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Lola Young Collapses Onstage at All Things Go Festival in New York
Music

Lola Young Collapses Onstage at All Things Go Festival in New York

by jummy84 September 28, 2025
written by jummy84


Lola Young collapsed mid-song and was carried offstage Saturday evening (Sept. 27) at New York City music festival All Things Go. The incident happened a day after the 24-year-old south London singer’s Friday night performance was canceled by her team “due to a sensitive matter.”

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Young gave a strong vocal performance but appeared flushed and emotional during her set Saturday at Forest Hills Stadium in Queens, powering through four songs — “Spiders,” “F— Everyone,” “Dealer” and “Walk All Over You,” all from her new album I’m Only F—ing Myself — before falling backwards during the next.

Midway through 2023 single “Conceited,” Young paused to communicate with her keyboardist. The message did not appear to get across before she collapsed.

Young’s band, team and security rushed to surround the singer, who was down for about 30-45 seconds, and carry her offstage. Billboard reached out to Young’s representatives for an update on her condition.

The moment left the audience in shock and quiet. The crowd clapped as Young was helped offstage, and a hyperpop song played in the stadium after her exit.

On Friday, manager Nick Shymansky shared an Instagram Story to announce that Young was pulled last minute from that night’s scheduled set at Audacy’s We Can Survive concert at the Prudential Center, citing a “sensitive matter.” “Lola is very open about her mental health and there are very occasionally days where myself and my team have to take protective measures to keep her safe,” Shymansky wrote. “She is an incredible person and always takes her fans, career and performances seriously. I can only send huge apologies for the inconvenience caused.”

Before collapsing on Saturday, Young addressed her return to the stage early in her set at All Things Go.

“Today I woke up and I made the decision to come here,” Young said to Saturday night’s crowd. “I wanted to be, I wanted to perform, and I didn’t want to wallow in my sadness. Sometimes life can throw you lemons and you just gotta motherf—ing make lemonade … I really appreciate everyone who’s here tonight.”

September 28, 2025 0 comments
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Turnstile Rock Chicago on Their "NEVER ENOUGH TOUR"
Music

Turnstile Rock Chicago on Their “NEVER ENOUGH TOUR”

by jummy84 September 27, 2025
written by jummy84

Not only have Turnstile become one of the premier artists of the ongoing hardcore resurgence, but they’ve grown into that role with a noticeable amount of grace. Though born in the punk intimacy of crammed clubs, the Baltimore act has proven over the last few years that they can light up a sprawling festival stage or sold-out amphitheater as efficiently as anyone. Last night in Chicago, at the Huntington Bank Pavilion, they did just that.

The gig was, to take a phrase from their 2021 breakout album GLOW ON, a true TURNSTILE LOVE CONNECTION. Despite hitting a few recent snags on their ongoing “NEVER ENOUGH TOUR” — primarily a seemingly organized (?) phone-stealing ring and a security blunder in Richmond that resulted in a sheriff’s deputy appearing to pepper spray a fan — the Chicago crowd was undeterred in their commitment to the band and their excitement to glow on, phone thieves be damned. Not only did the band feed on such energy, they pumped it right back into the audience.

Get Turnstile Tickets Here

Before they graced the stage, though, the night started with a trio of support acts that, in their own ways, each represented different anchor points of Turnstile’s crossover styling: hip-hop, classic hardcore, and hooky indie punk. Hyperpop up-and-comer Jane Remover (who celebrated her birthday on the same night as the gig, turning 22) kicked things off by rapping and auto-crooning over abrasive club bangers before Australia’s Speed lit a fuse with their true-blue, hardcore fury. Mannequin Pussy, who began playing just as the venue finished filling up, then ripped through their righteous anthems with such urgency that an uninformed bystander might have assumed they were headlining.

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Together, the three acts primed an energized crowd for the main event. Soon enough, the signature synth pads of Turnstile’s current era flooded the outdoor space, and the band launched into their set with a charged performance of the title track from NEVER ENOUGH.

And, let me tell you, those kids went nuts. The moshers moshed hard, the jumpers jumped high, and even those comfortably seated in the bleachers showed signs of life, getting on their feet and moving in time with the riffs. All the while, Brendan Yates stomped and hopped around the stage, leading the sold-out crowd in chants and amped-up sing-alongs.

