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Jennifer Lawrence Taps a Katie Holmes-Approved Label
Fashion

Jennifer Lawrence Taps a Katie Holmes-Approved Label

by jummy84 November 3, 2025
written by jummy84

Fforme has found fans in a particular strain of New York cool girl celebrities, like Katie Holmes and Allison Williams, as well as Hannah Einbinder and Alexandra Daddario. The star dress, so far, has been the Mila bias cut sleeve dress from the fall 2025 collection, which Holmes wore in a brilliant shade of strawberry red, and Einbinder in a sumptuous royal blue.

Photo: Getty Images

Allison Williams Celebrity Sightings In New York City  October 23 2025

Photo: Getty Images

Alexandra Daddario attends the I Wish You All the Best New York premiere at iPic Theater

Photo: Getty Images

Hannah Einbinder 36th Annual GLAAD Media Awards  Arrivals

Photo: Getty Images

Now in the full flow of the “Die My Love” press tour, Lawrence often leans on her Dior ambassadorship for her red carpet and promotional appearances. But of recent, and in cahoots with her stylist, Jamie Mizrahi, Lawrence has cast a wide sartorial net: at the San Sebastian Film Festival in late September, she doubled up on Phoebe Philo, wearing an oversized black T-shirt with a dramatic train and, later, an asymmetrical tobacco melange dress. Then, for the 2025 BFI London Film Festival, she zhuzhed up a vintage black Armani Privé halter dress with her sculptural Glenn Spiro torque necklace. It was only at the 2025 Rome Film Festival that she made her debut in Jonathan Anderson’s Dior womenswear spring 2026 debut: wearing look 56, the actor hit the carpet in a dusty gray-brown pullover with black cuffs and a matching V-neck collar draped over her shoulders, with a gauzy white polka-dot skirt with a black ribbon separating its bubbled tiers.

Whether swathed in The Row, Fforme, or J.W.’s Dior vision, the Jennifer Lawrence book of style stays elegant.

November 3, 2025 0 comments
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Thinness is back on catwalks -- and the data proves it
Lifestyle

Hermes taps British designer to lead its menswear line

by jummy84 October 21, 2025
written by jummy84

French luxury company Hermes on Tuesday announced that a British designer, Grace Wales Bonner, is taking over its men’s pret-a-porter collection from a predecessor who held the position for nearly four decades.

Hermes taps British designer to lead its menswear line

Wales Bonner, aged in her mid-30s and a graduate of London’s prestigious Central Saint Martins art school, said in a Hermes statement she was overjoyed to be joining “such a magical house”, and called it “a dream”.

Her first collection is due to hit the catwalk in January 2027.

Wales Bonner takes over from French designer Veronique Nichanian, 71, who led the label’s menswear line for the past 37 years.

Hermes on Friday announced Nichanian’s departure, after she presents her last men’s collection in January, for the 2026-2027 Autumn-Winter shows in Paris.

The new blood at Hermes is just the latest in a series of artistic changes at the big fashion houses, notably at Chanel, Dior, Balenciaga, Loewe and Jean Paul Gaultier.

The luxury sector is currently going through a challenging period for sales globally that is impacting many companies, but Hermes has been well-protected from the buffeting.

Its sales have continued to increase, and its turnover grew more than seven percent in the first half of this year, to eight billion euros .

Wales Bonner, the daughter of an English mother and a Jamaican father, has picked up a string of awards for her innovative approach to menswear blending European tailoring and African influences.

In the past, and under her own label, she has explored themes of identity and post-colonial heritage.

In a 2019 interview with The Guardian, Wales Bonner said “I wasn’t sure if I wanted to be a historian or an artist”.

Hermes’s artistic director Pierre-Alexis Dumas welcomed her, saying “her contemporary view of the world, of crafting and of culture, will continue to guide the men’s pret-a-porter collection”.

mdv-jri/jmo/rmb/phz

Hermès International

Christian Dior

Balenciaga

LOEWE

This article was generated from an automated news agency feed without modifications to text.

