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bitchy | Taylor Swift’s ‘The Life of a Showgirl’ is getting mostly positive reviews
Celebrity News

bitchy | Taylor Swift’s ‘The Life of a Showgirl’ is getting mostly positive reviews

by jummy84
written by jummy84

Taylor Swift’s The Life of a Showgirl is out now. The good news is that Taylor is a stand-alone industry and a monoculture, which means that everyone has an opinion on her life and her music. On Thursday, leaks of TLOAS were being widely circulated online, and the Swifties were already in the trenches and fighting with everyone. The thing is, 90% of the music industry is in awe of Taylor and fearful of her enormous power. Which probably explains why even though early listeners of TLOAS are disappointed, the mainstream media’s reviews of the album are glowing and extremely positive. Variety and Rolling Stone led the way in praising the album and calling it yet another perfect classic. The Guardian’s critic was more honest, and this is the review getting much more play, some highlights:

There are albums for which vast success seems preordained, and then there is The Life of a Showgirl. The podcast on which Taylor Swift announced the release of her 12th studio album – her fiance Travis Kelce’s ordinarily sports-focused New Heights – garnered half a billion views, breaking a record set by Donald Trump’s appearance on The Joe Rogan Experience in the process. A “launch event” film, featuring the kind of lyric videos and backstage footage that anyone else would release on YouTube, is instead set for a theatrical release in more than 100 countries: in the US alone, it sold $15m worth of tickets in 24 hours. The album itself has been pre-saved more than 5m times on Spotify, breaking another record in the process. “I’m immortal now,” Swift sings on the title track, which seems less like an extravagant boast than a statement of fact.

In contrast to last year’s The Tortured Poets Department – which by the time she’d finished releasing expanded editions and bonus tracks, was nearly two and half hours long – it offers a crisp 12 songs in 40 minutes. Her recent collaborators Jack Antonoff and Aaron Dessner are nowhere to be seen. Swift made The Life of a Showgirl in between Eras dates with Max Martin and Shellback, the Swedish duo who co-wrote and produced her most forthright pop bangers of the 2010s: Shake It Off, Blank Space, Don’t Blame Me, Bad Blood.

But anyone anticipating something similar from Showgirl is in for a shock: the fizzing electronic pop of Reputation and 1989 is conspicuously absent. Instead, its primary currency is breezy, easy-on-the-ear soft rock: acoustic guitars, misty synth tones, subtle orchestrations and breathy backing vocals. Wood’s laid-back take on disco recalls not the sweaty hedonism of the dancefloor but the late 70s moment where four-to-floor rhythms and chicken-scratch guitar temporarily invaded the oeuvres of west coast singer-songwriters.

More startling still is the distinct lack of undeniable hooks and nailed-on melodies. The songs are well turned, but in terms of genuinely memorable moments, Showgirl evinces just one killer chorus (Elizabeth Taylor), some impressively unexpected key changes on Wi$h Li$t and the authentically heart-tugging Ruin the Friendship, which finds Swift returning to her home town for the funeral of a high school boy she regrets not dating. There’s a fantastic chord sequence on Actually Romantic, but, alas, 37 years ago Frank Black wrote a very similar one for Where Is My Mind? by Pixies, a song you can literally sing along to Actually Romantic. The rest floats in one ear and out the other: not unpleasantly, but you might reasonably expect more given the amassed songwriting firepower behind it, and Swift’s claims of “keeping the bar really high”.

Cancelled! deals with the Kim-and-Kanye-adjacent controversies that beset Swift in 2015 and 2016, and Father Figure concerns former label boss Scott Borchetta, both in needless-to-say-I-had-the-last-laugh style. There are some spiky lines here and there – “you made a deal with this devil / turns out my dick’s bigger” snaps Father Figure – but they don’t really click. Perhaps that’s because Cancelled! and Father Figure revisit very well-trodden ground, while eviscerating a rival when you’re the world’s most successful pop star is, by default, punching down, even if she did apparently call you “boring Barbie” behind your back.

