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LA Film Production Declines, but New Incentives Show Positive Signs
TV & Streaming

LA Film Production Declines, but New Incentives Show Positive Signs

by jummy84 October 15, 2025
written by jummy84

In June, California officially passed its new tax incentives to stop runaway production from the state and from Los Angeles specifically, and today, FilmLA released its first report of the quarter in LA since those incentives were passed.

The bad news is, shoot days in LA were still down in Q3 compared to where they were in 2024, a decline of 13.2 percent compared to July through September this same time last year. The good news is, FilmLA doesn’t seem phased at the dip over the summer just yet, and in fact the organization believes the effects of the passage of AB 1138 are already showing things heading in the right direction.

Seymour Hersh in Cover-Up

“We know that it will take a little while for new incentive-backed projects to get underway and be reflected in our data, so we were not surprised to see on-location production continue to slip this summer despite the state’s increased investment,” FilmLA Vice President Philip Sokoloski said in a statement. “Fortunately, we’ve already begun to see early signs of these incentives having their desired effect; we’re excited to be taking calls from productions looking to line up their locations and pull permits.”

In August, the California Film Commission announced that it had approved 22 TV projects to receive its first round of tax credits since Governor Gavin Newsom signed into law the expansion of the program up to $750 million of funds. The CFC said it had seen a 400 percent increase in shows applying for the credit, and that the 22 shows approved would bring in $1.1 billion in spending across California. Some of the shows approved include a new show from Larry David, another from “This Is Us” creator Dan Fogelman, and of course Season 2 of Seth Rogen’s “The Studio,” naturally.

In terms of why FilmLA’s numbers haven’t picked up to match that surge of interest in the program, shows have up to 180 days to begin production after qualifying for the tax credit, so a good chunk of these shows and films approved still haven’t gone into production, or at least not during the July-September quarter.

And the real culprit of decline for FilmLA was commercial production, which gets no tax incentives as part of the film and TV program. Shoot days for commercials were down 17.9 percent in the quarter compared to last year and even down slightly from last quarter. TV production was still down year-over-year, 20.7 percent to be exact. But that dip is after Q2 was way up from 2024 in shoot days, and of the total shoot days in Q3, only 8.8 percent of those were actually tax incentivized, so it stands to reason that there’s much more to come in the near future.

Some of the shows that shot in LA this past quarter, and some of which also qualified for the prior round of credits, include “Dancing with the Stars” (ABC), “The Price is Right,” “The Valley” (Bravo), “Dinner Time Live with David Chang” (Netflix), “The Secret Lives of Mormon Wives” (Hulu), “9-1-1” S9 (Fox), “Criminal Minds” S19 (CBS), “High Potential” S2 (ABC), “Bel-Air” S4 (Peacock), “Golf” S1 (Netflix), and “Shrinking” S3 (Apple TV).

Feature film production this past quarter was even up compared to last year, but just nominally at 9.7 percent. Roughly 22 percent of those shoot days were already incentivized, and many of them were indie projects. Some of the ones that FilmLA reported shot in Los Angeles this past quarter were Ben Affleck’s “Animals” and Chris Rock’s film “Misty Green” for A24.

“LA’s creative industry is too important to let go without a fight,” Sokoloski added. “As part of our ongoing focus on streamlining and enhancing the on-location filmmaking process, we are convening industry listening sessions and using what we learn to improve our service delivery and recommend actionable process and policy improvements to our valued government partners.”

