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Shah Rukh Khan
Bollywood

Shraddha Kapoor becomes the voice of Judy Hopps in Zootopia 2’s Hindi version

by jummy84 November 8, 2025
written by jummy84

Shraddha Kapoor is entering a fresh chapter of her artistic journey. Loved for her bright smile and effortless charm on screen, she is now stepping into the Disney universe. Shraddha will voice Judy Hopps in the Hindi version of Zootopia 2, the spirited bunny police officer who became a worldwide favourite. This time, her voice becomes the main storyteller, allowing fans to experience her talent in a new way.


Disney India shared the announcement with a cute poster showing Shraddha and Judy together. Along with the visual, the official page wrote, “Bohot jyada excited to join the #Zootopia2 family, as the voice of THE AMAZING Judy Hopps in Hindi — she is feisty, courageous, enthu cutlet aur cute toh hai hi bachpan se! Kal aa raha hai aapke liye ek anokha surprise. Stay tuned! #Zootopia2 – In cinemas November 28.” The moment the post went live, fans celebrated the news, thrilled to see Shraddha enter this animated world.

What makes this casting so perfect is Shraddha’s expressive and lively voice. She has a natural softness paired with energy, which matches Judy’s fearless and hopeful personality. Instead of her expressions or performance taking the lead, this time her voice carries the emotion. It is refreshing to see her explore a space where every feeling must be conveyed through voice alone.

 

With Shraddha now part of the Zootopia universe, the anticipation for the film has only grown. Judy Hopps represents determination and endless optimism, and Shraddha’s playful tone will make the character even more lovable in Hindi. As the film arrives in theatres on November 28, fans already know she will make Judy sound full of heart and enthusiasm.

See Also:Akshay Kumar, Arjun Kapoor, Ranbir Kapoor, Alia Bhatt, Shraddha Kapoor, Varun Dhawan, Jacqueline Fernandez party with Will Smith

November 8, 2025 0 comments
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Taylor Momsen Rocks New Version of 'Grinch' Song
Music

Taylor Momsen Rocks New Version of ‘Grinch’ Song

by jummy84 November 1, 2025
written by jummy84

Taylor Momsen is revisiting a holiday classic — with a rock twist.

The Pretty Reckless frontwoman has re-recorded “Where Are You Christmas?” 25 years after first performing the song as Cindy Lou Who in How the Grinch Stole Christmas.

The reimagined version appears on the band’s new holiday EP, Taylor Momsen’s Pretty Reckless Christmas, released Friday (Oct. 31) via Fearless Records.

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The original ballad, co-written by Mariah Carey, James Horner, and Will Jennings, first appeared on the 2000 film’s soundtrack and was famously performed by Momsen at just seven years old. That same year, Faith Hill’s version reached No. 65 on the Billboard Hot 100.

Momsen’s 2025 update opens with a nostalgic snippet of her childhood recording before launching into a full-blown rock version, anchored by crunchy guitars and her signature gritty vocals. “Where are you, Christmas? Why can’t I find you?” she sings, giving the wistful lyrics new energy and edge.

The six-track EP also includes four original songs — “I Wanna Be Your Christmas Tree,” “Christmas Is Killing Me,” “Blues on Christmas,” and “When We Were Young” — as well as a reprise titled “Christmas, Why Can’t I Find You.”

“Pretty Reckless Christmas started as just one song, but the moment we got into the studio, it took on a life of its own,” Momsen said in a statement. “There was so much emotion, nostalgia and chaos wrapped up in it that it didn’t feel right to leave it standing alone. To really honor it, I needed to build a whole world around it. That’s how this project became a full body of work — something bigger, deeper and far more personal than I ever expected.”

Momsen’s last studio album with The Pretty Reckless, Death by Rock and Roll, debuted at No. 1 on Billboard’s Top Album Sales chart in 2021, making them the first female-fronted band to hit No. 1 on the chart with their first four albums.