Then there’s Wood, a song that, metaphorically speaking, drunkenly clambers on a table in Wetherspoons pub with a skew-whiff bridal veil on its head and an L-plate around its neck and favours everyone in earshot with a loud paean to the size of her fiance’s penis, which it variously describes as his “magic wand”, his “redwood tree” and his “hard rock” (there is also a regrettable degree of punning on the word “cocky”). Of course, Swift is perfectly entitled to write about whatever she wants, TMI or not, but there’s no escaping the fact that comparing her partner’s knob to a magic wand constitutes weak writing from someone who made her name, at least in part, by being a sharper, wittier, more incisive lyricist than her peers.

In fairness, Wood is one clanging misstep on an album that isn’t terrible: it’s just nowhere near as good as it should be given Swift’s talents, and it leaves you wondering why. Perhaps romantic contentment simply writes whiter than vengeful post-breakup bitterness, or perhaps it wobbles your judgment. Perhaps it was rushed. Or perhaps its author was just exhausted, which would be entirely understandable. Even the immortal, it seems, sometimes need to take a break from pop’s constant churn and unceasing clamour for content.

[From The Guardian]

The fact that it’s not full of more revved-up songs is what surprised me, given the name of the album and Taylor’s return to working with Max Martin and Shellback. I was expecting upbeat pop bangers, and not… this. I also don’t understand Taylor’s need to churn out albums every year, especially when it certainly feels like she’s running out of good material. That’s the larger point though – Taylor’s in such rarefied air, she believes/knows that her fans will buy every single song, every album, every variant she sells, regardless of quality. Every artist makes dumb songs – very few artists release all of their dumb songs because they feel the need to churn out an annual album. I’m including some reactions below, and Taylor’s new IG post full of Showgirl pics.

Photos courtesy of Taylor Swift’s IG and screencaps courtesy of Magic FM.

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50 Cent Celebrates Taylor Swift Shoutout on 'Life of a Showgirl'
Music

50 Cent Celebrates Taylor Swift Shoutout on ‘Life of a Showgirl’

by jummy84
written by jummy84

“This is for big timers only!” the rapper wrote about the Swift name-drop

50 Cent is happy to get a little shout-out from Taylor Swift. On Friday, hours after Swift released The Life of a Showgirl, the rapper shared his excitement over the pop queen mentioning his name on “Ruin the Friendship,” Track Six on her new album.

“@taylorswift shit is popping right now, she shout me out, she don’t shout you out,” 50 Cent wrote on Instagram alongside the LP’s cover. “LOL THIS IS FOR BIG TIMERS ONLY!”

He added: “Wait I’m the only shout out on the whole album.”

On the song, Swift looks back on a teenage romance and the regret of not kissing someone despite knowing it would’ve been worth the risk. “And it was not an invitation/But as the 50 Cеnt song played/Should’ve kissed you anyway,” she sings on the track looking back at prom night. “And it was not convenient, no/Would’ve been the best mistake/Should’ve kissed you anyway, hey.”

While Swift has not explained the meaning or inspiration behind the song “Ruin the Friendship,” fans have speculated that the track is about Jeffrey Lang, whom Swift has spoken about being close to while they went to Hendersonville High School. Lang died at age 21 in November 2010.

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“Yesterday, I sang at the funeral of one of my best friends,” she said at the 2010 BMI Country Music Awards shortly after his death. “And he was 21, and I used to play my songs for him first. So I would like to thank Jeff Lang.”

50 Cent isn’t actually the only shout-out on the album, however. Elsewhere on the record, “Elizabeth Taylor” is titled after the glamorous Hollywood icon of the 1950s, Swift mentions Spanish soccer team Real Madrid on “Wi$h Li$t,” and the star seemingly dedicated an entire song to Charli XCX, titled “Actually Romantic.”

