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Sriya Reddy OG
Bollywood

Sai Abhyankkar Commands Record Fee for His Malayalam Debut in Balti

by jummy84 September 26, 2025
written by jummy84

Sai Abhyankkar is only 20, but the buzz around him would make you think he’s a seasoned chart-topper. The Chennai-based musician first captured attention with independent tracks like Katchi Sera, which exploded across social platforms and catapulted him into the spotlight. Since then, his music has become a fixture on reels and playlists, and his journey has been a textbook case of how digital virality can fast-track a career.

Now, Sai is making his entry into Malayalam cinema with Balti, a bilingual sports action drama from director Unni Sivalingam, fronted by Shane Nigam. The film marks a daring bet on the young composer — one that has already set a record in Mollywood.

Producer Santhosh T. Kuruvilla recently revealed that Sai was paid more than ₹2 crore for Balti, making him the highest-remunerated music director in the industry’s history. What’s more striking is that this staggering sum went to a debutant in Malayalam.


Betting Big on Balti

Asked why he was willing to take such a leap, Santhosh pointed to instinct and numbers. “When you see someone’s songs drawing two to three crore views online, you know there is something special,” he explained in an interview. His gamble has already shown early signs of paying off: Jaalakaari, the film’s first single, has gone viral in Tamil Nadu, especially on Instagram reels, amplifying the pre-release buzz.

Since signing on for Balti, Sai has reportedly been flooded with offers, landing 11 Tamil films and two Telugu projects. His rapid ascent is not just hype but a reflection of his growing footprint across South Indian cinema.


A Project of Scale

Balti itself is a project of scale. It is Shane Nigam’s 25th film, shot extensively across Kerala and Tamil Nadu. In its Kerala release, the film will be presented in a 60–40 mix of Malayalam and Tamil, while the Tamil Nadu release will be fully in Tamil. Dubbed versions in Telugu and Kannada are set to hit screens on October 9, with a Hindi release also being planned.

Backing the film are producers Santhosh T. Kuruvilla and Binu George Alexander, whose confidence in both the story and its young composer suggests they are positioning Balti as a cross-over entertainer.

For Sai, this debut is more than just a soundtrack. It is a test of whether his digital success can translate into a cinematic legacy. If the response to the singles is anything to go by, Balti’s music could well become one of the film’s biggest talking points.

Also Read: Mohanlal’s Vrusshabha Teaser Unveiled, Diwali Release Locked

September 26, 2025 0 comments
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Jil Sander Spring 2026: Inside Simone Bellotti's Debut Show
Fashion

Jil Sander Spring 2026: Inside Simone Bellotti’s Debut Show

by jummy84 September 25, 2025
written by jummy84

When a new designer takes over at the helm of a major fashion house (as is the case nearly everywhere this fashion month, with spring 2026 marking over 15 anticipated debuts), the expectation is that they’ll overhaul the work of their predecessor and put forth a collection that’s completely and totally their own. But the first few glimpses of Simone Bellotti’s Jil Sander debut are already revealing a different story. The Italian designer, formerly of Bally, took a much more democratic approach, marrying his own sensibilities with those of the label to create one harmonious blend of the two.

In its first few social media posts unveiling the collection, the brand described it as “a tightly edited expression of contrasts,” and it was, indeed, bursting with a sense of joy and optimism that’s so often lacking in today’s minimalist designs. While the looks were largely restrained, consisting of high-neck tailored jackets, knee-length skirts, and solid-colored knits, the color combinations were vivid and electric, offering a fresh vision that pierced through the loud maximalism we’ve seen elsewhere so far this season.

Here, discover everything to know about the Jil Sander spring 2026 show during Milan Fashion Week and designer Simone Bellotti’s debut collection.

A Jil Sander Homecoming

The runway, which was staged at the historic Piazza Castello in Milan, returned to the brand headquarters for the first time since 2017. It’s a decisive move for Bellotti’s debut and one that undoubtedly signals his plans to return to core house codes and honor both his own Italian heritage and that of the label.

(Image credit: Victor VIRGILE/Gamma-Rapho via Getty Images)

Color Combinations to Covet

Vivid primary colors and not-too-sweet pastels were layered and combined to have the most harmonious effect. Come spring, we’ll all be wearing more color, and these are the specific color combinations we’ll be looking to emulate: cherry red and ultramarine blue; purplish navy and the faintest butter yellow; avocado green and strawberry milk pink.

Jil Sander spring 2026 runway

(Image credit: Jil Sander)

Jil Sander spring 2026 runway

(Image credit: Jil Sander)

Jil Sander spring 2026 runway

(Image credit: Jil Sander)

Jil Sander spring 2026 runway

(Image credit: Jil Sander)

The Flats Everyone Will Buy

While at Bally, Simone Bellotti earned a loyal fanbase of fashion insiders who were specifically drawn to his footwear. It was really good, especially the elevated boat shoes that our editors sent many Slack messages about. Luckily for our closets (but not our credit cards), Bellotti’s has brought that same energy to Jil Sander. This collection featured a tight edit of flat shoes like soft leather Wallabees, minimalistic derby shoes, and square-toe oxfords that I already know will be sellouts come spring.

Jil Sander spring 2026 shoes

(Image credit: Launchmetrics Spotlight/Jil Sander)

Jil Sander spring 2026 shoes

(Image credit: Launchmetrics Spotlight/Jil Sander)

Jil Sander spring 2026 shoes

(Image credit: Launchmetrics Spotlight/Jil Sander)

Tailoring That Whispers (But Still Speaks Volumes)

Bellotti perfected his signature restrained yet architectural tailoring at Bally, and the designer has arrived at his new job with his résumé to show for it. This collection was defined by suiting silhouettes that were equally restrained but still highly interesting, like jackets with curved sleeves and dramatic hourglass waistlines or dresses with chest cutouts paired with matching bralettes. While many of his peers are leaning into loud maximalism, Bellotti understands the power in pieces that don’t have to speak up to be heard.