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‘Ask Away’: Rosé on Crazy Rumors, Her Dog’s Feet, and Writing Songs About Mean Boys
Fashion

‘Ask Away’: Rosé on Crazy Rumors, Her Dog’s Feet, and Writing Songs About Mean Boys

by jummy84 October 11, 2025
written by jummy84

Wondering where Rosé calls home these days? “I would say the plane, lately,” the New Zealand–born, Australia-raised singer-songwriter says with a laugh as she crosses the threshold of the Ned NoMad. She’s on set with Vogue to kick off a new video series called Ask Away, and lucky for us, she’s nothing if not game.

After ordering herself a chilled vodka shot with lime, Rosé digs into her favorite rumor she’s ever heard about herself, reveals her favorite smell (“My dog, Hank, and his feet”), and even enjoys a cozy call from none other than Paris Hilton, who discusses how much fun it was to present her friend with the MTV VMA for song of the year last month.

After a few more special guests show up at the hotel’s bar to lob Rosé some questions, the fun really gets started: we learn her favorite curse word (you’ll have to watch the video to hear her say it), how she’s tried to turn herself from a night owl into an early bird, and her extremely relatable songwriting inspiration: “Boys… mean boys!” If Rosé weren’t a global superstar, she’d probably be “a primary-school art teacher,” and while she’d undoubtedly be a dream in the classroom, aren’t we so lucky to have her music—and her sheer star power—in our lives? Watch the full video up above.

Director: Vivian Kim
Director Of Photography: Jimmy Liu Nyeango
Editor: Philip Anderson
Producer: Rashida Josiah
Producer, On-set: Lily Hamilton
Steadicam Operator: Omar Guinier
Associate Producer: Lea Donenberg
Creative Production Coordinator: Anisa Kennar
Assistant Camera: Micky Staten
Gaffer: Eddie Harold Jr.
Grip: David Djaco
Audio: Nicole Maupin
Production Assistants: Yaz Josiah, Quincy Primus
Set Designer: Elaine Winter
Set Design Assistant: Luke Walter
Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Line Producer: Natasha Soto-Albors
Assistant Editor: Billy Ward
Art & Graphics Lead: Léa Kichler
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch
Global Entertainment Director: Sergio Kletnoy
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri
Filmed on Location: The Ned NoMad

October 11, 2025 0 comments
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Top Producers of the 21st Century on Billboard’s Hot Latin Songs Chart
Music

Top Producers of the 21st Century on Billboard’s Hot Latin Songs Chart

by jummy84 October 10, 2025
written by jummy84

Here’s who produced the most No. 1s on Hot Latin Songs in the first quarter of the century, as part of Billboard‘s yearlong retrospective.


10/10/2025

Emilio Estefan

Christopher Polk

The rich breadth and range of Latin music is beautifully laid out in Billboard’s list of the Top Producers of the 21st Century on Billboard’s Hot Latin Songs chart, ranked by their No. 1s on the weekly survey.

This is not just the land of reggaetón. Overwhelmingly, it’s the realm of romance, rhythmic pop and danceable tropical beats, a cornucopia exemplified front and center by producer of the quarter-century Emilio Estefan, whose hits range from pop anthems to tropical fusions. Multi-genre and pan-regional, the top 25 map a sonic evolution that is quite literally a trip that covers the entirety of Latin America to finally land in a U.S. melting pot.

Reflecting the biggest sonic architects in Latin from Y2K to today, check out the top 25 creators on the Top Producers of the 21st Century on the Hot Latin Songs chart below.

The ranking follows the reveals of Billboard’s Top Latin Artists of the 21st Century, Top Latin Albums of the 21st Century and Top Hot Latin Songs of the 21st Century charts — as well as the Top Producers of the 21st Century on the Hot 100, reflecting all genres — with all coverage of Billboard’s 21st Century Charts here.

Billboard’s Top Latin Artists, Top Latin Albums and Top Hot Latin Songs of the 21st Century recaps reflect performance on weekly charts dated Jan. 1, 2000, through Dec. 28, 2024. The Top Latin Artists category ranks the best-performing acts in that span based on activity on Top Latin Albums and Hot Latin Songs. (Titles released prior to mid-1999 are excluded, although such entries that appeared on Top Latin Albums or Hot Latin Songs in that span contribute to the calculation of the Top Latin Artists chart.) The Top Producers of the 21st Century on the Hot Latin Songs chart reflects producers with the most No. 1s on weekly Hot Latin Songs charts dated Jan. 1, 2000, through Dec. 28, 2024, with ties broken by most top 10s and most overall chart entries.

  • Kike Santander

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    3 No. 1s on Hot Latin Songs as a producer 2000-24

    Like fellow countryman and producer ahead on this list Estéfano Salgado (and coincidentally, also hailing from the city of Cali in Colombia), songwriter/producer Santander understands how to inject commercial sensibility into different genres and voices. He helped give Spain’s David Bisbal his greatest hits and was also the man behind Cristian Castro’s “Azul,” which spent nine weeks at No. 1 on Hot Latin Songs in 2021 and is one of Latin pop’s best songs of all time. —LEILA COBO

  • Ernesto “Neto” Fernández

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    3 No. 1s on Hot Latin Songs as a producer 2000-24

    Ernesto “Neto” Fernández has been at the forefront of the global rise of regional Mexican music for two decades, fusing his deep roots in banda, norteño and mariachi with modern innovation. A veteran of the ‘90s-era quebradita boom, the El Paso, Texas-born, Los Angeles-raised producer has become a trailblazer in the genre’s international expansion. In 2024, Fernández was named Billboard Latin Music Awards’ producer of the year and topped the year-end Hot Latin Songs Producers chart. As Peso Pluma’s musical director and the co-founder of Prajin Parlay Studioz, Fernández played a pivotal role in the groundbreaking success of Peso’s music in 2024, producing hits for the artist including fan-favorites “La People II” and “La Durango.” The same year, Fernández delivered charting hits for rising talents such as Xavi (“La Diabla,” “La Víctima”) and Junior H (“Y Lloro”). —ISABELA RAYGOZA

  • Edgar Barrera

    Edgar Barrera at the "Karol G: Tomorrow Was Beautiful" New York screening held at The Whitby Hotel on May 06, 2025 in New York, New York.
    Image Credit: Steve Eichner

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    3 No. 1s on Hot Latin Songs as a producer 2000-24

    Edgar Barrera has become one of the most sought-after producers and songwriters in Latin music, crafting a career that bridges his Mexican-American heritage and a forward-thinking approach to sound. A Texas-Mexico border native and founder of BorderKid Records, Barrera has helped drive the rise of artists including Grupo Frontera, guiding its breakthrough into música Mexicana stardom. His ability to blend regional Mexican traditions with global pop influences has solidified his reputation as a genre-blurring innovator. The Grammy-winning hitmaker has collaborated with some of the biggest names in music, including Peso Pluma, Shakira, Bad Bunny, Maluma and Karol G. Among Barrera’s most impactful creations is “Botella Tras Botella” by Gera MX and Christian Nodal. In 2023, Barrera dominated Billboard’s Hot Latin Songs Producers year-end chart, cementing his place at the forefront of the industry, and in 2024 became the first producer to grace Billboard Español’s end-of-year cover. —I.R.