October 21, 2025 0 comments
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Sammy Hagar Taps Belinda Carlisle, Jerry Cantrell for Birthday Shows
Music

Sammy Hagar Taps Belinda Carlisle, Jerry Cantrell for Birthday Shows

by jummy84 October 14, 2025
written by jummy84

Carlisle also sang her solo hit “Heaven Is a Place on Earth” and Jerry Cantrell played guitar on Alice in Chains’ “Man in the Box” at one of the Red Rocker’s birthday-bash shows in Mexico

Sammy Hagar has spent the past week gearing up to celebrate his 78th birthday with a bunch of shows at his Cabo Wabo resort in Cabo San Lucas, Mexico. He’s been joined by guests galore over the course of the shows, including a surprise appearance from Belinda Carlisle, who popped by Saturday night’s gig, Oct. 11, to perform two of her biggest songs.

First, Carlisle bounded onstage to join Hagar for a lively rendition of the Go-Go’s 1980 classic, “We Got the Beat.” Carlisle then delivered her 1987 solo hit, “Heaven Is a Place on Earth,” with guitarist Steve Salas and the rest of Hagar’s backing band lending the shimmering power-pop gem a crunchier, hard rock edge. 

Along with Carlisle, Hagar’s ongoing birthday bash has featured appearances from guests like Anthrax vocalist Joey Belladonna, Van Halen bassist Michael Anthony, and Bon Jovi guitarist Phil X. Jerry Cantrell has also been a recurring guest, playing guitar on various tracks, including several Alice in Chains classics like “Rooster,” “Would?”, and “Man in the Box.” 

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Cantrell has also guested on renditions of Van Halen’s “Ain’t Talkin’ ‘Bout Love,” and a cover of the Beastie Boys’ “(You Gotta) Fight for Your Right (To Party!)” (per Setlist.fm). 

Hagar turns 78 today, Oct. 13, and he’s set to celebrate with the fourth and final show of his birthday bash. He has one more gig scheduled for 2025, a solo show Fontana Youth Music Foundation’s inaugural gala in Fontana, California. But next year the Red Rocker will return to Las Vegas for his Best of All Worlds residency at Dolby Live at Park MGM, with shows scheduled in March and September.

October 14, 2025 0 comments
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Australia Taps 'Wolves Always Come at Night' for Oscar Race
TV & Streaming

Australia Taps ‘Wolves Always Come at Night’ for Oscar Race

by jummy84 September 24, 2025
written by jummy84

Australia has chosen Gabrielle Brady‘s climate-focused drama “The Wolves Always Come at Night” as its contender for the best international feature film category at the 2026 Oscars.

The Mongolian-language film, which combines documentary filmmaking techniques with narrative storytelling, centers on herders forced from their land by increasingly destructive weather patterns. Real-life herders Davaasuren Dagvasuren and Otgonzaya Dashzeveg star in the film while also serving as co-writers alongside Brady.

Australian selection committee members unanimously backed the choice, with a spokesperson noting: “The Australian selection committee are unanimous in their recommendation and extremely pleased to put forward ‘The Wolves Always Come at Night’ as Australia’s official submission to the Academy Awards. A striking and original portrait of a family deeply affected by climate change and its devastating effects on their traditional way of life, cultural values and homeland. A significant and brilliantly crafted feature film that everyone in the committee regarded as requisite cinema viewing.”

Brady’s sophomore feature following “Island of the Hungry Ghosts” has built considerable momentum on the festival circuit since its Toronto Film Festival debut in the Platform Competition. The film subsequently screened at several international festivals including London, Zurich, IDFA, San Francisco International, True/False, and Sydney.

The filmmaker said: “My hope is that our film brings audiences closely into the lives of Davaa and Zaya, who face the sudden upheaval of climate displacement, but who also find ways to resist in the face of irreversible change. As our world confronts the growing reality of climate migration, sharing this story on a global stage fills me and our whole team with immense hope and pride.”