Meanwhile, “For I Am Death,” The Pretty Reckless’ first new music since its 2021 album Death by Rock and Roll, climbs to No. 1 on the ranking dated Nov. 8. It’s the band’s eighth leader and fourth straight, a streak that dates to 2020, when “Death by Rock and Roll” led for three weeks, followed by reigns for “And So It Went” and “Only Love Can Save Me Now” in 2021.

In 2013, The Pretty Reckless made its maiden appearance on the tally with “Heaven Knows,” a song that ended up reigning for four weeks beginning in March 2014. That kicked off a streak of four consecutive No. 1s, with “Heaven Knows” followed by “Messed Up World” (2014), “Follow Me Down” (2015) and “Take Me Down” (2016).

November 1, 2025 0 comments
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Fun Fully LEGO Version of Jon M. Chu's 'Wicked: For Good' Featurette
Hollywood

Fun Fully LEGO Version of Jon M. Chu’s ‘Wicked: For Good’ Featurette

by jummy84 October 23, 2025
written by jummy84

Fun Fully LEGO Version of Jon M. Chu’s ‘Wicked: For Good’ Featurette

by Alex Billington
October 23, 2025
Source: YouTube

“We have more action, more flying, more reveals, more drama.” More Witches & Wizards! Universal has revealed a fun LEGO recreation of the recent featurette for Jon M. Chu’s Wicked: For Good, opening in theaters everywhere in November. This behind-the-scenes look complements the first trailer a few months back. For Good is the second chapter of this immersive, cultural celebration. “It’s really about them trying to get back together in some way, even if the fates don’t allow that.” As an angry mob rises up against the Wicked Witch, Glinda and Elphaba will need to come together one final time. With their strong friendship now the fulcrum of their futures, they will need to truly see each other, with honesty and empathy, if they are to change themselves, and all of Oz, for good. Cynthia Erivo stars as Elphaba Thropp, a young woman with green skin who becomes the Wicked Witch. Ariana Grande co-stars as Glinda, with Michelle Yeoh, Jonathan Bailey, Ethan Slater, Marissa Bode, Bowen Yang, Bronwyn James, Keala Settle, plus Jeff Goldblum as the iconic Wizard of Oz. With Sharon D. Clarke as the voice of Elphaba’s childhood nanny, Dulcibear. This is a shot-for-shot remake of the featurette from August, including all the behind-the-scenes, on set footage with Chu being redone in LEGO, too. Which is the most amusing part about it. Enjoy.

Here’s the fun LEGO version of the featurette for Jon M. Chu’s sequel Wicked: For Good, from YouTube:

You can also rewatch the first trailer for Jon M. Chu’s Wicked: For Good sequel right here for more footage.

Wicked: For Good Featurette

Wicked: For Good Featurette

“You’re the only friend I ever had…” The final chapter of the untold story of the witches of Oz begins with Elphaba and Glinda estranged and living with the consequences of their choices. Elphaba (Cynthia Erivo), now demonized as The Wicked Witch of the West, lives in exile, hidden in the Ozian forest while continuing her fight for the freedom of Oz’s silenced Animals and desperately trying to expose the truth she knows about The Wizard (Jeff Goldblum). Glinda, meanwhile, has become the glamorous symbol of Goodness for all of Oz, living at the palace in Emerald City and reveling in the perks of fame and popularity. However, under the instruction of Madame Morrible (Oscar winner Michelle Yeoh), Glinda is then deployed to serve as an effervescent comfort to all of Oz, reassuring the masses that all is well under the rule of The Wizard.

Wicked: For Good, also known as Wicked: Part Two, is also directed by talented American filmmaker Jon M. Chu, director of the movies Step Up 2: The Streets, The LXD, Step Up 3D, G.I. Joe: Retaliation, Jem and the Holograms, Now You See Me 2, Crazy Rich Asians, In the Heights, and the first Wicked movie. The screenplay is written by Winnie Holzman and Dana Fox. It’s adapted from Holzman & Stephen Schwartz’s stage musical Wicked, which is based on the 1995 novel Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire, inspired by The Wonderful Wizard of Oz. Produced by Marc Platt and David Stone (of the Broadway musical). Universal Pictures will debut Chu’s sequel Wicked: For Good in theaters everywhere starting November 21st, 2025 just before Thanksgiving this fall. Excited to watch this finale?

