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Cardi B, Doja Cat, Young Thug, Mobb Deep, And More
Music

Cardi B, Doja Cat, Young Thug, Mobb Deep, And More

by jummy84 September 27, 2025
written by jummy84

Ice Spice, Sexyy Red, A$AP Ferg, Peezy, ScarLip, Juvenile, and other artists also unleash new releases.


September 26, 2025 5:13pm

2025 Atlantic Recording Corporation; ℗ 2025 Kemosabe Records/RCA Records; A Young Stoner Life Records / 300 Entertainment release, © 2025 Atlantic Recording Corporation

Today is Friday, which means there are a ton of new releases to look forward to from some of your favorite Hip-Hop artists. To help you unwind and enjoy the weekend, check out VIBE’s picks of songs and albums you should hear and add to your soundtrack of weekend festivities.

  • Cardi B – “Don’t Do Too Much”

    Cardi B ‘Am I The Drama?’ cover artCardi B ‘Am I The Drama?’ cover art
    Image Credit: 2025 Atlantic Recording Corporation

    Cardi B’s “Don’t Do Too Much” plays like a record she should have collaborated with Ice Spice on, and that is fully complimentary.

    Nonetheless, she carries the record with ease. It is great hearing her on new types of production and seeing how she flows over a variety of beats, especially this one, without sounding rough.

    Topically, it also fits with the rest of the album; despite all of the difficulties she has experienced, she is still extremely confident. There are a lot of great tracks on Am I The Drama? across rap, pop, and R&B, but this bonus track is a standout. – Armon Sadler

  • Doja Cat – ‘Vie’

    Doja Cat - 'Vie' Cover ArtDoja Cat - 'Vie' Cover Art
    Image Credit: ℗ 2025 Kemosabe Records/RCA Records

    On Vie, Doja Cat continues to prove she’s one of pop’s most fearless shapeshifters. Blending genre and mood with practiced ease, her fifth album is a kaleidoscope of romance, lust, self-doubt, and revelation.

    Whether she’s deadpanning sharp lines over digitized snares on “AAAHH MEN!”—”Am I gay or am I just angry?”—or riffing on intimacy politics in “Gorgeous” (“You feel empowered, but not within”), Doja balances vulnerability with a provocateur’s flair.

    “Cards” delivers one of the album’s most quotable couplets, pairing sensuality with streetwise edge: “Break bread, ni**a, don’t twirl the pasta / Hand on my a**, did I stir the block up.”

    While “Take Me Dancing” with SZA doesn’t quite recapture the spark of their “Kiss Me More” magic, it’s still a lush, worthy addition. Elsewhere, “Acts of Service,” “Happy,” and “Make It Up” offer standout moments of sonic risk and emotional range.

    Titled as a layered play on the Roman numeral for five and a nod to La Vie en Rose, Vie thrives in its ambition. Doja Cat isn’t chasing trends—she’s building her own, one genre-defying, thought-provoking track at a time. This album isn’t just experimental—it’s alive with intention. – Preezy Brown

  • Young Thug – ‘UY Scuti’

    Young Thug ‘UY Scuti’ cover artYoung Thug ‘UY Scuti’ cover art
    Image Credit: A Young Stoner Life Records / 300 Entertainment release, © 2025 Atlantic Recording Corporation

    Young Thug successfully did what many artists fail to do on Uy Scuti; he turned back the clock.

    From the opening track “Ninja,”a cinematic trap opener with a jarring, head-scratching section where he uses the hard “R,” the Ken Carson-assisted “Yuck” which recalls 2019’s “Sup Mate,” all the way to copious infectious melodies and fluid lyricism.

    For those whose minds are stuck on his recent bad headlines, the focus may only be on the flaws of this album. However, for those who have been fans since his origins, this is a comfortable reminder of the eccentric talent they grew to love.

    He brings along many of his constant collaborators, including an impressive performance by Quavo on “Spider Or Jeffery.” The album is definitely long and imperfect, but there is a lot to love. – AS

  • Mobb Deep – “Taj Mahal”

    Mobb Deep - 'Infinite' Cover ArtMobb Deep - 'Infinite' Cover Art
    Image Credit: Mass Appeal

    “Taj Mahal” is a glorious return to form for Mobb Deep, a lavish yet gritty glimpse into the duo’s upcoming album Infinite, dropping October 10.

    Over a smoky, cinematic beat from The Alchemist, Prodigy sets the tone with a vivid recounting of a high-rolling night: “I hit the hundred dollar slot machine for $30,000.” Havoc follows suit, anchoring the track with sharp bars and a Queensbridge shoutout: “Wanna roll the dice, it’s the flick of the wrist.”

