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Rosalía, MIKE, Hayley Williams, and More: This Week’s Pitchfork Selects Playlist
Music

Rosalía, MIKE, Hayley Williams, and More: This Week’s Pitchfork Selects Playlist

by jummy84 November 10, 2025
written by jummy84

The staff of Pitchfork listens to a lot of new music. A lot of it. On any given day our writers, editors, and contributors go through an imposing number of new releases, giving recommendations to each other and discovering new favorites along the way. Each Monday, with our Pitchfork Selects playlist, we’re sharing what our writers are playing obsessively and highlighting some of the Pitchfork staff’s favorite new music. The playlist is a grab-bag of tracks: Its only guiding principle is that these are the songs you’d gladly send to a friend.

This week’s Pitchfork Selects playlist features Rosalía, Hayley Williams, Grace Ives, Oneohtrix Point Never, a Smerz edit featuring MIKE and Zack Sekoff, and more. Listen below and follow our playlists on Apple Music and Spotify. (Pitchfork earns a commission from purchases made through affiliate links on our site.)

Pitchfork Selects: November 10, 2025

Smerz: “You Got Time and I Got Money” [ft. Elias Rønnenfelt & Fousheé] [MIKE + Zack Sekoff Edit]
Rosalía: “Mio Cristo Piange Diamanti”
Grace Ives: “My Mans”
Hayley Williams: “Showbiz”
Oneohtrix Point Never: “D.I.S.”
Hydroplane: “Houdini’s Plane”
Wata Igarashi: “Shockwave”
JT: “Girls Gone Wild”
Lerado Khalil & Surf Gang: “Nobody Calls”
WNC Whopbezzy & 70th Street Carlos: “WTF”

November 10, 2025 0 comments
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China Selects Nanjing Massacre Film 'Dead to Rights' as Oscar Entry
TV & Streaming

China Selects Nanjing Massacre Film ‘Dead to Rights’ as Oscar Entry

by jummy84 September 28, 2025
written by jummy84

China has chosen Shen Ao’s “Dead to Rights” as its submission for the best international feature film category at the 98th Academy Awards.

Written by Shen Ao, Zhang Ke, and Xu Luyang, and set against the backdrop of the 1937 Nanjing Massacre and drawing from documented historical events, “Dead to Rights” follows A Chang (Liu Haoran of the “Detective Chinatown” franchise), a postman who assumes the identity of a photo developer to survive the Japanese occupation. Operating from within the walls of a Japanese-controlled studio, he covertly shelters Chinese soldiers and civilians in an act of quiet resistance.

The film is produced by Furuo Qing of “The Wandering Earth” franchise fame. Niu Vision Media and Echelon Studios released the film in North America in August.

“Dead to Rights” opened in China on July 25 and has grossed more than RMB3 billion ($415 million). It led the local box office for 16 consecutive days over the summer.

China has yet to win the international feature Oscar. The country has scored two nominations in the category to date, with Zhang Yimou’s “Ju Dou” (1991) and “Hero” (2003). Hong Kong, which submits separately, has earned three nominations: Zhang Yimou’s “Raise the Red Lantern” (1992), Chen Kaige’s “Farewell My Concubine” (1994) and Derek Tsang’s “Better Days” (2021).

Last year, China submitted Fang Li’s documentary “The Sinking of the Lisbon Maru,” which was disqualified by the Academy for not meeting language requirements.

The Oscar international feature shortlist will be announced on Dec. 16 and the final five nominees will be announced on Jan. 22.

September 28, 2025 0 comments
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Bhutan Selects Tallinn Winner 'I, The Song' as Oscar Entry
TV & Streaming

Bhutan Selects Tallinn Winner ‘I, The Song’ as Oscar Entry

by jummy84 September 25, 2025
written by jummy84

Bhutan has chosen “I, The Song,” directed by Dechen Roder, as its submission for the international feature film category at the 98th Academy Awards, marking another significant step for the small Himalayan nation’s emerging cinema.

The selection follows the film’s dominant performance at Bhutan’s National Film Awards, where it achieved a near clean sweep, winning most major categories including best film, director, screenplay and acting honors.

In “I, The Song,” a school teacher travels to the south of Bhutan in search of her doppelganger to save her job and reputation. As she becomes entangled in her lookalike’s life, she realizes she might be the only one to solve her doppelganger’s disappearance as well as recover a stolen sacred song.

