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All We Know About Sarkata’s Status In Thamma!
Bollywood

Is Sarkata Still Alive? Revisiting Stree 2 Post-Credit Scene

by jummy84 October 23, 2025
written by jummy84

What Is Known About Sarkata’s Status In Thamma? (Photo Credit – Maddock Films)

Thamma’s ending has left the audience buzzing about the future of Maddock Horror Comedy Universe. At the end of the movie, a monstrous version of Sarkata appeared in Vetaal’s prison and fled with Yakshasan.

However, the appearance of Sarkata comes as a big surprise to everyone, especially after the ending and post-credit scene of Stree 2. In this article, let’s revisit the ending of Stree 2 and the post-credit scene, along with the question: whether Sarkata is still alive in Thamma?

Revisiting Stree 2 Ending & Post-Credit Scene

Stree 2 ended with the victory of Shraddha Kapoor’s character, as she defeated Sarkata with the help of her mother, Stree’s powers, and assistance from Vicky, i.e, Rajkummar Rao’s character.

The team managed to throw Sarkata in a pool full of lava, which eventually burned his entire body. Later, in the post-credit scene, Akshay Kumar’s character was seen drinking from a lava pot, which appeared to be the same lava in which Sarkata was thrown at the end.

On the other hand, sarkata’s descendant played by #AkshayKumar has inherited his powers.. Though it’s not shown who passed down the pot to akshay, it is said that no one can see munjya other than those who are related to him. So it could be possible..
(9/17) pic.twitter.com/h0yxvas6yd

— prem. (@dhawanncastic) October 20, 2025

Is Sarkata From Stree 2 Back In Thamma, Or Is It Akshay Kumar’s Evil Character?

One of the major debates among the audience after watching Thamma is whether the Sarkata is the new version of Akshay Kumar after drinking from the lava pot, or if it is the same Sarkata who was already killed in Stree 2.

With the lava-structured body of Sarkata in Thamma, it seems that he somehow survived despite facing defeat in the second installment of Stree. Also, with the gigantic size of the body, it’s unlikely that Akshay Kumar was behind Sarkata’s new version in Maddock’s latest film.

The original Sarkata likely resurfaced with its modified version, which is stronger than before. However, Akshay Kumar’s character could probably have played a crucial role in Sarkata’s resurgence.

Additionally, Akshay’s character could be the mastermind and the controlling power behind the lava monster. He might have ordered him to free Yakshasan from Vetaal to form an evil army force.

Akshay Kumar as Sarkata💀🔥#Thamma    #AkshayKumar pic.twitter.com/R14kT2BWYG

— Amit (@MightyRk1) October 21, 2025

For more such stories, check out Bollywood News

Must Read: Thamma: What Next For The Maddock Horror Comedy Universe After Ayushmann Khurrana & Rashmika Mandanna Starrer?

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October 23, 2025 0 comments
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Marion Cotillard on Gaspar Noe, 'The Ice Tower,' and Its Hardest Scene
TV & Streaming

Marion Cotillard on Gaspar Noe, ‘The Ice Tower,’ and Its Hardest Scene

by jummy84 October 6, 2025
written by jummy84

Marion Cotillard and writer/director Lucile Hadžihalilović tell IndieWire about their latest film, in which the Oscar winner stars as a fading actress who casts a spell over a young girl — culminating in a sexual assault scene that demanded trust and care on all sides.

October 6, 2025 0 comments
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Toni Collette, Mae Martin and Sarah Gadon
TV & Streaming

Is Evelyn Dead? Ending and Shocking ‘Leap’ Scene Explained by Toni Collette (Exclusive)

by jummy84 September 25, 2025
written by jummy84

Mae Martin‘s new Netflix series Wayward is a twisty psychological thriller about an academy for “troubled teens,” run by Evelyn Wade (Toni Collette), and the surrounding town that holds a whole lot of secrets.

Evelyn uses questionable methods to get the students to remember traumatic events from their past to prepare them for a ritual called “the Leap,” but the process is eventually turned on her in the end when Alex (Martin) injects her with a too-large portion of the drugs used, resulting in a haunting scene that shows Evelyn reacting to the psychedelic overload.