The following set expectedly found the band leaning on their two most recent (and FULLY CAPITALIZED) efforts. Together, GLOW ON and NEVER ENOUGH accounted for 16 of the 23 songs that the band performed. Old-heads fear not, though, as they still found time to dip a little deeper into their catalog, pulling out the Time & Space gem “Real Thing” and unleashing a suite of three Step 2 Rhythm cuts. While such tracks weren’t met with the same eruptive reaction as, say, “HOLIDAY” or “MYSTERY,” their refreshingly straightforward aggression made for some of the most invigorating moments of the show.

All the while, the production of Turnstile’s stage show doubled down on their communal focus, something that’s driven them since the beginning. On the two massive screens positioned on either end of the stage, shots from within the pit focusing on fans (and sometimes even interacting with a mosher or two) were projected just as frequently as glamor shots of the band members themselves.

The implicit messaging was clear: Turnstile and hardcore music might have a tough exterior, but it’s all in the name of love and togetherness. Dancing alongside about 9,000 fans in Chicago last night, that couldn’t have been more apparent. And, really, what’s a push pit if not a big ‘ol group hug?

Turnstile’s “NEVER ENOUGH TOUR” continues through mid-October, with remaining dates going down in  Denver, Los Angeles, Phoenix, Houston, and more before wrapping up in Orlando, Florida, on October 19th. See the complete list of Turnstile’s upcoming concerts below, and get tickets here.

Turnstile Photo Gallery (click to expand):

Setlist:
NEVER ENOUGH
T.L.C. (TURNSTILE LOVE CONNECTION)
ENDLESS
I CARE
DULL
DON’T PLAY
Real Thing
Drop
LIGHT DESIGN
Come Back for More
Fazed Out
SUNSHOWER
7
Keep It Moving
Pushing Me Away
FLY AGAIN
SOLE
CEILING
SEEIN’ STARS
HOLIDAY
LOOK OUT FOR ME
Encore:
MYSTERY
BLACKOUT
BIRDS

Turnstile’s Remaining 2025 US Tour Dates:
09/27 – Minneapolis, MN @ The Armory ^
09/28 – Des Moines, IA @ Lauridsen Amphitheater at Waterworks Park ^
09/30 – Denver, CO @ Project 70 Under the Bridge ^
10/03 – Sacramento, CA @ Aftershock *
10/04 – Los Angeles, CA @ Exposition Park +
10/05 – San Francisco, CA @ Bill Graham Civic Auditorium +
10/07 – Seattle, WA @ WaMu Theater +
10/08 – Portland, OR @ Edgefield Concerts on the Lawn +
10/10 – San Diego, CA @ Gallagher Square at Petco Park +
10/11 – Phoenix, AZ @ Mesa Amphitheater +
10/14 – Austin, TX @ Moody Amphitheater +
10/15 – Houston, TX @ White Oak Lawn +
10/16 – Fort Worth, TX @ Panther Island Pavilion +
10/18 – Miami, FL @ III Points *
10/19 – Orlando, FL @ Orlando Amphitheatre +

* = festival date
^ = w/ Mannequin Pussy, SPEED, Jane Remover
+ = w/ Amyl & The Sniffers, SPEED, Jane Remover

September 27, 2025 0 comments
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Eddie Vedder Covers Devo, Zeppelin At Ohana Festival
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Eddie Vedder Covers Devo, Zeppelin At Ohana Festival

by jummy84 September 27, 2025
written by jummy84

Pearl Jam frontman Eddie Vedder revived his side band, Earthlings, for the first time in two years last night (Sept. 26) to close the first night of his annual Ohana festival in Dana Point, Ca. The group, which also features guitarists Andrew Watt, Josh Klinghoffer and Glen Hansard, Red Hot Chili Peppers drummer Chad Smith and bassist Chris Chaney, unveiled several new covers for the occasion.

The first was an opening run through Devo’s “Gut Feeling,” which Vedder had never played live before, while later in the show, he tacked the instrumental intro of Led Zeppelin’s “The Song Remains the Same” onto Pearl Jam’s “Rearviewmirror.” Klinghoffer even wielded a Jimmy Page-style double-necked guitar for the occasion.

