Ayushmaan, and his fiancée, Yogita Bihani. The family embarked on a unique mission: a culinary tour of the city’s most famous aloo puri spots to determine which one served the best version of the beloved dish. This simple food challenge turned into a journey of nostalgia, wit, and emotional reflection.

​The family’s first stop was Anandam, an upscale restaurant known for its refined ambiance and clean preparation. The experience impressed all of them, especially Parmeet and Ayushmaan, who lauded the chefs for their use of minimal oil, making the puris feel surprisingly light and “healthy.” “This aloo puri is one of the best I have had,” Parmeet declared, clearly satisfied with the first tasting. This promising start set a high bar for the rest of their food adventure.

​Next, they visited a much simpler, more rustic establishment—a traditional dhaba—that presented a stark contrast to the first location. Parmeet immediately felt at home. “Whenever I come to these places, these dhabas, for some reason I feel very comfortable. I instantly get the feeling that they will have great food, and I love such places,” he said, his genuine fondness for such local eateries apparent. Archana and Ayushmaan wholeheartedly agreed, sharing the popular belief that dhabas often offer the most authentic and delicious food.

​The Emotional Embrace of a Hometown

​While travelling from one eatery to another, Archana experienced a powerful moment of connection. A group of fans recognized her and approached her for a photo. They greeted her with immense respect, expressing their gratitude for her willingness to stop and take pictures with them. The heartfelt encounter moved Archana to tears.

​She later shared her feelings in the vlog, her voice filled with emotion. “You feel so good when you visit your hometown and people shower you with so much love. When you leave these places for cities like Mumbai to make a name for yourself, you don’t realise what you have done till you come back. That little girl who left Dehradun to build a career is now loved by the people from her city, and they think of her as one of their own. Hometowns and the people there are so special.”

​Ayushmaan, seeing his mother tear up, tried to console her with a lighthearted jab. “You have made it, Mom; you don’t have to cry,” he said. When Archana admitted that she gets emotional very quickly, he quipped, “You should use those emotions and become an actor. Acting is a good career option for you.” Archana quickly shut him up with a playful “Chup Bewakoof” (Shut up, idiot), a moment that perfectly captured the loving, teasing dynamic within the family.

​The final stop on their food tour was a historic restaurant that had been established way back in 1901. As Archana continued to praise the kindness of the people of Dehradun, Parmeet jumped in with a humorous retort. “If all the people of this city have such nice qualities, what happened to you?” he joked. “I want a refund; an exchange works too.” The banter underscored the strong bond and easy humor that make their family so relatable and beloved by their fans. The vlog showcased a trip that was a perfect mix of food, family, and the overwhelming, nostalgic feeling of coming back home.

September 19, 2025 0 comments
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Romain Gavras’ Eco-Satire Has An Emotional Impact
TV & Streaming

Romain Gavras’ Eco-Satire Has An Emotional Impact

by jummy84 September 14, 2025
written by jummy84

For a book that not many people know about or have read, James George Frazer’s The Golden Bough (1890) has had quite an impact on cult cinema, particularly in the ’70s. For reasons that would take too long to go into here — and thanks to its influence on Joseph Campbell’s 1949 book The Hero with a Thousand Faces — it turns out that Frazer’s non-fiction investigation of religion, mythology, folk tales and the subsequent journey to science has since shaped films as seemingly far afield as The Wicker Man, the very first Star Wars, and Apocalypse Now. Well, you wouldn’t necessarily ever put those three films on a triple bill, but, once you see it, there is a certain overlap, mostly in the concept of the unwitting hero, a man chosen by fate, and not necessarily for the better.

With that in mind, Greek-French director Romain Gavras’s Sacrifice, his English-language debut, comes at a very interesting time in the world’s history. Though outwardly a blunt comedy (of sorts), it’s a film that, through its central character, asks questions about seeking out actual heroism within the fog of tokenism.

That character is Mike Tyler (Chris Evans), a Hollywood star recovering from a recent nervous breakdown and attending a garish eco-friendly charity party for the super-super-rich that’s being held in a fantastically austere Greek mine. Tyler, conflicted even about his own attendance, is sceptical about everyone else’s motives and says so, calling out the event’s star guest, environmental billionaire Ben Bracken (Vincent Cassel), on a live video stream for his hypocritical politics, condemning the mining of fossil fuels yet happy to exploit the sea for energy.