But did the injection actually kill her? “We actually did a lot of takes which were far more intense and it felt like Evelyn was gone forever,” Collette tells TV Insider. “But it’s kind of left a little open-ended.”

Martin, who created the show, confirms, “I think [Evelyn’s] still in there.”

Alex is a cop who’s new to the town of Tall Pines. He moved there with his pregnant wife, Laura (Sarah Gadon), who used to be a student at Tall Pines Academy and has a troubled history with Evelyn, memories of which she unlocks throughout the series. It doesn’t take long for Alex to notice that things are a little off at the Academy and within the town in general (for example, Tall Pines has no children.)

As he investigates, with help from two of the school’s teens, Abbie (Sydney Topliffe) and Leila (Alyvia Alyn Lind), he makes an enemy out of Evelyn, who wants to “Leap” him before he can find out the full truth of what she’s up to. When Alex escapes, he’s shocked to find that Laura has given birth to their child and is essentially sharing the baby with the rest of the people in the town. “It’s everyone’s. It’s the only way to break the pattern,” Laura insists.

While Alex seems horrified to see that his wife is essentially taking on Evelyn’s leadership role in a new form, he ultimately makes the decision to stay with her and their baby in Tall Pines. He helps Abbie escape by leaving her his car so she can leave town, but he doesn’t join her for the getaway.

“I knew that I wanted the show to escalate to something pretty surreal and almost sort of a parabole by the end, or a weird myth,” Martin explains. “Alex is a deeply flawed character who desperately wants acceptance, and I really understand his choice, in a way. He compromises a lot of his integrity and his morals, but he ultimately wants to stay with his wife and baby. I’m curious for what would happen for them in the future. I think their kid is going to be pretty messed up.”

As for whether or not we’ll get to explore the family’s future in another season of Wayward, that’s still up in the air. “I was told it was a miniseries, but there’s definitely more story to tell, I think,” Martin admits. “We left all those characters in crisis, basically.”

Collette adds that the cast “talks about” returning for a Season 2. “It’s endlessly intriguing,” she says. “Endlessly. So many places it could go, for sure.” As Gadon also points out, “Nothing’s tied up in a neat little bow.”

Wayward, All Episodes, Streaming now, Netflix

September 25, 2025 0 comments
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'Chief of War' Finale Battle Scene Explained by Cinematographer
TV & Streaming

‘Chief of War’ Finale Battle Scene Explained by Cinematographer

by jummy84 September 24, 2025
written by jummy84

The “Chief of War” finale, Episode 9 on the Apple TV+ series, is called “The Black Desert.” And director Jason Momoa does not hold back when it comes to just how “black” and “desert”-like that setting is for the show’s climactic, 30-plus-minute battle between the forces of Hawaii and Maui.

The clash sees Cliff Curtis’ spurned chieftain Keōua, now high on his own supply as the chosen of the volcano Gods, on the one side; then, Kaina Makua’s reluctant, good-hearted king Kamehameha, and Jason Momoa’s vengeful chief of war Ka’iana on the other. The massive armies square up on a desolate lava field, which is not exactly the kind of place you’d want to fight with very sharp spears and minimal padding. 

Protestors outside 'Jimmy Kimmel Live!' following ABC's indefinite suspension of the program at Hollywood Blvd on September 18, 2025 in Los Angeles, California.

It’s also not necessarily the kind of place you’d want to drag a film crew for eight days of shooting intense crowd and stunt sequences. But series cinematographer Matthew Chuang told IndieWire the location the “Chief of War” team found was simply undeniable as the place for the battle where the Kingdom of Hawaii truly came into being. 

“We were scouting possible locations for this, and we came across this lava field — this huge lava field on a cliff by the side of the water. I don’t know if you’ve ever been on a lava field before, but it’s like walking on the moon,” Chuang said. “It’s so jagged, and the ground has these peaks and cracks, and it’s really sharp. If you put your hand on the lava, you could cut yourself.” 