The film’s subjects added: “We are very proud that the film has been selected in this way. We hope this will lead to more people to understand the great changes happening in our pastures and landscapes now – with global warming deeply affecting us, and so many others around the world.”

The production represents an unusual three-way international collaboration between Germany, Australia, and Mongolia – reportedly the first of its kind. Rita Walsh (“The Assistant,” “Buoyancy”) produced alongside Chromosom Film’s Julia Niethammer and Guru Media’s Ariunaa Tserenpil.

Screen Australia provided the primary production funding, supplemented by private investment from WeirAnderson Films and Storming Donkey Productions. Additional support came from broadcasters BBC Storyville and SWR Arte, plus distributor Madman Films. Cinephil is handling international sales.

The producing team said: “Our beautiful international collaboration was a deeply important and enriching experience for all of us. Now, being selected by the Australian committee is a hugely special moment for our film team from Australia, but also for all of our team in Mongolia, Germany, Colombia, the U.K., and the U.S. It is such an honor to compete alongside so many other outstanding films.”

The selection continues Australia’s nearly three-decade participation in the international feature category, dating back to 1996. Previous Australian submissions have included indigenous-language films “Ten Canoes” (2006), the shortlisted “Samson and Delilah” (2009), “The Rocket” (2013), and Oscar-nominated “Tanna” (2016).

Brady’s film will also compete in the documentary feature category.

The Oscar international feature shortlist will be announced on Dec. 16 and the final five nominees will be announced on Jan. 22.

September 24, 2025 0 comments
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Must Read: Christian Louboutin Men's Names Jaden Smith as Creative Director, Gap Inc. Taps Industry Veterans for Beauty and Accessories Push
Fashion

Must Read: Christian Louboutin Men's Names Jaden Smith as Creative Director, Gap Inc. Taps Industry Veterans for Beauty and Accessories Push

by jummy84 September 18, 2025
written by jummy84


These are the stories making headlines in fashion on Wednesday. Christian Louboutin named Jaden Smith as the label’s first men’s creative director. Smith is moving to Paris to assume the role, and will present his first designs in January during men’s fashion week. He will oversee the creation …

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September 18, 2025 0 comments
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Spinal Tap's "Cups and Cakes" with Paul McCartney Is Our Song of the Week
Music

Spinal Tap’s “Cups and Cakes” with Paul McCartney Is Our Song of the Week

by jummy84 September 13, 2025
written by jummy84

Each week, our Songs of the Week column highlights the best new tracks from the last seven days. This week, we’re celebrating the newly-released Spinal Tap II and its Paul McCartney-featuring rework of “Cups and Cakes.”


Much like their new movie Spinal Tap II: The End Continues, the new album from the greatest fictional rock band of all time draws a lot on the past as well as the future. There are multiple original tracks on The End Continues, but also featured are a few covers of Spinal Tap classics, including Elton John on “(Listen to the) Flower People” and the previously released “Stonehenge,” as well as Paul McCartney leading a new version of “Cups and Cakes” that brings with it a delightful meta element.

“Cups and Cakes” was originally released on the 1984 mockumentary’s soundtrack (though never heard in the film), and in a 2009 interview with The AV Club, Spinal Tap star Michael McKean admitted to being “a little sentimental” about it, referring to the song as “kind of like their string-laden ‘Eleanor Rigby’ sound.” So what could be better than having a gosh-darn Beatle guest on it?

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The album version is, naturally, much more produced than the rendition heard in the movie, which features McCartney sitting in on a jam session with the band as they squabble over chords. In both cases, though, it’s genuinely delightful to witness one of rock’s great legends engaging with Spinal Tap as if they are the rock legends that… Well, maybe technically, they are. They did just release a new album, after all, their fourth studio album to date, and are still playing together after literal decades. Not so many bands can say the same.

Perhaps part of that longevity is thanks to the band not being too precious about sticking to any specific genre or format: In that AV Club interview, McKean did note that “Cups and Cakes” is “certainly not textbook Spinal Tap,” but it does represent the lads playing around while maybe lightly parodying The Kinks, with all the goofy instrumental flourishes you could ever ask for. It speaks to a massive part of the sequel film’s charm — the way it showcases how McKean, Harry Shearer, and Christopher Guest are still finding the joy in making music together, after these years. (Also, after listening to it more than a few times… I’m now craving a traditional British teatime.)

