Natasha Rothwell & Dom Hetrakul caught up with QTCinderella on the red carpet of the 2025 Emmy Awards.
Sleep Token are set to kick off their Fall 2025 US arena tour.
The outing comes in support of their fourth album, Even in Arcadia, and launches Tuesday (September 16th) at Gas South Arena in Duluth, Georgia. The route runs through November 11th at Crypto.com Arena in Los Angeles and hits Brooklyn, Philadelphia, Minneapolis, Denver, and Oakland, among other cities. There’s also a festival stop on September 19th at Louder Than Life in Louisville, Kentucky.
Get Last-Minute Sleep Token Tickets Here
The mysterious UK metal act — whose band members’ identities remain undisclosed — only known as Vessel (lead vocals), II (drums), III (bass), IV (guitar) and Espera (backing vocals) — are coming off a run of European festival appearances, including a head-turning set at the Download Festival that caught the attention of alt-metal pioneers Korn.
Even in Arcadia debuted at No. 1 on the Billboard 200 chart when it was released in May. The LP has yielded the hit rock singles “Emergence,” “Caramel,” and “Damocles.”
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Check out the band’s full list of tour dates below.
Sleep Token’s 2025 Tour Dates:
09/16 – Duluth, GA @ Gas South Arena [Buy Tickets]
09/17 – Orlando, FL @ Kia Center [Buy Tickets]
09/19 – Louisville, KY @ Louder Than Life [Buy Tickets]
09/20 – Greensboro, NC @ First Horizon Coliseum [Buy Tickets]
09/22 – Brooklyn, NY @ Barclays Center [Buy Tickets]
09/23 – Worcester, MA @ DCU Center [Buy Tickets]
09/24 – Philadelphia, PA @ Wells Fargo Center [Buy Tickets]
09/26 – Detroit, MI @ Little Caesars Arena [Buy Tickets]
09/27 – Cleveland, OH @ Rocket Arena [Buy Tickets]
09/28 – Rosemont, IL @ Allstate Arena [Buy Tickets]
09/30 – Lincoln, NE @ Pinnacle Bank Arena [Buy Tickets]
10/01 – Minneapolis, MN @ Target Center [Buy Tickets]
10/03 – Denver, CO @ Ball Arena [Buy Tickets]
10/05 – West Valley City, UT @ Maverik Center [Buy Tickets]
10/07 – Tacoma, WA @ Tacoma Dome [Buy Tickets]
10/08 – Portland, OR @ Moda Center [Buy Tickets]
10/10 – Oakland, CA @ Oakland Arena [Buy Tickets]
10/11 – Los Angeles, CA @ Crypto.com Arena [Buy Tickets]
Mac DeMarco was the musical guest on The Late Show With Stephen Colbert last night (September 11), where he played “Shining,” from his new album, Guitar. Backed by his four-piece band, DeMarco sang and rocked from side to side as a screen played gentle footage of galloping horses. Saddle up below.
Guitar was led by the singles “Home,” “Holy,” and “Phantom.” DeMarco last took the Colbert stage in 2017, joining then-bandleader Jon Batiste to perform “One Another,” from his album This Old Dog. He recently kicked off a world tour that will continue through May of 2026, with stops in North and South America, Asia, and Europe.
Revisit thereviews of Mac DeMarco’s 2023 albums, One Wayne G and Five Easy Hot Dogs.
Deezer has revealed that 28% of music uploaded to the streaming platform is fully AI-generated.
This revelation comes as the platform installed an AI-detection tool at the beginning of the year, and in June committed to labelling any song that uses AI with a tag. In a new report, Deezer shares the new figures for tracks that use Artificial Intelligence.
The French music streaming service said 30,000 tracks created, at least partially, with AI are added to the platform every day, and that 70% of the plays of these songs have been detected and identified as fraudulent.
The new 30,000 figure is an increase since February, when Deezer said around 10,000 AI-generated tracks are submitted to the platform daily.
In January, Deezer reported that roughly 10% of all content delivered to the platform was AI-generated. This figure increased to 18% in April and has now reached a new high of 28%.
The streaming service aims to flag content that is AI-generated for user transparency, assuring that it is removed from algorithmic recommendations. Deezer also wants to continue developing the capabilities of its AI-detection technology to include deep fake voices.