It took the location scouting team about 30 minutes to walk into the spot around Hawaiʻi Volcanoes National Park where they would eventually film, in fact, because the ground was so sharp. But Momoa especially pushed for them to find solutions to work and get power to the location safely, so that the show could visually underscore the importance of the battle in Hawaiian history. “He wanted to shoot that on Hawaiian land, you know?” Chuang said. “So they got geologists to come in and looked [at the location], with production, at how we could get our gear in there, and they kind of made it possible.”  

Te Ao o Hinepehinga getting ready to throw a stone with the ocean behind her in 'Chief of War'
‘Chief of War’ Apple TV+

With geological information about the safest places to film and how to get gear in and out, though, Chuang and Momoa still had to test a lot of camera and, especially, lighting equipment to ensure that they could withstand the marathon, all-day, and into-night battle sequence. Chuang made the correct story decision for the show to embrace a naturalistic style overall, building frames that continually envelop the characters within the landscape or set them starkly against it. But it meant that during the battle shoot, the production had to really divide and conquer in order to get the coverage they needed. 

“We had five units going at the same time. Jason brought in [the other ‘Chief of War’ directors] Brian Mendoza and Justin Chon to help him direct certain sequences. We sectioned off the lava field for different areas to have the forces stand off, then colliding, then a section for certain characters to use, and we split it off that way,” Chuang said. “It was a huge undertaking.” 

Momoa, who leads Kamehameha’s forces from the front, had to balance spearing and pummelling his way through Keōua’s army on camera with coordinating other units following other characters through the bloody scrum. You’d expect this to require a huge amount of planning and communication between the camera and stunt teams, and it did. But, reflecting on the experience, Chuang was struck by how getting the scale of the battle right took a full-court press from the entire “Chief of War” crew. 

Jason Momoa throwing a spear in a line of spear and musketmen in 'Chief of War'
‘Chief of War’ Apple TV+

“It was all planned out, but at the same time, incredibly crazy. Everyone on the crew, from costumes to makeup to stunts, were all happening all along the same time. All the PAs and transport — everyone needed to come together to make this possible.  Sometimes, we would start at 3 in the morning and prep at night. Then, as the sun was coming up, we’d start shooting all those sequences.” 

The brutality of the black desert is a big part of what makes the sequence feel so visually distinct; it sharpens as the light changes, then grows dark and fiery and almost infernal as night falls, and as the combatants have to wail at each other by the glow of lava coming forth from the Earth. Chuang said that when it comes to the lava-work, visual texture allows the camera and the action to breathe a bit — to not need the kind of shaky-cam or quick movement that forces a sense of intensity. Instead, it comes from the environment and the actors onscreen. 

It’s a visual approach Momoa responded to even before Chuang got the job. “The key [to shooting the lava] is to have fog and smoke and atmosphere to light. One of my biggest influences in general is this photographer, Todd Hido. His stuff is this quiet, moody, memory-based work. When I was talking to Jason about coming to shoot the show, we’d just met for the first time over Zoom, and I mentioned Todd. He was like, ‘Oh, I love Todd! He’s a friend.’” Chuang said. 

Cliff Curtis standing, arms outstretched, on the edge of an active volcano, like one does, in 'Chief of War'
‘Chief of War’ Apple TV+

Todd Hido was not the only friend of the show on “Chief of War.” Just as the Apple TV+ series was gearing up to shoot the Episode 9 battle sequences, Mokuʻāweoweo, the summit caldera of Mauna Loa, erupted for the first time since 1984. The production needed to halt for a day to make sure the air quality was safe and it would be safe to film. 

“We went out there and started scouting anyway, and it was actually a really great prep day because everyone could get there and settle. But yeah, that volcano hadn’t exploded in like 40 or 50 years, and then the day that we finished [shooting], it stopped erupting,” Chuang said. “Jason and the Hawaiians thought it was a sign from the Gods, like a blessing, you know? So that was really amazing.” 

“Chief of War” is available to stream on Apple TV+

September 24, 2025 0 comments
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Armada Music Opens New Creative Hub in London to Boost Local Scene
Music

Armada Music Opens New Creative Hub in London to Boost Local Scene

by jummy84 September 22, 2025
written by jummy84

LONDON — Armada Music Group, home to the independent dance label of the same name, will open a brand new creative hub in London for its roster, it was announced Monday (Sept. 22).