  • Sergio Vallín

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    4 No. 1s on Hot Latin Songs as a producer 2000-24

    As Maná’s lead guitarist, Sergio Vallín is the melodic powerhouse behind some of the band’s most enduring hits. His guitar artistry and production work are showcased on Hot Latin Songs hits including “Lluvia al Corazón” (No. 1, 2011) and “El Verdadero Amor Perdona,” featuring Prince Royce. Vallín has also made his mark as a solo recording artist, debuting on Hot Latin Songs with “Solo Tú,” featuring Raquel, in 2009. His co-production extends to projects such as Maná’s 2022 reimagined hit “Te Lloré un Río,” featuring Christian Nodal, demonstrating his ability to blend rock traditions with modern regional Mexican influences. —I.R.

  • Lester Méndez

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    4 No. 1s on Hot Latin Songs as a producer 2000-24

    The Grammy-winning songwriter and producer has found success with numerous superstars, including Nelly Furtado, Shakira and Enrique Iglesias. With 13 quarter-century entries on Hot Latin Songs, Méndez is credited on some of Shakira’s biggest hits, including “La Tortura” (featuring Alejandro Sanz), which ruled for 25 weeks. He also appears on this list thanks to Enrique Iglesias’ “Mentiroso,” “Quizás” and “Para Qué La Vida,” also all No. 1s. —GRISELDA FLORES

  • Ricardo Arjona

    Ricardo Arjona at the US Open Women's Semifinals Blue Carpet held at the USTA Billie Jean King National Tennis Center on September 04, 2025 in Queens, New York.
    Image Credit: Adela Loconte

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    4 No. 1s on Hot Latin Songs as a producer 2000-24

    Across four decades, Arjona has soundtracked households in Latin America and beyond with romantic ballads that today are considered timeless classics, most of those gems produced or co-produced by the Guatemalan singer-songwriter himself. As a producer, he notched four No. 1s on Hot Latin Songs in 2002-11: “Desnuda,” “Cuando,” “El Problema” (which ruled for a personal-best eight weeks) and “El Amor.” —G.F.

  • Tommy Torres

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    4 No. 1s on Hot Latin Songs as a producer 2000-24

    The Puerto Rican singer-songwriter and producer became a leading force in music in the early 2000s at the peak of Latin pop domination. The hitmaker helmed some of Latin music’s classics, such as Ricky Martin’s “Tal Vez,” which ruled Hot Latin Songs for 11 weeks in 2003, and follow-up “Jaleo,” which led for one week, and “Looking for Paradise,” a collab between Alejandro Sanz and Alicia Keys that dominated for three weeks in 2009. —G.F.

  • Jesús Guillen

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    4 No. 1s on Hot Latin Songs as a producer 2000-24

    Guillen found success with norteño band Conjunto Primavera in the early 2000s. He placed 25 entries, all alongside Conjunto, on the Hot Latin Songs chart over 2000-24, including four leaders: “Una Vez Más,” “Hoy Como Ayer,” “Ese” and “Basta Ya.” Conjunto’s signature norteño-sax sound landed the band on Billboard’s editorial ranking of the 75 Best Regional Mexican Acts of All Time. —G.F.

  • Sky Rompiendo

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    4 No. 1s on Hot Latin Songs as a producer 2000-24

    In the early 2010s, Sky helped define a new era for reggaetón alongside J Balvin. With 16 top 10s on the Hot Latin Songs chart in the quarter-century measurement period, he scored his first No. 1 in 2015 with Balvin’s “Ay Vamos,” which ruled for one week. Months later, “Ginza” would ratify Sky as a bona fide hitmaker with the single ruling Hot Latin Songs for 22 weeks, his longest commanding performance on the chart. —G.F.

  • Estéfano Salgado

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    5 No. 1s on Hot Latin Songs as a producer 2000-24

    Known simply by his first name, Estéfano, the Colombian hitmaker was first and foremost a songwriter whose phenomenal lyrics and beautiful, soaring melodies made him a go-to for the likes of Marc Anthony, Jennifer López and Paulina Rubio in the heyday of Latin pop. Formerly part of the duo Donato y Estéfano, he pivoted toward songwriting and production, where he found a slew of big, dramatic voices capable of bringing his songs to life. You know the hits: “Ahora quién” performed by Marc Anthony; Chayanne’s “Yo te amo;” Thalia’s “No me enseñaste;” Ricky Martin’s “Y todo queda en nada.” True hits during a golden era of contemporary Latin song. —L.C.

  • Ovy on the Drums

    Ovy On The Drums attends the 24th Annual Latin GRAMMY Awards at FIBES Conference and Exhibition Centre on November 16, 2023 in Seville, Spain.
    Image Credit: Juan Naharro Gimenez/Getty Image

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    5 No. 1s on Hot Latin Songs as a producer 2000-24

    The Colombian reggaetón hitmaker may be best known as Karol G’s producer of choice, but Ovy on the Drums has become one of the most in-demand producers over the past 10 years, branching out to work with Myke Towers, Anuel AA and Piso 21. Among his early hits is Karol G and Nicki Minaj’s “Tusa,” which ruled the Hot Latin Songs chart for four weeks and went on to become a global anthem. His longest-leading entry, “MAMIII,” by Karol and Becky G, claimed 10 weeks at No. 1. —G.F.

  • MAG

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    5 No. 1s on Hot Latin Songs as a producer 2000-24

    Since teaming up with Bad Bunny in 2020, Marco “MAG” Borrero has played an instrumental role in the production of all four of the megastar’s Billboard 200 No. 1 albums — making history for Spanish-language music in the process. The Dominican-Puerto Rican beatmaker first rose to prominence under the mentorship of Max Martin, and co-produced hits for Flo Rida, Imagine Dragons, Demi Lovato and Selena Gomez. His partnership with Benito, beginning with El Último Tour del Mundo in 2020, marked a turning point for both: It became the first all-Spanish-language album to top the Billboard 200. MAG continued pushing boundaries with 2022’s Un Verano Sin Ti and 2023’s Nadie Sabe Lo Que Va a Pasar Mañana. Among his standout productions, “Me Porto Bonito,” featuring Chencho Corleone, spent 20 weeks at No. 1 on Hot Latin Songs. Meanwhile, the Latin Grammy-winning “Tití Me Preguntó” ran up 14 weeks on top, another honor for one of música urbana’s most visionary architects. —I.R.