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Taylor Swift’s The Life of a Showgirl Is All Dressed Up with Nowhere to Go: Review
Music

Taylor Swift’s The Life of a Showgirl Is Skin Deep: Review

by jummy84
written by jummy84

Taylor Swift has all the neuroticism of the deeply self-disciplined. Like Michael Jordan, she dominates her peers, charms when she wants to charm, and mostly hides1 the kind of competitive streak that nice people swerve to avoid. Her greatest gifts are her self- and social awarenesses — knowing which parts of her rare personality almost everyone can relate to.

But Swift also clearly needs the studio, in a way that few people who reached this level of fame have ever needed anything you can legally acquire. Still only 35-years-old, The Life of a Showgirl is her 12th studio album and the fifth in a five-year-span. Post-engagement, post-record-setting tour, and with no plans to tour again any time soon, The Life of a Showgirl unfolds like a breathless vent to a friend, with alternating spurts of warmth, nostalgia, anxious searching, and teeth-baring sneers.

Despite the backup dancer aesthetic — somewhere between the old Ziegfield Follies and 1995’s Showgirls — the songs acutely center life as a superstar. One of the better tunes is “Elizabeth Taylor,” an earnest expression of love cheekily framed around the eight-time-married icon.

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“That view of Portofino was on my mind when you called me at the Plaza Athénée,” she begins, “Ooh-ooh, oftentimes it doesn’t feel so glamorous to be me.” These are not the troubles of underpaid dancers sprinting backstage to their next quick change, but that’s showbiz, baby. The dramatic keys and grooving bass line (courtesy of ageless hitmakers Max Martin and Shellback) drape the earworm in old-school, pre-TikTok glam.

Unsurprisingly, Swift’s thoughts keep swooning back to her fiancé, future NFL Hall of Famer Travis Kelce. “Opalite” and “Wi$h Li$t” recall her Lover era, one with anxiety and the other with satire, both building to a fine but forgettable hook. On “Wood,” she takes a swing-and-a-miss at the kind of dirty ditties Amy Allen has been penning for Sabrina Carpenter. “Forgive me, it sounds cocky,” she sings, practically panting. “He ah-matized me and opened my еyes/ Redwood tree, it ain’t hard to see/ His love was thе key that opened my thighs.” Lyric-lovers won’t be impressed by some of these single-entendres, but remember, she’s not touring this one, and “Wood” was surely a hit for its audience of one.

At other times, she channels the same, uh, underdog energy that Travis Kelce claimed in February 2023, when he said nobody believed in the Kansas City Chiefs after the dynasty won its second Super Bowl. On “CANCELLED!,” music’s biggest superstar aligns herself with slandered outcasts, and with “Actually Romantic,” she unleashes an avalanche of pent-up resentment.2 Nobody is more mainstream than Taylor Swift, and these days when she punches, she can only go down. But there’s no denying the energy she brings to these tracks.

“CANCELLED!” is a foot-stomper with playful lyrics that sound better than they read. “Did you girlboss too close to the sun?” is delivered tongue-in-cheek; it’s memorable in the way that “Hurry up with my damn croissants” landed with a boom. And whole data centers will be devoted to the discourse around “Actually Romantic,” a diss over a familiar chord progression3 allegedly aimed at Charli XCX.

I heard you call me “Boring Barbie” when the coke’s got you brave
High-fived my ex and then you said you’re glad he ghosted me
Wrote me a song sayin’ it makes you sick to see my face
Some people might be offended

This is not supposed to be worked out on the remix, it’s more of a “Euphoria” burning of a bridge. And while Swift is no stranger to the kiss-off diss, “Actually Romantic” feels more than a bit indebted to the honesty in those other artist’s tracks  — “Dear John” had nowhere near this much bite. Some people may not like this side of Swift, but as she’s quick to point out, she doesn’t care. With a sarcastic vocal slide for the subject’s cocaine use, she seems to ask, how could you be so undisciplined, why would any person spend time on that?