    As part of Mass Appeal’s Legend Has It campaign, “Taj Mahal” feels like legacy rap reawakened—timeless, confident, and unapologetically New York. – PB

  • Ice Spice – “Baddie Baddie”

    Ice Spice - "Baddie Baddie" Cover ArtIce Spice - "Baddie Baddie" Cover Art
    Image Credit: © 2025 Dolo Entertainment, Inc., under exclusive license to UMG Recordings, Inc. & 10K Projects, LLC.

    Given how often Ice Spice calls herself a “baddie” in her songs, it felt like a matter of time before she made it a song title.

    “Baddie Baddie” doubles down on one of her favorite phrases, but also shows that she has continued trying new things.

    The production is different from her standard offering, and the flow matches the energy. Her assertion that she was just “poppin’ her sh*t” and didn’t mean to go pop is a fly summation of how her authenticity helped her to become a star as well.

    After a disappointing debut album, the Bronx star’s latest tracks signal that she has elevation on the way. “Baddie Baddie” is a good one. – AS

  • Sexyy Red – “Is You Coo”

    Sexyy Red - "Is You Coo" Cover ArtSexyy Red - "Is You Coo" Cover Art
    Image Credit: Rebel/gamma.
  • A$AP Ferg – “Ferg Strong”

    Ferg “Ferg Strong” cover artFerg “Ferg Strong” cover art
    Image Credit: 2025 Trillagan Island

    Ferg Workout Plan? Ferg made a banger for the fitness folks with “Ferg Strong.” The beat recalls early 2000s nostalgia and is very ambitious, blending various synths, drum patterns, and instruments.

    Despite the organized chaos, she skates through it with ease. The Harlem rapper is often underrated as a rapper because he has made such fun, hype music throughout his career, but “Ferg Strong” is a firm reminder of his artistic mettle in various regards.

    There’s catchy lines, cool flows, and a fresh sharpness. It seems like he’s trying to push people away from ozempic as well, and what better way than provide them a soundtrack to hit their bicep curls and cardio? – AS

  • Peezy – ‘Still Ghetto’

    Cover ArtCover Art
    Image Credit: © 2025 #Boyz Entertainment LLC / EMPIRE

  • ScarLip, FendiDa Rappa, Dank Demoss – “Big Girls”

    ScarLip, FendiDa Rappa, Dank Demoss - "Big Girls" Cover ArtScarLip, FendiDa Rappa, Dank Demoss - "Big Girls" Cover Art
    Image Credit: Broken Child Productions/Epic
  • Juvenile Featuring Mannie Fresh, Dee-1 – “He Gone”

    JuvenileJuvenile
    Image Credit: Noe Pierre
  • Monaleo – “Sexy Soulaan”

    Monaleo - "Sexy Soulaan"Monaleo - "Sexy Soulaan"
    Image Credit: ℗ 2025 Stomp Down, Inc., under exclusive license to Columbia Records, a Division of Sony Music Entertainment
  • Dollar, Jay Dimes, DJ Holiday Featuring French Montana – “Upon Arrival (Remix)”

    Dollar, Jay Dimes, DJ Holiday Featuring French Montana - "Upon Arrival (Remix)" Cover ArtDollar, Jay Dimes, DJ Holiday Featuring French Montana - "Upon Arrival (Remix)" Cover Art
    Image Credit: The Enterprize
  • Hit-Boy Featuring Lefty Gunplay, Spank Nitti James – “N.T.A.B.”

    Hit-Boy Featuring Lefty Gunplay, Spank Nitti James - "N.T.A.B." Cover ArtHit-Boy Featuring Lefty Gunplay, Spank Nitti James - "N.T.A.B." Cover Art
    Image Credit: Surf Club Inc
  • Ty Dolla $ign Featuring Kodak Black, YG – “SMILE BODY PRETTY FACE”

    Ty Dolla $ign 'TYCOON' Cover ArtTy Dolla $ign 'TYCOON' Cover Art
    Image Credit: © 2025 Atlantic Recording Corporation

  • Ron E Featuring Fabolous – “Still On My Mind”

    Ron E Featuring Fabolous - "Still On My Mind" Cover ArtRon E Featuring Fabolous - "Still On My Mind" Cover Art
    Image Credit: MNRK Records LP
  • Chance The Rapper Featuring Do Or Die, Twista – “Ride (Remix)”

    Chance The Rapper Featuring Do Or Die, Twista - "Ride (Remix)" Cover ArtChance The Rapper Featuring Do Or Die, Twista - "Ride (Remix)" Cover Art
    Image Credit: Chance The Rapper LLC
  • Toosii Featuring YoungBoy Never Broke Again – “Please Don’t Go”

    Toosii Featuring YoungBoy Never Broke Again - "Please Don't Go" Cover ArtToosii Featuring YoungBoy Never Broke Again - "Please Don't Go" Cover Art
    Image Credit: © 2025 UMG Recordings, Inc.