  • Gustavo Santaolalla

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    6 No. 1s on Hot Latin Songs as a producer 2000-24

    The Argentine producer, composer and musician is widely regarded as one of the builders of Latin alternative music, a genre he helped elevate from the underground to global recognition. His work with Café Tacvba, Julieta Venegas and Juanes helped redefine the landscape of Latin music in the early 21st century, blending rock, folk, electronic and pan-Latin influences into groundbreaking releases. Gustavo Santaolalla’s production on Café Tacvba’s Re, from 1994, is often hailed as one of the greatest Latin albums of all time, while his continued collaborations with the band — including the Grammy-winning Cuatro Caminos (2003) — furthered their role as torchbearers for the genre. Beyond his contributions to Latin alternative music, Santaolalla co-founded Bajofondo, a collective that fuses tango with electronic music, earning acclaim for modernizing one of Argentina’s most revered genres. As a two-time Academy Award-winning composer (Brokeback Mountain, Babel) and a multiple Grammy and Latin Grammy winner, he has bridged the worlds of film scoring, production and performance. On the Billboard charts, Santaolalla’s production on Juanes’ Mi Sangre spawned the timeless hit “La Camisa Negra,” which topped Hot Latin Songs for eight weeks in 2005. —I.R.

  • Sergio George

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    6 No. 1s on Hot Latin Songs as a producer 2000-24

    Sergio George’s impressive portfolio showcases his mastery over a Hot Latin Songs chart career that spans 23 years. He produced Eddie Santiago’s Celebración: Epic Duets, which houses a reimagination of Santiago’s ‘80s hit “Que Locura Enamorarme De Ti,” a collab with Huey Dunbar. George celebrated his first top 10 success on Hot Latin Songs when Dunbar’s “Con Cada Beso” climbed into the top five in 2001. His prolific career encompasses 18 top 10 entries, including six No. 1s. Among those, “Vivir Mi Vida” by Marc Anthony, earned the producer his longest stay at the summit, 17 weeks — the longest domination by a tropical soloist in the history of the 39-year-old tally. —PAMELA BUSTIOS

  • Enrique Iglesias

    Enrique Iglesias attends the red carpet during LOS40 Music Awards Santander at Palau Sant Jordi on November 08, 2024 in Barcelona, Spain.
    Image Credit: Xavi Torrent/Getty Images

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    7 No. 1s on Hot Latin Songs as a producer 2000-24

    Enrique Iglesias isn’t just a global Latin pop sensation — he’s also a producer with seven Hot Latin Songs No. 1 hits between 2002 and 2011. From heartfelt, chart-topping ballads “Mentiroso” (2002) and “Quizás” (2003) to the genre-blending pop anthem “Do You Know? (The Ping Pong Song)” (2007), the Spanish pop crooner has shown his versatility both on stage and in the studio. His work behind the scenes on 2008 tracks “Dónde Están Corazón” and “Lloró Por Ti” helped define Latin pop’s sound in the 2000s, burnishing his legacy as a multi-faceted hit savant. —I.R.

  • Juanes

    Juanes of 'Pimpinero: Blood and Oil' poses during the Toronto International Film Festival on September 09, 2024 in Toronto, Ontario.
    Image Credit: Gareth Cattermole/Getty Images

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    7 No. 1s on Hot Latin Songs as a producer 2000-24

    Soon after the start of the 21st century, Juanes earned his first two Hot Latin Songs top 10s and then his first No. 1, “Fotografía.” The Nelly Furtado duet proved a key partnership for Juanes, as the song dominated for five weeks in 2003, becoming his first of eight No. 1s as an artist. With the 2003 release of his second studio album, Un Día Normal, Juanes logged his first of five No. 1s on Top Latin Albums. Latin pop soon found new prominence in the United States, as the pop/rock singer-songwriter added the right touch of Colombian stylings. —P.B.

  • Shakira

    Shakira celebrates the launch of her new Latin-rooted clinically proven haircare line, isima on July 31, 2025 in Los Angeles, California.
    Image Credit: Stefanie Keenan/Getty Images

    Trending on Billboard

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    7 No. 1s on Hot Latin Songs as a producer 2000-24

    A global superstar in her own right, and one of the most consequential artists of all time, Shakira has also co-produced some of her biggest hits. She scored seven Hot Latin Songs No. 1s in the first quarter of the 21st century, including “Suerte,” which she co-produced with Tim Mitchell and which spent seven weeks on top in 2001-02, and her longest-leading smash, “La Tortura,” her runaway hit with Alejandro Sanz, and co-produced by Lester Méndez, that ruled for 25 weeks in 2005. —G.F.

  • Tainy

    Tainy at the Pre-GRAMMY Gala held at The Beverly Hilton on February 3, 2024 in Los Angeles, California.
    Image Credit: Gilbert Flores

    Trending on Billboard

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    7 No. 1s on Hot Latin Songs as a producer 2000-24

    Widely celebrated as one of Latin music’s most influential producers, Tainy has spent nearly two decades driving reggaetón’s global ascent and redefining the genre. The Puerto Rican beatmaker emerged in the mid-2000s as a protégé of Luny Tunes (recall Tainy Tunes?) and earned recognition for Wisin y Yandel’s hits including 2006’s “Pam Pam” and 2009’s “Abusadora.” His sonic fingerprint is unmistakable, shaping chart-topping smashes such as Bad Bunny’s 2020 global hit “Dákiti,” featuring Jhayco, and Kali Uchis’ “Telepatía.” Dominating the Hot Latin Songs Producers chart over 2019-21, Tainy has collaborated with genre heavyweights and global stars alike, such as Daddy Yankee, J Balvin, Dua Lipa, Karol G, Shawn Mendes and Rosalía. A true visionary, he has forged his legacy with his ability to fuse reggaetón’s raw edge with pop sophistication, setting the tone for música urbana today and surely beyond. —I.R.

  • Alex González

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    9 No. 1s on Hot Latin Songs as a producer 2000-24

    Nicknamed “El Animal” for his explosive drumming style, Alex González isn’t just the heartbeat of Maná but also a key creative force behind the act’s global success. As co-producer, he shaped the band’s signature rock en Español sound, driving hits such as “En el Muelle de San Blas” and “Clavado en un Bar.” His dynamic rhythms and production expertise powered chart-topping albums including Amar es Combatir (2006) and Drama y Luz (2011). Outside of Maná, he’s collaborated with the likes of Juanes, further growing his reputation as a genre-defining innovator. —I.R.

  • Carlos Paucar

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    9 No. 1s on Hot Latin Songs as a producer 2000-24

    With nine No. 1 hits on Hot Latin Songs in the quarter-century, Carlos Paucar is best known for his work with Enrique Iglesias, helming production on 2014’s enduring “Bailando,” featuring Gente de Zona and Descemer Bueno, and 2016’s “Duele el Corazón,” featuring Wisin. Paucar’s versatility also shines in 2013’s bachata crossover “Loco,” featuring Romeo Santos. Plus, thanks to soulful ballads “El Perdedor,” featuring Marco Antonio Solís, and “¿Dónde Están Corazón?,” Paucar’s production has helped craft many of Latin pop’s most memorable hits. —I.R.