October 15, 2025 0 comments
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bitchy | Taylor Swift’s ‘The Life of a Showgirl’ is getting mostly positive reviews
Celebrity News

bitchy | Taylor Swift’s ‘The Life of a Showgirl’ is getting mostly positive reviews

by jummy84 October 4, 2025
written by jummy84

Taylor Swift’s The Life of a Showgirl is out now. The good news is that Taylor is a stand-alone industry and a monoculture, which means that everyone has an opinion on her life and her music. On Thursday, leaks of TLOAS were being widely circulated online, and the Swifties were already in the trenches and fighting with everyone. The thing is, 90% of the music industry is in awe of Taylor and fearful of her enormous power. Which probably explains why even though early listeners of TLOAS are disappointed, the mainstream media’s reviews of the album are glowing and extremely positive. Variety and Rolling Stone led the way in praising the album and calling it yet another perfect classic. The Guardian’s critic was more honest, and this is the review getting much more play, some highlights:

There are albums for which vast success seems preordained, and then there is The Life of a Showgirl. The podcast on which Taylor Swift announced the release of her 12th studio album – her fiance Travis Kelce’s ordinarily sports-focused New Heights – garnered half a billion views, breaking a record set by Donald Trump’s appearance on The Joe Rogan Experience in the process. A “launch event” film, featuring the kind of lyric videos and backstage footage that anyone else would release on YouTube, is instead set for a theatrical release in more than 100 countries: in the US alone, it sold $15m worth of tickets in 24 hours. The album itself has been pre-saved more than 5m times on Spotify, breaking another record in the process. “I’m immortal now,” Swift sings on the title track, which seems less like an extravagant boast than a statement of fact.

In contrast to last year’s The Tortured Poets Department – which by the time she’d finished releasing expanded editions and bonus tracks, was nearly two and half hours long – it offers a crisp 12 songs in 40 minutes. Her recent collaborators Jack Antonoff and Aaron Dessner are nowhere to be seen. Swift made The Life of a Showgirl in between Eras dates with Max Martin and Shellback, the Swedish duo who co-wrote and produced her most forthright pop bangers of the 2010s: Shake It Off, Blank Space, Don’t Blame Me, Bad Blood.

But anyone anticipating something similar from Showgirl is in for a shock: the fizzing electronic pop of Reputation and 1989 is conspicuously absent. Instead, its primary currency is breezy, easy-on-the-ear soft rock: acoustic guitars, misty synth tones, subtle orchestrations and breathy backing vocals. Wood’s laid-back take on disco recalls not the sweaty hedonism of the dancefloor but the late 70s moment where four-to-floor rhythms and chicken-scratch guitar temporarily invaded the oeuvres of west coast singer-songwriters.

More startling still is the distinct lack of undeniable hooks and nailed-on melodies. The songs are well turned, but in terms of genuinely memorable moments, Showgirl evinces just one killer chorus (Elizabeth Taylor), some impressively unexpected key changes on Wi$h Li$t and the authentically heart-tugging Ruin the Friendship, which finds Swift returning to her home town for the funeral of a high school boy she regrets not dating. There’s a fantastic chord sequence on Actually Romantic, but, alas, 37 years ago Frank Black wrote a very similar one for Where Is My Mind? by Pixies, a song you can literally sing along to Actually Romantic. The rest floats in one ear and out the other: not unpleasantly, but you might reasonably expect more given the amassed songwriting firepower behind it, and Swift’s claims of “keeping the bar really high”.

Cancelled! deals with the Kim-and-Kanye-adjacent controversies that beset Swift in 2015 and 2016, and Father Figure concerns former label boss Scott Borchetta, both in needless-to-say-I-had-the-last-laugh style. There are some spiky lines here and there – “you made a deal with this devil / turns out my dick’s bigger” snaps Father Figure – but they don’t really click. Perhaps that’s because Cancelled! and Father Figure revisit very well-trodden ground, while eviscerating a rival when you’re the world’s most successful pop star is, by default, punching down, even if she did apparently call you “boring Barbie” behind your back.

Then there’s Wood, a song that, metaphorically speaking, drunkenly clambers on a table in Wetherspoons pub with a skew-whiff bridal veil on its head and an L-plate around its neck and favours everyone in earshot with a loud paean to the size of her fiance’s penis, which it variously describes as his “magic wand”, his “redwood tree” and his “hard rock” (there is also a regrettable degree of punning on the word “cocky”). Of course, Swift is perfectly entitled to write about whatever she wants, TMI or not, but there’s no escaping the fact that comparing her partner’s knob to a magic wand constitutes weak writing from someone who made her name, at least in part, by being a sharper, wittier, more incisive lyricist than her peers.