Before the latter, Vedder told a long story about being tormented by a high school teacher while growing up in the San Diego area, and how music helped him overcome the fear of not graduating or being fired from a job. “There was this piece of music, and I’ll never forgot where I was or how loud it was, and for some reason, this piece of music — not even the words, nothing — it was like a drug,” Vedder said. “It lifted me up. It was a liftoff. I realized, you know what? Fuck that guy. And someday, he will mean nothing to you. You’re not going to be stopped by someone who is maybe not right. I was telling this story to a friend, and all of the sudden, he sent me back that the guy is still alive in San Diego. He’s 83. He sent me his address. My first thought, just being honest, was, I’m going to go find that guy and kick his ass, because he’s 83 and I think I can take him. But, no, violence is never the right thing. Never. But, we will play this piece of music and I will let it be the reminder that music is power. Music has power. This person who had ill will for me? He didn’t win.”

Elsewhere during the set, Vedder played full-band versions of songs such as “Setting Forth” and “No Ceiling” from his 2007 Into the Wild soundtrack with Earthlings for the first time. Five cuts from his 2022 solo album Earthling also appeared, as did covers of the Who’s “I’m One,” the Mono Men’s “Watch Outside” and George Harrison’s “Isn’t It a Pity.”

In another communal moment, Vedder welcomed his daughters Olivia and Harper to sing on a medley of the English Beat’s “Save It for Later” and Pearl Jam’s “Better Man,” which is usually performed in the reverse order. Vocalist Sharlotte Gibson and Fitz and the Tantrums saxophonist James King also lent a hand, and returned for the finale with guests such as Stereophonics’ Kelly Jones for Neil Young’s “Rockin’ in the Free World.”

Ohana continues today and tomorrow with performances by Hozier, Leon Bridges, Green Day, Cage the Elephant and Wet Leg.

Lol Tolhurst and Robert Smith of the Cure in 1983. (Credit: Fin Costello/Redferns)

September 27, 2025 0 comments
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Toni Braxton Shakes Table Over Tamar Accusations In 'Braxtons' Clip
Music

Toni Braxton Shakes Table Over Tamar Accusations In ‘Braxtons’ Clip

by jummy84 September 27, 2025
written by jummy84

Toni Braxton and her younger sister, Tamar, nearly come to blows in the explosive season two teaser for their hit WE tv series The Braxtons.

The clip shows all four sisters — Toni, Towanda, Trina, and Tamar — seated for what was supposed to be a family dinner. Tensions boiled over when Tamar confronted her sisters about allegedly trying to dismantle her business, which includes her podcast.

“We have had a series of unfortunate events in the Braxton family lately,” Trina began, setting the stage. From there, Towanda pressed Tamar about not wanting to film with the group, a question Tamar brushed off, hinting that her sisters already knew the reason why.

That reason, according to Tamar, stemmed from backlash after she announced plans to invite their 32-year-old niece Ashlee onto her podcast. Ashlee previously alleged that one of her aunts “cut her off” after she revealed that an ex-partner of the aunt had sent her inappropriate messages when she was 16. Tamar said she wanted to give Ashlee a “safe place” to share her story, but claims she was hit with a cease-and-desist from her sisters before recording.

Ashlee Braxton, Traci Braxton, Trina Braxton and Towanda Braxton arrive at the Soul Train Awards 2013 at the Orleans Hotel & Casino on November 8, 2013 in Las Vegas, Nevada.

Mindy Small/FilmMagic

“Y’all tried to shut down my business,” Tamar shouted, as her sisters denied ever filing the legal motion. “Nobody wanted to come to my defense.” That’s when Toni jumped in with, “So you’re gonna sit there and say ‘Toni Braxton ain’t never had your back?’” the Grammy-winning icon demanded. Tamar stood her ground, responding, “You didn’t have my back,” as Toni quickly fired back with a warning: “Don’t f**k with me… don’t f**k with Toni Braxton.”

The argument escalated as Tamar accused Toni of being the one who wanted Ashlee featured on The Braxtons this season. The “Unbreak My heart” singer shot up from her seat, pointed her finger in Tamar’s face, and doubled down: “Don’t you f**king go there… don’t play with me!”