  • Romeo Santos

    Romeo Santos at Billboard Latin Music Week 2022 held at Faena Forum on September 27, 2022 in Miami, Florida.
    Image Credit: Christopher Polk

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    9 No. 1s on Hot Latin Songs as a producer 2000-24

    Santos launched his solo career in 2011, but his musical journey was already well-established, having garnered acclaim as both a singer and producer during his time with Aventura, the group that modernized bachata and redefined its traditional sound in the early 21st century. The “King of Bachata” boasts a Hot Latin Songs history that includes nine No. 1s that held the top spot for a combined 50 weeks. Among these chart-toppers, his collaborations with global superstars Usher and Drake stand out, delivering his longest-running No. 1 hits as both performer and producer: “Promise” dominated for 10 weeks in 2011 and “Odio” reigned for 13 weeks in 2014. —P.B.

  • Fher Olvera

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    10 No. 1s on Hot Latin Songs as a producer 2000-24

    Widely known as the frontman and producer behind legendary rock en Español band Maná, Fher Olvera played an essential role in driving the group’s global success. Under his production, Maná achieved 10 Hot Latin Songs No. 1s including “Labios Compartidos” and “Bendita Tu Luz,” featuring Juan Luis Guerra. His work elevated Maná to international fame, via such albums as Amar es Combatir in 2006. Pioneering a sound that fused pan-Latin music with rock, Olvera’s contributions to the genre continue to shape its evolution. —I.R.

  • Sebastian Krys

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    10 No. 1s on Hot Latin Songs as a producer 2000-24

    Equal parts rocker and pop lover, Krys also found his footing in tropical music, producing some of Carlos Vives’ greatest hits, including “Déjame entrar” (alongside Emilio Estefan) and the inescapable “Carito,” which never made it to the top spot on Hot Latin Songs but underscores Krys’ capacity to blend vast commercial appeal with regional, rock and alternative sounds. Krys was also the producer behind Luis Fonsi’s massive “Aquí estoy yo,” Gloria Estefan’s “Hoy” (produced with Emilio Estefan) and the hits that launched singer-songwriter Obie Bermúdez’s career, including “Antes.” —L.C.

  • Rudy Pérez

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    11 No. 1s on Hot Latin Songs as a producer 2000-24

    Known for his work with great vocalists, the Cuban-American songwriter and producer helped define the sound of the early 21st century. Pérez is a crossover master in many senses. He produced Christina Aguilera’s Spanish-language debut album, was the producer behind Los Temerarios’ bridging of grupero and Latin pop and produced Christian singer Jaci Velasquez’s foray into pop. Plus, Pérez has excelled in breaking new acts, and names such as Jennifer Peña, Jen Carlos Canela and even Oscar De La Hoya recorded their greatest hits in his studio. Pérez’s credentials additionally include co-founding the Latin Songwriters Hall of Fame —L.C.

  • Emilio Estefan

    Emilio Estefan at the 2025 American Music Awards held at the Fontainebleau Las Vegas on May 26, 2025 in Las Vegas, Nevada.
    Image Credit: Brian Friedman

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    14 No. 1s on Hot Latin Songs as a producer 2000-24

    It would be impossible to talk about the current apex of Latin music worldwide without Emilio Estefan. Long before reggaetón took over the world in the mid-2000s, Estefan was the most significant, influential captain of Latin music’s journey to mainstream recognition and acceptance, putting his imprint on some of the biggest crossover hits in history.

    Estefan’s versatility and longevity assure him his spot as the top Latin producer of the 21st century so far, placing a remarkable 50 titles on Billboard’s Hot Latin Songs chart from 2000 through 2024, of which 14 hit No. 1. The variance in genres and rhythms is dizzying. Carlos Vives’ “Déjame Entrar” (co-produced with Sebastian Krys) is a signature pop/rock/vallenta that spent four weeks on top of the chart. Who can forget Paulina Rubio’s pop anthem “Te quise tanto,” which ruled for six weeks? And then, of course, there’s the pathos of queen Gloria Estefan, the muse behind much of Emilio’s music, who traverses from salsa (“No me dejes de querer”) to introspective, acoustic balladry (“Tu fotografía”) to zany novelty (“Hotel Nacional”) under one steady production vision.

    Emilio Estefan has not only produced and written hits but also gave first opportunities to the likes of Estéfano, Sebastian Krys and Kike Santander, all of whom worked with him at the beginning of their careers. —L.C.

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October 10, 2025 0 comments
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Taylor Swift 'Life of a Showgirl' Acoustic Songs Added on CD Variants
Music

Taylor Swift ‘Life of a Showgirl’ Acoustic Songs Added on CD Variants

by jummy84 October 5, 2025
written by jummy84

Any Taylor Swift fans chanting “more!” after the release of The Life of a Showgirl‘s 12 tracks on Friday (Oct. 3) were in for a little surprise Saturday night (Oct. 4). Swift dropped four new CD variants of her latest album, each featuring two acoustic tracks not found on the standard version of Showgirl.

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Now available in “limited quantities” on Swift’s official webstore, the CDs are described as having “brand new production by Max Martin, Shellback and Taylor Swift and newly recorded vocals by Taylor Swift.”

Fans can order the the limited-release CDs over a 24-hour period, through 7 p.m. ET Sunday — “while supplies last.” Each CD is priced at $7.99, and features cover art that’s different from that on the standard release. (Those who made it to a screening of The Release Party of a Showgirl in movie theaters this weekend will recognize the imagery.)

“File this under ‘save your best for the finale’… I think my favorite moments from the tour were the acoustic surprises. So I went back into the studio with Max and Shellback to record acoustic/unplugged versions of a few of the Showgirl songs with brand new vocals and production! Cannot WAIT for you to hear,” Swift wrote in an Instagram post promoting the CDs.

For those who share Swift’s love of acoustic versions of songs, here’s the breakdown of the four new The Life of a Showgirl options and what’s available on them (beyond the set’s original tracklist):

• Life Is a Song Acoustic Version with “Opalite (Life Is a Song Acoustic Version)” and “Ruin the Friendship (My Advice Version)”

• Dressing Room Rehearsal Version with “Wi$h Li$t (Settled Down Acoustic Version)” and “The Life of a Showgirl (Dressing Room Rehearsal Acoustic Version)”

• Alone in My Tower Acoustic Version with “The Fate of Ophelia (Alone in My Tower Acoustic Version)” and “Eldest Daughter (Now You’re Home Acoustic Version)”

• So Glamorous Cabaret Version with “Elizabeth Taylor (So Glamorous Cabaret Version)” and Elizabeth Taylor (Original Songwriting Voice Memo)

As Billboard revealed earlier on Saturday, initial first-day sales reports from data tracking firm Luminate say Swift sold 2.7 million copies in traditional album sales (physical and digital purchases) across all versions of the The Life of a Showgirl album available on its first day of release, Oct. 3. This means that in its first day alone, Showgirl‘s already seen the second-largest sales week for an album in the modern era — since Luminate began electronically tracking data in 1991. Only Adele has tracked a larger sales week since then, with 3.378 million copies of 25 sold within the first week of its release in 2015.