“Following a massive increase during the year, AI music now makes up a significant part of the daily track delivery to music streaming, and we want to lead the way in minimising any negative impact for artists and fans alike,” said Alexis Lanternier, Deezer’s CEO.
“Our approach is simple: we remove fully AI-generated content from algorithmic recommendations, and we don’t include it in editorial playlists. This way, we ensure the impact on the royalty pool remains minimal while providing a transparent user experience. And most importantly, we continue to fight fraudulent activity, which is the main driver behind uploading fully AI-generated content.”
Back in July, a report by 404 Media found that AI-generated songs are reportedly being uploaded to dead musicians’ profiles on Spotify.
This was uncovered when they noticed Blaze Foley – a country musician best known for his track ‘Clay Pigeons’ – had released a new single called ‘Together’ last week.
The track, which “vaguely sounds like a new, slow country song”, reportedly sounded very different from Foley’s original work, who was murdered in 1989. Additionally, the single artwork appeared to be an AI-generated image of a man singing into a microphone – who shares very little resemblance to the real Foley.
Craig McDonald, who is in charge of distributing Foley’s music and managing his Spotify page via his label Lost Art Records, said the song appeared on the artist’s profile without permission. “I can clearly tell you that this song is not Blaze, not anywhere near Blaze’s style, at all,” he told the publication. “It’s kind of an AI schlock bot, if you will.”
This is not the first time AI music has been allowed on Spotify’s platform. The seemingly AI-generated band The Velvet Sundown were reported to have over 400,000 monthly Spotify listeners – despite existing for less than a month.
Speculation continued to emerge after Redditors noticed their Instagram account look eerily AI-generated.
In other AI-related news, SZA has slammed AI users “codependent on a machine”: “Please Google how much energy and pollution it takes to run AI”. Elsewhere, Meta has created flirty AI chatbots using the characteristics and likeness of celebrities, including Taylor Swift, Selena Gomez, Scarlett Johansson and Anne Hathaway – without their consent.
Gavin Adcock posted a direct-to-camera video on Instagram on Sunday afternoon detailing his backstage altercation with Zach Bryan at the Born & Raised Festival in Pryor, Oklahoma, on Saturday.
Bryan, an Oklahoma native, showed up at the festival to sing with Gabriella Rose on Saturday afternoon, and, according to Adcock, who was scheduled to play that evening, also attempt to find his rival. The pair have been involved in a feud since July, with Adcock saying on Rolling Stone’s Nashville Now podcast that, “I don’t know if Zach Bryan’s really that great of a person.”
“[Bryan] proceeded to go to other artists and ask them, ‘Where’s Gavin? Where’s Gavin?’ and their guests, and treat them like dog shit, flipping them birds and saying just douchebag stuff to them all day,” Adcock says in his video. “He had plenty of opportunity through the whole day to do whatever he wanted to do, but decided he was going to wait like an hour before my set.”
According to Adcock, Bryan pulled up in a pickup truck to a fence near the backstage area where artist buses were parked and began shouting threats. “I just decided to stir him up to the point where he jumped over the fence,” Adcock says. In a video making the rounds online, Bryan proceeds to scale the fence, topped with barbed wire, and lunge in Adcock’s direction, before he’s held back by security guards.
Adcock says he refused to engage with Bryan because, “No artist that cares about their fans is going to fight right before their set, missing going on, and disappointing fans that spent way too much money to be there.”
“I don’t think anybody’s scared of Zach Bryan,” he says. “I’m just an adult, and fighting him would only meant going to jail, missing my set, and falling into a Zach Bryan lawsuit. And we all know he likes to manipulate people with money.”
Adcock further defended his decision to not approach Bryan in his video message. “I know my decision I made was right. I didn’t take the Zach Bryan bait,” he says. “I’ll be praying for him to get better — because he sure needs it.”
Adcock hasn’t been shy about courting controversy. For the past few weeks, he’s been embroiled in a back-and-forth feud with cowboy singer Charley Crockett. During a concert appearance this month with Morgan Wallen, Adcock joined Wallen onstage and held up a T-shirt that appeared to feature Crockett’s photo. In a clip circulating online, Wallen flips off the shirt with a pair of middle fingers.