The 7,000-square-foot space in London’s Old Street in the heart of Shoreditch spans six floors and boasts recording studios, event space, listening rooms and more.

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Armada Music was founded in 2003 by Dutch DJ Armin van Buuren, business executive Maykel Piron, and music manager David Lewis. The group now encompasses a number of subsidiary labels, the first-ever dance investment fund (BEAT Music Fund) and a publishing division.

The space in London includes two state-of-the-art recording studios for recording, and room to host writing camps for its roster. An event space has also been built with L-Acoustics club-grade sound system, and has live streaming capabilities and can host a capacity of approximately 130 people. There are also listening rooms for A&R sessions as well as working space for 60 full-time employees. See pictures below.

Speaking exclusively to Billboard U.K., Armada’s chief executive Piron expanded on the decision to bring this space to the U.K., the label’s second-largest market. “The U.K. is undeniably a vibrant hub for dance music, and as a global company, our aim is to sign and develop artists in London on an international scale,” he says. “This expanded presence will provide more opportunities to sign global acts. We expect this to lead to a significant increase in overall global streams. This new space will serve as a dynamic creative hub, fostering the creation of more hits in the UK and worldwide.”

Armada has had success in recent years with Manchester-born DJ and producer D.O.D, who achieved his first U.K. top 20 hit in 2023 with “So Much In Love.” In 2024, the label also saw a resurgence for Mason & Superstar’s 2007 song “Perfect (Exceeder)” which re-entered the top 40 decades after its original release. The space will also serve Armada’s international roster such as Armin van Buuren, Joris Voorn, Lilly Palmer, THEMBA and ARTY.

“This is a pivotal moment for Armada and a testament to the U.K.’s vibrant dance music scene,” said Ben Malone, general manager of Armada Music U.K. “This new hub will empower us to further champion local artists, provide them with unparalleled resources, and foster more innovation and creativity in the UK.”

Armada Music Group

Armada Music Group

Ben Hickman

Armada Music Group

Armada Music Group

Ben Hickman

Armada Music Group

Armada Music Group

Ben Hickman

Armada Music Group

Armada Music Group

Ben Hickman

September 22, 2025 0 comments
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Official Trailer for 'Game' UK Survival Thriller Set in 90s Rave Scene
Hollywood

Official Trailer for ‘Game’ UK Survival Thriller Set in 90s Rave Scene

by jummy84 September 19, 2025
written by jummy84

Official Trailer for ‘Game’ UK Survival Thriller Set in 90s Rave Scene

by Alex Billington
September 19, 2025
Source: YouTube

What do we have here? Invada Films has debuted an official UK trailer for a survival thriller indie film titled Game, made by filmmaker John Minton as his feature directorial debut. Not to be confused with the Gerard Butler video game action movie Gamer from 2009. Game is a thriller set during the ’90s British rave scene, where two men, one a thief and one a poacher, must use their wits to survive after a car crash in the woods. It’s produced by Geoff Barrow of the band Portishead, trying out something new. Starring Marc Bessant & Jason Williamson. The official UK premiere will be on October 16th at the opening night of Mayhem Film Festival in Nottingham, before the film hits UK theaters in November. Though still no US release set yet for this one. The film looks like some funky experimental indie horror creation, mixing nature and raves and psychological mania and more. What’s going on with these blokes in the forest? Keep an eye out for it…

Here’s the official UK trailer (+ poster) for John Minton’s film Game, from YouTube (via Live for Films):

Game Film Trailer

Game Film Poster

Late summer 1993. After stealing a stash of money and drugs, aging raver David (Marc Bessant) crashes his car deep in the woods – trapped in the wreckage, injured and helpless, he hangs suspended between life & death. When a mysterious poacher (Jason Williamson) discovers him, no rescue comes, only a watchful, unsettling presence that seems intent on letting nature finish the job. As the hours stretch and the elements close in, a tense and claustrophobic battle of wills, and wits, unfolds – where survival hinges on outlasting both the wilderness and the predator at its edge. Game is directed by British filmmaker John Minton, making his feature directorial debut with this new project. The screenplay is co-written by Geoff Barrow, Marc Bessant, John Minton, and Rob Williams. It’s produced by Geoff Barrow & Deborah Rawlings. This is premiering at a few small festivals before it hits theaters. Invada Films will debut Minton’s Game film in UK cinemas starting November 21st, 2025 this fall. No US release date is set yet – stay tuned. Who’s curious?

