Kevin Costner is circling the role of former U.S. President Bill Clinton in the political drama series “United.” Sources confirm the project is in early development and is to be produced in association with the United Nations. Costner will executive-produce the series along with Leonardo DiCaprio. More to come…
Formula 1 arrives in Austin, Texas, this weekend as the United States Grand Prix kicks off a four-race run in the Americas.
The fourth sprint weekend of the 2025 season means more points on offer for the three drivers battling it out at the top of the standings.
Oscar Piastri remains 22 points clear of McLaren teammate Lando Norris but Red Bull’s Max Verstappen, a further 41 back, has pulled himself into contention with six races to go.
Away from the title race, Mercedes’ George Russell arrives in the US hoping to build on his victory in Singapore at the start of October, while Lewis Hamilton and Ferrari bid to end their struggles at a Grand Prix that has brought both success previously.
With 2025’s checkered flag creeping ever closer, fans can tune in to extensive coverage of a busy race weekend in Austin.
RadioTimes.com brings you a full round-up of how to watch the United States Grand Prix 2025 on TV and live stream.
The United States Grand Prix takes place on Sunday 19th October 2025.
The race begins at 8pm UK time.
All UK times and dates.
Live on Sky Sports F1 from 6:30pm
Live on Sky Sports F1 from 5pm
Live on Sky Sports F1 from 7pm
The United States Grand Prix will air live on Sky Sports F1 from 12pm this Sunday.
All races will be shown live on Sky Sports F1 and Main Event throughout the season.
You can add Sky Sports channels from just £22 per month.
Existing Sky Sports customers can live stream the race via the Sky Go app on a variety of devices.
You can watch the Grand Prix with a NOW Day Membership for £14.99, or a Monthly Membership for £34.99, all without signing up to a contract.
NOW can be streamed through a computer or apps found on most smart TVs, phones and consoles. NOW is also available via BT Sport.
Check out more of our coverage or visit our and to find out what’s on. For more TV recommendations and reviews, listen to .
Harkins Theatres president and CEO Mike Bowers has been elected chair of the executive board of Cinema United, the international organization of movie theater owners. Bowers will take over from B&B Theatres CEO Bob Bagby, who will remain on the executive board.
“Delivering an amazing cinematic experience has been my life’s work,” says Bowers. “It’s a true honor to serve the passionate people who bring the magic of moviegoing to communities across America and around the globe.”
Bowers has been president and CEO of Arizona-based Harkins Theatres since 2006. Also making up the executive board are Cinemark’s Executive VP and Chief Marketing and Content Officer, Wanda Gierhart Fearing, who will serve as Vice-Chair; Colleen Barstow of Nebraska-based Main Street Theatres who will become Treasurer, and Bo Chambliss of Georgia Theatre Company who will continue as Board Secretary.
“I am extremely excited to work with Mike and the leadership team to continue to support and promote this great industry. Mike brings years of experience building a successful circuit, and he will work tirelessly to support all of exhibition. The entire leadership team will bring energy and insight as we continue to drive toward the next great era in cinema,” says Cinema United president & CEO Michael O’Leary. “I also want to acknowledge and thank Bob for successfully leading Cinema United these past
two years. He will remain on the board and continue to be a leader for years to come.”
Cinema United represents more than 33,000 movie screens across the U.S. and Canada and an additional 30,000 more in 81 countries worldwide.
Mischa Barton Bends Reality in ‘Glitched’ Paranormal Sci-Fi Comedy Film
Mischa Barton (“The O.C.”) will star in the paranormal sci-fi comedy, “Glitched,” which is set to make its world premiere at the La Femme Film Festival in Los Angeles on Oct. 17.
After turning their grandmother’s castle into a virtual reality playground, “Glitched” tells the story of a set of ambitious twins trying not to get stuck in the afterlife after accidentally opening a supernatural portal.