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October 23, 2025 0 comments
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Sitges 2025: A New Version of 'The Shrinking Man' with Jean Dujardin
Hollywood

Sitges 2025: A New Version of ‘The Shrinking Man’ with Jean Dujardin

by jummy84 October 18, 2025
written by jummy84

Sitges 2025: A New Version of ‘The Shrinking Man’ with Jean Dujardin

by Alex Billington
October 17, 2025

“I am the sum of my experiences; the shrinking has merely stripped away certain superficialities.” There’s a brand new cinematic adaptation of the classic horror story The Incredible Shrinking Man ready for viewing. But not many people have heard about it yet, since it’s a European project and it just premiered at the 2025 Sitges Film Festival. This French / Belgian movie is officially titled L’homme qui rétrécit, which translates simply to The Shrinking Man. This fresh, clean new version has opted not to use the additional “incredible” adjective – immortalized by the iconic 1957 sci-fi horror classic The Incredible Shrinking Man film, directed by Jack Arnold, and starring Grant Williams. This adaptation, based on Richard Matheson’s original 1956 novel, The Shrinking Man, stars the always watchable Jean Dujardin as Paul, a shipbuilder who begins to slowly get smaller and smaller. It’s a peculiar yet fascinating movie that doesn’t live up to its potential, but is an intriguing, mostly entertaining watch nonetheless. If anything, it feels like a streaming movie more than a theatrical epic, but there’s still a few engaging scenes and Dujardin is fantastic as always.

This new version of The Shrinking Man is directed by Dutch filmmaker Jan Kounen (of Renegade, Coco Chanel & Igor Stravinsky, Vape Wave), from a screenplay written by Christophe Deslandes & Jan Kounen. Aside from setting it in a house on the beach and altering the lead character’s profession to shipbuilding, it’s pretty much exactly as the original novel describes. “Once an unremarkable husband and father, [Paul] finds himself shrinking with no end in sight… His wife and family turn into unreachable giants, the family cat becomes a predatory menace, and [Paul] must struggle to survive in a world that seems to be growing ever larger and more perilous – until he faces the ultimate limits of fear and existence.” Jean Dujardin plays Paul – at first he’s as unremarkable as this book describes, but really stands out once he becomes emotional & expressive when he becomes tiny. An anomaly while swimming is what begins his shrinking process. While he has a wife (played by Marie-Josée Croze) and a young daughter, the film quickly becomes a one-man-show once he starts getting smaller & smaller. When the cat accidentally gets inside the house, he flees into the basement and ends up stuck down there. The film shifts into survival mode and becomes something else.

Also directly from the novel – the big bad villain in the movie is a freaky spider that starts hunting him once he sets up camp in the basement. The intriguing twist in this one is that the spider is an unkillable force, not something he must defeat but rather must overcome in life. Again, this is perfectly described in the original Matheson book: “It was more than a spider. It was every unknown terror in the world fused into wriggling, poison-jawed horror. It was every anxiety, insecurity, and fear in his life given a hideous, night-black form.” Early on in the movie, Paul tells his daughter that he won’t kill the spider (while a regular size man) because they’re good, they’re useful, they have a purpose and there’s no need to get rid of it. Yet later this creature comes back to taunt and torture him. Of course, the whole point of this story is to teach everyone about the power of perspective & relativity. Human beings are used to being a certain size. If that size changes, we will experience the world completely differently. And now cinema allows us to have a much more visceral experience bringing this story to life with a real human being. The sets and VFX work are legit – they make this story way more believable than any of the Ant-Man movies or any other shrinking man stories recently.