To backtrack, Gavras’ film is an odd fish in that respect, because, despite the comedic veneer, its agenda is actually very real, and that’s how it starts. Before we meet Tyler, we see Joan (Anya Taylor-Joy) overseeing the fiery funeral of her own mother (who, worryingly, might not actually be dead yet). Joan is the leader of what looks like a teenage militia from The Village of the Damned (1960 or 1995, take your pick), and she’s on a mission. “The old way must burn to ash,” she says, under orders from a nearby volcano. Which is what guides her, and her two siblings, to storm the event and take its guests hostage — while Tyler is in the bathroom, licking his wounds after his mic drop moment goes horribly viral.

The gala itself is a cringeworthy as you might expect, the imminent climate catastrophe spelled out to the private jet-ferried audience through — what else? — the medium of an interpretative dance battle and a neon sign saying “MAKE EARTH COOL AGAIN”. In fact, it’s so cheesy that it takes a while for the guests to realize that Joan and her army aren’t part of the entertainment too; it’s only when the blood starts to flow that they realize she’s serious. At which point Tyler re-enters the room and is given up by the terrified crowd (and, more importantly, anointed by Joan) as one of three people — including Bracken and one of the show’s dancers — who must make the film’s titular sacrifice to save the world from an imminent catastrophe.

As a hostage, Tyler gets Stockholm Syndrome early on, taking all this to be student hijinks (“No justice, no peace,” he roars to the media), much to the annoyance of Bracken, who accuses him of promoting what he calls “Green Isis”. The ratio of laughs to drama changes quite sharply, however, as Joan takes her hostages off on their journey, leading to a bond with Tyler and a lot of unexpected revelations about Joan’s background.

You might think you know where all this is going, and the script does cover a lot of those bases, most of them involving movie stars’ egos and their power and privilege in the real world. But Sacrifice is interesting, not just because it takes risks even within its own sui generis genre (note to self: is sci-fi folk horror a thing yet?) but because it’s actually quite clear in its thinking: What constitutes is a sacrifice in today’s world?

As Tyler, Evans holds the film surprisingly well, given the twists and turns (in story as well as tone) that await him, and the poker-faced Taylor-Joy, never more serious (and quite convincingly playing way younger than she actually is), is a great foil to that. To make things even more entertaining, John Malkovich pops up as what seems, briefly, to be the voice of reason.

In short, it’s nuts, and not for everyone. But Sacrifice does have a message, and it’s about the ouroboros — the perpetual self-eating snake — that is the world’s performative reaction to climate change. It goes further than where you might not think it will, and the emotional payoff from that may well outlast the jokes.

Title: Sacrifice
Festival: Toronto (Special Presentations)
Director: Romain Gavras
Screenwriter: Will Arbery, Romain Gavras
Cast: Chris Evans, Anya Taylor-Joy, Vincent Cassel, Salma Hayek Pinault, John Malkovich, Ambika Mod, Charli xcx, and Jonatan “Yung Lean” Leandoer
Sales agent: Rocket Science
Running time: 1 hr 43 mins

September 14, 2025 0 comments
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Review: Francis Lawrence's 'The Long Walk' is an Emotional Wallop
Hollywood

Review: Francis Lawrence’s ‘The Long Walk’ is an Emotional Wallop

by jummy84 September 13, 2025
written by jummy84

Review: Francis Lawrence’s ‘The Long Walk’ is an Emotional Wallop

by Alex Billington
September 12, 2025

“Walk until there’s only one of you left…” This unexpected end of summer surprise is one of the best of the year. The Long Walk is one of three new Stephen King adaptations this year – as well as The Life of Chuck and The Monkey. It’s based on one of the early novels by King published back in 1979 (under his pseudonym Richard Bachman). The Long Walk features a dystopian American future + a yearly government game a lot like The Hunger Games; though let’s be honest, it’s more than likely The Hunger Games borrowed from this story, considering The Long Walk was published a full 29 years before any of those books. And they really pulled this off. This movie got me good… It’s even more emotionally impactful and thrilling as a depiction of fascist dystopian hell than so many other stories trying the same. It shook me up proper. Yep we’re heading towards exactly what is depicted – it’s a zeitgeist concept. Not only is the filmmaking top notch, it’s riveting and so unsettling to watch, but the performances are what matter the most and they’re all excellent in here.