— Liz Shannon Miller
Senior Entertainment Editor


dust — “Alastair”

Australian rock quintet dust have a gem with “Alastair,” their new song and the latest from their upcoming debut album Sky Is Falling (out 10/10). It starts off in dreamland with crystalline guitars, a winding bass line, and a beach pop feel. They reach their stride in the chorus, oscillating between a more driven approach and a resigned haze. Then, the band collapses into a fraught, fuzzy groove for the outro, the drums escalating in energy while co-vocalist Justin Teale squeezes in one last verse. Even in their sweetest modes, dust have no problem complicating their sound to keep us on our toes. Looking for another great rock band with a saxophonist? They’re right here. — Paolo Ragusa

Rachel Bobbitt — “Hush”

Rachel Bobbitt has shared “Hush,” the latest offering from her upcoming debut album Swimming Towards the Sand (out 10/17). Keeping with the album’s oceanic theme, “Hush” is a buoyant, tender dream pop cut, the wading of waters symbolized by the ebb and flow of Bobbitt’s melodies. Most stark is the chorus, where Bobbitt is surrounded by thick harmonies, too sour for serenity but full enough to elicit powerful emotions. When she enters a full-voiced belt, like when she sings “Eye to eye,” she sounds like no one else. — P. Ragusa

Rapsody, Madlib — “Avon Thru the Wire”

Rapsody has always been in a league of her own. On “Avon Thru the Wire,” a textured, soulful track of pensiveness inspired by the character Avon Barksdale from the revered HBO series The Wire, Rapsody manipulates her voice to tell an evocative story of multiple characters. Opening with a pitched-down vocal, Rapsody takes on the role of a hustler contemplating the consequences of getting caught up in the street life, and expressing appreciation for a longtime friend who reserved judgment. The North Carolina rapper blends the deepened voice with her own natural tone, weaving a narrative of personal reflection and emphasizing the importance of support among people of different trajectories. “It’s for you to believe, it’s for you to achieve/ It’s still time for you/ For your life, I never grieved,” Rapsody spits near the end. Not unlike The Wire itself, Rapsody uses this song to stress the importance of seeing flawed individuals as humans in need of compassion and grace. — Kiana Fitzgerald

Ragana, Drowse — “In Eternal Woods Pts. 2-3”

Labelmates and fellow gloomy music makers Ragana and Drowse have officially joined forces for a full-length project. Their collaborative album, Ash Souvenir, drops November 14th on The Flenser, and judging by the lead single, avant-metal heads are in for a treat. Enticingly titled “In Eternal Woods Pts. 2-3,” the track is crushing, heavy, and incredibly emotive. There are hints of black metal in the tremolo guitars and the guttural screams of the lead vocals, while the back half offers brief glimpses of Drowse’s more atmospheric, slow-core tendencies. All the while, lyrics dealing with loss, love, and sacred places match the instrumental’s epic scope. — Jonah Krueger

Rochelle Jordan — “Sweet Sensation”

Rochelle Jordan is mounting her comeback. The British-Canadian singer-songwriter has been teasing her upcoming album, Through the Wall, since this spring. Her latest offering, “Sweet Sensation,” is yet another instance of Jordan firing a flare gun into the night sky, signaling her highly anticipated return. She hasn’t released an original album since 2021’s Play With the Changes, and prior to that, her breakthrough album 1021 was released in 2014.

