Set
It was the season of creative director debuts and new ideas. There were upward of 15 new designers who took the helms at some of the biggest houses across the industry during the spring 2026 shows with highly anticipated debut collections, including Dario Vitale at Versace, Louise Trotter at Bottega Veneta, Jonathan Anderson at Christian Dior, and Matthieu Blazy at Chanel, who brought some of the most high-impact moments. This went in tandem with strong sophomore collections, where designers including Michael Rider at Celine and Haider Ackermann at Tom Ford continued to carefully construct and refine their visions.
Conversations throughout fashion month centered on the wave of change that is thrusting us into the future of fashion. It was a season about newness and challenging old ideas as designers presented collections that were doing something fresh and different. It was a palpable shift that ushered in shows that were cinematic, disruptive, bold, and optimistic. Sex appeal returned to the runway with seductive and provocative looks, off-kilter silhouettes reimagined femininity in fashion, and inventive styling including bold color clashing and advanced layering will influence editorial moments, red carpet looks, and how the fashion set is getting dressed. It was arguably the biggest fashion month ever, marking an unprecedented moment that will undoubtedly begin a new chapter in fashion. Ahead, read more on the 10 spring 2026 trends that are set to dominate fashion.
(Image credit: Launchmetrics Spotlight)
The Great Debut
Debuts! Debuts! Debuts! There was an undeniable sense of newness on the runways that stemmed from the fresh creative leadership. At Chanel, Blazy took this head-on. “We can go two ways,” Blazy told Tim Blanks in an interview for Business of Fashion. “Either we do a clean, modern, by the codes, by the book Chanel show, and it’s a first step. Or we do this show as if it was our last. I took the last option.” The collection he unveiled was confident and new, including the finale look that embodied the joy and renewed energy we’ve been eager to see unfold. Though it infused the heritage and house codes from Coco Chanel, it was distinctly Blazy. This was mirrored at other debut shows too, including Anderson at Dior, Vitale at Versace, Trotter at Bottega Veneta, Pierpaolo Piccioli at Balenciaga, and Jack McCollough and Lazaro Hernandez at Loewe, who each brought their distinct visions to the runways.
(Image credit: Launchmetrics Spotlight)
Sexually Explicit
If there were one collection from the entirety of the spring 2026 runway season that proved without a shadow of a doubt that sex is back in fashion, it was Hermès, a brand known to many for its more modest, sophisticated approach to dressing. The French house strayed from the norm this season, though, with Creative Director Nadège Vanhée embracing tighter and more revealing silhouettes made almost exclusively out of supple leather. Hermès wasn’t the only brand to err on the risqué side this season, though. Mugler’s new creative director, Miguel Castro Freitas, used his debut as a chance to do what the house has always done best: explicitly seductive tailoring. Meanwhile, Haider Ackermann’s second Tom Ford collection brought back the provocative look the brand’s founder is known for introducing at Gucci when he took the helm in 1994. From the ambiance to the clothes, everything at Ackermann’s sophomore show was both daring and sensual, bringing sexy back in a way that fashion people were all too willing to give a blatant two thumbs up for.
(Image credit: Launchmetrics Spotlight)
Gone Bourgeois
A bourgeois aesthetic has been percolating in fashion. Rider kicked the aesthetic off for spring 2026 at his debut Celine collection in July and doubled down on it for his summer 2026 sophomore show. Rider is distilling Left Bank Parisian style and American sportswear through a modern eye, making classic pieces like satin scarves, tailored trench coats, and colorful accessories feel cool and covetable once again. Rider has stated that his vision for Celine is built on “quality, for timelessness and for style,” and his designs emphasize well-crafted, collectible pieces that are meant to last and be worn for the long run over ephemeral trends. This attitude toward design was mirrored on the runways at more brands with a vision of the modern investment wardrobe. At Bottega Veneta, sumptuous pastel knits were styled with suiting. At Kallmeyer, printed satin scarves were draped over sleek navy jackets. At Tom Ford and Ralph Lauren, crisp white suiting interplayed with shirting and tied-up knits. It’s peak good taste.