Before the sisters could physically clash, the teaser cut to earlier footage of Tamar having lunch with Ashlee, who clearly will be the season’s most heated storyline.

See below.

The incident that sparked the heated exchange between the sisters dates back to December 2024 when Ashlee, who is the daughter of their brother Michael Braxton Jr., came to social media with shocking allegations.

In a two-part TikTok video, Ashlee explained that the situation began after she and her sister spent a summer with one of her aunts. Once they returned home, she claimed the aunt’s partner started sending her sexual text messages. “When I leave her partner, her husband at the time, [he] decides to start sexting me. So, texting in a sexual manner,” she recalled. “There was nothing physical that happened. Absolutely nothing.”

According to Ashlee, it was her stepmother who discovered the texts after looking through her phone. While she didn’t name which aunt in her video, she said that her aunt was initially supportive. “My aunt was there for me. She was very kind, very nice and was like ‘I’m so sorry that this happened to you.’ She was very kind, and it just felt safe,” Ashlee shared. “But then, as the years have gone by, it’s like that mood and that assumption that I didn’t do anything because I was a child was not that assumption anymore.”

The Braxtons season 2 teaser

Courtesy of We TV

She also admitted that the shift in energy was painful and confusing for her. “When I say all this is not a dig to my family member because it’s really sad that she also was put in that situation of having to deal and having to handle,” she added. “I don’t wish that upon anyone either. There’s sympathy there, but there’s also so many other aspects of it when you’re a child and you’re denied a voice.”

“This is not a space and place for me to trash my family’s name. It’s a space and place for me to talk about something I’ve gone through and to be able to make light of a situation that a lot of us have gone through that were completely silenced,” she continued. “And for the first time in a really long time, I just feel like I wanna help other people and I feel free.”

See both parts of Ashlee Braxton’s allegations below.

September 27, 2025 0 comments
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1010Benja Announces New 3X10 EP, Shares New Song “YAM”: Listen
Music

1010Benja Announces New 3X10 EP, Shares New Song “YAM”: Listen

by jummy84 September 27, 2025
written by jummy84

The Kansas City–based artist 1010Benja is following his debut studio album, Ten Total, with a new EP. The new project is called 3X10, and it’s out October 31 via Tabloid. Below, listen to 1010Benja’s new single “YAM.”

According to a press release, 1010Benja recorded his new three-song EP in a friend’s basement in Kansas City, Missouri. “I mean, it’s three… by 10,” the producer, singer, and songwriter said of the EP in a statement. “Cheap and obvious marketing, but the songs are really passionate, and heartfelt. I got here the same way anyone does: I came from a really raw place.”

Discussing “YAM,” he added, “‘YAM’ stands for ‘YOUR ASS, MINE,’ and wouldn’t you know it? Life’s got you; the gods and planets ensnare the weak and vulnerable. You, you are a snare; your love is a prison. The truth hurts—its violence is rich and sweet. When an American leaves their familiar land to travel to tropical places, one bite of a good ‘YAM’ is worth 1,000 Quarter Pounders.”

Revisit Pitchfork’s “The 100 Best Songs of 2020,” featuring 1010Benja’s “Dobby” at No. 98.

3X10 EP:

01 Chosen Omen
02 Lightrope
03 YAM

September 27, 2025 0 comments
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Investigation launched after sheriff's deputy appears to pepper spray Turnstile fan in Richmond
Music

Investigation launched after sheriff’s deputy appears to pepper spray Turnstile fan in Richmond

by jummy84 September 27, 2025
written by jummy84

An investigation has been launched after a sheriff’s deputy appeared to pepper spray a Turnstile fan during a show in Richmond.

The Baltimore band played at the Virginia city’s Brown’s Island venue on Wednesday (September 24), and as is customary at their shows, they encouraged fans onto the stage to join them during their performance of ‘Birds’.

In a fan video, a member of security situated at the front of the stage is seen attempting to intercept members of the audience at the same time that the band are inviting them on stage. In one instance, the official appears to brandish a can of pepper spray and fire it directly into the face of one fan. Bassist Franz Lyons, who is stood nearby, is seen to recoil and cover his eyes.

Watch the video here:

Richmond Sheriff Antoinette Irving told CBS 6 News that the incident is now under investigation.