Jordan may be sparing in her musical output, but every time she chooses to let us into her creative world, we learn more about what drives her. “Sweet Sensation” feels like an homage to Evelyn “Champagne” King, Cherrelle, and other R&B divas of the ’80s. With West Coast legend DāM-FunK and Jordan’s longtime creative director and executive producer KLSH behind the boards, the song is carried by a rugged bass line, twinkling production, and Jordan’s airy, sensual vocals. Settling squarely in the space of disco-inflected pop&B, “Sweet Sensation” sounds like a summer vibe, despite its near-fall release date. Not to worry: Just play this on repeat for the next 9 months. — K. Fitzgerald

TiaCorine — “Backyard” featuring JID

When TiaCorine released her viral single “FreakyT” in 2022, she put us all on alert and let us know what to expect. On that song, we learned the North Carolina rapper is a grown-ass woman who’s not afraid to talk about her wants and desires. TiaCorine keeps that exact same energy on the JID-assisted “Backyard,” the latest single dropped ahead of her forthcoming album CORINIAN. Over propulsive production that features thrumming bass and a looped soulful interjection, TiaCorine pops her shit about her preferences and capabilities in the bedroom. JID understands the assignment, contributing lyrics like “I stand up in this bih, I’m like the governor in Atlanta/ Put a planet on my wrist, she made a puddle in the passenger.” While the song largely caters to carnal impulses, both artists still find the time to establish themselves as sought-after MCs who can spit amongst the best in their field.  — K. Fitzgerald

September 13, 2025 0 comments
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Kali Uchis Taps Ravyn Lenae for Emotive Single 'Cry About It!'
Music

Kali Uchis Taps Ravyn Lenae for Emotive Single ‘Cry About It!’

by jummy84 September 11, 2025
written by jummy84

The emotive song will appear on Uchis’ Sincerely: P.S. deluxe album

Kali Uchis has shared a new single, “Cry About It!” featuring Ravyn Lenae. The track heralds Uchis’ upcoming Sincerely: P.S. deluxe album, out Sept. 26 via Capitol Records.

The doo-wop-inspired ballad sees Uchis crooning, “Too bad, so sad, you should cry about it/ Llora, llora, hasta que ya te deje de doler/ Too bad, so sad, go cry about it.” Lenae adds her vocals to the chorus. The duo appeared on The Tonight Show to showcase the single live shortly before dropping the track.

Sincerely: P.S. is a follow-up to Uchis’ most recent LP, Sincerely, which dropped in May. The singer announced Sincerely in March with a witchy video she dropped on social media as well as letter she e-mailed to her fans.

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“I know I’ve been distant, but we’ll each other again sooner than you think,” she promised. In the letter she explained that she would now be signed to Capitol Records following their merger with Interscope. She added that she is still working with the same team behind her last two albums, Red Moon in Venus and Orquídeas. “Thank you all for the well-intentioned wishes on this journey, and thank you to my team,” she said in the letter. “I have boundless gratitude for my silent ascent throughout the years and am very much looking forward to what’s next.”

Uchis recently kicked off her first headlining arena tour. The tour marks Uchis’ biggest to date, traversing 24 cities and stopping at major venues like the Kia Forum in Inglewood, California, and Madison Square Garden in New York. It is set to wrap up in late September in in Los Angeles. The trek features Thee Sacred Souls, the 11-piece soul band from San Diego, joining the singer across all dates.

September 11, 2025 0 comments
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Ghostface Killah Taps Into the Power of Imagination
Music

Ghostface Killah Taps Into the Power of Imagination

by jummy84 August 26, 2025
written by jummy84

Last year, Ghostface Killah told Rolling Stone that he was disappointed by the rap landscape, lamenting, “A lot of stuff be regular darts.” He added, “I don’t hear niggas doing storytelling no more.” His thoughts went viral, even becoming the catalyst for an additional conversation with Stephen A. Smith. While bemoaning a “lack of substance,” he declared, “We’re the type of niggas that can rhyme about an eyeball falling out your face, and having the police pick it up and put it in a plastic bag.”

He said “we,” but it feels like only Ghost would concoct that scenario — off the cuff, at that. Ghost has long been a rap surrealist, imbuing one of hip-hop’s most no-nonsense scenes, gritty New York rap, with a streak of vibrance and borderline whimsy. Only someone still in touch with their inner child could rap about a pimpin’ version of SpongeBob Squarepants like he did on “Underwater,” from his 2006 album Fishscale.  