Rounding out the cast are Abigail O’Regan (“Spellbound”), Donal Brophy (“Sleep No More”), Jack McEvoy (“Vikings”) and Elijah Rowen (“Vikings”) and John Connors (“Crazy Love,” “Re-Creation with Jim Sheridan”).
Directed by Alaskan filmmaker Zoe Quist, the genre-bending project is a women-led production that established mentorships across all key departments to create pathways for new voices and ensure economic diversity on set.
“Glitched” is written by Steve Grabowsky with Maria O’Neill p.g.a (“The Black Guelph”), Susan Wright p.g.a. and Quist as producers.
Five Participants Selected for the Annual Native American Unscripted Workshop
The Native American Media Alliance has selected five storytellers to participate in its 5th Annual Native American Unscripted Workshop: a five day talent development program that aims to help Native American filmmakers, journalists and media artists launch their careers in the unscripted film and television industry.
Guided by experienced unscripted producers, the program offers mentorship, creative seminars, meetings and networking opportunities for these emergent voices. At the end of the five days, participants pitch their projects to panels of creative executives and producers.
This years’ participants are Alana Tiikpuu, Evan L. Chouteau, Jenna Monroe, Joshua Emerson and Tammy “TS” Botkin. The program is sponsored by Comcast NBCUniversal, the Los Angeles County of Arts & Culture and the City of Los Angeles Department of Cultural Affairs.
Freestyle Digital Media, the digital film distribution arm of Allen Media Group, has acquired the VOD distribution rights for “Stationed At Home.” The film will be available to rent and own on digital platforms and DVD in North America starting Nov. 11.
Directed by Daniel V. Masciari, the film is an indie drama following a lonely taxi driver in 1998, whose night takes bizarre turns as unexpected faces and figures float through his orbit. The film stars Erik Bjarnar, Darryle Johnson, Eliza VanCort, Jamie Donnelly, Peter Foster Morris, Jeff DuMont and Alek Osinski.
Art House New York Launches Regional Alliance to Support Indie Film Exhibition
Art House New York has officially launched with an inaugural week-long audience development campaign designed to bring audiences back to explore the vibrant and diverse independent cinema landscape in spring 2026.
“Our goal is to strengthen ties between art house cinemas and with the film industry, creating new opportunities to connect audiences together,” Art House New York director Allason Leitz, said in a statement. “Alone, art house cinemas are hidden gems, but together, we are a cultural force.”
With the NYC Mayor’s Office of Media and Entertainment as a founding partner, Art House New York is a regional alliance strengthening independent film exhibitions in New York City through audience development, research and strategic initiatives. Paula Scher, who created the Art House New York logo and brand identity, will also develop the 2026 campaign.
Art House New York was founded by Lesli Klainberg (former president of Film at Lincoln Center) who tapped Allason Leitz of Third Industry Strategies to design its formative vision and serve as the initiative’s director.
Leaders from across the film industry on the advisory council include Kazembe Balagun, Executive Director, Maysles Documentary Center; Dori Begley, Co-CEO, Magnolia Pictures; Matt Bolish, Deputy Director, Film at Lincoln Center; Mark Boxer, Head of Distribution, MUBI; Karen Cardarelli, Executive Director, Facets & Chicago Alliance of Film Festivals and Gary Faber, President, ERM Research.
They are joined by New York Film Commissioner Pat Swinney Kaufman; Klainberg, AHNY Founder, former President, Film at Lincoln Center; Lela Meadow-Conner, Board President, Art House Convergence; Dara Messinger, Director of Programming, DCTV’s Firehouse Cinema; Rajendra Roy, Chief Curator of Film, MoMA; Shannon Treusch, Partner, Falco Ink.; Jesse Trussell, Director, Film Program and Strategy, BAM; Barbara Twist, Executive Director, Film Festival Alliance and John Vanco, Programming, Paris Theater (Netflix).