October 5, 2025 0 comments
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Magdalena Bay Share New Songs “Second Sleep” and “Star Eyes”: Listen
Music

Magdalena Bay Share New Songs “Second Sleep” and “Star Eyes”: Listen

by jummy84 September 28, 2025
written by jummy84

Magdalena Bay are back with two new songs. Check out “Second Sleep” (which comes with a music video directed by Amalia Irons) and “Star Eyes” below.

“Second Sleep” and “Star Eyes” are Magdalena Bay’s first tracks since releasing Imaginal Disk last year. “‘Second Sleep’ and ‘Star Eyes’ are two songs we made around the end of Imaginal Disk—both a sort of spiritual successor to the album’s mood and emotional arc,” Mica Tenenbaum and Matthew Lewin said in a press statement. “We like how they complement each other, so here they are as a pair.”

Magdalena Bay are continuing their Imaginal Mystery Tour with shows across North America in September and October. They’ll also perform at Denver’s Mission Ballroom on New Year’s Eve, before heading to the United Kingdom and Europe in 2026. See the duo’s tour dates below.

Check out “The 50 Best Albums of 2024,” featuring Imaginal Disk at No. 19.

All products featured on Pitchfork are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.

Magdalena Bay: Imaginal Mystery Tour

Magdalena Bay:

09-26 Los Angeles, CA – Fairbanks Lawn at Hollywood Forever Cemetery
09-27 Los Angeles, CA – Fairbanks Lawn at Hollywood Forever Cemetery
09-29 Seattle, WA – Showbox SoDo
09-30 Vancouver, British Columbia – The Orpheum Theatre
10-01 Portland, OR – McMenamins Crystal Ballroom
10-04 Austin, TX – Austin City Limits Music Festival
10-05 Dallas, TX – House of Blues Dallas
10-07 Indianapolis, IN – Egyptian Room at Old National Centre
10-08 Nashville, TN – Marathon Music Works
10-10 Austin, TX – Emo’s
10-11 Austin, TX – Austin City Limits Music Festival
10-12 Oklahoma City, OK – The Criterion
10-14 Houston, TX – House of Blues Houston
10-15 New Orleans, LA – The Fillmore New Orleans
10-17 St. Petersburg, FL – Jannus Live
10-18 Miami, FL – III Points Music Festival
10-20 Atlanta, GA – Coca-Cola Roxy
10-21 Raleigh, NC – The Ritz
10-22 Norfolk, VA – The NorVa
10-24 Boston, MA – MGM Music Hall at Fenway
10-25 Washington, D.C. – The Anthem
10-26 Philadelphia, PA – The Fillmore Philadelphia
12-31 Denver, CO – Mission Ballroom
02-02 Birmingham, England – O2 Academy Birmingham
02-03 Cardiff, Wales – Depot
02-05 Dublin, Ireland – Vicar Street
02-07 Glasgow, Scotland – O2 Academy Scotland
02-08 Manchester, England – O2 Apollo Manchester
02-10 London, England – O2 Academy Brixton
02-13 Antwerp, Belgium – De Roma
02-14 Utrecht, Netherlands – TivoliVredenburg
02-15 Amsterdam, Netherlands – Paradiso
02-17 Paris, France – Salle Pleyel
02-19 Zurich, Switzerland – Volkshaus
02-20 Cologne, Germany – Carlswerk Victoria
02-22 Berlin, Germany – Columbiahalle
02-24 Copenhagen, Denmark – Vega
02-25 Oslo, Norway – Rockefeller Music Hall
02-26 Stockholm, Sweden – Fållan

September 28, 2025 0 comments
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Best Songs of the Week: September 20th-September 26th
Music

Best Songs of the Week: September 20th-September 26th

by jummy84 September 27, 2025
written by jummy84

Our recurring Songs of the Week column highlights the best new tracks from the last seven days. Find our new favorites on our Top Songs playlist, and for more great songs from emerging artists, listen to our New Sounds playlist. This week, we’ve listening to tunes from Bartees Strange, Chat Pile and Hayden Pedigo, and others.


Bartees Strange — “DCWDTTY”

Bartees Strange is back with “DCWDTTY,” a cover of Smart Went Crazy’s “D.C. Will Do That to You.” Produced by regular collaborator Jack Antonoff and included on All Things Go’s 10th Anniversary compilation, the cover is a furious, full-throated return from Bartees Strange. Though he’s letting it rip on the mic, Antonoff keeps Bartees with just enough distance and doubles up his vocals, creating a disorienting gang vocals effect. It’s one of the most punk-forward cuts in his wide-ranging, genre-averse discography; whatever style he tries, Bartees Strange nails it. — Paolo Ragusa

Related Video

Chat Pile and Hayden Pedigo — “Demon Time”

“Demon Time,” the second single from the unlikely but very welcome collaboration between sludge metal act Chat Pile and twangy guitarist Hayden Pedigo, makes good on its title. The tune is slow, droning, and unnerving, with reverb-drenched guitar lines giving way to filthy, overbearing distorted chords. It’s the sonic equivalent to knowing something is following you, but not being able to catch it… but, you know, like, enjoyable. — Jonah Krueger

Chika — “Stimming”

Chika is embracing her restlessness on “Stimming,” the rapper’s new song and the latest in a string of standout singles. The track title specifically refers to finding a stimulating activity as an outlet for ADHD and neurodivergent brains; often, that manifests in making music for artists like Chika, who reflects on her past and present with her signature aura of cool and sharp, thought-provoking bars. Though she confesses out the gate that she’s been “fidgeting” since she was young, she sounds delightfully unhurried and composed on “Stimming.” — P. Ragusa

crushed — “meghan”

Los Angeles duo crushed have revealed their terrific debut album no scope today, and its packed full of dreamy, transportive bangers. One of the brightest new offerings is “meghan,” a burning, breakbeat-heavy cut with Shaun Durkan back on lead vocals. The song hits a high point in the chorus, where Bre Morrell takes Durkan’s warm meditations up the octave as spacious synths swirl and buzz around them. crushed’s hazy sound can be tough to describe, with so many elements arriving in a kind of soft focus — still, as all great new bands do, they manage to scratch the itch. — P. Ragusa

Joyer — “Glare of the Beer Can”

The glare of a beer can — what a beautiful thing. In fact, I can’t think of anything more fitting to write an off-kilter, rootsy indie rock love song about. East Coast indie rockers Joyer have done just that with “Glare of the Bear Can,” though it’s a tad reductionist to refer to the tune as merely “a love song,” as the verses detail finding that one person in both the good and the band, the light and the dark night, inside of trash cans and in deflated balloons. It’s a sweet, shimmery sentiment for a sweet, shimmery song. — J. Krueger