The soundtrack to Netflix’s animated film KPop Demon Hunters hits No. 1 on the Billboard 200 albums chart for the first time, rising 2-1 on the chart dated Sept. 20, after seven nonconsecutive weeks in the runner-up slot. The set earned 128,000 equivalent album units in the United States in the week ending Sept. 11 (up 7%), according to Luminate, marking the album’s best week yet. The surge to No. 1 follows the album’s deluxe reissue on Sept. 5 with additional tracks, plus the wide release of its CD that day.
KPop Demon Hunters’ rise to No. 1 on the Billboard 200 was preceded by four top 10-charted hits on the Billboard Hot 100 songs chart — the most from a soundtrack in nearly 30 years, with the soundtrack the first ever with four simultaneous top 10s. Among those is the No. 1 “Golden” by HUNTR/X — the trio of EJAE, Audrey Nuna and REI AMI (the singing voices of the film’s characters Rumi, Mira and Zoey).
KPop Demon Hunters is the Billboard 200’s first No. 1 soundtrack in three-and-a-half years, since another animated film, Encanto, saw its companion album spend nine nonconsecutive weeks on top (Jan. 15-March 19, 2022).
Notably, as KPop Demon Hunters climbs to No. 1 in its 12th week on the chart, it completes the longest wait to reach No. 1 since Toby Keith’s 2008 release 35 Biggest Hits re-entered the chart at No. 1 on the Feb. 17, 2024-dated list, following his death that Feb. 5. The last album with a longer continuous climb to No. 1 than KPop Demon Hunters was The Kid LAROI’s F*ck Love, which jumped 26-1 in its 53rd consecutive chart week, on the Aug. 7, 2021, list. The latter vaulted to No. 1 following two reissues during that tracking week.
Meawhile, the last soundtrack to take a longer journey to No. 1 was O Brother, Where Art Thou?, which rose 2-1 in its 63rd continuous week on the chart, on the March 23, 2002-dated list. Its ascent to the top was aided by its Grammy Award win for album of the year at the 44th annual ceremony that Feb. 27.
Plus, KPop Demon Hunters spent seven nonconsecutive weeks at No. 2 on the Billboard 200 before reaching No. 1. That’s the longest wait an album endured in the runner-up spot before leading the Billboard 200 in nearly a half-century: In October-November 1977, Linda Ronstadt’s Simple Dreams logged nine weeks at No. 2 before topping the chart at last. (Stray Cats’ Built for Speed holds the record for the most weeks peaking at No. 2: 15 in 1982-83.)
Also in the top 10 of the latest Billboard 200: Justin Bieber’s SWAG vaults 17-4 following its deluxe expansion with 23 additional tracks, and sombr’s I Barely Know Her reaches the top 10 for the first time, rising 12-10 in its third week, following the artist’s performance on the MTV Video Music Awards (Sept. 7).
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 20, 2025-dated chart will be posted in full on Billboard‘s website on Sept. 16. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of KPop Demon Hunters’ 128,000 equivalent album units earned in the latest tracking week, SEA units comprise 103,000 (up less than 1%, equaling 141.08 million on-demand official streams of the set’s tracks — it rises 2-1 on Top Streaming Albums for its first week on top), album sales comprise 23,000 (up 56%; it’s pushed down 3-4 on Top Album Sales) and TEA units comprise 2,000 (down 7%).
In the tracking week, the soundtrack got a boost from its deluxe reissue as a digital download and streaming album on Sept. 5 with 23 additional tracks. The additional cuts are mostly sing-along, instrumental and a cappella versions of the album’s hit songs. The album’s sales gain was aided by the wide release of its standard 12-track CD to brick-and-mortar retailers. It is available in five CD variants, each containing a poster and randomized photocard. A vinyl release for the project is expected Oct. 17.
KPop Demon Hunters premiered on June 20 in a limited theatrical release in the U.S. (in three movie theaters), and on Netflix, alongside its soundtrack. The film returned to theaters, this time nationwide, for a limited engagement on Aug. 23-24 as a sing-along version. The same sing-along version hit Netflix on Aug. 25.