  • G Herbo – “Reason”

    G Herbo - "Reason" Cover ArtG Herbo - "Reason" Cover Art
    Image Credit: G Herbo/UMG
  • BunnaB – “I Like Em”

    BunnaB - "I Like Em" Cover ArtBunnaB - "I Like Em" Cover Art
    Image Credit: ℗ 2025 Ice Cream Girl Entertainment LLC under exclusive license to Artist Partner Group, Inc.

  • Bruiser Wolf, Harry Fraud Featuring Benny The Butcher – “Raised By Dope”

    Bruiser Wolf, Harry Fraud Featuring Benny The Butcher - "Raised By Dope" Cover ArtBruiser Wolf, Harry Fraud Featuring Benny The Butcher - "Raised By Dope" Cover Art
    Image Credit: Fake Shore Drive/ Bruiser House/ SRFSCHL, LLC
  • Lexa Gates – “Nothing To Worry Bout”

    Lexa GatesLexa Gates
    Image Credit: Humane
  • Zillionaire Doe – “Skyami Living”

    Zillionaire Doe 'Mr. 14 Months' Cover ArtZillionaire Doe 'Mr. 14 Months' Cover Art
    Image Credit: © 2025 CMG Records, distributed by Interscope Records

  • PLUTO – “Pluto Walk”

    PLUTO - 'Pluto World' Cover ArtPLUTO - 'Pluto World' Cover Art
    Image Credit: ℗ 2025 UMG Recordings, Inc

  • AraabMUZIK – “Lost In A Maze”

    AraabMUZIK - "Lost In A Maze" Cover ArtAraabMUZIK - "Lost In A Maze" Cover Art
    Image Credit: Araabmuzik, LLC
  • PaperRoute Woo – ‘Slime Dunkin”

    PaperRoute Woo - 'Slime Dunkin''PaperRoute Woo - 'Slime Dunkin''
    Image Credit: © 2025 Paper Route Empire

  • Krown Vic Featuring Noodah05 – “Blue Bikinis”

    Krown Vic Featuring Noodah05 - "Blue Bikinis" Cover ArtKrown Vic Featuring Noodah05 - "Blue Bikinis" Cover Art
    Image Credit: United Masters
  • Lil Mosey – ‘Fall City’

    Lil Mosey - 'Fall City' Cover ArtLil Mosey - 'Fall City' Cover Art
    Image Credit: ℗ 2025 Love U Forever LLC, under exclusive license to Cinq Music Group, LLC
  • Spyro – ‘The Men, The Boys & Your Guy’

    Spyro - 'The Men, The Boys & Your Guy' Cover ArtSpyro - 'The Men, The Boys & Your Guy' Cover Art
    Image Credit: © 2025 TAP Music, under exclusive license to Cinq Music Group, LLC

  • Fireboy DML, Pheelz – ‘Peace By Piece’

    Fireboy DML, Pheelz - 'Peace By Piece"'Cover ArtFireboy DML, Pheelz - 'Peace By Piece"'Cover Art
    Image Credit: ℗ 2025 Riidiimacool / YBNL / EMPIRE
  • M-Dot & Confidence – “The Experience”

    M-Dot & Confidence - "The Experience" Music Video StillM-Dot & Confidence - "The Experience" Music Video Still
    Image Credit: Below System Records

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September 27, 2025 0 comments
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Jackzebra Announces Hunched Jack Mixtape, Teams Up With James Ferraro and Glasear for New Song: Watch the Video
Music

Jackzebra Announces Hunched Jack Mixtape, Teams Up With James Ferraro and Glasear for New Song: Watch the Video

by jummy84 September 27, 2025
written by jummy84

Chinese rapper Jackzebra has shared a new song that he made with James Ferraro and the producer Glasear. Watch the video for “Human” below.

Along with sharing the new song, Jackzebra has announced that he’ll release a new mixtape, Hunched Jack Mixtape, on Friday, October 3, via Surf Gang. The project will follow last year’s 王中王 and the more recent Above & Beyond.

