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Wanted to enter Hollywood on my terms, not the way ‘expected of us’, says Deepika Padukone
Bollywood

Wanted to enter Hollywood on my terms, not the way ‘expected of us’, says Deepika Padukone

by jummy84 November 8, 2025
written by jummy84

New Delhi, Actor Deepika Padukone on Friday said her international career has been shaped by a conscious effort to represent India on her own terms, while rejecting global stereotypes about the country or its people.

Wanted to enter Hollywood on my terms, not the way ‘expected of us’, says Deepika Padukone

Speaking at the CNBC TV’s Global Leadership Summit alongside designer Sabyasachi Mukherjee on Friday evening, the 38-year-old actor said she has personally experienced the “cliches” that often shape Western perceptions of India – from casting biases to comments on her accent and skin tone.

“It’s very deliberate… I was very clear about taking India to the world, but the India that I know. For example, moving to Hollywood and getting into that industry, or doing it in an way that has been expected of us or suits a global audience was something I never wanted to do, even if it took longer,” said Padukone.

“I think what bothered me every time I went to the West was this sort of idea of India they have. It is so different from the country that I know. I have experienced all those cliches firsthand, whether it has to do with casting, our accent or the colour of my skin. I was clear that I wanted to do it my way and on my terms,” she added.

The actor made her Hollywood debut with the 2017 hit “XXX: Return of Xander Cage”, co-starring Vin Diesel. Since then, she has been a regular fixture at major international events from serving on the competition jury at the 75th Cannes Film Festival in 2022 to unveiling trophies at the FIFA World Cup final in Qatar the same year.

Padokone also became a House Ambassador for Louis Vuitton and later a global spokesperson for Cartier. She has appeared on leading international magazine covers, walked red carpets at the Oscars and BAFTAs.

The actor recalled a significant moment during her Louis Vuitton global campaign, which featured her on hoardings across Los Angeles’ Sunset Boulevard.

“It was weird but at the same time I felt incredibly proud to see a brown face on a hoarding for a global luxury brand. More than a personal victory, it felt like a victory for every single Indian woman,” she added.

Padukone also spoke about becoming the celebrity voice of Meta AI.

“It is interesting as I’m someone whose voice was mocked when I came into the industry, and now suddenly I’m the voice of Meta AI. Strange… and my accent too. But I continued to own it. And I think that’s how and why it happened,” she said.

Asked about the role of artificial intelligence in cinema, Padukone said she is both optimistic and cautious.

“I’m so excited about the possibilities. The only thing it cannot replace is human emotion. That’s the only place AI will not be allowed or not match up… because you can’t infuse soul into AI.”

Calling herself “an old soul”, she said human expression remains irreplaceable.

“I’m all for embracing everything that is new and forward. Just when it comes to the human soul and emotion, I have a feeling that it is irreplaceable. But outside of that, I’m very excited about what the possibilities are,” Padukone said.

The actor will be next seen in the Shah Rukh Khan-starrer “King” as well as an untitled project from filmmaker Atlee in which she will feature alongside Allu Arjun.

This article was generated from an automated news agency feed without modifications to text.

November 8, 2025 0 comments
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Terms & Conditions' Gets Black Friday Release Date
TV & Streaming

Terms & Conditions’ Gets Black Friday Release Date

by jummy84 October 30, 2025
written by jummy84

For years, Kahlil Joseph has been the most innovative and important filmmaker not working in feature films — a title that will officially be retired when his highly lauded “BLKNWS: Terms & Conditions” gets a 12-city theatrical release on November 28, 2025. That’s right, the film’s distributor, Rich Spirit, is announcing today — in a move that would make the film’s former distributor A24 blush — it will open the film, remixing Black history and culture, on Black Friday.

Rich Spirit’s press release makes clear that, like “BLKNWS” itself, releasing the film on the biggest shopping day of the year is both playful and deadly serious.

Taylor Sheridan Peter Berg

“The date ties the film’s release to global conversations about media, capitalism, and the Black archive amid renewed conversations about erasure, representation, and the rollback of civil rights,” per the official Rich Spirit press release. “BLKNWS on BLKFRDY arrives in theaters as both a cinematic and cultural event for audiences in targeted markets, aiming to subvert a day of commercial excess into a moment of Black collective reflection and cultural circulation. BLKNWS sells perspective.”