Her experiments in provocative lyrics bring mixed results. “Father Figure” is one of the occasional Swift songs with male narrators, and this time the intention is menacing. She sings to a young person, possibly herself, possibly from the perspective of the man who bought her masters, Scooter Braun: “I’ll be your father figure/ I drink that brown liquor/ I can make deals with the devil because my dick’s bigger.” Martin and Shellback’s oil-slick production doesn’t serve the anger in the song, and not all of the barbs land. But it’s nicely warmed by six years of smoldering rage.

The rest of the project could have used more of that spite, or anything else with a bit of an edge. “Elder Daughter” suffers from a lack of specificity. She sings how, “Every eldest daughter/ Was the first lamb to the slaughter/ So we all dressed up as wolves and we looked fire,” grandiose and vague at the same time. It’s more of a meme than a mood, and it’s followed by “Ruin the Friendship,” pretty and sad and forgettable. It’s easy to imagine some vinyl users skipping early to disc two.

Closer “The Life of a Showgirl” is a surprisingly limp summary, with lyrics following Kitty who “Made her money being pretty and witty/ They gave her the keys to this city/ Then they said she didn’t do it legitly, oh!”

It’s a disappointing “oh!,” and it highlights a persistent problem. Some of Swift’s previous producers might have pushed for vocal takes with real pain in them, but in Martin and Shellback’s neat arrangement, she almost swallows the word. For an album called The Life of a Showgirl, there aren’t too many theatrics.

The chorus  of the title track presents a bland mystery — “You don’t know the life of a show girl/ And you’re never, ever gonna” — but not much that would help us care. In the end, the project gets lost in its own metaphor, with Swift playing a showgirl who’s playing Swift playing a showgirl — while none of them have a thing to say. Despite some irresistible melodies, the album fades to an unremarkable end.

The Life of a Showgirl promises vulnerability and occasionally delivers. But Swift can’t quite commit to the bit. She’s too famous, too successful, too Taylor Swift to either disappear into the character or let us hear her own dark thoughts. Too often, it’s only skin deep.

1 Deceptively edited or not, the Kardashian recording of her conversation with Kanye West showed off her knowledge of her own numbers, as well as her willingness to use those numbers to club Ye whenever he said something condescending

2 In this narrow way it is a little reminiscent of a certain political figure, but everyone will get mad if I say which one

3 The song uses a I vi III IV progression familiar from Pixies’ “Where Is My Mind?” and a bunch of other songs. Max Martin and Shellback are known for hooks you can’t get out of your head, not originality.

4 If she’s the Jordan of stadium ticket sales, Lorde and Charli XCX give off a Shaq and Charles Barkley buddy vibe. They’re not quite friends, but they’re fun together.

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Taylor Swift Wore the Last Manicure We’d Expect for ‘Showgirl’ Release Day
Fashion

Taylor Swift Wore the Last Manicure We’d Expect for ‘Showgirl’ Release Day

by jummy84
written by jummy84

Still, something about this manicure feels very…un-Taylor? As a longtime Swiftie, I can’t recall ever seeing her in classic French tips before—and definitely never in this thick, high-contrast, early-aughts style. Granted, this is the first time that she’s taken her ring on a media circuit, so from a color standpoint, it makes sense that she’d want to give her new hardware the spotlight. And with the gaudy Showgirl era and her real-life fiancée era happening simultaneously, Swift seems to be keeping us on our toes.

In another appearance on UK radio show Heart Breakfast, Swift shared the full story of her engagement ring. According to Swift, she mentioned jewelry designer Kindred Lubeck to Kelce a full year-and-a-half before their engagement. “When I saw the ring, I was like, ‘I know who made that!’” She said. “I didn’t know what I would want, but he did, somehow.”

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bitchy | Is Taylor Swift’s ‘Actually Romantic’ about Charli XCX’s ‘Sympathy Is a Knife’?
Celebrity News

bitchy | Is Taylor Swift’s ‘Actually Romantic’ about Charli XCX’s ‘Sympathy Is a Knife’?

by jummy84
written by jummy84

Just like The Tortured Poets Department, Taylor Swift’s The Life of a Showgirl leaked online a few days before the album’s official release. People quickly became focused on one particular song, “Actually Romantic.” The first lines of the song: “I heard you call me “Boring Barbie”/when the coke’s got you brave/High-fived my ex and then you said you’re glad he ghosted me/Wrote me a song saying it makes you sick to see my face/Some people might be offended/But it’s actually sweet/All the time you’ve spent on me/It’s honestly wild/All the effort you’ve put in/It’s actually romantic.”