Next month, Jackzebra will play shows in Brooklyn, New York, and Los Angeles. The dates are billed as his debut U.S. headline shows. See the details below.

Learn more about James Ferraro in Simon Reynolds’ “The Rise of Conceptronica.”

All products featured on Pitchfork are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.

Jackzebra: After Hundred Jack Mixtape

Jackzebra:

10-14 Brooklyn, NY – Zone One at Elsewhere
10-17 Los Angeles, CA – El Cid

September 27, 2025 0 comments
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Watch Rosé blend Lana Del Rey and Paul Simon tracks in medley on 'The Howard Stern Show'
Music

Watch Rosé blend Lana Del Rey and Paul Simon tracks in medley on ‘The Howard Stern Show’

by jummy84 September 27, 2025
written by jummy84

BLACKPINK‘s Rosé blended covers of Lana Del Rey and Paul Simon tracks while on The Howard Stern Show – check it out below.

  • READ MORE: Rosé and Bruno Mars’ ‘APT.’ is an addictively flirty and fun intro to the BLACKPINK star’s solo era

As well as her own hit single, the Bruno Mars-assisted ‘APT.’, the New Zealand artist also combined Lana Del Rey‘s ‘Norman Fucking Rockwell’ with Paul Simon‘s ‘50 Ways to Leave Your Lover’ during her stop on the show.

The full footage of her appearance was shared on YouTube on Friday (September 26), with the ’50 Ways to Leave Your Norman’ medley seeing Rosé alter Del Rey’s track slightly so its lyrics were less explicit.

“You talk to the walls when the party gets bored of you/But I don’t get bored, I just see it through/Why wait for the best when I could have you?” she sang, before transitioning into Simon’s 1975 track.

“You just slip out the back, Jack/Make a new plan, Stan/You don’t need to be coy, Roy/Just get yourself free,” Rosé sings in the clip. “Hop on the bus, Gus/You don’t need to discuss much/Just drop off the key, Lee/And get yourself free.”

Earlier this month, the K-pop star and BLACKPINK member hit yet another landmark achievement, with ‘APT.’ garnering over 2billion views on YouTube, the first of her solo material to do so.

That news came shortly after she became the first-ever Korean act to win Song of the Year at the MTV Video Music Awards (VMAs). ‘APT.’ broke numerous records and topped charts following its release in October – also becoming the fastest K-pop song to surpass one billion streams on Spotify.

The track was also named one of NME’s best 50 songs of 2024 and clinched the second spot on NME’s list of the best 25 K-pop songs of the year, with Sara Delgado saying that with “a genius interpolation of Toni Basil’s ‘Mickey’ and an infectiously funky chanted chorus, ‘APT.’ will go down in history as the perfect case study on how to launch a solo career.

“The cherry on top of a great package? The assist (vocally, but also creatively) from the ever-charismatic Bruno Mars.”

The song also scored a glowing five-star review, with NME’s Rhian Daly writing: “There’s a power and confidence in her voice that far surpasses her past performances, and the vintage pop-rock riffs and attitude – which echo with elements of Toni Basil, Blondie and Joan Jett – feel sublimely suited to her as an artist.

“Addictive, flirty and a whole lot of fun, ‘APT.’ is the perfect introduction to Rosé’s new chapter.”

September 27, 2025 0 comments
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Paul Gallagher, Brother of Oasis' Noel and Liam, Denies Rape Charge
Music

Paul Gallagher, Brother of Oasis’ Noel and Liam, Denies Rape Charge

by jummy84 September 27, 2025
written by jummy84

Gallagher’s trial will not take place until September 2027

Paul Gallagher, the older brother of Oasis’ Liam and Noel Gallagher, pleaded not guilty to rape and other charges on Friday, Sept. 26.

Gallagher, 59, also pleaded not guilty to charges of coercive and controlling behavior, three counts of sexual assault, three counts of intentional strangulation, two counts of making a threat to kill, and one count of assault, according to the BBC. He was released on bail, and a start date for his trial was scheduled for Sept. 13, 2027. 

Lawyers for Gallagher did not immediately return Rolling Stone’s request for comment. His attorneys at Carson Kaye previously issued the statement, “Mr. Gallagher has consistently engaged with the police throughout their investigation and always strongly denied the allegations made against him. He looks forward to clearing his name, but as there are now ongoing legal proceedings, our client is unable to comment further” (via Reuters).