Jackson Wild and Earth Alliance Awards $60,000 Grants to Documentary Filmmakers
Jackson Wild and Earth Alliance have revealed the conservation and wildlife filmmakers selected for their inaugural Impact Pitch grant program, which aims to fund projects that shift the narrative toward solutions and actionable outcomes.
The program awards up to $60,000 in funding to support filmmakers and impact campaigns associated with their films.
Jigar Ganatra’s film “Chameleon Corridors” will receive $30,000 and strategic support to help implement its impact campaign. The “Chameleon Corridors” team will work with local partners in Tanzania to screen the film for farmers, students and Tanzanian authorities to dismantle ingrained superstitions around chameleons and educate communities about reforestation programs.
Sally Snow’s “Iyo Ang Dagat (The Sea is Yours),” which explores the deep and complex relationship between people and sharks in the Philippines, will be awarded $15,000. The grant will help raise awareness about the value of sharks and rays and the ongoing efforts to protect them in Palawan and support working alongside key stakeholders to draft and pass legislation regulating marine and wildlife tourism in Palawan.
Michael Salama and Gastón Zilberman’s “Qotzuñi: People of the Lake” will also receive $15,000 and is set to use the funding with the Uru Indigenous Nation and local partners in Bolivia to improve food security for communities, support sustainable livelihoods, and create fellowships for Uru youth in communities surrounding Lake Poopó.
Other finalists include Danny Schmidt’s “Book of George” and the Environmental Justice Foundation documentary “Pantanal.”
Tribeca Festival and AT&T Launch Applications for Untold Stories With $1.2 Million in Prizes
The Tribeca Festival and AT&T have increased their AT&T Untold Stories program’s top production prize from $1 million to $1.2 million for the festival’s 25th anniversary in 2026. The program, which provides funding, empowerment and support for emerging filmmakers, is the largest unrestricted film production award of its kind in the world.
The program launched in 2017 and each year awards one new filmmaker full funding to produce a feature along with mentorship, support and a guaranteed premiere at the Tribeca Festival. Since its inception, the program has supported 40 projects and produced eight winning films, some of which have garnered distribution on major platforms such as Netflix and HBO Max.
“Independent filmmaking has never been tougher, and too many vital stories never make it to the screen. Untold Stories changes that,” said Jane Rosenthal, CEO and Co-Founder of Tribeca Enterprises. “It doesn’t just give filmmakers the means to create — it helps ensure their work is seen. With funding, mentorship, and distribution support, the program opens doors that might otherwise stay shut. This expanded prize will give bold storytellers the chance to dream bigger, go further, and reach the audiences their stories deserve.”
Applications for the 2026 Untold Stories award are now open and close on Feb. 6. The winner will receive the $1.2 million grant at next year’s festival.
Filmmakers can apply now at tribecafilm.com/untoldstories.
Tello Films Network Releases Trailer For Lesbian Holiday Romcom “The Christmas Writer”
The trailer for “The Christmas Writer” has been released online, courtesy of Tello Films Network.. The film will premiere on Nov. 18 on VOD.
The film follows a bestselling lesbian Christmas author loses her holiday muse and experiences writer’s block, setting her off on a journey to return to her quaint hometown in search of renewed inspiration, finding an unexpected love story.
“The Christmas Writer” stars Shelby Allison Brown as Noel, Callie Bussell as Callie, Jordan Myrick as Paulette, Kendahl Landreth as Erin, Stacey Lee Powell as Jillian, Karen M. Chan as Grandma Robbins, and June Tuss as Pepper. The film was directed by Tello Films founder & CEO Christin Baker, and co-written with Katie I. Williams. “The Christmas Writer” was produced by Andrew James Myers and Trenton Julius.
The film will also be available to rent or buy on Amazon, Apple, YouTube Movies and other VOD platforms.
Watch the trailer for “The Christmas Writer” below.