In the tracking week ending Sept. 7, the animated film was No. 2 in its 12th week on Netflix’s Top 10 Movies in United States chart, with four of those weeks at No. 1. The movie now stands as the most popular original Netflix film to date.
KPop Demon Hunters is the seventh animated film soundtrack to reach No. 1 on the Billboard 200, since the list began publishing on a regular weekly basis in March 1956. It follows Encanto (nine weeks at No. 1, 2022), Frozen II (one week, 2019), Frozen (13, 2014), Jack Johnson’s Curious George (one, 2006), Pocahontas (one, 1995) and The Lion King (10, 1994-95).
KPop Demon Hunters ends a dry spell for soundtracks at No. 1 on the Billboard 200. It’s been three years and six months since Encanto spent its ninth and final week atop the list (dated March 19, 2022). That’s the longest the chart has gone without a soundtrack at No. 1 since the three-year and nearly eight-month gap between the second and final week at No. 1 for Armageddon (July 25, 1998) and the first of two weeks at No. 1 for O Brother, Where Art Thou? (March 23, 2002).
Back on the latest Billboard 200, Sabrina Carpenter’s Man’s Best Friend falls to No. 2 with 119,000 equivalent album units earned (down 68%) after debuting at No. 1 a week ago. Morgan Wallen’s chart-topping I’m the Problem is a non-mover at No. 3 with 98,000 (down 6%).
Justin Bieber’s SWAG surges 17-4 with 80,000 equivalent album units (up 223%) after it was surprise reissued in a deluxe edition as a digital download and streaming album on Sept. 5 with 23 additional tracks. The deluxe edition is dubbed SWAG II and contains the original SWAG album’s 21 tracks, along with an additional 23 bonus tracks. The original SWAG album was also a surprise affair, arriving on July 11 with little notice; it debuted at its No. 2 best. All versions of SWAG are combined for tracking and charting purposes.
SWAG also gets an assist from the release of the standard 21-track album’s release on CD and via two deluxe CD boxed sets (each containing a branded T-shirt and a copy of the standard SWAG album).
Alex Warren’s You’ll Be Alright, Kid is a non-mover at No. 5 on the Billboard 200 with 38,000 equivalent album units earned (up less than 1%). SZA’s chart-topping SOS climbs 9-6 (just over 33,000, down 2%), Wallen’s former leader One Thing at a Time dips 6-7 (33,000, down 6%), Stray Kids’ chart-topping KARMA falls 4-8 (32,000, down 49%), and Gunna’s The Last Wun falls 8-9 (31,000, down 10%).
Closing out the top 10 is sombr’s debut studio album I Barely Know Her, which rises 12-10 in its third week on the chart — and its first week in the top 10. The set earned 29,000 equivalent album units in the latest tracking week (up 5%). The rise comes after sombr performed a medley of the album’s “Back to Friends” and “12 to 12” on the MTV Video Music Awards broadcast on CBS on Sept. 7. Prior to the album’s ascent to the top 10, its singles “Back to Friends” and “Undressed” both hit the top 30 of the Hot 100 and the top 20 of the all-genre Streaming Songs chart.
It’s free Billboard charts month! Through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber? Sign up for free here.
Foo Fighters returned to the stage for their first show in more than a year on Saturday night (September 13th) at the Fremont Theater in San Luis Obispo, California. The last-minute concert was announced the night before, with tickets selling out immediately.
The gig marked the debut of new Foo Fighers drummer Ilan Rubin, following reports earlier this summer that he had replaced Josh Freese in essentially what amounted a trade between the Foos and Nine Inch Nails.
Grohl and company certainly gave fans their money’s worth at the intimate gig, playing a 25-song set, kicking off with “All My Life,” as Rubin immediately lived up to the challenge with the drum-heavy song.
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At one point in the show, Grohl told the audience, “I finally get the opportunity to say, ‘Ladies and gentlemen, will you please welcome… the most badass motherfucker, Ilan Rubin, is playing drums in the Foo Fighters right now.’ It’s official. You can stamp the passport.”
The Foos broke out a handful of tunes for the first time in a decade or more, including “Have It All” (last performed in 2015), a cover of Late!’s “Winnebago” (not played since 2014), and “Exhausted” (previously performed in 2014).