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Gallagher was charged by Scotland Yard in July following an investigation that started last year. “The offenses are reported to have taken place between 2022 [and] 2024,” a police spokesperson previously told Rolling Stone. “A woman is being supported by specially-trained officers.”

In 1997, Gallagher wrote a book called Brothers: From Childhood to Oasis — The Real Story, but he is not (and has never been) a member of his younger brothers’ band. The news of his arrest came just weeks after Oasis kicked off their long-awaited reunion tour, which is set to resume with additional shows in London this weekend. Further shows in Japan, Australia, and South America are scheduled through November. 

September 27, 2025 0 comments
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Spinal Tap Tribute Album with Foo Fighters,Tool for Teen Cancer America
Music

Spinal Tap Tribute Album with Foo Fighters,Tool for Teen Cancer America

by jummy84 September 27, 2025
written by jummy84

Spinal Tap may be a fake band, but its music is very real, and it is being used to raise money for Teen Cancer America, a non-profit founded by The Who’s Roger Daltrey and Pete Townshend that runs cancer programs for teens and young adults ages 15-39.

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Members of such legendary groups as Guns N’ Roses, Foo Fighters, The Go-Go’s and Tool, among others, appear on The Majesty of Rock, a 32-song collection from the Spinal Tap catalog, including such Tap classics as” Sex Farm,” “(Listen to the) Flower People,” “Hell Hole” and “Big Bottom.” The collection also features a contribution from the Play it Back Players, a band comprised of cancer patients and professional musicians, who donate their time.

In the spirit of Spinal Tap, many of the musicians created fake bands for the project. For example, Vixen’s Britt Lightning formed The Lightning Rods for her contribution. Guns N’ Roses’ Dizzy Reed plays with a group dubbed Jason Achilles, while System of a Down’s John Dolmayan plays with Antenna the End. “Big Bottom” is attributed to the band S.S.R.J.C.T., which is comprised of Mastadon’s Troy Sanders, Failure’s Kellii Scott, Kyuss’s Scott Reeder, Foo Fighters’ Rami Jaffee, Tool’s Justin Chancellor and The Go-Go’s Abby Travis. (The band takes its name from the first initial of each musician’s last name)

Only 5,000 digital copies of the compilation will be available and can be purchased here for a minimum donation of $19.84, a reference to the year This is Spinal Tap was released in 1984.

Journalist and podcaster Marc Shea produced the set, which came about following a conversation on his Performance Anxiety. “Three and a half years later, we have a double album to honor the musical and comedic legacy of Spinal Tap, the band that gave us ‘going to 11’ as well as raising awareness for spontaneous combustion,” he said in a statement. “I can’t thank the contributors or TCA enough for their support.”

 “This tribute album is a fun, powerful way to raise crucial funds and awareness for the unique challenges facing this age group,” Shannon Sullivan, executive director of Teen Cancer America, said in a statement. We are incredibly grateful to the brilliant artists who have lent their talents to this project and to the creators of Spinal Tap for allowing us to celebrate their genius for a cause that is so important.”

September 27, 2025 0 comments
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Best Songs of the Week: September 20th-September 26th
Music

Best Songs of the Week: September 20th-September 26th

by jummy84 September 27, 2025
written by jummy84

Our recurring Songs of the Week column highlights the best new tracks from the last seven days. Find our new favorites on our Top Songs playlist, and for more great songs from emerging artists, listen to our New Sounds playlist. This week, we’ve listening to tunes from Bartees Strange, Chat Pile and Hayden Pedigo, and others.


Bartees Strange — “DCWDTTY”

Bartees Strange is back with “DCWDTTY,” a cover of Smart Went Crazy’s “D.C. Will Do That to You.” Produced by regular collaborator Jack Antonoff and included on All Things Go’s 10th Anniversary compilation, the cover is a furious, full-throated return from Bartees Strange. Though he’s letting it rip on the mic, Antonoff keeps Bartees with just enough distance and doubles up his vocals, creating a disorienting gang vocals effect. It’s one of the most punk-forward cuts in his wide-ranging, genre-averse discography; whatever style he tries, Bartees Strange nails it. — Paolo Ragusa

Related Video

Chat Pile and Hayden Pedigo — “Demon Time”

“Demon Time,” the second single from the unlikely but very welcome collaboration between sludge metal act Chat Pile and twangy guitarist Hayden Pedigo, makes good on its title. The tune is slow, droning, and unnerving, with reverb-drenched guitar lines giving way to filthy, overbearing distorted chords. It’s the sonic equivalent to knowing something is following you, but not being able to catch it… but, you know, like, enjoyable. — Jonah Krueger