Academy of Motion Pictures Arts and Sciences Reveals 2025 Student Academy Awards Placements
The Academy of Motion Picture Arts and Sciences have unveiled the recipients of this year’s Gold, Silver and Bronze placements and universities around the world at the 52nd Student Academy Awards ceremony. The recipients were chosen from 3,127 entries from 988 colleges and universities worldwide.
The Student Academy Award placements for 2025 include:
Alternative/Experimental
Gold: Xindi Zhang, “The Song of Drifters,” University of Southern California
Silver: Vega Moltke-Leth, “Without Perfection,” University of Copenhagen, Denmark
Bronze: Mati Granica, “flower_gan,” London College of Communication, United Kingdom
Animation
Gold: Tobias Eckerlin, “A Sparrow’s Song,” Film Academy Baden-Württemberg, Germany
Silver: Lucas Ansel, “The 12 Inch Pianist,” Rhode Island School of Design
Bronze: Sofiia Chuikovska, Loïck du Plessis D’Argentré & Maud Le Bras, “The Shyness of Trees,” Gobelins, France
Documentary
Gold: Tatiana McCabe, “Tides of Life,” University of the West of England Bristol, United Kingdom
Silver: Rebeka Bizubová, “Confession,” Academy of Performing Arts in Bratislava, Slovakia
Bronze: Jane Deng, “I Remember,” New York University
Narrative
Gold: Jan Saczek, “Dad’s Not Home,” Krzysztof Kieślowski Film School, Poland
Silver: Meyer Levinson-Blount, “Butcher’s Stain,” Tel Aviv University, Israel
Bronze: ZEFAN, “Kubrick, Like I Love You,” Columbia University
The Student Academy Award-winning films are now eligible to compete for the 98th Oscars in the Animated Short Film, Live Action Short Film or Documentary Short Film categories.
On Friday, October 3, Zach Bryan posted a snippet of an unreleased song on his Instagram with the caption “the fading of the red white and blue.” “I heard the cops came/Cocky motherfuckers, ain’t they?”, Bryan sings on the track, which according to Stereogum is titled “Bad News.” “And ICE is gonna come bust down your door/Try to build a house that no one builds no more/But I got a telephone/Kids are scared and all alone.”
Now Bryan’s lyrics have drawn the ire of the federal government—a phenomenon that is becoming increasingly common. Earlier today (October 7), Tricia McLaughlin, assistant secretary of public affairs for the United States Department of Homeland Security, told TMZ that Bryan should “stick to ‘Pink Skies,’” referencing a song from his 2024 album The Great American Bar Scene. Pitchfork has reached out to representatives for Bryan for comment.
Under the second Trump administration, the United States Immigrations and Customs Enforcement agency has been conducting raids and mass deportations in cities across the U.S. Following the news that Bad Bunny, who is Puerto Rican, would perform the halftime show at Super Bowl LX next year, DHS adviser and President Donald J. Trump’s 2024 campaign manager Corey Lewandowski said that ICE agents would be present at the event.
Revisit Alphonse Pierre’s Off the Dome column “How ICE Raids Have Impacted Texas Rapper HOODLUM’s Hometown,” and read about Zach Bryan’s “Pink Skies” at No. 79 on “The 100 Best Songs of 2024.”
Sorry in advance to those of you who thought you were seeing #NBAYoungBoy live this week in Chicago.
The #UnitedCenter has canceled the rapper’s show scheduled for Wednesday (Sept. 24). While the venue cited unspecified reasons for the abrupt cancellation, it’s highly speculated that it has to do with safety concerns. #Ticketmaster has issued automatic refunds to those who purchased tickets through its platform. For third-party purchases, attendees are advised to contact their point of purchase directly.
The cancellation follows the venue’s recent implementation of a strict no-bag policy for the event, prohibiting all bags, including clear ones. NBA YoungBoy’s manager expressed frustration on Instagram, stating, “United Center b!tched out,” and even slammed the person he believes made the final call.
This concert was part of NBA YoungBoy’s “Make America Slime Again” tour, which includes over two dozen U.S. dates through November.