The rest of the set featured favorites like “Times Like These,” “The Pretender,” “My Hero,” and “Best of You,” and closed out with the classic “Everlong.”
The one-off concert precedes a series of dates in Asia in October and Mexico in November, with tickets to those concerts available here. During the show last night, Grohl revealed that the band had some other surprises coming up in the near future.
See video footage and the setlist from the San Luis Obispo below.
Setlist:
All My Life
Rope
Have It All (first time since 2015)
Times Like These
Wattershed
Stacked Actors
La Dee Da
These Days
The Pretender
Walk
My Hero (preceded by band introductions)
Learn to Fly
Rescued
Aurora
This Is a Call
No Son of Mine (with Motörhead’s “Ace of Spades” interpolation)
Shame Shame
White Limo
Winnebago (Late! cover — first time since 2014)
Best of You
Encore:
Alone + Easy Target (first time since 2018)
Low
Monkey Wrench
Exhausted (first time since 2014)
Everlong
GloRilla took it to the booth in reply to insulting remarks from Young Thug, revealed during a leaked jail call last week.
In response to the recording, where Thugger refers to the Memphis artist as “ugly,” GloRilla has dropped a diss track targeting the Atlanta rapper over Hot Styles’ 2008 “Lookin’ A** Ni**a” beat.
The track starts off with Glo jokingly calling herself “Brianna,” as the Business Is Business rapper called her that as he scoffed at the thought of people comparing her to Rihanna.
Glo goes on to compare Young Thug’s — or “Young Bug” as she calls him — looks to everything from a “Black and Mild” to a “Jamaican Vegeta,” also taking shots at his fashion sense and the more feminine ‘fits he’s rocked over the years.
“Cut shirt wearin’ a** ni**a, skirt wearin’ a** ni**a
A bug on the ‘Gram ’bout to chirp lookin’ a** ni**a
A pain in the a** tryna hump lookin’ a** ni**a
A ho in the mirror ’bout to twerk lookin’ a** ni**a.”
She also references the fact the Young Thug attempted to flirt with her before the recordings revealed what he said about her looks.
GloRilla at the 2025 Coachella Valley Music And Arts Festival on April 18, 2025 in Indio, California. (Photo by Christopher Polk/Variety via Getty Images)
Young Thug wasn’t the only target, however, as his girlfriend, Mariah The Scientist, also caught a few shots for entertaining Thugger’s insults over the phone. Glo took a few playful jabs, like comparing the singer to a “sexy Winnie The Pooh,” but also called out Mariah’s seeming willingness to put up with cheating and general disrespect from the “Parade On Cleveland” rapper.
“Birdie and the freak lookin’ a** bit*h
Brain size of a pea lookin’ a** bit*h
I don’t care if he cheat lookin’ a** bit*h
Long as he come home to me lookin’ a** bitch (Ha, haha).”
Many have noted that GloRilla and Mariah The Scientist hit the stage together as recently as June for Hot 107.9’s Birthday Bash in Atlanta, adding an interesting layer to both the song and their friendship.
ATLANTA, GEORGIA – JUNE 21: (L-R) Mariah The Scientist and GloRilla perform onstage during Hot 107.9 Birthday Bash 2025 at State Farm Arena on June 21, 2025 in Atlanta, Georgia. (Photo by Prince Williams/FilmMagic)
Despite dishing out a few bars aimed at the couple, Glo was also sure to state that the track is “all fun and games,” and that she doesn’t have any hard feelings. Check out the track below.
After the initial phone call was leaked, Young Thug took to X to apologize to the “TGIF” rapper, writing, “@GloTheofficial first of all I’m sorry to u for my words and I honestly don’t think ur ugly at all, I was speaking from jail just having a hard time with life.. I don’t like bashing girls and hardly ever did.. I’m sorry to u twin.”
California singer-songwriter Madison Cunningham has teamed up with Fleet Foxes’ Robin Pecknold for a new song. Listen to “Wake” below.
Cunningham, according to a press release, first met Pecknold backstage at one of her shows. “Fleet Foxes’ melodies and songs have inspired me for as long as I can remember,” she stated. “I feel quite lucky to have been able to experience his genius up close.”