One fan who was in attendance told the same outlet: “I smelled the air getting a little spicy, and then my eyes are watering. I was like, ‘Oh crap, it’s pepper spray’. People were pouring water in people’s eyes to rinse the eyes out. I just kind of took a second to breathe it out. Coughed a bit.”

Turnstile’s US tour kicked off on September 15 in Nashville, where they brought out Paramore’s Hayley Williams for a duet of ‘Seein’ Stars’. They will play around the country for the rest of the autumn, with support to come from SPEED, Jane Remover, Mannequin Pussy, Blood Orange, and Amyl & The Sniffers. See more information about the tour here and find any remaining tickets here.

The band’s latest album is ‘Never Enough’, which received a glowing five-star review from NME, and was also named as one of our best albums of 2025 so far.

Speaking to NME in June, drummer Daniel Fang says the success of 2021’s ‘Glow On’ didn’t create any pressure when making its follow-up. “I don’t know how anyone would have time or the bandwidth to manage outside expectations,” he said. “I don’t think any of us can even fathom that, because there’s an infinite well within everyone [in the band]… I don’t understand how anyone could be guided by that when there’s so much else to work off of.”

They played an acclaimed, moshpit-heavy Glastonbury 2025 set, and will embark on a UK and European tour, which kicks off in Dublin on October 31. See the full list of dates here and find tickets here.

In a five-star review of the Glastonbury set, NME wrote: “This set is what Turnstile are all about – there’s no needless chatter and no projections behind them illustrating what their songs are meant to symbolise. Instead, it simply boils down to the sheer intensity and precision with which they deliver each of their 15 tracks, and the unwavering loyalty they get in return. Get ready for Turnstile to dominate this summer – and beyond.”

September 27, 2025 0 comments
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Paul McCartney Plays 'Help!' in Full for First Time Since 1965
Music

Paul McCartney Plays ‘Help!’ in Full for First Time Since 1965

by jummy84 September 27, 2025
written by jummy84

Macca did perform 50 seconds of “Help!” in a medley of John Lennon songs on the final leg of his 1990 tour, but he hasn’t done the full song since the Beatles played Cardiff, Wales, in 1965

Paul McCartney launched his 2025 North American tour Friday night with a last-minute warmup gig at the Santa Barbara Bowl in Santa Barbara, California. He kicked off the night by playing the Beatles classic “Help!” in its entirety for the first time since 1965.

The Santa Barbara Bowl seats a mere 4,562 people, meaning it’s roughly a quarter the size of the arenas he’s hitting on the rest of the tour. The show was announced just two weeks ago, it sold out within minutes, and fans had to secure their phones in Yondr pouches for the night. That’s why footage of “Help!” from the show has yet to emerge online. An enterprising fan did capture 30 seconds of “Help!” from soundcheck that provides at least a rough idea of what it sounded like.

McCartney last performed just a section of “Help!” on the final leg of his 1989/90 Flowers in the Dirt tour when he did a medley of John Lennon songs that also features snippets of “Strawberry Fields Forever” and “Give Peace a Chance.” The “Help!” segment lasted less than a minute. He last played “Help!” in full on December 12, 1965, when the Beatles played the Capitol Theater in Cardiff, Wales.

The revival of “Help!” is noteworthy since McCartney usually avoids Beatles songs written largely by John Lennon. “When ‘Help!’ came out in ’65, I was actually crying out for help,” Lennon told Playboy in 1980. “Most people think it’s just a fast rock ‘n roll song. I didn’t realize it at the time; I just wrote the song because I was commissioned to write it for the movie [Help!]. But later, I knew I really was crying out for help. It was my fat Elvis period … I was fat and depressed and I was crying out for help.”

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There weren’t any other big surprises in McCartney’s set at the Santa Barbara Bowl. It focused largely on Beatles classics like “Getting Better,” “Lady Madonna,” “Hey Jude,” and “Helter Skelter,” Wings hits like “Jet,” “Live and Let Die,” and “Let Me Roll It,” and solo tunes like “My Valentine,” “Coming Up,” and “Nineteen Hundred and Eighty-Five.” He also played the “new” Beatles song “Now and Then,” and played a virtual duet with John Lennon on “I’ve Got a Feeling” using footage from the 1969 Beatles Apple Records rooftop performance.