It was a glittering night at The M&IT Awards 2025 on Friday, with 750 event professionals in attendance at JW Marriott Grosvenor House London to celebrate the great and good of the industry.
Gabby Austen-Browne wins first M&IT Editor’s Choice award
The inaugural M&IT Editor’s Choice award saw Diversity Alliance founder Gabby Austen-Browne honoured for her work to transform the events industry into one that’s more diverse, inclusive and accessible. Presenting the award, M&IT editor Paul Harvey said: “Her work changes lives. Her voice matters. And her legacy – of courage, of resilience and of refusing to accept the status quo – is already being felt by a generation of future event professionals.”
After winning, Austen-Browne said: “It’s an absolute delight to win the Editor’s Choice Award, it’s a big shock, but it’s such an amazing feeling to feel like I’m being recognised for my work and it’s really an honour to be recognised by my peers as well.”
This year’s Personality – Chris Parnham
Chris Parnham, CSO of veSpace International, took home the coveted Personality of the Year award earning a standing ovation. (veSpace also scooped gold in the Best Intermediary Agency Large (40+ employees) category). Presenting the award, ICCA president and Excel London executive director James Rees praised Parnham as a “true driving force” in the meetings and events industry for more than 30 years, who has transformed businesses, inspired teams and shown resilience in the face of enormous challenges.
Rees said: “He stepped up when the industry needed him most, taking on the role of chair at Meeting Needs after the tragic loss of Chris Peacock. Under his leadership, the charity was restructured, strengthened and repositioned as a foundation, securing its mission and future growth.He is admired not just for what he has achieved, but for how he has done it – with authenticity, generosity and a genuine commitment to the people around him. A mentor, a thought leader and a unifying force, he exemplifies the very qualities this award is designed to celebrate.”
After winner, Parnham said: “Wow. Okay, I’m still a bit stunned after that, but it was really nice to hear all those wonderful things about my very long career. I basically take other people’s glory, which I’ve done for the last 25 years, whether it’s the people I work with or the wonderful people at Meeting Needs, hopefully I’ve done good things by them and hopefully inspired some people along the way to also do good things. Look out for your friends and colleagues. Karma comes around. So, be good, be nice.”
The ‘Oscars of the industry’
The ‘Oscars of the industry’ – whose headline sponsor is IHG Hotels & Resorts – kicked off with a rip-roaring set from the Greatest Show following by M&IT editor Paul Harvey, headline sponsor IHG Hotels & Resorts and Meeting Needs current chair Lene Corgan addressing assembled guests.
The first award of the night saw the Victory Service Club’s Daisy Basilio take home the Chris Peacock Rising Star of The Year Award, named in honour of Conference Care founder Chris Peacock, who died from bowel cancer in 2023. Leonardo Hotel & Conference Venue Hinckley Island retained its gold award for Best UK Conference Centre for the second year running, while other victors included a 19th consecutive Best UK Convention Bureau win for Glasgow Convention Bureau, and further wins for KDM Events, Vista Events DMC Greece and Quadrant Events. Celtic Manor Resort was named Best UK Hotel.
“The M&IT Awards are such a highlight in the meetings and events calendar because the winners don’t just showcase the very best of our industry – they’re chosen by the industry itself,” said Harvey, editor of M&IT.
“Huge congratulations to all of Friday night’s winners – every award was richly deserved. And to our fantastic finalists and anyone who left feeling a touch of award envy, remember there’s always next year, and you’ve got to be in it to win it. Entries for 2026 are expected to open in the New Year, so keep an eye on the M&IT newsletter for the announcement.”
During the ceremony, Events R Talented winner Holly Ritchie had the crowd in the palm of her hands with a stunning rendition of You Got the Love. And eventprofs danced the night away into the early hours, enjoyed networking and catching up with colleagues and peers.