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Find more posts in: Horror, Indies, To Watch, Trailer

September 19, 2025 0 comments
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Why Panwadi Song From Sunny Sanskari Ki Tulsi Kumari Is Important For Bollywood!
Bollywood

3 Reasons Why Panwadi Song Is A Standout In The Bollywood Music Scene

by jummy84 September 13, 2025
written by jummy84

Why Panwadi Song From Sunny Sanskari Ki Tulsi Kumari Is Important For Bollywood!
Here’s Why Sunny Sanskari Ki Tulsi Kumari’s Panwadi Song Is A Standout In Bollywood!(Photo Credit –Instagram)

Panwadi, the latest song from the upcoming film Sunny Sanskari Ki Tulsi Kumari, is another number added to Dharma Productions’ portfolio of foot-tapping bangers. However, the track doesn’t just entertain; it instantly makes its mark and stands out in the Bollywood music scene.

At first listen, Panwadi may appear as a masaledaar Bollywood number, ideal for grooving during festive celebrations or playing on a loop at wedding processions. However, beneath the catchy tune and vibrant feel, it creates a landmark moment for regional voices in mainstream Hindi cinema and gives a bold new direction to Bollywood music.

1. A First-Of-Its-Kind Collaboration

With Panwadi, Bhojpuri superstar Khesarilal Yadav and Haryanvi folk sensation Masoom Sharma have come together for a Bollywood track for the first time. This is not just a feature but a celebration of their unique vocal identities. Their contrasting textures collide in a symphony to create a track one would remember for years to come. Their voices don’t merely guest-star; they own the track with their rawness and authenticity, embracing regional pride to the fullest.

2. Bollywood Brings Authentic Regional Flavors To Mainstream Cinema

In the past, Bollywood has often flirted with regional sounds, borrowing aesthetics without bringing in the actual voices. But Panwadi doesn’t just use regional authenticity to add flavor to another Bollywood number. In fact, it introduces authentic regional flavor to mainstream Bollywood music. It hands the mic to the people who built those sounds from the soil.

3. Panwadi Goes Beyond The Song To Make A Statement

Thematically, the song is a cheeky ode to a local panwadi, the quintessential small-town colorful character. But beneath the humor, it celebrates small-town swagger, unfiltered dialects, and raw identity. Panwadi pushes boundaries and brings forth an India that sings in Bhojpuri, Haryanvi, Maithili, Garhwali, Bundeli, and other regional dialects. It celebrates Indian music in its true loudest, proudest, and authentic form.

Sunny Sanskari Ki Tulsi Kumari, starring Varun Dhawan, Janhvi Kapoor, Sanya Malhotra, and Rohit Saraf, will be released on October 2, 2025. The trailer for the film is scheduled to drop on September 15.

For more such stories, check out Bollywood News

Must Read: 7 Times Dharma Productions Proved Its Musical Versatility: From Romantic Melodies Like Ishq Wala Love To Dance Bangers Like Panwadi

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September 13, 2025 0 comments
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AEG Presents' New Major Festival in Leeds to Join U.K. Festival Scene
Music

AEG Presents’ New Major Festival in Leeds to Join U.K. Festival Scene

by jummy84 September 11, 2025
written by jummy84

AEG Presents has announced a major new festival is set to join the U.K.’s festival scene in summer 2026.

American Express Presents Roundhay Festival will take place from next year at Roundhay Park in Leeds, England, with the first headlining artist set to be announced imminently. The dates of the festival have not been confirmed at this time.

The festival will join AEG Presents’ existing footprint on the scene alongside BST Hyde Park and All Points East, both of which take place in London. Headliners at this year’s BST Hyde Park include Sabrina Carpenter, Olivia Rodrigo, Neil Young and Stevie Wonder, while RAYE and Chase & Status were among the headliners at All Points East.