(Image credit: Launchmetrics Spotlight)
Optimism! Joy! Delight!
With so much happening in the world around us, our phones constantly buzzing with alerts about another piece of bad news, it felt like a welcome reprieve to see fashion that felt optimistic and full of joy for once, instead of muted and minimalist. It wasn’t just bright colors, either. Though, those certainly did show up at Tom Ford, Jacquemus, and Chloé. Better, however, was the overall fresh energy, with floral patterns big and small mimicking the start of a new season for top houses like Chanel, Bottega Veneta, and Balenciaga. This feeling of delight was perhaps best seen at Blazy’s Chanel debut, when he stepped out from behind the metaphorical curtain to receive his standing ovation from the awed crowd, as well as an ear-to-ear smile and hug from his first Chanel bride, played beautifully by Awar Odhiang, who donned a skirt covered in a feathery melange that met the moment immaculately.
(Image credit: Launchmetrics Spotlight)
Advanced Layering
While designers are presenting silhouettes and ideas that are entirely new this season, they’re also challenging us to rethink how we’re wearing the clothes that are already sitting in our closets. Inventive styling on the runways brought the most dialed-back staples such as button-down shirts, pencil skirts, and gloves together in fresh ways that breathe new life into them with layering. At Loewe, poplin shirts were worn one on top of the other in too many layers to count. At Prada, button-down shirts, sheer skirts, exposed underwear, and stackers were sandwiched together. At Versace, cardigans were tied around the waist, fanning open from where a single button was secured at the top. This will shake up personal style and open up an aspirational way to dress with advanced layering.
(Image credit: Launchmetrics Spotlight)
About the Coat
The best part about winter dressing is that, if in possession of a really great (preferably, really long) coat, you can basically wear anything underneath with nobody the wiser about its quality. Sweatsuit? No problem. Leggings and an oversize sweater? No one has to know. It’s every fashion person’s trick, one that’s been in practice for years, but rarely do we see it put to use post-March. Once spring hits, our coats go into storage and out come lighter layers, and eventually, no layers at all. For spring 2026, however, designers clearly wanted to change that, debuting hero coats with the power to become your entire outfit, even when temperatures are above freezing. At Tom Ford, apple green and sleek burgundy trenches did all the work of a whole ensemble entirely on their own, while Saint Laurent models strutted outside the Eiffel Tower in sporty yet sleek trench coats made of billowy bylon that spoke for themselves. (Just add some ludicrously capacious earrings and an even larger pair of sunglasses.) For a more laid-back approach, Fforme, Celine, and Bottega Veneta all served up options that gave a more elevated yet effortless look, all of which completely hide your outfit underneath.
(Image credit: Launchmetrics Spotlight)
’80s Rewind
It seems like the rest of fashion is finally picking up what Anthony Vaccarello’s been putting down at Saint Laurent for the last few seasons, which is 1980s-inspired, well, everything. Think big shoulders, small waists, pussy bows, and punchy colors and patterns, ranging from loud florals to more refined polka dots. The French house leaned into the era even further for spring 2026, with Vaccarello pulling from Rive Gauche archives, combining flowing fabrics and bold colors to dress “enigmatic women asserting their power,” according to the show notes. Chemena Kamali and Dario Vitale took a brighter, more optimistic approach to ’80s dressing, with Kamali shifting from Chloé’s signature ’70s boho to ’80s L.A. glam and Vitale marking his debut at Versace with a crowd-pleasing collection full of looks we can imagine a modern-day Fran Drescher wearing if she reprised her role in The Nanny all these years later.