Organised by Northstar Travel Group, the glittering and glamorous M&IT Awards are in their 38th year. Taking place at the JW Marriott Grosvenor House London, this year’s event was a who’s who of the UK events industry bringing together 750 industry professionals to recognise the phenomenal people, businesses, creativity and resilience that drives the industry forward year after year.
The Gold Award winners list in full:
Daisy Basilio, Victory Services Club
destinations UNLIMITED
Vista Events DMC Greece
Visit Monaco Convention Bureau
Glasgow Convention Bureau
KDM Events
ZiaBia Events Consultancy
Eventurous
veSpace International
Quadrant Events
Grimaldi Forum Monaco
Sandals Saint Vincent & The Grenadines
Hilton
MTC Events
Leonardo Hotel & Conference Venue Hinckley Island
Celtic Manor Resort
Gabby Austen-Browne, founder, Diversity Alliance
Chris Parnham, CSO, veSpace International
Filmmaker Anurag Kashyap has once again sparked debate with his characteristically unfiltered take on the Bollywood industry. While promoting his new film, Nishaanchi, Kashyap didn’t hold back, criticizing what he calls the “toxicity” within the fraternity and its persistent lack of unity. The director, known for his no-nonsense attitude, pointed out that industry members rarely stand up for each other, creating a fragmented and insecure environment. His comments offer a stark look at the underlying issues many believe plague Hindi cinema today, from its insular nature to its evolving relationship with technology.
Speaking to Zoom, Kashyap expressed his frustration with the industry’s disunity. “People who know me tell me, ‘You stand for everyone, who stands for you?’ I can say this very confidently that this industry can never be united,” he said. He believes this lack of solidarity prevents meaningful change and makes it difficult for new voices to emerge. As a director who has often championed independent cinema and new talent, Kashyap’s frustration stems from a long history of observing these dynamics firsthand. He argues that true creators don’t rely on industry circles; they simply focus on their craft.
To make his point, he cited the success of filmmakers Shoojit Sircar and Dibakar Banerjee, who work outside Mumbai. “Shoojit Sircar resides in Kolkata. Dibakar Banerjee is based in Himachal. Yet, they continue to create films,” he said. Calling himself a “secure filmmaker,” Kashyap emphasized that he focuses on storytelling and creativity rather than engaging in industry politics. This mindset, he suggests, is the key to longevity and authenticity in a business that often demands conformity.
Also Read: Zubeen Garg’s Mortal Remains To Return To Assam After Post-Mortem In Singapore
Beyond Bollywood’s internal issues, Kashyap also weighed in on one of the most pressing topics in the global film industry: the rise of Artificial Intelligence. He strongly opposed the AI-generated film Chiranjeevi Hanuman – The Eternal, produced by Vijay Subramaniam, calling it a betrayal of human creators. For Kashyap, while the use of AI in filmmaking may be inevitable, its application should be ethical and not at the expense of artists. “People will make films using AI, but when you represent a roster of artists and then do AI, that’s unethical for me,” he said, drawing a clear line between technological innovation and what he sees as a moral compromise.
Kashyap’s criticism extended to producers who back such ventures, as well as artists who support them, labeling them “spineless and cowardly.” He believes that a true artist should protect the sanctity of creativity and not endorse a technology that could potentially render human talent obsolete. Despite his concerns, Kashyap believes a reckoning is near. He predicted that “all the actors will unite the day AI replaces them,” emphasizing that technology should serve creativity, not replace it.
His film Nishaanchi, a gangster drama set in the heartland, delves into themes of family, love, and crime. It marks a significant project for its lead actor, Aaishvary Thackeray, who stars in a double role. The film also features a talented ensemble cast, including Vedika Pinto, Monika Panwar, Mohammed Zeeshan Ayyub, and Kumud Mishra. The film, released on September 19, explores complex human relationships against the backdrop of a gritty criminal world, showcasing Kashyap’s signature style of blending raw realism with compelling character-driven narratives.