TYGERMYLK — “Babe III”

English artist TYGERMYLK has revealed “Babe III,” the latest track of their upcoming debut album Local Girl, Always Tired. The song is a tender, devastating ode to childhood and grief; written for their late father, they reflect on a childhood summer spent with family and watching their then-favorite movie, Babe. There’s serendipity and tragedy in the song’s minimal, introspective mode, blooming into focus as they imagine what Babe III might be like. It’s a beautiful return from TYGERMYLK. — P. Ragusa

Tyler Ballgame – “I Believe in Love”

There’s a purity in Tyler Ballgame’s story — child of a music loving household who toiled in a Rhode Island cover band before moving to LA for an office job and stumbling into a creative community via open mic performances — that translates to “I Believe in Love.” The lead single off his For the First Time, Again debut (out January 30th), the track shows off his enchantingly earnest vocals, the analogue production of Jonathan Rado and Ryan Pollie, and the sweetness at the center of this big performer who’s only looking to grow bigger. — Ben Kaye

September 27, 2025 0 comments
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The Top 10 Songs Played at Atlanta Strip Clubs in August 2025
Music

The Top 10 Songs Played at Atlanta Strip Clubs in August 2025

by jummy84 September 22, 2025
written by jummy84

Atlanta strip clubs have played an integral role in breaking rap hits for decades. Gentlemen’s clubs have long served as a testing ground for the genre — and although the streaming era of music has changed the music landscape, strip club DJs have continued to be meticulous about what makes their playlists on a nightly basis.

There has undoubtedly long been a symbiotic relationship between hip-hop culture and the strip club. Jeezy once called Magic City his “office,” and Jermaine Dupri executive-produced a Magic City docuseries on STARZ alongside Drake earlier this year. “When I got serious about music, Magic City Monday, everything happened there,” Jeezy told Billboard over the summer about his rap origins.

Billboard and DJ Monitor, a service that installs music-recognition technology for venues and festivals, have collected data from three prominent Atlanta strip clubs, tracking every song played during August 2025.

Metro Boomin paid homage to 2000s Atlanta with his mixtape A Futuristic Summa, which dropped in August, and The A reciprocated that love, as Young Metro boasts three of the top five songs on the inaugural strip club songs recap.

As far as artists who enjoyed the most spins in the strip club for August, the top 10 is as follows:

No. 10, Gunna (253)
No. 9, Young Nudy (276)
No. 8, Drake (286)
No. 7, Gucci Mane (306)
No. 6, Jeezy (363)
No. 5, Moneybagg Yo (380)
No. 4, Bossman Dlow (436)
No. 3, Metro Boomin (624)
No. 2, Lil Baby (636)
No. 1, Future (1,406)

Billboard will continue to track the top-played strip club hits each month throughout the year. U.S. club owners interested in contributing data can send an email to [email protected].

  • Chris Brown feat. Bryson Tiller, “It Depends” (53 Plays)


  • Lil Baby feat. Future & Young Thug, “Dum, Dumb, and Dumber” (58 Plays)

    “Dum, Dumb, and Dumber” was appointment listening for rap fans upon its release, as the track served as Young Thug’s first post-prison verse since reaching a plea deal in the YSL RICO trial. The Wheezy-produced cut landed on Lil Baby’s WHAM album in January and featured Future, which pushed “Dum, Dumb, and Dumber” to No. 16 on the Billboard Hot 100.

  • Bossman Dlow feat. French Montana, “Mo Chicken” (58 Plays)

    “Mo Chicken” served as Bossman Dlow’s first link-up with French Montana, as the track — which finds the duo interpolating Lil Kim’s flow from Junior M.A.F.I.A.’s “Get Money” 30 years later — landed on the Florida native’s Dlow Curry debut album. Even nearly nine months after arriving, it’s still a staple in Atlanta strip club rotation.

  • 21 Lil Harold & 21 Savage feat. Sexyy Red, “Nookie (Pu$$Y)” (58 Plays)

    21 Savage joined forces with his Slaughter Gang signee 21 Lil Harold, who enlisted Sexyy Red for a trap assist, on “Nookie (Pu$$Y)” in June. Harold’s raunchy verse has a little bit of everything, as he references Magic City and has name-drops ranging from Bubba Sparxxx to former NBA player Serge Ibaka.

  • Rob49, “WTHelly” (63 Plays)

    Rob49 caught a viral hit with “WTHelly” in March. A song he freestyled in a studio session that was originally for Skilla Baby, Rob explained that “what the helly” was a phrase he came up with alongside his friends back home, and it became part of everyday vernacular in hip-hop culture. The track finds Rob name-dropping plenty of celebs from LeBron James to Miley Cyrus, as “WTHelly” reached No. 25 on the Hot R&B/Hip-Hop Songs Chart.

  • Jeezy & Bankroll Fresh, “All There” (64 Plays)

    Jeezy’s “All There” has stood the test of time in The A. It originally appeared on 2016’s Trap or Die 3 and features a posthumous assist from Bankroll Fresh. The multi-platinum track was played during a season two episode of Donald Glover’s Atlanta series in 2018, and reached No. 8 on the Bubbling Under Hot 100.

  • Metro Boomin feat. Quavo, Breskii & YKNIECE, “Take Me Thru Dere” (70 Plays)

    “Take Me Thru Dere” arrived as a standout on Metro Boomin’s Futuristic Summa mixtape in July. With menacing production that feels like a callback to Jeezy’s Thug Motivation 101, Metro enlists Quavo Breskii and YKNIECE for assists. YKNIECE’s dance has pushed the track to go viral on TikTok, and many college football players have used the dance to celebrate touchdowns in the end zone this season.

  • Young Nudy, “BTA” (72 Plays)

    It was a clean takeoff to Paradise for Young Nudy, who reunited with his right-hand producer COUPE for “BTA.” With rumbling 808s and stripper-friendly bars, it’s easy to see how the dollars fly across Magic City whenever this comes on.

    “It takes a lot to get to Paradise. Blood, sweat and tears,” Nudy told Billboard. “Paradise give you the Nudy world type s—t. My mindset and my people and what I represent.”

  • Metro Boomin feat. Travis Porter, Young Dro & Gucci Mane, “They Wanna Have Fun” (77 Plays)

    Metro Boomin paid homage to 2000s Atlanta with his Futuristic Summa mixtape, and he recruited a classic Georgia triumvirate with Gucci Mane, Young Dro and Travis Porter for “They Wanna Have Fun.” While Cyndi Lauper told us girls just want to have fun, the guys are having plenty of it, too.

  • Metro Boomin feat. DJ Spinz & Waka Flocka Flame, “Clap” (81 Plays)

    Metro Boomin’s music has long been a staple in the strip clubs, and his Futuristic Summa mixtape was all over the ATL circuit, as the fresh 32-year-old (his birthday was on Tuesday, Sept. 16) notched three of the top five slots on this chart.