Supreme Clientele 2 rides the energy of his impassioned call for more creativity. He’s attempting to lead by example on a project with song concepts, skits, and lyrical highs reflecting someone that still loves making rap music. To be clear, Supreme Clientele 2 isn’t the masterpiece that the original 2000 album is. But there are plenty of credible rap fans who will argue you down that no other album is as good as Ghost’s id opus. This project, like his Wu-Brethren Raekwon’s Only Built 4 Cuban Linx 2, proposes that it doesn’t make sense to rate a sequel in terms of whether it’s as good as its decades-old precursor as much as how successfully the original concept was done justice. 

A million rappers have rhymed about being raided by the feds like he did on “Iron Man.” But few would follow that up with this visual: “I threw my raps in thе fireplace, then right out of the smoke rose a dead man/He had big chains, sick frame, sick flames/Even had a white glove with him, thought he was Rick James.” At his best, Ghost straps listeners in on an 80 mile per hour rollercoaster featuring locked-in co-stars like M.O.P. (“Sample 420”) and Nas (“Love Me Anymore”), and cinematic details like putting kids in a bathroom and distracting them with Cheetos before a gunfight, as he does on the crime caper “Georgy Porgy.” 

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On “4th Disciple,” he evokes his classic verse on Wu-Tang Forever’s “Impossible,” while depicting himself trying to revive his friend Taj. On “The Trial,” he comes together with Raekwon, GZA, Method Man, and Reek the Villain, who all play different roles in a fictional trial. It’s a standout track of the Wu’s later years that speaks to the sonic ingenuity that Ghost has said was lacking in current hip-hop. “Metaphysics” feels the closest to the original Supreme Clientele’s spirit, where he’s rhyming free associatively over a sparse breakbeat with horn hits then opens the second verse dishing, “I could put my mama face on the pancake box.” Like some of Ghost’s most memorable moments, it’s unclear what he’s getting at, but the phrase is so vivid and comedic that it just works. 

He’s similarly colorful on “Breakbeat,” where he spits rapid-fire over a pair of Eighties-style drum loops, rhyming, “Dodgin’ bullets while I’m guardin’ the base like Steve Garvey.” The attrition on his vocal cords is apparent throughout the album, including on this track, and it affects how cleanly his once flawless flow unfurls. But he’s still tearing through bars on the self-produced song. He follows that up with the more conversational “Beat Box,” where he’s flirtatiously rhyming back and forth with Aisha Hall over a Dougie Fresh-inspired composition. After those two overt Eighties tributes comes his lead single “Rap Kingpin,” where he and Scram Jones link Rakim’s “Check Out My Melody” with remnants of Supreme Clientele standout “Mighty Healthy.” Kudos to whoever imagined those two melodies blending as seamlessly as they do here. The song is another example of hip-hop’s capacity for cross-generation conversations — could we get a Rakim remix? 

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That said, the 22-track album has moments that it could’ve done without. “Soul Thang” runs long without him in the second half of the song. “Candyland” also doesn’t feel necessary, with his bar “Bill Cosby, K.O. roofies, this for the groupies” being a disturbing clunker. And while his “Pause” skit is a funny and self-deprecating take on fragile masculinity, his Dave Chappelle-featured ”Sale of the Century” skit is marred by a contestant on the track’s fictional game show who regressively boasts about waking up and slapping his wife in the morning. Sure, Ghost has his creative license to put that in a skit without anyone attributing it directly to him, but the skit was funny without joking about spousal abuse. 

Overall, in line with Slick Rick’s and Raekwon’s recent albums, which were also a part of Mass Appeal’s Legend Has It series, Ghost gives it all he has in 2025 over golden-era-evoking breakbeats and a mesh of soul and funk samples from his youth. No, it’s not a one-of-one monument of impeccable poetics like the original, but what is? It’s invigorating to hear and see the effort Ghost put into Supreme Clientele 2, one of the most imaginative, outrageous listens of the year.

August 26, 2025 0 comments
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