The film had its world premiere at Tallinn Black Nights Film Festival, where Roder won best director, and its Asia premiere at the International Film Festival of India (IFFI), Goa. The cast includes Tandin Bidha, Jimmie Wangyal Tshering, Tshering Dorji, Sonam Lhamo and Dorji Wangdi.

This selection represents Bhutan’s fourth official submission to the Academy Awards since the kingdom began participating in 1999. Previous entries include “The Cup” (1999), “Lunana: A Yak in the Classroom” (2020), and “The Monk and The Gun” (2023). “Lunana: A Yak in the Classroom” became Bhutan’s first film to receive an Oscar nomination.

The selection was made by a committee organized through BICMA (Bhutan Information and Communications Media Authority), the country’s main film supporting agency. The Oscar submission committee itself was established relatively recently in Bhutan, as the country previously lacked formal procedures for Academy Award submissions.

“We’re super thrilled to be given this show of support from the committee,” said Roder. “Of course our Oscars journey likely peaks here, since we have zero budget for campaigns or anything now. Still we are honored and thrilled with the seal of recognition from our own country.”

“I, The Song” received several international grants, including funding from Visions sud est, MPA APSA Film Fund, Sorfond, WCF Europe, CNC ACM, Ciclic, and Mibac. The film is produced by Roder for Dakinny Productions (Bhutan) and Johann Chapelan for Girelle Production (France), with multiple international co-producers including companies from Norway, Taiwan, Italy, and France, alongside local co-producer Samuh, Bhutan’s first streaming platform. The production had no executive producers or equity investors.

Award-winning filmmaker and Academy member Arun Bhattarai, who served on Bhutan’s selection committee, praised the choice: “‘I, The Song’ touched me in a personal way. Dechen has a gift for blending the real and the mysterious, and through that she tells a story that feels deeply Bhutanese.”

Fellow committee member Thaye Lam Tshering added: “This film touches on a very current state of our world – the going viral economy/reality, how the digital affects reality. The film also showcases plenty of Bhutan’s unique culture and tradition.”

Producer Johann Chapelan said: “Today, as women’s rights and fundamental human freedoms are eroded by the rising tide of conservatism and bellicism across the world, this film stands as a reminder of cinema’s power to affirm human dignity.”

Roder expressed hope that the recognition would inspire the broader Bhutanese film community: “I hope this recognition gives our own filmmakers a small push of encouragement and inspiration and also creates a small visibility in the global landscape for Bhutanese art/independent films.”

Diversion is handling international sales for “I, The Song.”

The Oscar international feature shortlist will be announced on Dec. 16 and the final five nominees will be announced on Jan. 22.

September 25, 2025 0 comments
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Wednesday, Maajins, and More: This Week’s Pitchfork Selects Playlist
Music

Wednesday, Maajins, and More: This Week’s Pitchfork Selects Playlist

by jummy84 September 22, 2025
written by jummy84

The staff of Pitchfork listens to a lot of new music. A lot of it. On any given day our writers, editors, and contributors go through an imposing number of new releases, giving recommendations to each other and discovering new favorites along the way. Each Monday, with our Pitchfork Selects playlist, we’re sharing what our writers are playing obsessively and highlighting some of the Pitchfork staff’s favorite new music. The playlist is a grab-bag of tracks: Its only guiding principle is that these are the songs you’d gladly send to a friend.

This week’s Pitchfork Selects playlist features Maajins, Wednesday, Optic Sink, Adeline Hotel, Peel Dream Magazine, Cusp, and more. Listen below and follow our playlists on Apple Music and Spotify. (Pitchfork earns a commission from purchases made through affiliate links on our site.)

Pitchfork Selects: September 22, 2025

Maajins: “Trolly Boy”
The Best of the Worst: “Misogyny”
Wednesday: “Townies”
Optic Sink: “Don’t Look Down”
Adeline Hotel: “Just Like You”
Hannah Frances / Daniel Rossen: “Life’s Work”
Peel Dream Magazine: “Venus in Nadir”
Cusp: “Oh Man”
Pony: “Superglue”
41 / Kyle Richh / Jenn Carter / TaTa: “Lisp”

September 22, 2025 0 comments
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