That said, this version The Shrinking Man also still feels like it’s lacking. The script runs out of steam in the third act, the ending is non-existent, there’s not much more to it than bare-bones storytelling with a terrific lead performance. It’s another “rough around the edges” movie but in this case that makes it almost boring at times. Even though this kind of movie should never be boring… It’s also not really a horror movie at all, and not really sci-fi either. This movie has a very clean aesthetic & feels more like a strange French combo of Honey I Shrunk the Kids meets Cast Away meets The Curious Case of Benjamin Button. The entire middle segment when he figures out how to survive on his own as a tiny being in this basement is reminiscent of the kooky survival scenes in Cast Away. The story about his shrinking has the same mysterious, unexplainable, yet still alluring vibes as Fincher’s underrated adaptation of Benjamin Button – and this film also ends as abruptly as that. I really wish there was more to it, because I enjoyed so much of it, alas it never achieves the greatness it’s clearly aiming for as a modern take on this classic story. Nonetheless it is a fascinating story of overcoming your greatest fears and struggling to survive in a hostile world – still a valuable lesson for us all.

Alex’s Sitges 2025 Rating: 6.5 out of 10
Follow Alex on Twitter – @firstshowing / Or Letterboxd – @firstshowing

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October 18, 2025 0 comments
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Paul Bettany's TV version of Amadeus confirms release window in trailer
TV & Streaming

Paul Bettany’s TV version of Amadeus confirms release window in trailer

by jummy84 October 14, 2025
written by jummy84

Sky’s new mini-series Amadeus, a bold reimagining of Mozart’s life, is coming soon to our screens – and now the release date window has been revealed.

The five-part Sky Original drama, which stars Will Sharpe (The White Lotus) as the musical genius, is set to launch on Sky and streaming service NOW in December.

Paul Bettany (WandaVision) and Gabrielle Creevy (In My Skin, Black Doves) also star as the envious court composer, Antonio Salieri, and Constanze Weber, Mozart’s fiercely loyal wife, respectively.

Penned by Black Doves writer Joe Barton, Amadeus is based on Peter Shaffer’s award-winning stage play and follows the meteoric rise and mythic downfall of Mozart and his destructive rivalry with Salieri.

“Hero of his own story but villain to history, Salieri’s envy turns vengeful as he uses any means necessary to thwart Mozart and protect his position in the establishment,” the official synopsis reads.

Alongside the release window news, a new trailer was also unveiled, giving fans a first look at the cast in action, as well as the tense conflict between the two men.

You can watch the trailer for yourself below:

Alongside Sharpe, Bettany and Creevy, the cast is rounded out by the likes of Rory Kinnear (The Diplomat), who’s set to play Emperor Joseph, Lucy Cohu (Becoming Jane) as Cecilia Weber and Jonathan Aris (The Sixth Commandment) as Leopold Mozart.

Talking about how he got into the headspace of Mozart on set, Sharpe previously told Radio Times: “Obviously there’s no footage of the real man, so I tried to get a sense of him through his music, which at times is grand and dark, and at other times sweet and playful – like the seemingly paradoxical elements of his psyche.”

Read more:

Amadeus will be available to watch on Sky and NOW in December.

Check out more of our Drama coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more TV recommendations and reviews, listen to The Radio Times Podcast.

October 14, 2025 0 comments
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Selena Gomez's Second Wedding Dress Is a Sheer Version of Her First! See the Photos
Fashion

Selena Gomez’s Second Wedding Dress Is a Sheer Version of Her First! See the Photos

by jummy84 September 28, 2025
written by jummy84

Surprise! New Selena Gomez wedding dress just dropped!

On September 27, Gomez posted a stunning batch of wedding photos taken by Petra Collins. In the images and footage, which can be seen here, Gomez wore a silky Ralph Lauren halter gown with an open back and intricate details on the neckline. And while the custom wedding dress was jaw-dropping enough for the main event—especially with her Old Hollywood bob and Tiffany & Co. earrings—it looks like she may have worn something else down the aisle.

A day after their Santa Barbara wedding, Benny Blanco shared his own roundup of personal photos, which revealed her second—or, perhaps, first—gown of the night. In a mirror selfie taken by Blanco, Selena Gomez could be seen wearing a floral lace gown with a very similar halter neckline as the one she posted yesterday.