The 12 cities for theatrical release were chosen because they trace “a constellation of Black cultural capitals across the U.S., Canada, and Europe,” and include Los Angeles, Chicago, San Francisco, Atlanta, Washington DC, Houston, Philadelphia, Detroit, New York, Toronto, London, and Paris.

After initially being pulled from the Sundance 2025 lineup by the film’s original backers Participant — only to be rescheduled at the last minute to unceremoniously premiere at a 9 am screening — “BLKNWS: Terms & Conditions” has gone on to be properly feted at major festivals, including a prestigious Main Slate slot at last month’s New York Film Festival, along with Berlinale, BlackStar, Toronto, and London premieres. In addition to gaining glowing reviews (100 on Rotten Tomatoes, 87 on MetaCritic) and ardent admirers, Joseph’s feature debut won the FIPRESCI Award at Viennale 2025 and shared the Bruce Sinofsky Award in the Documentary Feature Competition at the Montclair Film Festival.

The late November release should place the film squarely in competition to make the Academy’s Best Feature Documentary shortlist — IndieWire has confirmed Rich Spirit will target nonfiction awards with the innovative film that incorporates a fictional Afrofuturistic storyline.

Joseph is not your typical first-time feature filmmaker, having made his name in the 2010s as the most vital music video director of his generation, creating an influential approach to images in his collaboration with the world’s most prominent musicians, and finding full expression in short form projects like the 2013 “Until the Quiet Comes,” for musician Flying Lotus, which won the Grand Jury Short Film Prize at the Sundance Film Festival; the 15-minute film about Compton in “good kid, m.A.A.d city” for Kendrick Lamar; as well as being the original visionary behind Beyoncé’ “Lemonade.”

‘BLKNWS: Terms & Conditions’

Joseph has never been interested in linear narratives, thinking of his work as more akin to how a musician approaches an album. Inspired by filmmakers like Apichatpong Weerasethakul and Terrence Malick (who Joseph worked for early in his career), Joseph prefers to use sound and music to evoke lyricism and complexity rather than rely on a traditional narrative. Following in the footsteps of one of his idols and mentors (and “BLKNWS” contributor) Arthur Jafa, the celebrated music video director gravitated more toward the art world than Hollywood, while also serving as the creative director of Underground Museum in LA, which was the passion project of Joseph’s late brother, artist Noah Davis.

“BLKNWS” was born out of the Underground Museum, initially dreamed up by Joseph and Ryan Coogler as an antidote to cable news during President Trump’s 2015 campaign. It was conceived as a continuous, curated broadcast, weaving news and social media clips, and cultural artifacts into a dynamic stream intended to reflect the richness of Black life.

On an upcoming episode of the Filmmaker Toolkit podcast, Joseph explained how “BLKNWS” grew out him increasingly watching YouTube in his free time.

“I assumed if I was [watching YouTube over television], everybody else was doing that too. And I got the sense too that people were excited about learning in a way that I don’t think the entertainment industry takes into account,” said Joseph on the podcast. “People want to learn stuff, that’s what YouTube is so exciting for. You can learn about anything, as much as you can watch music videos and content creators, most of the time, people are sharing knowledge and information, and not just opinions.”

Joseph brought on  editors Luke Lynch and Paul Rogers (“Everything Everywhere All at Once”), and together they started downloading YouTube clips and cutting them together as they experimented in finding the turntable-esque remix language of the cinematic news experience. Early versions were showcased at the 2019 Venice Biennale and the 2020 Sundance Film Festival, as Joseph saw “BLKNWS” more as a platform and media company with the potential to reach beyond the world of art installation. While on the podcast, Joseph admitted he contemplated accepting venture capital investment offers to build out the media company, but when the pandemic hit, he decided first on an intermediary step, accepting A24’s offer to turn it into a feature film.

‘BLKNWS: Terms & Conditions’

While on the podcast, Joseph discussed the lengthy and unorthodox process of turning his project into a feature film, which included bringing artists, journalists, and thinkers aboard, including Jafa, Bradford Young, Onye Anyanwu, Saidiya Hartman, Kaneza Schaal, Garrett Bradley, Raven Jackson, Jomo Fray, Dionne Brand, Christina Sharpe, Kristen Adele Calhoun, Irvin Hunt, and Madebo Fatunde, alongside musican Klein (who wrote the score), and with Lynch and Rogers continuing to work alongside Joseph in the editing room.