Chika — “Stimming”

Chika is embracing her restlessness on “Stimming,” the rapper’s new song and the latest in a string of standout singles. The track title specifically refers to finding a stimulating activity as an outlet for ADHD and neurodivergent brains; often, that manifests in making music for artists like Chika, who reflects on her past and present with her signature aura of cool and sharp, thought-provoking bars. Though she confesses out the gate that she’s been “fidgeting” since she was young, she sounds delightfully unhurried and composed on “Stimming.” — P. Ragusa

crushed — “meghan”

Los Angeles duo crushed have revealed their terrific debut album no scope today, and its packed full of dreamy, transportive bangers. One of the brightest new offerings is “meghan,” a burning, breakbeat-heavy cut with Shaun Durkan back on lead vocals. The song hits a high point in the chorus, where Bre Morrell takes Durkan’s warm meditations up the octave as spacious synths swirl and buzz around them. crushed’s hazy sound can be tough to describe, with so many elements arriving in a kind of soft focus — still, as all great new bands do, they manage to scratch the itch. — P. Ragusa

Joyer — “Glare of the Beer Can”

The glare of a beer can — what a beautiful thing. In fact, I can’t think of anything more fitting to write an off-kilter, rootsy indie rock love song about. East Coast indie rockers Joyer have done just that with “Glare of the Bear Can,” though it’s a tad reductionist to refer to the tune as merely “a love song,” as the verses detail finding that one person in both the good and the band, the light and the dark night, inside of trash cans and in deflated balloons. It’s a sweet, shimmery sentiment for a sweet, shimmery song. — J. Krueger

TYGERMYLK — “Babe III”

English artist TYGERMYLK has revealed “Babe III,” the latest track of their upcoming debut album Local Girl, Always Tired. The song is a tender, devastating ode to childhood and grief; written for their late father, they reflect on a childhood summer spent with family and watching their then-favorite movie, Babe. There’s serendipity and tragedy in the song’s minimal, introspective mode, blooming into focus as they imagine what Babe III might be like. It’s a beautiful return from TYGERMYLK. — P. Ragusa

Tyler Ballgame – “I Believe in Love”

There’s a purity in Tyler Ballgame’s story — child of a music loving household who toiled in a Rhode Island cover band before moving to LA for an office job and stumbling into a creative community via open mic performances — that translates to “I Believe in Love.” The lead single off his For the First Time, Again debut (out January 30th), the track shows off his enchantingly earnest vocals, the analogue production of Jonathan Rado and Ryan Pollie, and the sweetness at the center of this big performer who’s only looking to grow bigger. — Ben Kaye

September 27, 2025 0 comments
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Lol Tolhurst and Robert Smith of the Cure in 1983. (Credit: Fin Costello/Redferns)
Music

Deep Cut Friday: ‘Push’ by the Cure

by jummy84 September 27, 2025
written by jummy84

Each week, SPIN digs into the catalogs of great artists and highlights songs you might not know for our Deep Cut Friday series.

On later Cure albums, Robert Smith’s songs started getting longer, and so did the instrumental intros, with the band frequently establishing a groove for a minute or two before Smith begins to sing. On “Endsong” from last year’s Songs of a Lost World, Smith doesn’t open his mouth until more than six minutes into the track.

1985’s The Head on the Door was the Cure’s last album made up almost entirely of fairly succinct pop songs, with no lengthy epics. There is, however, a very long instrumental intro on “Push,” which opens with a bright surging guitar riff. For over two minutes, the band bashes through sections of the song that sound like a first verse, a chorus, and a second verse, without any vocals. And then, when the part that feels like a chorus comes around the second time, Smith finally belts out “Go, go, go! Go, go, go! Push him away!” In an album with college radio classics like “In Between Days” and “Close to Me,” a half instrumental song contains one of The Head on the Door’s most irresistible hooks, sung only once. 

A 2006 deluxe edition of The Head on the Door features several instrumental demos that Smith made with a drum machine in December 1984. The brief “Push” demo serves largely to illustrate how much Boris Williams, the Thompson Twins drummer who joined the Cure in 1984, helped bring the song to life with bombastic tom-tom fills.

In concert, “Push”’s unusual structure created an opportunity for fans to take the lead. In 2018, the Cure celebrated its 40th anniversary as a band with a concert in London’s Hyde Park. And when the band played the instrumental first chorus of “Push,” you can hear a large segment of the audience start belting out the lyrics: “Go, go, go! Go, go, go! Push him away!”