(Image credit: Launchmetrics Spotlight)
Color Clash
Color was a through line this season, often appearing with the use of joyful, optimistic shades such. There wasn’t one standout color but rather a rainbow of contrasting hues that were paired together in unexpected ways. Versace had a bourgeois ’80s meets ’90s Miami Beach palette that brought together colors such as lilac, cherry red, and cobalt all in one look. Other looks in the Versace collection had just as wild color pairings that shouldn’t work on paper but simply made sense when brought together in the outfits on the runway. This theme continued across fashion month, including at brands such as Loewe, Fendi, Prada, and Proenza Schouler, where clashing shades infused color back into the runway in a way we haven’t seen in many seasons. In collections such as Valentino and Tory Burch, we also saw the addition of punchy hues in a subtler way. We tracked the rise of powerful color pairing throughout the season and expect it to make one of the biggest impacts on how people will be getting dressed in 2026.
(Image credit: Launchmetrics Spotlight)
Off-Kilter
After years of ready-to-wear collections being described as pretty or wearable or hushed, spring 2026 brought up a very different conversation. For the season, designers at Tory Burch, Prada, Khaite, and Dior appeared to be driven by the “so wrong it’s right” mentality, drawing inspiration from imperfection and visual oddities as opposed to what’s traditionally been considered beautiful by society. In Prada’s show notes, Co-Creative Directors Raf Simons and Miuccia Prada discussed their use of “unexpected and unanticipated” elements being united on the body. They focused on liberating pieces from “seemingly inherent hierarchies,” using spring 2026 as an opportunity to make people think twice about how things have always been done. “There are radical reconsiderations of the fundamental properties of clothes—skirts find their points of suspension from the shoulder, brassières have shape without structure,” the show notes state. Frankenstein skirts, or garments crafted out of various opposing fabrics and cuts, became a primary example of the off-kilter nature of fashion in future seasons. At Tory Burch, the designer shared another comparable vision, noting “the complexity of women and different facets of their style,” and how both result in a mix of “precision and imperfection.” Clashing styles and juxtaposed aesthetics on the runway went to show how fashion is changing its approach, moving away from what women are expected to wear and toward what feels the most natural to them, which isn’t always clean lines, refined styling, and muted color palettes.
(Image credit: Launchmetrics Spotlight)
A+ Prep
Preppy dressing is back. Auralee has been linked with the preppy style resurgence for the past several seasons. Its take on pieces such as polos and cable-knit sweaters is bringing a refined and modern perspective on the classic styles. At Miu Miu, collared polo shirts in shades like tangerine were styled with midi skirts and printed scarves. At Loewe, polo shirts were also prevalent, often paired with V-neck sweaters on top in contrasting colors. Tory Burch, a brand closely connected to prep and American sportswear, brought elegant and sophisticated spin on the aesthetic. The collection was infused with inventive styling, including sports jackets with pops of bold color and layers of beaded necklaces. Perhaps the most unexpected brand to highlight the aesthetic was Prada, which featured crest-detailed polo jackets in shades such as Kelly green that are primed to be a cult buy next year. It’s a new lens on prep that is bringing preppy dressing back for 2026.
Brooklyn Mirage — the 32,000-square-foot open-air nightclub that has helped define Brooklyn’s nightlife since 2017 — is set to be torn down, according to new filings with New York City’s Department of Buildings.
Public records show that Avant Gardner LLC, the company behind the venue complex, submitted a permit application on Tuesday (Oct. 14) seeking approval to demolish the Mirage. The two other venues at the Avant Gardner complex, Kings Hall and the Great Hall, are set to remain open through December.
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The filing lists a $1.5 million budget for the demolition project and names H&O Engineering as the contractor. It remains unclear when demolition will begin, but filings indicate the project will be a straightforward teardown.
Opened in 2017, the Mirage quickly became one of the most coveted venues for touring DJs and electronic acts, earning recognition from DJ Mag and being named “Best Venue” by EDM.com in 2024 for its innovative design and large-scale production.