McCartney’s tour continues Monday night at the Acrisure Arena in Thousand Palms, California. In the strong likelihood that “Help!” remains in the set, footage should emerge online pretty soon after it wraps.

September 27, 2025 0 comments
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Laufey’s Opening Night Show at LA’s Crypto.com Arena: Best Moments
Music

Laufey’s Opening Night Show at LA’s Crypto.com Arena: Best Moments

by jummy84 September 27, 2025
written by jummy84

Laufey opened a two-night stand at Crypto.com Arena in downtown Los Angeles on Friday (Sept. 26) with a show that captured her unique place in pop — her music is rooted in jazz, but her concert has pop-superstar production values.

The A Matter of Time Tour, the Icelandic singer-songwriter’s third tour and her first that consists entirely of arena dates, began on Sept. 15 in Orlando. It will conclude in Kópavogur, Iceland, on March 15, 2026.

Laufey (it’s pronounced LAY-vay, for those still catching up to her) won a Grammy for best traditional pop vocal album in 2024 for her sophomore album, Bewitched, and she could be headed for another win in that category on Feb. 1 for her third album, A Matter of Time. The album entered the Billboard 200 at No. 4. It has topped Billboard’s Jazz Albums chart for the past four weeks. (Bewitched logged 102 weeks at No. 1 on that chart.)

For all she has achieved, you have the sense that, Laufey, just 26, is still climbing. She has some big looks upcoming. She may well land a performance slot on the Grammy telecast – it would be her first star turn on Music’s Biggest Night. (She performed “From the Start,” a song from Bewitched, on the 2024 Premiere Ceremony, which is streaming-only, and backed Billy Joel during his show-closing performance on that year’s telecast. Also, she is set to play the Coachella Valley Music & Arts Festival on Apr 19. She has said she would like to record a James Bond theme song, which seems inevitable, which could bring in a performance on the Oscar telecast.  Are we getting ahead of ourselves? Perhaps, but it’s pretty clear to see the career path she’s on.

Laufey didn’t get where she is by thinking small. In 2023, she told RUSSH that Taylor Swift is her favorite current artist. The reason she gave for that choice spoke to her ambitions: “She has done for pop and country what I hope to do for jazz. She has managed to unite people across the world which is one of my main goals as a musician.”

Laufey’s choice of opening act for her tour’s North American leg — English pop/rock artist Suki Waterhouse — also spoke to her pop ambitions.

In 2022, when Laufey first headlined in L.A., she played the legendary but comparatively tiny Troubadour. Her growth since then can be seen in her bookings: In November 2023, she played two nights at the Theatre at the Ace Hotel. On her return in August 2024, she played the Hollywood Bowl. This time, it was a sold-out, two-night stand at Crypto.

Here are the six best moments from Laufey’s opening night show at Crypto.com Arena.

  • Cinematic Production Touches

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    The show opened like a vintage film, with the words “Laufey Presents ‘A Matter of Time’” projected onto the screen. It began and ended with scrolling credits on side screens, listing all the musicians, backup dancers and other contributors to the performance.

    “Cuckoo Ballet (Interlude),” a gorgeous instrumental track from A Matter of Time, was highly cinematic, and showed that Laufey might well have a future in film scoring.

  • A Swinging Jazz Segment

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    The concert was divided into acts, with the most satisfying being Act II, which was introduced with these words on the screen: “Ready for some jazz?” Laufey was backed by a jazz trio during this segment. “Welcome to my jazz club,” she told the audience. “I want to put a jazz club in the middle of a big space.”

    The segment kicked off with “Seems Like Old Times,” first recorded by Guy Lombardo’s orchestra in 1945 and since covered by such jazz greats as Ella Fitzgerald and Rosemary Clooney. It was the only song she didn’t write or co-write in the set.

  • Hozier Surprises as Special Guest

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    Laufey performs a surprise song in every show, to make each show a unique experience, she said. Here, she reached back for “Magnolia,” from her 2021 EP, Typical of Me. She said she had recently discovered that the song works better as a duet and brought out a special guest, Hozier, to help her sing it. After they concluded the number, she fangirled: “I’m kind of freaking out because I’m such a big fan.”