Presumably, the extended time frame it took to complete “BLKNWS: Terms & Conditions” exasperated A24, which had announced a 2024 release date and quietly abandoned the project, leaving Joseph to finish it on his own. When Participant and Joseph parted ways at Sundance, Rich Spirit stepped in to rescue what is one of 2025’s most exciting and boundary-pushing releases.

The release marks the first major project from Rich Spirit, an independent film label dedicated to amplifying voices from the global diaspora. The studio previously co-released Ali Abbasi’s “The Apprentice” with Briarcliff Entertainment, helping rescue the controversial film from financiers who had abandoned the project and turn it into an awards contender.

To make sure you don’t miss Kahlil Joseph’s November 26 interview about “BLKNWS,” subscribe to the Toolkit podcast on Apple, Spotify, or your favorite podcast platform.

October 30, 2025 0 comments
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Stevie Nicks and Lindsey Buckingham Are Back on Speaking Terms
Music

Stevie Nicks and Lindsey Buckingham Are Back on Speaking Terms

by jummy84 October 29, 2025
written by jummy84

It appears the frozen love has thawed. Stevie Nicks and Lindsey Buckingham went on Song Exploder to discuss the making of “Frozen Love,” and it appears the duo are back on speaking terms.

The exes and bandmates reflected on the track, released off the newly reissued Buckingham Nicks, in what appears to be separate interviews. However, Nicks admits throughout her portion that that the two are friendly again. While remembering the moment they met in 1966, when they were students at Menlo-Atherton High School in the Bay Area, Nicks said, “Lindsey and I started talking about it last night. This whole thing seems really like yesterday to us.” 

They describe their origin story, when they attended a youth group social and Nicks backed Buckingham on “California Dreamin.’” But they didn’t formally meet until a couple of years later, when they joined the band Fritz. They found success opening for Jimi Hendrix and Janis Joplin, but producer Keith Olsen told them they’d have better success as a duo. 

“Keith was extremely supportive, but Fritz was never able to secure a record deal,” Buckingham says, while Nicks adds that it was “terrorizing” for them. “We loved these guys,” she said. “So we were not at all happy about that, but there was nothing we could do …It was our first super disappointment in the music business.” But, she also added, it was bittersweet: “It was an invitation to greatness, and we both knew it.”

Nicks says she and Buckingham probably wouldn’t have dated if they hadn’t fired Fritz. “It drove us together, because we just couldn’t figure it out,” she said. “And then we fell in love with each other, and that was it.”

They hunkered down to write Buckingham Nicks, and reflected on creating the final track, “Frozen Love.” “The song is about two people that were in love, that had a lot of differences and saw the world slightly differently, but had this like relationship that seemed to be, like a gift,” Nicks said. “I like to think of it as Wuthering Heights or Great Expectations — a modern day love affair, tragedies. Because nobody really loves happy songs. Certainly I didn’t, and neither really did Lindsey.” 

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After it was written, Nicks gave it to Buckingham to work on. “I don’t think she craved my input on that level, and nor did I crave hers on production or instrumental level, either,” he said. “She understood that I was transforming things for her, and I understood that I wouldn’t have had anything to transform without the beautiful center that she’d given me.” 

“Our relationship was up and down and up and down and up and down and difficult, but at the same time, fantastic,” Nicks said. “And what we were doing was so fantastic, that it was worth putting up with the trials and tribulations of a relationship that’s difficult.” 

Nicks also joked that the line “Hate gave you me for a lover” was unintentional, and that it was originally written as “Fate gave you me for a lover.” “When I hear myself sing that line, it sounds like I’m saying ‘hate,’” she said. “So, that’s not good. I’m sorry, Lindsey. I’m calling him later.”

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Buckingham Nicks was a flop, but it was famously their ticket into Fleetwood Mac. The Song Exploder episode ends with Buckingham recalling the moment he was at Sound City, and heard “Frozen Love” blasting through the studio. “I’m going, ‘What the hell?’” he said. “And so I open the door and I go in, I see this tall guy, like, standing there listening to ‘Frozen Love,’ and he’s just rocking away to this song. And I’m going, ‘What is going on here?’ And so the song finishes, and Keith says, ‘Oh, Lindsey, this is Mick Fleetwood.’” 