The backstory: Taylor used to date Matt Healy, the lead singer of The 1975. Charli XCX dated and is now married to George Daniel, drummer of The 1975. Charli and Taylor were around each other briefly because of that. Charli referenced that in the song “Sympathy Is a Knife” on her album Brat, which came out last year. The lyrics to “SIAK” include: “I don’t wanna share this space/I don’t wanna force a smile/This one girl taps my insecurities/Don’t know if it’s real or if I’m spiraling” and “’Cause I couldn’t even be her if I tried/I’m opposite, I’m on the other side.”

Charli’s song is about her own insecurities, and comparing herself unfavorably to Taylor. Charli’s message last year was very clear, and she even spelled it out in interviews and social media, that most of Brat was about not feeling good enough, comparing herself to other pop stars, and feeling societal pressure to both compete with other pop girls and be besties with other pop girls. And Taylor took that as a diss track and called Charli a cokehead. Is it possible that Taylor just… didn’t understand “SIAK”? Possibly. Is it also possible that Charli and Taylor had beef beyond “SIAK,” beef about Matt Healy? Probably. Charli is close to Healy’s fiancee, and I could absolutely see how Taylor is in her feelings about the Matt Healy of it all.

Incidentally, last year, Lorde understood the assignment. Lorde heard Charli’s “girl, so confusing” and she didn’t take it as a diss track or anything. Lorde immediately hopped on the remix, and it turned into the best song to come out of the Brat Era, with both Charli and Lorde owning their own insecurities and Lorde telling Charli that of course she still rides for her.

Updated to add Taylor’s new explanation for “Actually Romantic,” which is bonkers. Taylor really operates as if every single personshe encounters is obsessed with her.

Photos courtesy of Avalon Red, cover courtesy of TS.

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Who Is Taylor Swift's ‘Ruin the Friendship’ About? The Lyrics, Explained
Fashion

Who Is Taylor Swift’s ‘Ruin the Friendship’ About? The Lyrics, Explained

by jummy84
written by jummy84

Swifties also believe “Forever Winter,” in which she expresses concern for a close friend’s well-being, is about Lang.

Listen to “Ruin the Friendship” below:

Taylor Swift’s “Ruin the Friendship” lyrics in full

1st verse

Glistening grass from September rain
Grey overpass full of neon names
You drive (Mm-mm), eighty-five (Mm-mm)
Gallatin Road and the Lakeside Beach
Watching the game from your brother’s Jeep
Your smile (Mm-mm), miles wide

Chorus

And it was not an invitation
Should’ve kissed you anyway
Should’ve kissed you anyway
And it was not convenient, no
But your girlfriend was away
Should’ve kissed you anyway, hey

2nd verse

Shiny wood floors underneath my feet
Disco ball makes everything look cheap
Have fun (Mm-mm), it’s prom (Mm-mm)
Wilted corsage dangles from my wrist
Over his shoulder, I catch a glimpsе
And see (Mm-mm) you lookin’ at me

Chorus

And it was not an invitation
But as the 50 Cent song playеd (Song played)
Should’ve kissed you anyway (Anyway)
And it was not (It was not) convenient (Convenient), no
Would’ve been the best mistake
Should’ve kissed you anyway, hey

Refrain

Don’t make it awkward in second period
Might piss your ex off, lately we’ve been good
Staying friends is safe, doesn’t mean you should
Don’t make it awkward in second period
Might piss your ex off, lately we’ve been good
Staying friends is safe, doesn’t mean you should

