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Conan Gray's 'Wishbone' Debuts at No. 1 on Top Album Sales Chart
Music

Conan Gray’s ‘Wishbone’ Debuts at No. 1 on Top Album Sales Chart

by jummy84 August 25, 2025
written by jummy84

Conan Gray’s latest studio album, Wishbone, bows at No. 1 on Billboard’s Top Album Sales chart, marking his first leader there. Simultaneously, the collection arrives at No. 3 on the overall Billboard 200, granting the singer-songwriter his highest-charting project yet on the latter list. Both tallies, dated Aug. 30, will be posted in full to Billboard’s website on Tuesday (Aug. 26).

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Also in the top 10 of the Top Album Sales chart, Billie Eilish, Niall Horan, Maroon 5, Chevelle, Chance The Rapper and Selena all make waves.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.

Wishbone sold 53,000 copies in its first week (Gray’s best sales week ever) with physical purchases comprising nearly all of its sales. Vinyl sales accounted for just over 30,000 sold — Gray’s best week ever on vinyl. Wishbone also bows at No. 1 on the Vinyl Albums chart, marking his second leader. The set’s opening-week sales were bolstered by its availability across seven CD variants (including signed editions) and seven vinyl editions (some signed).

On the Billboard 200, Gray has charted five entries overall, with three of them reaching the top 10 (Kid Crow in 2020, No. 5; Superache in 2022, No. 9 and Wishbone in 2025, No. 3). On the Top Album Sales chart, he’s also notched five entries, with four hitting the top 10 (Kid Crow, No. 2; Superache, No. 22; Found Heaven in 2024 at No. 2 and Wishbone, No. 1).

Elsewhere on the latest Top Album Sales chart, Billie Eilish’s HIT ME HARD AND SOFT surges 44-2 with 18,000 copies sold (up 988%), following the release of a one-year anniversary vinyl variant. Vinyl purchases made up nearly all of its sales for the week. (The 18,000 figure is the total sales of all the versions of the album, old and new, combined.) The anniversary edition of the vinyl was pressed on bio-vinyl dark blue and orange splatter with its cover printed on silver mirror foil board and contains a poster.

Another anniversary helps Niall Horan’s chart-topping Heartbreak Weather reenter the chart at No. 3, as a suite of five-year anniversary products help push the album back onto the ranking. Collectively, all the versions of the album, old and new, sold 12,000 copies in the tracking week (up from a negligible sum the previous week).

Heartbreak Weather was reissued for its fifth anniversary in two new vinyl variants (an opaque baby blue color variant with new cover art, and a deluxe double-LP set pressed on sea-blue and white splatter vinyl with expanded packaging and nine bonus tracks), a CD variant (with new cover artwork and eight bonus tracks) and a digital download (with eight bonus tracks).

Maroon 5 collects its eighth top 10 on the Top Album Sales chart as its latest release, Love Is Like, arrives at No. 4 with nearly 11,000 copies sold. TOMORROW X TOGETHER’s chart-topping The Star Chapter : TOGETHER climbs 7-5 (8,000, down 18%) and Chevelle nabs its sixth top 10 with the No. 6 debut of Bright as Blasphemy (nearly 7,000).

Chance The Rapper’s new studio effort Star Line starts at No. 7 with nearly 7,000 sold, scoring the third top 10 for the artist. Selena’s former No. 1 Dreaming of You reenters the chart at No. 8 with 6,000 sold (up from a negligible sum in the week previous) after a number of 30th anniversary reissue products were released. Dreaming of You was remastered for its 30th anniversary, and reissued across four vinyl variants, a CD and a digital download.

The KPop Demon Hunters soundtrack climbs 15-9 on Top Album Sales with its best sales week yet (nearly 5,500 — up 3%). The album has only been available to purchase as a digital download, but will see the impact of its release on CD (on Aug. 22) in the tracking week ending Aug. 28 (as reflected on the Sept. 6-dated Top Album Sales chart).

Closing out the top 10 of the latest Top Album Sales chart is TWICE’s THIS IS FOR, which is steady at No. 10 with 5,000 sold (down 22%).

August 25, 2025 0 comments
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The Festival of Eventing 2025 debuts in Cape Town
Events

The Festival of Eventing 2025 debuts in Cape Town

by jummy84 August 21, 2025
written by jummy84

The inaugural Festival of Eventing (FOE) brought together 350 event professionals, 85 speakers, and 10 countries under one roof for a two-day showcase of innovation, inspiration, and industry connection. From cutting-edge event tech to sustainability-led activations, FOE set the stage for what the future of eventing in Africa could look like — and the industry responded with enthusiasm, energy, and a shared commitment to collaboration.

Hosted at the Century City Conference Centre from 8–9 August 2025, the Festival opened with an unforgettable ceremony featuring Danielle Bitton and the Ithemba Youth Choir, a spellbinding set from Mo Magic, and dynamic hosting from Alan Committie alongside FOE’s AI assistant, Ask Nia. The programme spanned masterclass circles, international keynotes, networking breaks, and interactive exhibitions, culminating in The Eventurers’ Soirée — a sunset celebration of community and creativity.

“We set out to create more than a conference — we wanted an experience that would leave people thinking, feeling, and connecting differently,” says the Founders of the Festival of Eventing: Keshni Reddy, Devi Paulsen-Abbott and Betty Sichivula. “Seeing the calibre of speakers, the quality of conversations, and the sense of unity in the room exceeded every expectation.”

Across the two days, delegates explored topics ranging from experiential marketing to future event design, data-driven personalisation, sustainability, and leadership in a tech-driven world. Highlights included an international keynote from Lorne Sulcas – The Big Cat Guy, wellness sessions with Chair Pilates and Sunrise of Strength & Serenity, a sponsored luncheon by Old Mutual, and buzzing networking zones where authentic connections were forged.

“This event was a love letter to our industry,” says Betty Sichivula, FOE Co-Founder. “It was built on the belief that Africa’s eventing sector has world-class talent, ideas, and stories to share — and this was the platform to showcase them.”

“We’re walking away inspired, grateful, and already dreaming about what 2026 will bring,” adds Devi Paulsen-Abbott, FOE Co-Founder. “And we want the next one to be bigger, bolder, and even more collaborative.”

FOE’s 2025 edition would not have been possible without the support of its partners, including the City of Cape Town as Host City and Century City Conference Centre as Venue Sponsor. The inaugural edition featured an impressive list of partners across the event industry supply chain and garnered support from major industry associations like the Association of African Exhibition Organisers (AAXO), the Exhibitions and Events Association of South Africa (EXSA), the Event Greening Forum (EGF), the Southern African Communications Industries Association (SACIA) and The International Festivals and Events Association (IFEA).

Festival of Eventing 2026 – Cape Town
Dates and venue will be announced soon. Partnership, sponsorship, and speaking opportunities are now open.

For partnership and sponsorship enquiries, contact:
Keshni Reddy – [email protected]
For speaking opportunities, contact:
Devi Paulsen-Abbott – [email protected]

For event updates or more information, visit: www.festivalofeventing.com

A Message from the Founders

“As co-founders with decades of experience launching, managing, and transforming some of Africa’s most prestigious events, exhibitions, conferences, and meetings, we’ve seen firsthand the triumphs and trials of this industry. And we know one thing for sure: it’s time we had an event that celebrates the industry while equipping us all to tackle its ever-evolving challenges.

For far too long, event professionals have worked in silos, navigating an ever-changing landscape without a true community to lean on. That changes now. We created the Festival of Eventing not just as a platform for knowledge exchange but as a space where we can connect, learn, and elevate the industry together.”

August 21, 2025 0 comments
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