Last fall, Nicks told Rolling Stone she last spoke to Buckingham at Christine McVie’s celebration of life, and would never consider a proper farewell Fleetwood Mac tour. “The only time I’ve spoken to Lindsey was there, for about three minutes,” she said. “I dealt with Lindsey for as long as I could. You could not say that I did not give him more than 300 million chances.” Hopefully, with the 50th anniversary of Rumours happening in 2027, a reunion is in the air.

October 29, 2025 0 comments
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bitchy | The terms of Prince William & Kate’s Forest Lodge lease should be under scrutiny
Celebrity News

bitchy | The terms of Prince William & Kate’s Forest Lodge lease should be under scrutiny

by jummy84 October 27, 2025
written by jummy84

Two Fridays ago, Prince Andrew publicly relinquished his titles and honors, a relinquishment which had no real authority, power or legality. It was yet another half-measure, and one which “Scooter King” William eagerly demanded credit for. In the nine days following that, it’s been nothing but fiasco after fiasco for the monarchy and for Andrew. It’s been interesting to try to keep track on Scooter King’s place in the chaos – by some accounts, he’s calling up MPs and demanding more accountability from Andrew. By other accounts, William is out of sight, out of mind, on yet another vacation during his kids’ school holiday, and simply allowing his cancer-stricken father deal with the Andrew problem. I think the latter is probably closer to the truth, but William’s courtiers keep insisting that Scooter King is incredibly powerful and making major moves behind the scenes. From Richard Palmer’s “William’s plans to exile Andrew – and the house move that could undermine them.”

With Britain’s monarchy facing mounting scrutiny over its handling of Prince Andrew, one man is stepping into the frame. Behind the scenes, Prince William is reported to be unhappy with the action taken by his father so far, and he is determined to go much further when he becomes King.

Late on Friday, Andrew was in “advanced talks” with King Charles’ representatives about quitting his Royal Lodge home, The Telegraph reported, with Buckingham Palace determined to pressure the prince into voluntarily leaving. But William has been touted as the person who is putting pressure on his father to do more to finally solve the Andrew problem.

This worries some royal insiders. “What does it say about the King if it has to be his son who will solve the problem?” one said.

His uncle, pumped up with self-importance, fond of grandeur, but lacking in tact and diplomacy, is the antithesis of the sort of monarchy the heir to the throne wants. The Royal Family faces the risk of contagion on several fronts. Cabinet ministers are said to be critical of the Royal Household’s laboured response to a spate of revelations over Andrew and Fergie’s friendship with the convicted paedophile Jeffrey Epstein.

But Andrew’s lease with the Crown Estate, under which he has lived virtually rent-free in his 30-room Royal Lodge mansion for 22 years, has thrown the spotlight on the property deals other members of the family have struck, including the Prince and Princess of Wales.

There are dangers for William if he is found to have a similarly generous lease with the Crown Estate at Forest Lodge, an eight-bedroom Georgian house close to Royal Lodge in the Great Park that is about to become his family’s home. There are 360 properties on the Occupied Royal Palaces Estate, which has provided previous homes for the Wales family at Adelaide Cottage in Windsor and Kensington Palace.

Instead, they have chosen a location outside the royal estate’s security perimeter that will result in 150 acres of parkland being closed to the public, along with a car park for tourists, a gate for local residents, a road, and an environmental centre visited by schoolchildren to appreciate nature.

A five-year review of royal funding under the Sovereign Grant, which is benchmarked to Crown Estate profits, is due next year, putting the wider finances of the Royal Family under the microscope.

William, 43, has long believed that Andrew was a stain on the monarchy who should have stood down long before he did in 2019. He has been consulted at each stage of his uncle’s humiliation but, despite reports he will not be invited to a future coronation, sources close to the heir counsel not to believe everything that is said about what he will do when he becomes King.

With all signs pointing to a slimmed-down group of only five or six working royals compared to the 11 when he becomes King, some in royal circles are suggesting William plans to take the bull by the horns and end all royal titles for non-working members of the family. It would mean Andrew and his daughters, Beatrice and Eugenie, would no longer be Prince or Princess and nor would William’s brother Harry or his children, Archie and Lilibet.