Here is the setup: in the near future with a devastated economy, America now offers a once-a-year become-very-wealthy game for young men around the country. One boy from each state is chosen through a lottery to compete in “The Long Walk.” The rules are simple: everyone must keep walking at a speed of 3 MPH or above. You keep on walking & walking until there’s only one person left. “If you fall below the speed of three miles per hour, you get your ticket.” Meaning they kill you. A convoy of military vehicles follows along to maintain the rules. If you do the calculations, this “long walk” should last about 3 days and cover over 300 miles, which is right around when the exhaustion is so unbearable you pass out or go crazy. There are up to 3 warnings issued if you slow down, which also grants them time to urinate or tie their shoe if necessary. It’s grueling. It’s insane. Of the 50 competitors in this long walk, the focus is on Cooper Hoffman playing Ray Garraty (#47) and David Jonsson playing Peter McVries (#23), who become friends over the course of the arduous stroll. Along with Stebbins (#38 – Garrett Wareing), Arthur (#6 – Tut Nyuot who is yet another stand out), Barkovitch (#5 – Charlie Plummer), Hank (#46 – Ben Wang), Collie (#48 – Joshua Odjick).

The relationships formed on this long walk are the most important part of this story – this is the real meat of King’s tale. Of course it is also brutally honest commentary on fascism & capitalism, and the way the world rewards only those willing to kill themselves (more on that below). But it’s also a story of these “boys”. This movie has the most vivid and deeply moving Sam & Frodo energy between Ray & Pete I’ve experienced in a long time. Some of the most perfect casting picks ever getting Cooper Hoffman and David Jonsson as the two leads. They are remarkable together in this. I was wiping away tears by the end. I won’t stop thinking about them for a long time… It’s not just their friendship, it’s their comradery, their conversations, the way they grow to appreciate each other for who they are, not for the endurance to win this walk. And everything changes once they finally open up and tell each other their real stories. It’s so beautiful and wholesome… I think there’s a wise lesson in here about listening to each other, understanding each other, well beyond the macho-ness of competing in this walk thinking you’ll win it. Winning isn’t really what matters, right? I hope everyone else watching this movie comes to understand this point that King is making between Ray & Pete.

The film’s key metaphor of endlessly walking towards wealth is exceptionally accurate & clever. One of most representative analogies for life in late-stage capitalism. Yes, of course, it is literally about how insane it’d be to watch 50 boys walk for 3 days non-stop without any rest or breaks or anything. Yes, it’s gory and brutal to watch, with all the usual grisly injuries that could happen along the way. This story cannot be told without showing the gory truth of how this much walking destroys a body. The brutality is also part of the metaphor. Much like the Spanish film The Platform, simplicity is key in depicting this metaphor of America’s obsession with chasing wealth. Only 1 of the 50 will make it and win “endless riches” – it’s interesting that they never state an exact amount, just the dream of “riches” is enough. Much like life in poverty, you have to believe in yourself to get to the end or you literally won’t make it. You have to keep on marching, no matter how hard it gets. There’s wealth there at the end of the tunnel! Everyone else is dead? Whatever, keep on going, you only have yourself to worry about… And you’ll get there soon enough. Or you won’t… March on! For there is glory waiting: if you can outlast the brutality longer than everyone else! Then you, good Samaritan survivor, will finally be rewarded. Don’t worry about the 49 boys who didn’t make it… they’re not the winner. You are.

The Long Walk director Francis Lawrence, who’s also known for directing all The Hunger Games sequels after the first one (including Songbirds & Snakes), outdoes himself this time by bringing things back to the basics with pure, focused storytelling. The way he depicts the dystopian small towns along the way, flashes & moments of sullen locals watching like ghosts in the distance, indicates he has such a keen understanding of what is broken in modern society. And he wants us to see it and pick up on that within this movie. And to also feel the heaviness and bleakness of this scenario, how it’s not so far off from really happening, how this long walk is not the answer. It’s just perpetuating the madness. The sneakiest trick Francis Lawrence pulls is instilling so much hope and positivity into the first half of the movie. All 50 boys are so cheery & upbeat! It’s also part of the madness… You have to believe in this BS and create false hope in order to get even halfway there. I will admit this movie is quite depressing to watch, but the ending hits hard and lands right where it should, making the right decision. He is a Hero. He does what is necessary, but is that enough? I hope so…

Alex’s Rating: 9 out of 10
Follow Alex on Twitter – @firstshowing / Or Letterboxd – @firstshowing

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