Bridge

When I left school, I lost track of you
Abigail called me with the bad news
Goodbye, and we’ll never know why
It was not an invitation
But I flew home anyway
With so much left to say
It was not convenient, no
But I whispered at the grave
“Should’ve kissed you anyway”

Chorus

Oh, and it was not (It was not) an invitation (An invitation)
Should’ve kissed you anyway (Anyway)
Should’ve kissed you anyway (Anyway), anyway

Post-chorus

And it was not—
My advice is to always ruin the friendship
Better that than regret it for all time
Should’ve kissed you anyway
And my advice is to always answer the question
Better that than to ask it all your life
Should’ve kissed you anyway
Should’ve kissed you anyway

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Must Read: 'Vogue' Shifts to 8 Issues a Year, Bob Mackie Talks Taylor Swift Wearing His Showgirl Design
Fashion

Must Read: 'Vogue' Shifts to 8 Issues a Year, Bob Mackie Talks Taylor Swift Wearing His Showgirl Design

by jummy84
written by jummy84


These are the stories making headlines in fashion on Friday. Starting in 2026, Vogue will shift from a monthly print cadence to eight issues per year in the U.S., timed to significant moments like spring and fall fashion, the Met Gala and Vogue World. The issues will be bigger than they currently …

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New Music Friday October 3: Taylor Swift's The Life of a Showgirl
Hollywood

New Music Friday October 3: Taylor Swift’s The Life of a Showgirl

by jummy84
written by jummy84

Happy New Music Friday! The weekend is here, which means Taylor Swift’s 12th studio album, The Life of a Showgirl, is finally here and ET has got it covered!

Taylor shared a series of behind the scenes photos when the album dropped and shared, “Tonight all these lives converge here. The mosaics of laughter and cocktails of tears where fraternal souls sing identical things and it’s beautiful. It’s rapturous. It is frightening. I can’t tell you how proud I am to share this with you, an album that just feels so right. A forever thank you goes out to my mentors and friends Max and Shellback for helping me paint this self portrait. If you thought the big show was wild, perhaps you should come and take a look behind the curtain…”

Taylor Swift

Earlier this week, Taylor celebrated good news with RIAA announcing that Taylor has become the first and only female artist in history to surpass 100 million RIAA Certified album units.

Also this week, Spotify celebrated Taylor’s new album by inviting fans into a 3-day immersive activation, “The Life of a Showgirl: A Spotify Experience,” in New York City ahead of the release. Fans were able to step into the life of a showgirl, capture photo moments, hunt for Easter eggs, and also got a first look at lyrics from the album. Today, Spotify announced Taylor’s album became its most streamed album in a single day in 2025 so far.

Spotify

Swifties will be celebrating Taylor’s new album this weekend with the release of TAYLOR SWIFT | THE OFFICIAL RELEASE PARTY OF A SHOWGIRL, which will be shown on thousands of movie theatre screens in the U.S. October 3 through October 5. Fans will see the exclusive world premiere of the music video for “The Fate of Ophelia,” along with behind the scenes footage from the music video shoot, brand new lyric videos, and Taylor’s never before seen personal reflections on songs from her new album. Get ready to dance as Taylor said, “Dancing is optional but very much encouraged.”

And we can’t forget about all the different vinyl editions. Taylor shared that she was so happy with her photo shoot and wanted her fans to have as many images from this album era. She chose a high gloss finish which she has never before and wanted this album to feel really luxurious. Taylor said, “The vinyl packaging, the CD packaging, the photographs, the photo cards, it’s all just something I’m very proud of and it took a lot of time to put together, a lot of concentration, a lot of organization but hopefully it pays off, I hope the fans are happy.”

For her 12th album, Taylor reunited with producers Max Martin and Shellback and delivered twelve “bangers” as she called them during her “New Heights” appearance in August. She shared, “This is the record I’ve been wanting to make for a very long time.” Now, let’s break down some of our favorite lyrics!

“The Fate of Ophelia”
Taylor references Ophelia from Shakespeare’s “Hamlet” but instead of a tragic fate, she was saved. She told Hit Radio that she has a fixation on Shakespeare characters and that this is a love song she is proud of. Travis also dropped an Easter egg from his post back in July when he wrote “Had some adventures this offseason, kept it 100.”