Behind the scenes, however, Avant Gardner faced mounting challenges. The company became embroiled in multiple lawsuits alleging overly aggressive security practices and clashed with the New York State Liquor Authority. The situation worsened in 2023 when Avant Gardner’s production of the Electric Zoo festival collapsed amid permitting issues and overcrowding, forcing the cancellation of one of the festival’s three days.
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The fallout from Electric Zoo, including multiple lawsuits filed by fans, triggered an ownership reshuffle. Axar Capital, one of Avant Gardner’s senior creditors, took a leading role in the company, while hospitality veteran Josh Wyatt was brought in as CEO. Wyatt closed Avant Gardner last November to begin an ambitious renovation of the 80,000-square-foot complex, including an expanded dance floor designed to be the largest in New York City.
At its peak, the Brooklyn Mirage stood 65 feet high and featured a 30K-resolution wraparound LED wall, 100 L-Acoustics loudspeakers and a kinetic shutter system. The remodeled venue was slated to reopen May 1, 2025, with a two-night run by techno artist Sara Landry.
But the reopening never happened, as the project became mired in permitting issues with the city’s Department of Buildings. As an open-air venue that typically operates only in warmer months, Brooklyn Mirage functioned under a Temporary Place of Assembly Certificate of Occupancy that had to be renewed annually. Wyatt’s 2025 redesign included a prefabricated wooden structure standing 65 feet high and nearly 200 feet long — a scale that ultimately complicated the city’s permitting process.
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When the Department of Buildings declined to issue the necessary permits, the venue posted a message to Instagram asking fans for patience.
“We want to be clear: the venue is show-ready and the New Mirage has been built to exacting safety, structural, mechanical, and technical specifications,” the since-deleted post read. “However, we were not able to meet the final inspection deadline today.”
On May 22, Wyatt stepped down as CEO and was replaced by veteran music executive and touring artist Gary Richards. Three months later, in August, Avant Gardner filed for Chapter 11 bankruptcy. Bankruptcy records show that the company owes about $194 million to creditors, with about $900,000 in cash in the bank.

On one of the U.S. tours to support the album Alien Lanes, Guided By Voices, for whom I played bass guitar at that time, did a show at a club in Los Angeles called Spaceland. It was so new it didn’t even have a stage. The P.A. system was not top flight, either, which is where the trouble started.
On the guest list that night was the main guy from the band Soul Asylum, who was dating the girl from Edward Scissorhands at the time, so we were a little bit excited that a real Hollywood celebrity might show up to our show. Whether the Soul Asylum person or his date showed up, I could not say. This was a time, please understand, before GBV were regularly visited backstage in Los Angeles by, for instance, the guy from Zoolander, the little girl from E.T., that one thin blonde girl from that one movie, and possibly Che Guevara (actually, Benicio Del Toro, who played him in the movie). Because nobody had heard of the band yet, except people who liked rock music, and the guy from Soul Asylum.
Despite our lack of celebrity clout, the place was packed. The tiny sound system couldn’t cope. Especially the monitors. Things got so bad that our singer, Bob, actually stopped the show at one point and sat down on the floor, and said into the mic that he wasn’t going to play another song until someone fixed the fucking monitors. His voice was almost hoarse because we had been on tour for some time, and had only a couple of shows left on this particular leg.
The soundman at the club did something to the monitors where it was possible for Bob and Kevin to at least hear the vocals, so that Bob didn’t blow out his voice, but I’m pretty sure he was in a bad mood and in a hurry to get off the stage. He signaled that we would play “Exit Flagger,” and that that would be our last song.
“Exit Flagger” was, when I first heard it, and remains to this day, one of my very favorite Guided By Voices songs. It has a very simple structure, and adeptly performs that neat magic trick where a song can be both anthemic and melancholic at the same time. Towards the end of the song, where Bob and Toby keep singing “Exit Flagger” over and over, I used to go kind of crazy with my bass runs.
It was always a blast to play that closing bit, especially when drunk, because everyone knows that when you are drunk your fingers move faster. But what happened next was really a little extraordinary.