This version of the look (presumably designed by Ralph Lauren as well) features a longer train and fitted bustier. She paired the hyper-romantic design with strappy white heels and a voluminous, ethereal veil, suggesting she wore this look during the ceremony and changed into her other gown for the wedding photos and, possibly, the reception.

“I married a real life disney princess,” Blanco captioned his photos, which also showed off his own wedding flare. In photo number two, you can see a closeup of their hands, revealing her nude satin manicure and his diamond-covered watch and bracelet, not to mention his brand-new gold wedding band. Meanwhile, her marquis diamond engagement ring nestles perfectly into her own diamond band.

Instagram/@itsbennyblanco

September 28, 2025 0 comments
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Marvel Zombies Director on Blade, Scrapped Movie Version, More
TV & Streaming

Marvel Zombies Director on Blade, Scrapped Movie Version, More

by jummy84 September 24, 2025
written by jummy84

SPOILER ALERT: This article contains spoilers for “Marvel Zombies,” now streaming on Disney+.

The MCU is embracing blood and gore once again — this time in the animated universe.

“Marvel Zombies,” an undead spinoff from “What If…?,” is Marvel’s first M-rated animated series, following live-action, R-rated hits like “Deadpool & Wolverine” (in theaters) and “Daredevil: Born Again” (on Disney+). Bryan Andrews directed the Season 1 episode of “What If…?” that introduced a horrifying Quantum Realm virus that turns nearly everyone in the world into shambling zombies, including many beloved superheroes. With “Marvel Zombies,” which continues the story, Andrews ratchets up the viscera and dismemberment as the rating goes from TV-14 to TV-MA.

Several heroes and villains return from the “What If…?” episode, like Spider-Man (voiced by Hudson Thames), the disembodied head of Ant-Man (Paul Rudd) and zombie versions of Scarlet Witch (Elizabeth Olsen), Thanos and more. Recent MCU additions, like Ms. Marvel (Iman Vellani), Red Guardian (David Harbour), Yelena Belova (Florence Pugh) and Shang-Chi (Simu Liu), also get some major screen time. One character even gets his MCU introduction before his live-action debut: the day-walking vampire Blade. He comes with a slight caveat, though; the “Marvel Zombies” hero is actually an amalgamation of Blade and Moon Knight, with no relation to Mahershala Ali’s version of the character that’s still waiting to make his big-screen debut. (The character is voiced instead by Todd Williams.) For eagle-eyed viewers, Blade Knight made a brief appearance in the “What If…?” series finale last year.

With Variety, Andrews discusses creating Blade Knight, why the Fantastic Four and X-Men are absent from the show, why “Marvel Zombies” was almost a movie, and what his plans are for a possible Season 2.

When did you first get the idea to do a spinoff of the “What If…?” Season 1 zombie episode?

It was early on, once it was decided that we’re gonna be doing “What If…?” Kevin Feige was a fan of the comics and the zombie genre in general. Way early on, Kevin had said something to [Marvel animation executive] Brad Winderbaum, who then said to us, “We’re totally doing a zombie thing!” It was almost one of the reasons to even do “What If…?” — so that we could do an episode that was zombies. We found a place in time, right around [the events of] “Infinity War,” because it provided a number of heroes that were out and about. Kevin loved it, so it was like we should be doing a bigger thing and explore this world a little bit more.

Did you know this would be Marvel’s first M-rated, animated show? How did you convince them to let you murder all those superheroes?

We made the blood darker zombie goo so we could get away with that type of stuff to make [the “What It…?” episode] TV-14. When the decision was to do it straight-up and make it a bigger story, well, it’s gotta be TV-MA. Brad, Kevin and the rest were like, “Oh, hells yeah.” They were thinking the same thing. You don’t want to have to keep pulling punches. You want to be able to go for it, really create something within that genre and do it justice. Everyone was down for that, thankfully.

We self-police ourselves pretty well. I’m down for the insanity, but I also don’t want it to be gratuitous in a tasteless sense. There’s a right way and a wrong way. It’s not like you look at all the guts and linger on the shot for 12 minutes. There’s no reason for that. If we were going to get a chance to do another one, which would be awesome, there are certain things I would push further at times. For this one, we wanted to make sure the story was there and all the action and violence you can enjoy, but it doesn’t become only about that.