[From The i Newspaper]

“Sources close to the heir counsel not to believe everything that is said about what he will do when he becomes King…” About William’s coronation?? That is one of the easiest decisions to make, actually – William saying “Andrew will obviously not be invited to my coronation.” Andrew should also be banned from Charles’s funeral btw, not to be too macabre (except this is already being discussed as well in the public sphere). “What does it say about the King if it has to be his son who will solve the problem?” What does it say about Scooter King that he’s too stupid to ban his human trafficker uncle from his coronation?

But really, the part about the Forest Lodge move is fascinating. It makes it sound like this is less about Andrew and more about William protecting his own interests. 360 properties Will and Kate could have chosen from and they chose the manor house which wasn’t on the list? The one which needed extensive and costly security upgrades and a 150-acre land grab from a public park? Their choice of “forever home” will also close down a parking lot and a tourist gate to Windsor Great Park (which we knew already) AND “a road and an environmental centre visited by schoolchildren to appreciate nature.” We didn’t know that! Palmer also forgot to mention that the Waleses evicted a bunch of people from the cottages around Forest Lodge. Jeez. The Forest Lodge move is looking dumber and dumber by the day. Why on earth were William and Kate given permission to do all of this? And what kind of lease agreement do they have with the Crown Estates?

Photos/screencaps courtesy of AppleTV+ and Kensington Palace’s social media.

October 27, 2025 0 comments
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First Look Teaser for 'BLKNWS: Terms & Conditions' Unique Doc Film
Hollywood

First Look Teaser for ‘BLKNWS: Terms & Conditions’ Unique Doc Film

by jummy84 September 25, 2025
written by jummy84

First Look Teaser for ‘BLKNWS: Terms & Conditions’ Unique Doc Film

by Alex Billington
September 24, 2025
Source: YouTube

“Do I remember the future?” Rich Spirit has just unveiled the first look teaser trailer for an acclaimed new documentary film titled BLKNWS: Terms & Conditions, created by filmmaker Kahlil Joseph. This first premiered at the 2025 Sundance Film Festival, and has been playing everywhere else including Berlinale, NYFF, TIFF, Vanoucver, London, and IDFA. It’s more of a video essay than a doc with a narrative – taking viewers on a profound visual / intellectual journey through Black history and beyond. “A film and filmmaker that refuses to be contained.” Kahlil Joseph’s BLKNWS: Terms & Conditions rewires history, memory, and sound into a cinematic experience unlike anything else. Adapted from his seminal video art installation, the film interweaves fictional and historical characters in an immersive story that spans 247 years across land and sea – inspired by the entirety of the “Africana” encyclopedia book in this teaser. In its mix of fictional & documentary forms, the film is inspired by W.E.B. Du Bois, Marcus Garvey, Saidiya Hartman, and others thinkers, juxtaposing their ideas with archive material & images. This film is a must watch for cinema nerds.

Here’s the first look teaser trailer for Kahlil Joseph’s doc BLKNWS: Terms & Conditions, on YouTube:

BLKNWS: Terms & Conditions Teaser Trailer

BLKNWS: Terms & Conditions Teaser Trailer

Original intro via TIFF: “Celebrated artist and filmmaker Kahlil Joseph revisits and expands upon his eponymous two-channel ‘fugitive newscast’ installation that was showcased at the 2019 Venice Biennale among other prestigious venues, in this galvanizing, shape-shifting exploration of Black history, identity, and possibility. Joseph enlisted several prominent Black scholars and thinkers to co-write the film in an act of collective fabulation. Formally audacious and conceived as a cinematic experience that mirrors the sonic textures of an album, the film fluidly moves between modes, creating its own free-associative logic that mixes personal memoir, speculative narrative, archival footage, social media samples, and citations of work by other great artists.” BLKNWS: Terms & Conditions is directed by the artist / filmmaker Kahlil Joseph, making his feature directorial debut after many short films & other video projects. It’s produced by Onye Anyanwu, Kahlil Joseph, Amy Greenleaf, Nic Gonda. This initially premiered at the 2025 Sundance Film Festival earlier this year. Presented by Rich Spirit. Kahlil Joseph’s BLKNWS: Terms & Conditions doc film will open in select US theaters this November 2025. Stay tuned for more updates. Anyone intrigued?

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September 25, 2025 0 comments
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