To this day, I will never know whether my (quoting Toby Sprout) “smoking” bass runs or some technical glitch in the bass cabinet caused my amp to cut out at the exact moment the song ended. I turned around to look for the reason, only to find that the cabinet was on fire. I mean, literally on fire. Flames were coming out of it. Toby turned around at the same time, noticed the flames, and casually picked up a cup of beer and poured it over them. The flames went out. Toby muttered something about “wasting good beer,” and that was that.
I can’t explain the cause, I can only speculate. And because I can only speculate, I prefer the satisfying explanation that “Exit Flagger” set my bass amp on fire through the power of rock. Having no use for it, and not wishing to load its heavy carcass into the van, I left the scorched wreck on the floor of Spaceland. It stood where it had died, I like to think proudly, or nobly, but dead all the same.
Our next show was a festival somewhere in San Diego. Luckily, our management had already got in touch with one of the other bands, who agreed to lend us their bass rig for our set. The kid who showed me how to use the rig was very nice; I can’t remember his name. He played with a band none of us had ever heard of before, and some of us have not listened to ever again, except accidentally, but I would like to stress: very nice people. The band was called No Doubt, which is fitting, because that is how I feel about the supernatural provenance of my amp’s fiery death.
South Park Returns to Roast Peter Thiel, Set Up Cartman vs. Antichrist
South Park returned Wednesday after a three-week hiatus and left us with the terrifying prospect of Eric Cartman being the only human to save us from the Antichrist.
For reasons unexplained, the episode is listed as season 28, episode one — not the sixth episode of the 27th season. Perhaps it’s a contract issue with Paramount and South Park Studios, but it doesn’t seem to have much to do with the plot, which carries on where it left off.
This week at South Park Elementary, the “6-7” meme is in full force and driving the parents and teachers mad. For the uninitiated, under-14s have been saying “6-7” when they don’t know the answer, as a fill-in phrase, or for reasons they and we will never know. The genesis of the meme comes from the song “Doot Doot,” by rapper Skrilla in December 2024, and for some reason, it just took off. Eventually, obsession over the joke drives Cartman to puke incessantly. Or is he possessed?
Meanwhile, tech guru Peter Thiel enters the story, plotting with J.D. Vance to thwart the birth of the Antichrist, i.e., Donald Trump and Satan’s baby. Thiel gets Trump to head to Planned Parenthood to try to sneakily ask a doctor to perform an abortion on Satan, but it is rebuffed by the doctor, who tells him that he’ll need someone with expertise on the Antichrist. Enter Thiel, who marches into South Park Elementary and lays down the law with the faculty about the possible cult the kids are obsessed over.
Back at the A-story, Cartman is at the doctor’s office, too, undergoing a full-body scan to determine the cause of his health crisis. But the puke keeps coming and it appears they will need to seek outside help.
Thiel, having commandeered the school’s security system, downloads all student data and begins to observe and report. Cameras across the school are watching the kids, as the staff is seeking to find more leads on what is going on with this “6-7” business.
Also added into the jam-packed episode is a plotline with Jesus trying to reconcile with modern Christianity and going on a double date with PC Principal; his date is a piece of work named Peggy Rockbottom. It doesn’t go well. Back at school, Thiel dubs Jesus a “Nosey Nancy” when he protests the surveillance and is quickly removed by PC Principal; in the gym, he laments the state of affairs with the sporty school leader, who asks him, point-blank, if he is gay.
Trump gags continue throughout the episode: if his sphincter isn’t on full display at Planned Parenthood, he is in bed with Satan, but rebuffed and masturbating… with chopsticks.
The plot thickens as Vance and Thiel’s partnership is revealed as a scheme to obtain all of the world’s data. But he must sort out this Antichrist business, so Thiel heads to the Cartman residence in a sharp homage to The Exorcist. Oh, and he got there in an Uber. It took him around six or seven minutes. After he spends time with Cartman, Thiel concludes that he may be the only hope we have to stop the Antichrist.