  • Musicianship on Full Display

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    Over the course of the show, Laufey played piano, guitar and cello. Her voice, with a deeper timbre reminiscent of one of her favorite singers, Ella Fitzgerald, was also impressive.

    She also showed a deep knowledge of music history. “Dreamer” had the close-harmony sound of a 1940s song, “Silver Lining” suggested the influence of 1950s-shaded doo-wop. A couple of songs, “Castle in Hollywood” and “Tough Luck” showed the influence of Taylor Swift on her songwriting. “Sabotage,” the final number in the set (before the encore) evoked the aggressive pop-rock of Olivia Rodrigo’s “Vampire.”

  • A Range of Human Emotion

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    Laufey made note of the tonal “ups and downs” in her set, with its mix of happy and sad songs. “That’s what it feels like to be a woman,” she explained. “You go through every emotion in a 24-hour cycle.” Far be it from me to correct Laufey, but that’s what it feels like to be a human.

    One of her most emotional songs is “Promise” (from Bewitched), which includes what she has called her favorite lyrics that she has written. “It hurts to be something, it’s worse to be nothing with you.” She performed the song by herself at the piano.

  • Genuine Sense of Humility

    Trending on Billboard

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    Laufey said that since she now lives in L.A., she often comes to Crypto.com Arena to see shows. “I’ve come to a lot of concerts here this year preparing for this and I thought, ‘There’s no way I’m playing here.’”

    The singer remembered the first time she played L.A. at the Troubadour. She nervously peeked out through a window to view the audience and just hoped she would be able to do it again someday. “It was the biggest show I’d played to that point,” she said. “I was so scared it would slip away.”

    She needn’t have worried.

  • Set List

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    ACT I

    “Clockwork”

    “Lover Girl”

    “Dreamer”

    “Falling Behind”

    “Silver Lining”

    “Bored”

    “Too Little, Too Late”

    “Bewitched”

    ACT II

    “Seems Like Old Times”

    “Valentine”

    “Fragile”

    “While You Were Sleeping”

    “Magnolia” (with Hozier)

    “Let You Break My Heart Again”

    ACT III

    “Carousel”

    “Forget-Me-Not”

    “Cuckoo Ballet (Interlude)”

    ACT IV

    “Mr. Eclectic”

    “Castle in Hollywood”

    “Promise”

    “Goddess”

    “Tough Luck”

    “Snow White”

    “From the Start”

    The Final Act

    “Sabotage”

    Encore

    “Letter to My 13 Year Old Self”

September 27, 2025 0 comments
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Jimmy Kimmel Books Tom Hanks, Springsteen, Colbert for Brooklyn Episodes
Music

Jimmy Kimmel Books Tom Hanks, Springsteen, Colbert for Brooklyn Episodes

by jummy84 September 27, 2025
written by jummy84

Jimmy Kimmel will head to Brooklyn next week for his first full week of shows since returning from suspension. And whether intentional or not, he’s lined up a bunch of Donald Trump’s favorite people to join him as guests, including Tom Hanks, Bruce Springsteen, Stephen Colbert, and Spike Lee.

Airing from the Brooklyn Academy of Music’s Howard Gilman Opera House, the five-night run begins Monday, September 29th, with an episode featuring Ryan Reynolds, Josh Johnson, and musical guest Public Enemy. Colbert will guest Tuesday, September 30th, alongside Kumail Nanjiani and musical guest Reneé Rapp. Wednesday, October 1st, will feature Emily Blunt, Ebon Moss-Bachrach, alt-rockers Geese (!), and Big Daddy Kane.

On Thursday, October 2nd, Springsteen will appear with Jeremy Allen White to promote their new biopic Deliver Me From Nowhere, with Living Colour serving as the musical guest. And on Friday, October 3rd, Kimmel will cap off the week by welcoming Hanks and Spike Lee as guests.

September 27, 2025 0 comments
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5 Albums I Can’t Live Without: X Ambassadors
Music

5 Albums I Can’t Live Without: X Ambassadors

by jummy84 September 27, 2025
written by jummy84

Name  X Ambassadors (Intro completed by Sam Nelson Harris)

Best known for  My moustache.

Current city  Los Angeles.