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Roundhay Park is one of Europe’s largest city parks and spans over 700 acres of woodlands, lakes and fields in the north-east of the city. The venue has form for hosting large-scale music events with shows over the years by The Rolling Stones (1982), Genesis (1987), Madonna (1987), Michael Jackson (1988), U2 (1997). Ed Sheeran was the most recent artist to perform at the venue in 2019.

The Yorkshire city currently hosts a number of large-scale music events including Festival Republic’s Leeds Festival (sister event of Reading Festivals), new music-focused event Live at Leeds, and the city centre boasts the indoor 12,000-capacity First Direct Arena.

The programming of the festival will include headline performances as well as free midweek activities for the local community. Both BST Hyde Park and All Points East are held over multiple weekends throughout the summer. It is not yet confirmed on how many nights Roundhay Festival will be held.

Jim King, chief executive of AEG Presents U.K. and European Festivals, said: “Everyone at AEG is thrilled to announce the launch of the Roundhay Festival in Leeds. This landmark event gives us the opportunity to bring world-class artists and world-leading production to even more fans, while building on the park’s incredible musical legacy.

“Roundhay Park already holds an extraordinary place in music history, having hosted concerts from some of the biggest artists of all time and we cannot wait to add to that story.

“As with all our events, we are committed to delivering the very best in every aspect, from welcoming some of the greatest artists in the world, to creating an unforgettable fan experience, and upholding industry-leading sustainability standards. We are determined to bring value to the park, the city, and the wider region. By working closely with local people and businesses, we aim to create a festival that everyone in Leeds can be proud of.”

September 11, 2025 0 comments
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The Rap World's Obsession With Snitching Is Ruining The Atlanta Scene
Music

The Rap World’s Obsession With Snitching Is Ruining The Atlanta Scene

by jummy84 September 3, 2025
written by jummy84

Young Thug’s rise in pop culture stemmed from the “post-verbal” brilliance of his indecipherable yet captivating delivery; he has now plummeted to a low point in his career, thanks to crystal-clear audio clips that seemingly expose him going against his own word. Since being released from jail on a plea deal last year, Thug has repeatedly derided Gunna, his onetime friend and YSL trial codefendant, as a “rat” for his 2022 Alford Plea deal. But, after online sleuths uncovered a two-hour 2015 interrogation where he told cops that his friend Jimmy “Peewee Roscoe” Winfrey gave drugs to Lil Wayne, he’s facing the same “snitch” allegations from rap fans on social media, as well as from other rappers in Atlanta. 

For the past week, Thug’s been the target of rap media figures like DJ Akademiks and Wack 100, who’ve been discussing the audio clips and his street credibility in hours-long livestreams. It will be difficult for Thug and the Atlanta rap scene at large to regain its former standing in the music world, and it’s hard not to feel like the damage is self-inflicted. If Thug had come home from prison and refrained from mentioning Gunna, these clips may have never been released by fan pages like X account @Gunnaupdates.

It’s unclear how the videos surfaced online. When Rolling Stone sent an X direct message to the @Gunnaupdates account, which posted some of the first clips of the footage, they replied that “a few fans have been sitting on these for a while now,” and noted that they are available via a public records request. Days later, they claimed, “Every blog gets [the clips] from here first, but I can’t give my sources.” Via email, a representative for the Cobb County Sheriff’s Office confirmed that individuals can obtain public records, such as jail calls, through an Open Records Request. Last year, some of Thug’s jail calls with his girlfriend, Mariah The Scientist, also appeared online.

It was initially unclear how Thug felt about Gunna after his Alford Plea, where he affirmed to Judge Glenda J. Kendrick that YSL was a gang that “must end.” One of Thug’s associates, YSL Mondo, told Rolling Stone in January 2023 that there were elements of the case that Thug was “disappointed about,” but declined to specify. Soon after Gunna came home, artists like Lil Baby and Meek Mill, as well as Thug’s sister Dolly, unfollowed him on Instagram. In September of 2023, Thug’s father said he loved Gunna, who, in his estimation, “hasn’t done anything whatsoever that can hurt us on this case.” After Thug’s release, the YSL labelhead told GQ, “I know everybody wonders” about their relationship, then said, “I don’t know” where they stand. 