How did you choose Kamala Khan, aka Ms. Marvel, to follow as the primary character?

It came from trying to do something a little different than “What If…?,” where there are a lot of these powerful, big characters that we know. We wanted to be able to start with some young blood and new peeps who, because of that timeframe in MCU history that we chose, have not elevated themselves yet. They don’t know how to do this and they’re learning as they go during a zombie apocalypse. It gives them something to learn. We get to point out their naïveté and their hopeful, youthful, wide-eyed, bushy-tailed-ness. Can they stand against the onslaught of horribleness? Can they come out unscathed, or what would the scars be? They seemed primely placed to do that and then allow other individuals to come in and have our ensemble grow and change.

We wanted it to be pretty epic, and there was so much story we couldn’t put it all in. So there’s stuff going on with other characters that aren’t even in this that we know what’s going on with them, and we would love to tell those stories. It started feeling like “Lord of the Rings” in that we wanted it to be this history that was bigger than the audience was aware of, with events happening off camera. As a result, we started thinking of Kamala like Frodo, where this fellowship can gather around her on this crazy journey since she was ill-prepared at the time. To do the zombie movie, we started thinking about it like a fantasy or like a Dungeons and Dragons campaign.

This is the first time since “The Marvels” that we’re seeing Ms. Marvel, and she’s with Riri Williams, aka Ironheart, and Kate Bishop’s Hawkeye as the Young Avengers. We also see the Thunderbolts after they debuted earlier this year. Were there any restrictions on how you could use these characters?

It was pretty open. It was early on when we started developing this. Some of those shows hadn’t even come out yet. “Ironheart” was a ways away when we started, but we knew it was coming and they seemed like exciting, fun, young characters to play with. Because this is its own little pocket side universe, and it’s early in their superhero careers, there wasn’t that much worry. All we needed to know was who they were early on, even before those shows started, so there’s that thread of cohesiveness. We never got them in the booth to record together, but when they got the material, they’re like, “Wait, so we’re all, like, a thing?” They, separately on their own, were super-excited that their animated avatar was hanging out with the other gals. It was so fun to watch them nerd out about that.

Why didn’t you use any characters from the Fantastic Four or X-Men?

I would have loved to have them in, but at the time, “Fantastic Four” was so far off. They’re also in a different multiverse. Same with the X-Men. How would they get here? So there are all those questions and rigmarole. But, I mean, never say never. That’s why I’m hoping, if there’s a second season around, there are already a few ideas of, like, can we get extra crazy? So who knows, but it would be amazing, and it gives us just more opportunities for more zombies and crazy heroes to go down swinging.

Blade makes his official MCU debut as Blade Knight, but he was teased in the “What If…?” Season 3 finale very briefly. Did you know back then that you wanted to introduced him?

We did Season 3 of “What If…?” and “Zombies” basically concurrently. Because “Agatha” came out on a particular Halloween, “Zombies” was actually ready to come out then. But they were like, “Oh shit, we don’t want to have one eat the other attention-level-wise, and it’s a big deal to do ‘Agatha’ so let’s hold ‘Zombies.’” Everyone’s seeing it now, but it’s actually been waiting in the wings to come out. When it came time to do all those images at the end of Season 3, we were like “fuck yeah!” It’s a little bit of a tease that something was coming.

Pretty early, it wasn’t going to be Blade. We already knew immediately it was going to be Blade Knight. We also didn’t know that we were going to come out before a Blade movie. When we’re doing the animated stuff and they’ve got a live-action property at the same time, it’s really difficult because you have to be beholden to what they’re doing with that character in live-action. Sometimes they’re figuring it out, and we’re like, “We gotta go with this thing. We need the decision now.” It’s really hard, so we didn’t want to deal with Blade because there was this script, that script, whatever. Like, what are they even doing? We don’t even know. If we did Blade Knight, that completely separates it from whatever they’re doing in the movie and makes it our own and it’s rad. Blade, the Fist of Khonshu, was early on and so natural. It was perfect to have him pair up with our young protagonist that has no idea what the heck they’re doing. It really created this great way for to work him in.