    “Clap” is a perfect fit at the strip club, as he teamed up with Waka Flocka Flame to throw a Brick Squad party.

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September 22, 2025 0 comments
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8 Best Songs On Cardi B's 'Am I The Drama?'
Music

8 Best Songs On Cardi B’s ‘Am I The Drama?’

by jummy84 September 20, 2025
written by jummy84

The gap between Cardi B‘s debut album, Invasion Of Privacy, and her long-awaited sophomore album, Am I The Drama?, was so long that the following things have been able to happen: Donald Trump finished his first term as President, unsuccessfully campaigned for reelection against Joe Biden, and then spun back to retake office when it seemed like Kamala Harris would lead this country to a new, better reality. The Philadelphia Eagles won the Super Bowl two months before Invasion, went through a few difficult years, lost to the Kansas City Chiefs in 2023, and then got their lick back this past February. Kanye West and G.O.O.D Music dominated June 2018 with five different albums, one of which was Pusha T’s Daytona, which sparked their feud with Drake—only to lose nearly every affiliate over the next seven years and temporarily reconcile with Drizzy in the meantime.

The point is: people had been waiting a long time. So much had changed within the music industry, in the world, and with Cardi’s perception, that people doubted if she could put together a good album, let alone something that compared to her last. She maintained her presence via features and unfortunate drama, and incessantly told fans that the album was coming. Some reached the point where they said she should never release another project—partially because they feared the sophomore slump was looming, and also because they didn’t want to stress over anticipating something that may never come.

Well, at long last, Am I The Drama? is here. And for all the doubters, people who discredit her ability because of the machine around her, historical revisionists, or any form of naysayers, the 23-track LP delivered. The timing of it—after her difficult public divorce from Offset and new relationship with NFL Pro Bowler Stefon Diggs—couldn’t have been more opportune. The Grammy winner had something big to talk about, and some bubbling feuds with rappers that inspired her to rap with a fervor people may not have believed she possessed.

Most of all, Am I The Drama? is a reminder that she’s more than just a rapper. Invasion helped her to transcend genres, and this album continued that within Hip-Hop’s subgenres and beyond. We won’t touch on all 23 songs, but we do have VIBE’s picks of the eight best tracks from the LP. Hopefully, this sampler encourages you to take the whole, 71-minute journey and listen for yourself.

  • “Hello”

    Cardi B at WWE SummerSlam 2025.
    Image Credit: Elsa/Getty Images

    Cardi B previewed “Hello” at WWE SummerSlam 2025, and the reaction was “What is that record?” The full track did not disappoint in today’s era of snippets that sound better than complete songs. In a way, it had the energy of an intro despite being track two. The Bronx star keeps the hook and verses simple, but it’s the bounce and delivery that make this one a winner.

    She not only flexes all her qualities, but puts the mirror in the face of her detractors. “It be you that’s hella mad/ It be me that’s getting tricked on by somebody’s baby dad/ It be me that’s lookin’ sexy, it be me that’s lookin’ cute/ It be me with body bustin’ out, this Miu Miu bodysuit,” she spits in the second verse. Whether you’re getting ready to go out, in the car with your girls, or at the gym, “Hello” is the quintessential soundtrack for many different environments.

  • “Pick It Up” Feat. Selena Gomez

    Cardi B at Ashi Studio.; Selena Gomez at the Primetime Emmy Awards.Cardi B at Ashi Studio.; Selena Gomez at the Primetime Emmy Awards.
    Image Credit: Dominique Maitre/WWD via Getty Images; Gilbert Flores/Variety via Getty Images

    “Pick It Up” is the album’s early that Cardi has crossover appeal. She tapped Selena Gomez, a major pop star she’s previously worked with, for a record that does not sound outside of either artist’s wheelhouse. Gomez brings the vocals, but her cadences and lyrics lean more toward Hip-Hop. Cardi raps, but utilizes a more refined melodic tone at certain points of the song. The beat utilizes rap drum patterns and pop-like synths for a very pleasing hybrid.

    Both acts, who’ve had publicly chaotic relationships, wholly lean into their emotions in what could be considered a “spin the block” anthem. On the record, their partnerships are hanging in limbo, and neither wants their man to leave things unfinished. Even if someone can’t relate, it’s hard not to empathize with their creative expressions throughout the nearly three-minute song. This has radio hit, playlist monster, and TikTok virality written all over it.

  • “Safe” Feat. Kehlani

    Cardi B and Kehlani in the "Safe" music videoCardi B and Kehlani in the "Safe" music video
    Image Credit: YouTube screenshot

    “Safe,” featuring Kehlani, is an example of perfect A&Ring. Timing-wise, there is no better time to tap the Oakland, Calif. singer, given the creative space she’s in, and with her latest single “Folded” going crazy on the charts. Conceptually, the record is all about what the 30-year-old singer often covers in her music. Additionally, the production mirrors Jordan Adetunji’s “Kehlani,” a sexy drill banger from last year.

    Cardi lands perfectly on this type of production, blending the sensual nature of feeling secure with someone with her Bronx aggression, which may force a man to step up and be her protector even though she clearly does not need one. The only reason this song doesn’t become a hit is if “Pick It Up” takes all the attention, and that will be a fun competition to witness.

    The cherry on top of all of this is the variety of ways they use the word “safe” to create metaphors and similes that relate to comfort within a relationship, and how they weave in and out of each other’s lines on the chorus and verse. “‘Cause I feel safe like I just ran and slid across the plate/ Safe like we playin’ tag and you home base/ Ayy, safe like I got a big dog in a gate, rrr/ Safe like you one of these h*es, play in my face,” they rap. All of that to say, “Safe” is a home run.

  • “Man Of Your Word”

    Cardi B at the 2025 Met Gala.Cardi B at the 2025 Met Gala.
    Image Credit: Michael Buckner/Penske Media via Getty Images

    “Man of Your Word” is an in-depth reflection on her drama-filled marriage with Offset. The production is mostly stripped back, allowing her stream of consciousness to take the forefront. Dougie F opens the record with a moving chorus, but it is Cardi B‘s confessionals that shine the most.

    The best part is that she takes accountability in the areas where she faltered, while also calling out her ex’s mistakes. “Ni**a, I believed you, don’t know if I’m mad at me or you/ Once upon a time, I thought I needed you/ Even though I’m up, I always treat you like we even, dude/ See what special treatment do? Huh, I could’ve cheated too,” she raps.

    There is clearly still love there, as she admits the seven years weren’t all bad despite the negative feelings she experienced. She even says she put her music ahead of checking in on his pain, and how that could have caused them to drift apart. Cardi B is typically very boisterous and assertive, but this tone and cadence remind people that she can be sensitive, making her feelings, the song, and her all the more endearing.