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However, Thug’s true feelings were soon revealed. Last November, he posted to X, “Gunna stop acting like we friends on the internet, I don’t know u my guy.” In July, he posted, “If u a rapper and a rat, u just gotta go gospel twin.” During the Diddy trial, he derided Kid Cudi as a “rat” for testifying about Combs allegedly blowing up his car. Fans went from wondering when his Uy Scuti album was dropping to pondering why he’s so obsessed with snitching. In August, a track leaked from Lil Baby’s upcoming project, where Thug raps, “Only reason I fucked with you Gunna, it was cause of Troup,” referring to Keith “King” Troup, a late figure in the Atlanta hip-hop scene who united him with Gunna. 

The recently released footage further culled the depths of his ire for Gunna. In one clip, he asked label executives to drop his Business Is Business album the same day as Gunna’s The Last Wun album to “torment” him, adding, “I literally don’t hate nobody in the entire world but him, I literally hate him, I swear to God.” During an extended phone call with 21 Savage, he admitted that at one point he thought about keeping things civil with Gunna publicly, but he didn’t want to contradict Lil Baby and Durk’s previous distancing from Gunna. Elsewhere in the conversation, Thug said that his lawyer Brian Steel told him Gunna’s plea made their defense more difficult; it was previously reported that his Alford Plea would only affect other defendants if Gunna testified, which he didn’t. Thug also claimed that Gunna offered to write a statement for Steel stating he was “tricked” into the Alford Plea, then didn’t “answer the phone” when called to do so. Steel declined to comment on Thug’s claims.

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Many are noting Thug’s hypocrisy in his public frustration with Gunna. While arguing with Atlanta rapper Ralo on X, he posted that he made an “honest mistake” in implicating Roscoe in drug dealing, while Gunna similarly rapped, “Lawyers and the D.A. did some sneaky shit, I fell for it” on his single, “Bread & Butter.” Thug was upset at Gunna’s plea deal, but recently posted on X that he told his brother Unfoonk to take a plea deal right after Gunna because he “ain’t wanna put my mama through that again.” 

The reductive street code has blackballed Gunna in the rap game, with Offset and Roddy Ricch being the sole rapper collaborators on his two post-release albums. In 2021, the last full year before the YSL indictment, he featured on seven songs with other artists. Since his release, he’s done just three features, with Toosii being the only rapper. 

During his jail call with Thug, 21 Savage expressed that while he didn’t like Gunna’s plea, he wouldn’t go public about it because he didn’t want Atlanta to look bad — it’s happened anyway. Thug’s calls are likely to further shake up a scene that was already cratering. He called Quality Control CEO Pierre “P” Thomas a “rat,” and called Gucci Mane “soft” for being cool with him. He told Lil Durk, Atlanta-based before his incarceration, to “shut that cap ass shit up” after he shouted him out online but didn’t clear a verse. He opined that the Migos catalog is “making no munyun,” called producer Wheezy “stupid and retarded,” and talked down on Kendrick Lamar for not giving him a verse for his Business Is Business album, implying he needed to collaborate with him to widen his fanbase; Kendrick’s recent world tour says otherwise.

Last week, Ralo took to social media to call Thug a divisive figure who had previously talked down on Rich Homie Quan and YFN Lucci to peers in a similar manner. In 2016, he began clashing with Future for reasons that were unclear before they squashed things. Today, he posted to X, “Bashing me only goin fuck that rap community up more, I’m the [glue] to this fake ass game.” He might be better served by taking his own advice before dissing so many of his fellow rappers on publicly retrievable jail calls.

During a 2012 Reddit AMA, Thug revealed a pragmatic approach to his career: “I make a product for a certain audience and I’m good at it. Supply and demand, simple economics. I don’t do this because I love the attention, I do this because I have a certain skill set that now allows me to get paid without the threat of doing federal time.”