“We have to unlock the secrets he holds, no matter what it takes,” he declares. Uh-oh.
Back at the Cheesecake Factory, Jesus is back on a double date with Peggy Rockbottom and PC Principal, but just can’t take it, and the warped sense of Christianity that seems to have taken hold across America.
“You need to bully people and you’re using the Bible to do it, ” he tells PC Principal, as he tries to kick his ass. Jesus then heads out into the suburban sprawl and contemplates life on earth in 2025. He then turns around, walks into “the Factory,” stares down PC Principal and pulls Ms. Rockbottom out of her chair and back to his place. He’s going full bro.
The two-parter should conclude in two weeks.
Wednesday night’s episode is the sixth of the ratings-smashing 27th season of South Park, which debuted on Comedy Central in 1997. Additional new episodes of the latest season will air on Oct. 29, Nov. 12, Nov. 26 and Dec. 10, according to Comedy Central.
Spice It Up Trailer Out! ‘The Rebel Kid’ Apoorva Mukhija Set To Take Celebs On An Unsual Journey- Watch
JioHotstar Sparks presents Spice It Up, a bold new celebrity chat show where energy, unpredictability, and candid storytelling take centre stage. As Apoorva Mukhija, aka The Rebel Kid, makes her debut as a talk show host, Spice It Up redefines celebrity interviews with her signature mix of humour, shade, and fearless questioning. Premiering on 17th October, the show is a whirlwind of laughter, surprises, and unfiltered revelations, with Apoorva leading the way as both host and instigator of chaos.
Spice It Up Trailer Out
At the heart of Spice It Up is a pani puri challenge, where guests face increasingly spicy rounds while answering bold, personal questions designed to reveal their true selves. Adding to the unpredictability are the quirky Dare to Play segments, featuring rapid-fire games, spontaneous tasks, and playful dares that keep both guests and viewers on their toes. With vlog-style storytelling, chaotic narratives, and vibrant, interactive visuals, every episode is fast-paced, binge-worthy, and packed with memorable moments that showcase the human side of India’s most popular celebrities and creators.
Apoorva Mukhija On Spice It Up
Sharing what drives her, Apoorva says, “It’s my first time hosting, and I wanted it to feel like me – unfiltered, dramatic, and completely unpredictable. On Spice It Up, I get to recreate that thrill on a bigger scale. Every pani puri, every rapid-fire game, every dare is designed to catch my guests off-guard, break down walls, and spark the real stories that no one expects. It’s messy, chaotic, and hilarious—but that’s exactly where the magic happens.”
“This show isn’t just about spice; it’s about fun, spontaneity, and raw human reactions. I watch my guests sweat, laugh, stumble, and reveal sides of themselves they didn’t even know existed. The juiciest confessions always come when you’re slightly uncomfortable, and that’s the chaos I live for. With unexpected twists, playful banter, and nonstop surprises, Spice It Up is all about celebrating honesty, humour, and the kind of stories that keep you hooked till the very last bite,” she added.
With unfiltered celebrity revelations, laugh-out-loud challenges, and the signature pani puri heat turning every confession into entertainment, Spice It Up promises to be India’s spiciest, most binge-worthy chat show. Premiering 17th October, only on JioHotstar Sparks.
For more news and updates from the entertainment world, stay tuned to Bollywood Bubble.
Also Read: Pitch To Get Rich: Karan Johar, Akshay Kumar And Others Encourage Fashion Entrepreneurs- Trailer OUT

Akankshya Mukherjee is a dynamic and ambitious individual poised to make waves in the realm of Media and Communication. With a passion for creativity and a drive to contribute to forward-thinking organizations, Akankshya embodies adaptability and a hunger for learning. Having already garnered experience through involvement in various organizations, she has honed the skill of quickly adapting to new environments and challenges. She sees each opportunity as a chance for personal and professional growth, eagerly embracing roles in communications and content writing.