  • “Pretty & Petty”

    Image Credit: Christopher Polk/Variety via Getty Images

    A difficult divorce did not stop Cardi B from being, well, “Pretty & Petty” as the song title conveys. This track has a ’90s bounce to it, and the production elements fall in line. However, her attitude is very similar to that of certain rappers who have taken aim at her. Literally, she opens this song with “Name five BIA songs, gun pointin’ to your head/ Baow, I’m dead/ That melatonin flow puttin’ us to bed/ I’m doing you a favor, Epic, run me my bread.”

    She unloads even more in the second verse, spilling tea about BIA’s life, as the kids say. Evidently, the Boston rapper was kicked out of a condo, hung around Diddy’s house, and her breath stinks. Now, in the spirit of Hip-Hop, these could all be fabricated, but people love lies and truths equally. One thing she did not lie about was the “London” rapper’s lack of commercial success in comparison to hers. And there isn’t much she can say in return.

    This song lands at a perfect time as the Hip-Hop space is obsessed with all forms of rap beef. It will be interesting to see if BIA comes back with anything, but “Pretty & Petty” is great not just for the digs but also the overall song elements.

  • “ErrTime”

    Cardi B at Revolve Festival.Cardi B at Revolve Festival.
    Image Credit: River Callaway/Billboard via Getty Images

    With “ErrTime,” Cardi may be a bigger fan of Southern rap than people may have realized. The production sounds like a 2000s Jeezy beat, but also a 2020s BossMan Dlow beat. She captures the essence of both rappers, dropping sharp liners and a quickly memorable “Oowoo” ad lib in between.

    One of the underrated gems of this song is that she opts for a short verse to start, followed by a refrain, before returning to the chorus. Then she drops a longer second verse, spins back to the refrain, and closes with an outro. This song structure was commonplace in the 2000s, and clearly, Cardi and her team really did their homework on the type of songs that have staying power. You get the Latto bar in the refrain, the Don Julio reference in the chorus, and countless other lines throughout the verses. “ErrTime” is an anthem in every way.

  • “Principal” Feat. Janet Jackson

    Cardi B at the GRAMMY Awards.; Janet Jackson at the American Music Awards.Cardi B at the GRAMMY Awards.; Janet Jackson at the American Music Awards.
    Image Credit: Gilbert Flores/Billboard via Getty Images; Brian Friedman/Penske Media via Getty Images

    Your eyes did not deceive you; Cardi B is on a song with Janet Jackson. “Principal” functions as a double entendre, being spelled like the authority figure in a school to convey both women’s statuses. However, it is used as “principle,” otherwise known as a fundamental truth or belief system. They drive this point home by flipping Janet’s 1986 jam “The Pleasure Principle.”

    The record is all about Cardi ensuring her partner knows the deal: ignore the women chasing him, always be upfront with her, and understand that where she comes from informs who she is and how she operates in the relationship. Though her delivery doesn’t deviate from her beloved grittiness, the production is a bit brighter and dance-friendly. Don’t let the celestial Janet vocals make you miss the point, though.

    “Take me to the trenches (Trenches), I don’t ever panic (No)/ Take me anywhere, just don’t take me for granted (Facts)/ You could spoil me all you want, you ain’t loyal, I don’t care (I don’t)/ My ni**as and my food is just two things I can’t share, bi**h,” she raps. It’s a very modern take on a vintage sound and a tried-and-true concept: loyalty is essential. It’s the principle of it all.

  • “Nice Guy” Feat. Tyla

    Cardi B at Paris Fashion Week.; Tyla at Pandora Talisman Collection Launch EventCardi B at Paris Fashion Week.; Tyla at Pandora Talisman Collection Launch Event
    Image Credit: Aitor Rosas Sune/WWD via Getty Images; Kristina Bumphrey/Variety via Getty Images

    Last, but most certainly not least, “Nice Guy” featuring Tyla. This is another pop-rap hybrid song that has the potential to go to the moon due to its talent, chorus, production, and content. The bubble-gum-esque record covers the progression of an innocent crush up to the paranoia and dismissiveness that come when the honeymoon phase bubble is burst. Both women yearn for their men’s intimacy and attention, but their feelings consume them to where they start to lose trust.

    Eventually, their focus is to flex on someone they once craved and being petty. They’re human, it happens. The standout aspect of this song, though, is the South African artist delivering a full rap verse right before the final chorus. Tyla has demonstrated her versatility throughout her career, but not to this degree. Much like Selena and Cardi on “Pick It Up,” they found a happy medium between their signature sounds and concepts, ultimately creating a potential hit. The ladies will love this one.

September 20, 2025 0 comments
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Remembering Zubeen Garg: Top Songs of The Artiste
Bollywood

Remembering Zubeen Garg: Top Songs of The Artiste

by jummy84 September 20, 2025
written by jummy84

Zubeen Garg sadly passed away at the age of 52. We remember him by recalling some of his best hits in Bollywood.
September 20, 2025 0 comments
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Miley Cyrus Shares New Songs With Lindsey Buckingham and David Byrne: Listen
Music

Miley Cyrus Shares New Songs With Lindsey Buckingham and David Byrne: Listen

by jummy84 September 19, 2025
written by jummy84

Miley Cyrus has released the deluxe version of her new album Something Beautiful. The expanded edition includes two new songs: the 13-minute David Byrne collaboration “Lockdown,” and “Secrets,” which features Fleetwood Mac’s Lindsey Buckingham and Mick Fleetwood. Cyrus, Jacob Bixenman, and Brendan Walter directed the video for “Secrets,” which was shot at Los Angeles’ Million Dollar Theatre. Watch the video and listen to both songs below.

Cyrus shared Something Beautiful in June. Her follow-up to 2023’s Endless Summer Vacation featured Alabama Shakes’ Brittany Howard and Naomi Campbell, and boasted co-writes from Model/Actriz’s Cole Haden, Alvvays’ Molly Rankin and Alec O’Hanley, and the War on Drugs’ Adam Granduciel, among other indie rock luminaries. Cyrus and Beyoncé won Best Country Duo/Group Performance at the 2025 Grammy Awards for their Cowboy Carter duet “II Most Wanted.”

Read “Model/Actriz’s Cole Haden on Writing for Miley Cyrus’ New Album.”

September 19, 2025 0 comments
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Podcaster Justin LaBoy Credits Coi Leray w/ Starting The Trend Of Making Viral TikTok Songs
Celebrity News

Podcaster Justin LaBoy Credits Coi Leray w/ Starting The Trend Of Making Viral TikTok Songs

by jummy84 September 16, 2025
written by jummy84

Podcaster Justin LaBoy Credits Coi Leray w/ Starting The Trend Of Making Viral TikTok Songs

Well this is interesting!

Justin LaBoy says Coi Leray is responsible for starting the trend of making viral TikTok records. She also agrees, taking the stance that she shaped the way TikTok is used for artists.

Y’all agree?
@justinlaboy


September 16, 2025 0 comments
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