Three more essential Cure deep album cuts:

X Ambassadors. (Credit: Ethan Glanger)

“10:15 Saturday Night”

The opening track on the Cure’s 1978 debut Three Imaginary Boys set the tone for the band’s career, with Smith making a teenager’s disappointing weekend feel achingly grim and dramatic: “Waiting for the telephone to ring and I’m wondering where she’s been.”

“Shake Dog Shake”

Andy Anderson, who played drums on 1984’s The Top, died of cancer in February 2019. A month later, the Cure were inducted into the Rock and Roll Hall of Fame, and the band kicked off their set at the ceremony with “Shake Dog Shake” from The Top before focusing on a few more famous songs. 

“Prayers for Rain”

The ominous Disintegration centerpiece “Prayers for Rain” is one of the many Cure songs where both Smith and Simon Gallup double up on bass to create an especially heavy low end, with backmasked guitar and piano adding an eerie atmosphere.

September 27, 2025 0 comments
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LaKeith Stanfield Details Major Label Debut, "Fast Life": Interview
Music

LaKeith Stanfield Details Major Label Debut, “Fast Life”: Interview

by jummy84 September 27, 2025
written by jummy84

LaKeith Stanfield is returning to his music roots with the release of his new single, “Fast Life,” featuring Kid Cudi. The record and accompanying video mark his official Def Jam debut and pave the way for his long-awaited new album (slated to be “coming soon”).

Of the record, Stanfield told VIBE, “I originally wrote and recorded this song about 7 years ago. My life was turbulent, exciting, and sad. This song explores that feeling in my journey.”

“Fast Life” is somewhat of an introspective look into his life when “things started popping off” for Stanfield. He explained, “It was just like a barrage of different things coming from different directions [and] I didn’t really know how to deal with it. It was a lot of money, a lot of fame, a lot of accolades coming at once. I went from anonymity to n****s running up on me, like, ‘What’s up, Get Out?’”

The adjustment ultimately ended with a stint in rehab, and now, Stanfield feels the journey has been “surreal” considering he’s been able to “turn that negativity into something positive.” The latter is what he intends to do with his music, noting, “I want to alchemize and make the negative stuff, give birth to something a little bit more positive.”

Courtesy of Def Jam

During a private screening back in August, the acclaimed actor revealed that music was actually his first love. “I’ve been doing it since I was 11. I’ve always loved music,” he explained before confessing that when he’s traveling, filming, or in the in-between, he’s always working on his music.

Stanfield teased, “I rap, I sing, I scream until I don’t have a voice,” and with “Fast Life,” he feels, “It’s time to share, it’s time to let it out.”

Described as “hypnotic as it is hedonistic,” the visual is a short film directed by Jeymes Samuel (The Harder They Fall, The Book of Clarence) with narration by Taraji P. Henson and cameos from Madeline Brewer, John Boyega, David Oyelowo, Jimmy Akingbola, and Stanfield’s wife, Kasmere.

On his synergy with Samuel, Stanfield labeled it “weird in a beautiful way.”

He shared, “[He] just has a great imagination. And he was just like, ‘How do we take it to the next level? How do we lather it in some elements of creepiness, and embed some deeper meaning?’ I had a really great time when I’m working on ‘The Harder They Fall,’ ‘The Book of Clarence.’ So I just asked him would he come on to this, and he was like, ‘Yeah.’ So, we just ran with it.”

LaKeith Stanfield Jeymes Samuel

Derek White/Getty Images

Stanfield also spoke about his friendship with Cudi and how the rapper ended up on the record. He considered Cudi to be a “great man and gracious artist,” adding, “He and I both speak out hearts — so I approached him with the record when revisiting it for official release. I’m grateful he joined me.”

He later confessed that Cudi had a “magnetism toward [‘Fast Life’]” and joked that he “did that verse in five [minutes].” Stanfield quipped, “I’ve never seen no s**t like that in my life […] He just hummed three different tunes. And he was like, ‘Yeah, all right, cool. You know I’m going to do this quick, right?’ And in five minutes, he was done […] I didn’t believe it at first. Then, I sat with it, and it’s one of the most beautiful aspects of the album now.”

This first iteration of his music is “all about getting through the hard s**t,” with Stanfield explaining: “When you can reflect, there’s a certain beauty to the struggle, and I talk about that in this first installation. As I move forward, I just grow and I progress […] And you coming with me on the journey because we all live a fast life. This s**t’s short.”

The full 18-minute visual will be out very soon, but for now, the four-minute teaser can be viewed above.