Have you gotten any feedback on Blade Knight and if his character may influence the live-action Blade?

I have no idea when they’re planning Marvel-wise. I know Kevin digs this and Blade Knight. I like the response that the fans are giving off the trailer, even that one little fight people are nerding out over. I love it when they say, “Hey, if the live-action isn’t as good as this, then what’s the point?” That makes me really happy. People are responding exactly how I wanted them to respond. It would be great if that could influence the movie in some way, because I feel the same way. If the live-action movie doesn’t feel as badass that one little moment, then what’s the hell is the point?

If you have all these ideas for more stories, why’d you only get four episodes to work with?

Time and money, man. It’s “Hey, this is all you got.” We’re like, “Oh shit! All right.” We were creating a thing and didn’t know what the limit was going to be. Then they’re like, “Oh no, no, guys.” Then we thought, “Well, let’s make it a movie.” We were going to make it a movie and have it released. It should be an epic, it’s gonna be two, two and a half hours long. It’s gonna be amazing. But, there were contractual issues because of Spider-Man in it. So, there are Sony rules that come into play. We were like, “Oh shit, that’s a thing? Oh no, okay, I guess we can’t do that.” So we broke it up. Now, it plays like four chapters in a book. Even with the four chapters, it would have been awesome if we had more time to make each installment a little bit longer, just so we could milk those quiet moments a bit longer. We tried to put it in as much as possible, and it moves at a breakneck pace. We put in those moments of stillness and reflection as best we could. Maybe next time around, if everyone loves it enough and yells online enough to demand more, maybe they’ll give us more time and more money.

It sounds like there’s enough material for a second season.

So much material. It’s crazy. There are other characters that people are like, “So-and-so is not even in it.” Yeah, we know. We know what’s going on. We know how people got from A to B. You guys have no idea the insanity that’s just waiting around the corner if we get a chance. Brad and I already know how the next one would start already. Our original idea was more medieval fantasy. It was set so far after the different kingdoms, fiefdoms and ruling factions have grown. Some of our old guard would be old. We were doing crazy shit. Brad wisely said people want to see their favorites and not see them so crazy. We rolled it back and didn’t time-jump so far forward.

That sounds like the “What If…?” episode set in 1602. Are there any other episodes from that series that you’d want to expand?

We love the Shang-Chi Western in Season 3. My original idea for that was far crazier and bigger and incorporated Captain America and Falcon and Nick Fury. That world could be ripe, where you take all the Marvel stuff and put it through a Western lens. It could be one. There are a number of “What If…?” episodes that were A+ ideas that Kevin loved, but there are just too many great episodes to put in a season, so some of those get left to the side for other future seasons. There was one that was going to be D&D. It’s basically Marvel superhero D&D. It was going to follow a group of C-level characters, maybe some of them not even superheroes, as if they’re first-level characters, and they’re trying to go on this big adventure that’s a 20th-level module. You see your A-level heroes going off to do the thing, but these idiots want to do it anyway and they Forrest Gump their way into the ending before the other heroes get the ending. So they get all the cool, powerful weapons and level up and then save the other team who’s fighting the big boss and losing. It could have been so great and nerd out over all that RPG lore and mix in all the Marvel stuff with it.

This interview has been edited and condensed.

September 24, 2025 0 comments
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Kate Middleton Just Wore the 2025 Version of This Perennial Fall Print
Fashion

Kate Middleton Just Wore the 2025 Version of This Perennial Fall Print

by jummy84 September 11, 2025
written by jummy84

The princess has long been passionate about the importance of the British textiles industry and its role as part of the UK’s cultural and creative voice. Her paternal ancestors were the owners of the woolen manufacturer and merchant, William Lupton & Co, which was based in Leeds.

In January 2025, Her Royal Highness visited Corgi, a textiles manufacturer in South Wales focused on the production of socks and knitwear. In September 2023, she visited textiles manufacturers in Leeds and Lancaster, where she learnt more about the heritage, history, and innovation of the industry, the technical processes involved and how vital the sector is to the UK economy.