Pecknold also discussed working with Cunningham: “Working with Madison on this was a humbling and enlightening experience! We did maybe 10 takes where she played and sang perfectly every time and I struggled to keep up. She’s a force and an inspiration; thank you so much Madison for pushing things forward so masterfully.”
“Wake” is the second single from Cunningham’s recently announced new album, Ace, which is out October 10 via Verve Forecast. She previously released “My Full Name.” See the album details below.
Cunningham will support Ace on tour next year. The shows take place across North America in January, March, and April. See the dates below.
In 2023, Cunningham won the Grammy Award for Best Folk Album for Revealer. The next year, she and Andrew Bird covered the entirety of Buckingham Nicks for an album they called Cunningham Bird.
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Ace:
01 Shatter Into Form I
02 Shore
03 Skeletree
04 Mummy
05 Take Two
06 Wake [ft. Fleet Foxes]
07 Break the Jaw
08 Invisible Chalk
09 Shatter Into Form II
10 My Full Name
11 Golden Gate (On and On)
12 Beyond That Moon
13 Goodwill
14 Best of Us
Madison Cunningham:
10-09 Los Angeles, CA – Largo at the Coronet
01-06 San Francisco, CA – Bimbo’s 365 Club
01-08 Portland, OR – Aladdin Theater
01-09 Vancouver, British Columbia – Vogue Theatre
01-10 Seattle, WA – St. Marks Cathedral
01-13 Boise, ID – Egyptian Theatre
01-14 Salt Lake City, UT – The State Room
01-16 Santa Fe, NM – Tumble Root Brewery & Distillery
01-17 Denver, CO – Bluebird Theater
01-20 Dallas, TX – Granada Theater
01-21 Austin, TX – 04 Center
01-22 Austin, TX – 04 Center
01-24 Tucson, AZ – La Rosa
01-28 Los Angeles, CA – The Bellwether
03-25 Nashville, TN – Blue Room
03-26 Nashville, TN – Blue Room
03-26-29 Knoxville, TN – Big Ears Festival
03-27 Atlanta, GA – Variety Playhouse
03-30 Carrboro, NC – Cat’s Cradle
03-31 Washington, D.C. – Sixth and I
04-01 New York, NY – Town Hall
04-02 Philadelphia, PA – Ardmore Music Hall
04-04 Boston, MA – The Wilbur
04-06 Toronto, Ontario – Danforth Music Hall
04-07 Pittsburgh, PA – Mr. Smalls Theatre
04-08 Cincinnati, OH – Memorial Hall
04-10 Chicago, IL – Thalia Hall
04-11 Minneapolis, MN – The Fitzgerald Theater
Hades 2 is one of the most anticipated games currently in early access. The reviews and impressions of the early access version have been incredibly strong, and console players are keen to know when they will be able to play now that we have a 1.0 release date.
- READ MORE: All 2025 game release dates for PS5, PS4, Xbox, PC, and Nintendo Switch
However, Supergiant Games has been pretty silent on social media and in discussions about a console release. However, they have given a brief statement on when you can expect a console release for the sequel of the GOTY winner.
Is ‘Hades 2’ coming to PS5, PS4, Xbox One, and Xbox Series X|S?
Hades 2 will likely come to console platforms (PS5 and Xbox Series) sometime after its initial launch on September 25, 2025. The game is slated to release on PC, Nintendo Switch 2, and Nintendo Switch first. This is similar to the first game, which had a timed exclusivity window on PC and Switch.
Nothing has been confirmed just yet by Supergiant Games, but it does seem inevitable that we will see a PS5 and Xbox Series launch, although a PS4 and Xbox One release is still up for debate. Hades came to PlayStation and Xbox around 11 months after the initial Nintendo Switch and PC release, so it seems likely that we will see Hades 2 come to PlayStation and Xbox sometime next Summer. We will keep this article updated as we hear more about the game’s release plans on other platforms.
Early Access was used as a testing period to hone the gameplay, improve bugs, and see how players feel about new features and mechanics. The launch of the game on PC in early access has been a huge success, surpassing the player count of the original significantly. So, a console release seems likely eventually.