Subedaar’s Anil Kapoor And Suresh Triveni Share An Unforgettable Moment On Set! | Glamsham.com
Anil Kapoor, the greatest and most versatile actor of Indian cinema, has formally completed dubbing his action-drama Subedaar, which is helmed by director Suresh Triveni. The news was broken through a strong behind-the-scenes post done by the director himself, generating huge buzz among the fans. With this, much-awaited film has moved an inch closer to the box office, increasing anticipation to what will be one of the most gripping cinematic experiences of the year.
Suresh Triveni took to Twitter to post an evocative picture from the dubbing studio, with Anil Kapoor and veteran actor Saurabh Shukla. Both actors are completely in the zone, their faces conveying the film’s intense emotional core. The gritty black-and-white photo captures the raw realism and emotional heft of Subedaar to perfection, and builds towards a story rich in layered human drama and action.
Directed in the heartlands of India, Subedaar traces Arjun Singh, a retired soldier who is facing challenges to life in the civilian sector. With memories from his past lingering in his mind and a troubled relationship with his daughter to deal with, Arjun has both internal and external conflicts to fight. The movie delves into issues of duty, loss, sacrifice, and redemption, giving viewers a deeply emotional and action-packed ride.
Earlier this year, Anil Kapoor had announced the completion of the film’s shoot with a heartfelt note. Sharing behind-the-scenes glimpses, he expressed gratitude to the cast and crew, calling Subedaar “a testament to passion and commitment.” He wrote, “I can’t wait for the world to witness what we’ve created together in 2025,” signaling just how special the project is to him.
One of the scenes from the dubbing session has already gone viral — Anil putting in a commanding performance of the line, “Gaur Se Suno!! Subedaar Bol Rahe Hain.” The powerful one has connected with fans, adding more to the buzz about the movie.
Scheduled for a grand cinematic release in 2025, Subedaar is a gripping mix of action, emotion, and psychological depth that promises to deliver. For Anil Kapoor, it is another bold and churning role in an illustrious career.
The actor meanwhile will also feature in Shah Rukh Khan and Siddharth Anand’s next project King, also featuring Deepika Padukone, Suhana Khan, and Abhay Verma.
Also Read: FAMILY LOVE! Anil Kapoor pens a sweet note on Rhea Kapoor-Karan Boolani’s wedding anniversary
With Subedaar, Anil Kapoor once again demonstrates why he is among the most energetic actors in Indian film.
Wale Announces New Album ‘Everything Is A Lot,’ Set To Drop Next Month
Wale
Wale Announces New Album ‘Everything Is A Lot,’ Set To Drop Next Month
Ready for some new Wale?
The rapper is gearing up to release his eighth studio album, Everything Is a Lot, a project that he says is driven by emotional honesty. He explained in an interview with #Billboard that his goal with this album is “to express a certain level of vulnerability,” leaning into soul samples, blues textures, and deeply personal songwriting as he opens up more than ever before.
Throughout the interview, #Wale reflects on his evolution as an artist and emphasizes how this album signals a turning point. He frames Everything Is a Lot as a continuation of his journey toward transparency, aiming to give listeners a clearer window into his life and mindset through his music.
The album is set to drop on Nov. 14.
Sunny Deol Relishes Samosa, Paneer Kachori, Chai On Set; Says, “Stay Healthy, Eat Healthy”- Watch
Sunny Deol, famous for his strong roles in action films, recently showed fans a different, more relaxed side of himself. In a fun and heartwarming video shared on social media, the Gadar 2 star is seen enjoying a snack break while on set. He is happily munching on hot samosas, paneer kachoris, and sipping chai. Dressed in casual clothes and flashing his big smile, Sunny looked very relaxed and happy.
Sunny Deol Shares Snack Break Video from Shoot
He added a funny and positive caption to the video, “Stay healthy, eat healthy.” Fans loved this simple moment and flooded the comments with heart emojis and kind words. Many appreciated how down-to-earth and real he is, calling the video “too cute to miss.”