September 27, 2025 0 comments
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Jeff Tweedy: Twilight Override Album Review
Music

Jeff Tweedy: Twilight Override Album Review

by jummy84 September 27, 2025
written by jummy84

Twilight Override is built to be immersive rather than visceral. We are along for the journey, but wary of the thrills. Gas, grass or ass. Lots of cries, lots of laughs. The vogue for Freudian therapy—the once a week, lay on the couch, dig into your childhood stuff—has long since fallen out of favor with the wider psychoanalytic community, replaced by generally faster, less expensive, more efficacious approaches like CBT. Based on the evidence provided by Twilight Override, no one has informed Jeff Tweedy. To the contrary, we are in for the long version—he has felt blank, he has eaten wedding cake, he has seen the expansive Western sky at dusk—the world is too much with him, late and soon. But there is so much splendor too. On the swelling, string-driven “Stray Cats in Spain,” he sees stray cats in Spain, or possibly, rockabilly revivalists the Stray Cats. In either case, it is an epiphany bordering on a religious experience: “Oh what a beautiful day,” Tweedy sings, summoning the quivering awe of his “Ashes of American Flags” tenor. He is increasingly attuned to the static-y emotional frequencies of Robert Hunter, where the overlap between bone-deep fatigue, desperate yearning, and the possibility of ecstatic deliverance bind together in a gloriously wobbly existential dance. Like Hunter, he perceives the sublime in the prosaic. When Tweedy sings: “Stray cats in 2019, rocking in the street,” his question-mark vocals suggest one who can’t quite believe he’s witnessed something so transportingly magnificent.

He won’t be your mirror, but he’ll show you where to look. Twilight Override is frequently funny, as on the jaunty “Lou Reed Was My Babysitter,” where he sings lines like “I want you to blow smoke in my eyes” with Lou-worthy lasciviousness, a worthy update to Jonathan Richman’s positively perfect tribute. “KC Rain (No Wonder)” sounds a little like Cat Stevens’ Tea for the Tillerman subjected to shock therapy. The beguilingly weird chamber-pop of “Love Is for Love” evokes the 1970 classic Vintage Violence, as if John Cale had been his babysitter too. On the Sister/Lovers-like “Too Real,” Tweedy lays bare his deepest anxieties behind a tremulous wall of delay reminiscent of the brilliant 4-track recordings of F.M. Cornog’s East River Pipe and Jack Logan’s Bulk. Thus born, the ghosts are everywhere. Infamously, cruelly, Dylan once told Phil Ochs: “You’re not a folk singer, you’re a journalist.” Or was it so cruel? Tweedy is a journalist of the soul, always hunting down those sad-ashtray leads.

September 27, 2025 0 comments
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Liam and Noel's brother Paul Gallagher denies rape and sexual assault charges
Music

Liam and Noel’s brother Paul Gallagher denies rape and sexual assault charges

by jummy84 September 27, 2025
written by jummy84

Paul Gallagher, the older brother of Oasis’ Noel and Liam, has pleaded not guilty to multiple charges of sexual assault.

Today (Friday September 26), the 59-year-old appeared at Harrow Crown Court, which was sitting at Southwark Crown Court, entering pleas of not guilty to all charges (via BBC).

The charges include one count of rape, three counts of sexual assault, three of intentional strangulation, two of making a threat to kill, as well as charges concerning coercive and controlling behaviour and assault conditioning actual bodily harm.

The Metropolitan Police have said the alleged offences took place “between 2022 and 2024”, and Gallagher has now been bailed to face trial on 13 September, 2027.

Gallagher was charged in July by Scotland Yard after an investigation opened against him last year. He went on to make an appearance in court last month, speaking during a five-minute hearing only to confirm his name, age and address.

Paul is one year older than Noel and seven years older than Liam, and has worked previously as a photographer and DJ.

The Telegraph reported in July that the North London flat that Paul Gallagher lives in now, situated in East Finchley, was bought for him by Noel in 2004. While he grew up with Liam and Noel in Burnage, Manchester, he has never been involved with the Britpop band. He was listed as ‘tour DJ’ in the official tour programme for the Oasis Live ‘25 reunion tour.

This weekend, Oasis are set to play their final two announced UK shows on the reunion tour, headlining Wembley Stadium on Saturday and Sunday (September 27 and 28). They recently wrapped the North American leg of the tour and they have further dates to come in South America, Australia, South Korea and Japan.

For help, advice or more information regarding sexual harassment, assault and rape in the UK, visit the Rape Crisis charity website. In the US, visit RAINN.

September 27, 2025 0 comments
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