Really want to be in  A cabin in the woods learning how to be a cobbler or some shit because the entertainment industry is sooo wacky and I often wanna run away from it all. (But who am I kidding? I’d last three days out there and then come running back).

Lol Tolhurst and Robert Smith of the Cure in 1983. (Credit: Fin Costello/Redferns)

Excited about  VHS(X) 10-year anniversary tour, and then getting back to finishing up our new (5th!) album.

My current music collection has a lot of  I’ve been listening to a lot of rap (Benny the Butcher, Westside Gunn, JID), and classical (Gustav Holst’s The Planets). Just about anything that takes me as far away from the genre I tend to write in.

And a little bit of  Pop Country—A LOT of, actually. I love Ella Langley and Lainey Wilson the most right now.

Preferred format  I love the ritual of putting on a Vinyl and because most everything sounds good on Vinyl, BUT… I think right now I’m a bigger CD guy. It’s nostalgic for me as a mid-millenial and I also just love how good and consistent the quality is.

From Sam Nelson Harris (vocalist)

1

Nebraska, Bruce Springsteen

This is by far my favorite album of all time. I wasn’t really a fan of Bruce’s until I heard Atlantic City—in that instant, the second that chorus hit, everything made sense to me about him. I was immediately as hardcore, die-hard of a Springsteen fan as you could find. There’s both an uncanny poetry and a grounded realism to his writing that is so egalitarian and human. I can genuinely feel that not only is he diving deep into himself but also reaching out to all of us, trying to build some sort of bridge between us. It’s what makes him one of the greatest to ever do it, and is the blueprint for me of what a really good song / album has the power to do.

2

In Rainbows, Radiohead

There are some albums you’ll never forget where you were and how you felt listening to it. I was in my apartment in Bushwick on my computer, and somewhere, somehow, read an article about a “pay-what-you-want Radiohead album.” Like a rabid animal I raced to the website, paid $0 for it (sorry Radiohead), and started listening. “15 Step” had me on the edge of my seat the whole time, and when the riff from “Bodysnatchers” started, I remember I literally jumped up out of my seat and started yelling, “HOLY SHIT HOLY SHIT HOLY SHIT!!!!” I sat and listened all the way through, then put it on my iPod, went for a long walk and listening to the whole thing again. Every year I go back and find a new song from that album to obsess over, but my favorite will always be “All I Need.” It’s Thom at his most genuine, pure, and un-obscured vocally and lyrically. I always think about the painting “Christina’s World” by Andrew Wyeth when I hear that song: “I’m in the middle of your picture / lying in the reeds.” It’s a tortured love song about an imbalanced relationship, he’s always pining for them, but they couldn’t give a shit about him. Which… I mean, I think we’ve all been there.

From Casey Harris (keyboardist)

3

Blow by Blow, Jeff Beck

I have always loved instrumental music, but this was the first album I’d ever listened to, that wasn’t a soundtrack of some kind, and was captivating from start to finish. It’s been one of my favorites ever since I discovered it at age 16. I can honestly say that it was this record which inspired me to learn to improvise and actually practice piano until I felt I could play like these guys. I’m still trying!

4

Manic Meat, Tobacco

I learned to play piano as a kid, and I was mainly a piano/organ guy for years, even into adulthood. It wasn’t until I discovered this album that I realized how much I’d been missing on the synth side of town. There are so many sonic colors on these tracks, and the whole thing in general is so unique and unlike any other music I’ve heard really. Also very cool to hear vocorder used like this, as a serious lead vocal, rather than a gimmick or effect.  

From Adam Levin (drummer)

5

The Shape of Punk to Come, Refused

I discovered this record when I was 15 and deep in the throws of my emo/screamo era. I love everything about the record. Everything about it felt next level. It was heavy, weird, experimental, and somehow still catchy. It sounded unlike anything I’d ever heard, like hardcore smashed together with noise, electronics, and these wild left turns that made no sense but worked perfectly. What really sticks with me is how far ahead of its time it was. When it dropped, it basically flopped, but now you can hear its fingerprints all over the next generation of bands. It still inspires me today because it reminds me that art can be challenging, and ahead of its time and even if the world doesn’t get it right away, it can still leave a lasting impact.

September 27, 2025 0 comments
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