And if you’d never come for me
I might’ve drowned in the melancholy
I sore my loyal to me, myself and I
Right before you lit my sky up

You dug me out of my grave and saved my heart from the fate of Ophelia
Keep it 100 on the land, the sea, the sky

“Elizabeth Taylor”
Oftentimes it doesn’t feel so glamorous to be me
All the right guys promised they’d stay
Under bright lights, they withered away but you bloom
Portofino was on my mind
And I think you know why

“Opalite”
Travis shared on “New Heights” that this is his favorite song on the album which Taylor confirmed during her Capital Breakfast interview. She explained that opal is Travis’ birth stone and she has always loved that stone. She told Hits Radio that this song was so fun to write and how we think certain moments in our lives are major setbacks but actually catapult you forward in growth, wisdom and perspective.

I had a bad habit of missing lovers past
My brother used to call it eating out of the trash

It’s alright
You were dancing through the lightning strikes
Sleepless in the onyx night
But now the sky is opalite
Oh oh oh oh my Lord
Never met no one like you before
You had to make your own sunshine
But now the sky is opalite

“Father Figure”
Taylor interpolated George Michael’s “Father Figure” into her song. George Michael Entertainment thanked Taylor for including George in such a special moment. During her BBC Radio 1 interview, Taylor said this song was fun to write and is proud of the line I can make deals with the devil because my d*ck’s bigger and she also told Magic Radio that she wrote this song in character.

“Eldest Daughter”
But I’m never gonna let you down
I’m never gonna leave you out
So many traitors, smooth operators
But I’m never gonna break that vow
I’m never gonna leave you now

“Ruin The Friendship”
This is not about a broken friendship but about a loved one she lost in high school. She shares regret for not pursuing her friend at the time.

Would’ve been the best mistake
Should’ve kissed you anyway

When I left school, I lost track of you
Abigail called me with the bad news
Goodbye and we’ll never know why

“Actually Romantic”
Wrote me a song saying it makes you sick to see my face
Some people might be offended
But it’s actually sweet all the time you’ve spent on me
It’s honestly wild all the effort you’ve put int
It’s actually romantic

“Wi$h Li$t”
Taylor confirmed this might be her favorite song! She told Heart Breakfast that this was the last song she made for the album — it is a dreamy and romantic song and details things people aspire to have in their lives and she shares what she would want like wanting to settle down and start a family! When asked if she thinks she achieved the line bring me a best friend who I think is hot, Taylor said “100%! Look what I got!” and held up her engagement ring to the hosts.
I made wishes on all the stars, God please bring me a best friend who I think is hot. Thought I had it once, twice, but I did not. 

I just want you
Have a couple kids, got the whole block lookin’ like you

Got me dreamin’ ’bout a driveway with a basketball hoop
Boss up, settle down, got a wish list
I just want you

“Wood”
All of that bitchin’ wishing on a falling star
Never did me any good
I ain’t got to knock on wood
It’s you and me forever dancin’ in the dark
All over me, it’s understood
I ain’t got to knock on wood

Forgive me, it sounds cocky
He ah-matized me and opened my eyes
Redwood tree, it ain’t hard to see
His love was the key that opened my thighs

“CANCELLED!”
Good thing I like my friends cancelled
I like them cloaked in Gucci and in scandal
Like my whiskey sour and poison thorny flowers
Welcome to my underworld where it gets quite dark
At least you know exactly who your friends are
They’re the ones with matching scars

“Honey”
You can call me honey if you want because I’m the one you want
You give it different meaning because you mean it when you talk

“The Life of a Showgirl” featuring Sabrina Carpenter
Taylor opened about this song during her Magic Radio interview about how the song is about meeting one of your idols who warns you against following in their footsteps because they want to be honest of how hard this industry is, but you do it anyway. She also opened up about how she was physically exhausted during the Eras Tour and needed to be emotionally and mentally stimulated, which led her to start writing this new album.