SUDBURY, ENGLAND – SEPTEMBER 11: Catherine, Princess of Wales visits Sudbury Silk Mills on September 11, 2025 in Sudbury, England. The Princess of Wales is visiting mills in Sudbury and Cuxton today as she celebrates British creativity and craftmanship. (Photo by Samir Hussein/WireImage)Samir Hussein

Her first visit saw her meeting staff at Sudbury Silk Mills, which weaves fabrics for three exclusive companies: Stephen Walters, David Walters, and Humphries Weaving. Employing more than 100 people, they combine traditional artisanal design and weaving with the cutting-edge technology to produce fabrics of exceptional quality. There are more than 40 state-of-the-art looms in operation at the mill, producing a wide range of fabrics all custom-woven for leading fashion houses, interior designers, and heritage institutions.

Sudbury Silk Mills places great emphasis on its people and the local community, and takes pride in generating employment for local people with training and long-term development, enabling them to grow their skills and knowledge. During her visit Kate Middleton spent time with the design team to observe the creative process, from using Sudbury’s archives for inspiration to drawing designs by hand that will be used in future fabric creations. Her Royal Highness then went onto the weaving floor to meet members of the production team, hear about their work, and view the weaving looms in operation, before observing the quality control process and final inspections of finished woven fabric.

Later today Kate will visit Marina Mill in Cuxton Kent.

Later today Kate will visit Marina Mill in Cuxton, Kent.

Chris Jackson/Getty Images

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A version of this article first appeared on Tatler.

September 11, 2025 0 comments
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Guillermo del Toro insists his version of Frankenstein is not a warning about AI
Celebrity News

Guillermo del Toro insists his version of Frankenstein is not a warning about AI

by jummy84 August 31, 2025
written by jummy84

31 August 2025

Guillermo del Toro insists his forthcoming film Frankenstein is not a warning about artificial intelligence.

Guillermo del Toro insists his forthcoming film Frankenstein is not a warning about artificial intelligence

The 60-year-old director – whose earlier work The Shape of Water won the Golden Lion at Venice in 2017 – addressed questions about AI at the film’s official press conference on Saturday (30.08.25) afternoon ahead of its world premiere, when his $120 million monster movie, starring Jacob Elordi and Oscar Isaac will debut in competition for the festival’s top prize.

Revealing his new adaptation of Mary Shelley’s novel is about humanity, imperfection and power rather than technology, Guillermo said: “It’s not intended as a metaphor for that (the dangers of AI.)

“We live in a time of terror and intimidation, certainly.

“And there’s no more urgent task than to remain, in a time where everything is pushing towards a bipolar understanding of our humanity.

“The movie tries to show imperfect characters and the right we have to remain imperfect, and the right we have to understand each other under the most oppressive circumstances.”

He added with a smile: “I’m not afraid of artificial intelligence. I’m afraid of natural stupidity.”

In the new version of Frankenstein, Jacob plays the creature locked in conflict with his creator Victor Frankenstein, played by Oscar.

Guillermo added he imagined the film not as a conventional horror story but as a layered family drama. He said: “I’ve been following the creature since I was a kid.

“I waited for the movie to be done in the right conditions, both creatively in terms of achieving the scope to make it different, and to make it at a scale that you could reconstruct the whole world. I’m in postpartum depression now that it’s finished.”

Jacob was asked at the same event who in society he views as monstrous.

He answered: “Men in suits.”

Guillermo interjected: “Very well tailored (suits.)”

Oscar was also at the event and recalled his first conversations with Guillermo about taking the role of Victor.

He said: “I can’t believe that I’m here right now. I can’t believe we got to this place from two years ago, sitting at (Guillermo’s) table eating Cuban pork and talking about our fathers and our lives, to him saying, ‘I want you to be Victor,’ then not really being sure if it was true or if I was just dreaming. It just seemed like such a pinnacle.”




August 31, 2025 0 comments
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