However, over the past decade or so, street rap has sought to become “bigger and better” for consumers. It wasn’t enough for artists to merely depict the streets. Black death is a rising commodity, and fans eager for the most potent hit of vicarious awe want artists to give them a frontline glimpse of nihilism. That encourages too many artists to portray the most ignorant images they can to rap fans and media personalities who’ve collectively cultivated a fandom of rap as a criminal racket. Talented artists are being goaded to risk their freedom, embodying a lifestyle that terrorizes communities and corrupts young minds to devalue human life — and if the worst happens, they’ll be called fools for giving onlookers what they ask for.

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In the eyes of many fans, discussions about musical quality have given way to conversations about who snitched; pondering an artist’s potential has been replaced by RICO speculation. Even though artists make their fortune as musicians, they flex that their adherence to the street code supercedes any desire to grow beyond petty street politics. That‘s led to an artist like Thug wanting to be perceived as a gangster more than a savvy businessman, even with a precarious 15-year probation over his head.

Gangster rap and all its variants have flown way too close to the sun. Thug and Gunna could’ve come out of the YSL trial together as a stronger-than-ever unit. But instead, the justice system, public perception, and ego drove a wedge through one of Atlanta’s last great rap movements. During his call with Thug, 21 noted that the city doesn’t feel the same after so much death and incarceration; more infighting isn’t the remedy. We don’t need Thug or any of his peers to be the most street artist in the world, because we don’t need the streets. Hopefully, the Atlanta rap scene can realize that and prioritize the music before it’s too late. 

September 3, 2025 0 comments
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Watford Colosseum reopens as Ocean Colour Scene deliver a storming set
Events

Watford Colosseum reopens as Ocean Colour Scene deliver a storming set

by jummy84 September 2, 2025
written by jummy84

© Licensed to simonjacobs.com. 29/08/2025 Watford UK. The Colosseum, Watford re opens with performances by PP Arnold and Ocean Colour Scene after an extensive renovation by Watford Borough Council.
FREE PRESS AND PR USAGE.
Photo credit : Simon Jacobs

Watford Colosseum officially reopened on Friday 29th August with a monumental performance by Ocean Colour Scene marking the beginning of a bold new chapter. The 40,000 square-foot space managed by AEG Presents on behalf of Watford Borough Council provides the region with a much needed world class entertainment venue. The reopening of is expected to have a significant positive impact on the local economy, creating new jobs, boosting tourism, and reinvigorating the night-time economy.

Closed since 2020 and following an extensive multi-million-pound refurbishment by Watford City Council the Colosseum welcomed music fans on Friday night to experience a transformed space that blends state-of-the-art acoustics with heritage preservation honouring the venue’s distinctive architectural character. The refurbishment includes the installation of a brand-new stage, extensive upgrades to the bar areas and visitor facilities, and the reopening of the building’s iconic 1930s main entrance.

The Colosseum is the newest addition to the AEG Presents UK mid-sized venue expansion and joins the portfolio which includes Eventim Apollo, indigo at The O2 and University of Wolverhampton at The Halls with a new venue as part of the London Olympia redevelopment set to open next year.

With the successful launch event behind them, the team at Watford Colosseum is focused on delivering a best-in-class experience for artists and fans alike. Lisa Mart, General Manager Watford Colosseum said “Great venues bring people together for special moments and that’s exactly what happened on our opening night. Ocean Colour Scene were fantastic as were the fans and it was an incredible atmosphere. Myself and the team are very proud of both the venue and the line up of artists we have set to play here and can’t wait for the next shows!”

Elected Mayor of Watford, Peter Taylor, said: “The reopening of the Colosseum with Ocean Colour Scene was a brilliant success and a great way to start this new chapter for one of Watford’s most loved venues. The refurbishment has carefully preserved the world-class acoustics while updating the building so this Grade II listed landmark can be enjoyed for years to come.

“With AEG Presents UK, well known for running excellent venues and live performances, we can look forward to more exciting acts, including Electric Umbrella, Jools Holland, The Stranglers and David Essex. The renewed Colosseum will host leading national talent as well as community events, making it one of the region’s standout destinations for entertainment.”

September 2, 2025 0 comments
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