I’d sell my soul to have a taste of a magnificent life
That’s all mine but that’s not what showgirls get, they leave us for dead

The Life of a Showgirl – Taylor Swift
Stream it now: Apple / Spotify

 

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Elizabeth Taylor Docuseries From Kim Kardashian Set at Fox Nation
TV & Streaming

Elizabeth Taylor Docuseries From Kim Kardashian Set at Fox Nation

by jummy84
written by jummy84

A docuseries about actor Elizabeth Taylor, produced by Kim Kardashian, has been acquired by Fox News’ streaming service, Fox Nation.

Titled “Elizabeth Taylor: Rebel Superstar,” the three-part docuseries — produced by Kardashian with Passion Pictures and distributed internationally by Fremantle — will make its U.S. debut on Fox Nation on Oct. 6.

Per Fox Nation, “‘Elizabeth Taylor: Rebel Superstar’ delivers an intimate look inside the life of one of the most iconic women of the twentieth century, peeling back the glamour to uncover the force of nature behind the fame. Each episode explores how Taylor shattered Hollywood’s glass ceiling, built a billion-dollar business empire, and transformed celebrity activism through her pioneering work in the fight against HIV/AIDS.”

The project includes the first-ever filmed interview with Taylor’s son, Chris Wilding, as well as interviews with Joan Collins, Sharon Stone, Paris Jackson and Kardashian, who conducted Taylor’s final interview before her death in March 2011.

Here are the official synopses for the docuseries’ three episodes:

Episode 1:

The series kicks off following Taylor’s meteoric ascent during Hollywood’s Golden Age. Through unheard recordings and new perspectives, Kardashian and those closest to her share rare archival material and first-hand accounts. 

Episode 2:

Taylor’s turbulent private life collides with her public persona, culminating in the scandal of the century. From grief over the loss of her husband to her affair with Eddie Fisher, the episode explores how Taylor became both vilified and adored. 

Episode 3:

From her seventh marriage to Senator John Warner to her groundbreaking activism in the fight against HIV/AIDS, Taylor redefined what it meant to be a star with purpose, even as she battled personal demons and public scrutiny. 

Taylor’s pop-culture relevance has persisted long after her passing at the age of 79: News of Kardashian’s docuseries being acquired at Fox Nation comes on the same day Taylor Swift released her new album, “The Life of a Showgirl,” which features a track titled “Elizabeth Taylor.”

Watch the trailer for the Taylor docuseries “Elizabeth Taylor: Rebel Superstar” in the video below.

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Taylor Swift on Bachelorette Plans for Travis Kelce Wedding
Celebrity News

Taylor Swift on Bachelorette Plans for Travis Kelce Wedding

by jummy84
written by jummy84

The opening song on Taylor Swift‘s The Life of a Showgirl references the character Ophelia from William Shakespeare‘s Hamlet, who faces a tragic fate.

According to the song’s lyrics, Taylor “might’ve drowned in the melancholy” if she hadn’t been saved by her true love.

“I heard you calling / On the megaphone,” Taylor sings. “You wanna see me all alone.”

The lyrics appear to be a nod to Travis Kelce calling Taylor out on his New Heights podcast for not meeting him at her Eras Tour, which is how their romance began. 

“I swore loyalty to me, myself and I,” the lyrics continue. “Right before you lit my sky up.”

Before meeting Travis, Taylor was fresh off a breakup from Matty Healy, having declared herself one of the “independent girlies” in July 2023. 

But after Travis went to her concert in Kansas City that same month, sparks began to fly.

Now, Taylor’s fiancé is even in on her Easter egg game, teasing “The Fate of Ophelia” lyrics on Instagram back in July. (Had some adventures this offseason,” he captioned pics with Taylor, adding, “Kept it [100].”)

How does that connect to Taylor’s song? Well, as the lyrics go, “You dug me out of my grave and saved my heart from the fate of Ophelia / Keep it one hundred.”

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