Sunny Deol’s Work Front
After the massive success of Gadar 2 in 2023, Sunny Deol is busy with exciting new projects. He will next be seen in Lahore 1947, directed by Rajkumar Santoshi and produced by Aamir Khan. This film is set during the Partition of India and promises a strong emotional story, with Sunny in a powerful role once again.
That’s not all, Sunny is also working on Border 2, the sequel to his iconic 1997 film Border. This movie will bring back patriotic feelings and action-packed drama that fans love.
In addition, Sunny has also joined the cast of Ramayana, a big film directed by Nitesh Tiwari. He will be playing an important role in this epic tale. From enjoying simple snacks to starring in grand films, Sunny Deol continues to win hearts both on and off the screen.
For more news and updates from the entertainment world, stay tuned to Bollywood Bubble.
Also Read: Border 2 FIRST Look Out! Sunny Deol Fires Bazooka In Fierce Independence Day Poster; Release Date Announced

Manisha has established a reputation for insightful and engaging storytelling with over six years of expertise in the industry. With a deep passion for cinema, she brings a unique perspective to her coverage, making it a trusted voice in the entertainment world.
“The Inbetweeners,” the hit British teen comedy series that gave the world a foul-mouthed library of hilariously puerile quotes not to mention two hugely successful spin-off movies, looks set to make a comeback.
Banijay UK and Fudge Park Productions, the company founded in 2015 by show creators Iain Morris and Damon Beesley, have struck an agreement which they say “paves the way for the return of the hit comedy title.” In what guise “The Inbetweeners” will return and on what platform is as yet unknown, although Morris and Beesley suggested it would revolve around the original characters.
“Incredibly exciting to be plotting more adventures for our four favourite friends (ooh friends),” they said in a statement.
Originally broadcast on E4 in the U.K. between 2008 and 2019, “The Inbetweeners” follows the misadventures of suburban teenager Will MacKenzie and his friends Simon Cooper, Neil Sutherland and Jay Cartwright at the fictional Rudge Park Comprehensive as they navigated school life, friendship, male bonding, lad culture and failed sexual encounters. It was originally conceived as a more realistic counterpoint to fellow hit Brit teen show “Skins,” showcasing an adolescence that is awkward and — as Morris suggested at the time — mostly “crap.”
Over three series “The Inbetweeners” set new ratings records for the channel and won multiple awards. Two hit movies followed, released in 2011 and 2014 respectively. The first set a record for the biggest opening weekend for a U.K. comedy at the time of its release with the sequel also breaking box office records.
Made by Bwark Productions, the original company founded by Morris and Beesley, which later sold to Zodiak Media (acquired by Banijay in 2016), the new deal unlocks what is described as “the rights and the potential to bring ‘The Inbetweeners’ back for new audiences across a range of platforms including film, tv and stage.”
“We are thrilled to announce this exciting partnership with Banijay who share our vision and ambition for one of the most iconic comedies in British history,” said Jonathan Blyth, managing director of Fudge Park. “This is a wonderful moment for fans, there are exciting conversations afoot and more news to follow.”
Patrick Holland, CEO Banijay UK added: “I have worked with Damon and Iain on a number of Fudge Park projects over the years and was delighted to pick up the conversation about the future of ‘The Inbetweeners’ with them. They have an infectious creative vision for the brand which will resonate with audience old and new so I can’t wait to get going.”
Banijay Rights are distributors of “The Inbetweeners.”
Since ending the series, Morris and Beesley have worked on numerous projects, both together and apart, and teamed on “The Festival” comedy film and later the BBC series ‘The First Team.” Beesley also created the series “White Gold,” starring many of “The Inbetweeners” cast, while Morris co-wrote sports comedy “Next Goal Wins” alongside Taika Waititi, was among the creators of Apple series “Time Bandits” and recently directed Netflix feature “My Oxford Year.”