In fairness, Wood is one clanging misstep on an album that isn’t terrible: it’s just nowhere near as good as it should be given Swift’s talents, and it leaves you wondering why. Perhaps romantic contentment simply writes whiter than vengeful post-breakup bitterness, or perhaps it wobbles your judgment. Perhaps it was rushed. Or perhaps its author was just exhausted, which would be entirely understandable. Even the immortal, it seems, sometimes need to take a break from pop’s constant churn and unceasing clamour for content.

[From The Guardian]

The fact that it’s not full of more revved-up songs is what surprised me, given the name of the album and Taylor’s return to working with Max Martin and Shellback. I was expecting upbeat pop bangers, and not… this. I also don’t understand Taylor’s need to churn out albums every year, especially when it certainly feels like she’s running out of good material. That’s the larger point though – Taylor’s in such rarefied air, she believes/knows that her fans will buy every single song, every album, every variant she sells, regardless of quality. Every artist makes dumb songs – very few artists release all of their dumb songs because they feel the need to churn out an annual album. I’m including some reactions below, and Taylor’s new IG post full of Showgirl pics.

oh my god???? pic.twitter.com/729fJfeZhN

— Bil (@KillingSwiftly) October 3, 2025

lol https://t.co/a78pUaSvCU pic.twitter.com/quyrERr07R

— grace spelman (@GraceSpelman) October 3, 2025

you know what? maybe joe alwyn did write some songs on folklore

— m 🌊 (@taylorswiftliar) October 3, 2025

miss showgirl thinks she’s Kendrick Lamar but in reality she’s the dean of the English department at Lea Michele university

— Carrie Wittmer 👻 (@carriesnotscary) October 2, 2025

Photos courtesy of Taylor Swift’s IG and screencaps courtesy of Magic FM.

October 4, 2025 0 comments
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Step inside Dhanashree Verma's home featuring positive vibes, tropical home bar and balcony with Mumbai skyline view
Lifestyle

Step inside Dhanashree Verma’s home featuring positive vibes, tropical home bar and balcony with Mumbai skyline view

by jummy84 September 2, 2025
written by jummy84

Filmmaker Farah Khan visited Dhanashree Verma’s house in Mumbai with her cook Dilip. The YouTube video shows Farah and Dhanashree discussing her personal life, divorce with cricketer Yuzvendra Chahal, and the stunning interiors of her home.

Inside Dhanashree Verma’s lovely home in Mumbai.

Also Read | Sharing is caring as Versace dresses Amanda Seyfried in same outfit as Julia Roberts after request: ‘Copy cat deluxe’

Inside Dhanashree Verma’s home

Shared on YouTube on September 1, the video gives a glimpse inside Dhanashree’s home, where she is living alone for the first time, as she previously lived with her parents and then with her ex-husband, Yuzvendra Chahal. In the video, the choreographer revealed that she enjoys her space and prefers it.

Admiring Dhanashree’s taste in decor, Farah described her home as a lovely space with a ‘very positive vibe’. During the home tour, she shared a glimpse of her living area with an open kitchen concept and a cosy space dedicated to a home bar, the guest bedroom, and her personal music studio.

Stunning interiors and a gorgeous balcony

As for decorations, she revealed that a lot of the paintings on the walls are made by her grandmother, who has Parkinson’s disease, which contributed to their unique texture. Apart from the paintings, modern light fixtures and chandeliers, tropical and modern classic wallpapers, light wood furniture, ambient lighting, pastel closets in the kitchen, large windows allowing natural light, indoor plants, and a spacious balcony giving a stunning view of the Mumbai skyline, brighten up the space.

About Dhanashree Verma’s divorce

Dhanashree Verma and Yuzvendra Chahal tied the knot in an intimate wedding ceremony in 2020 in Gurgaon. However, the couple reportedly separated in 2022. In March 2025, they finalised their divorce.

Since then, Yuzvendra has been linked to RJ Mahvash due to their frequent public appearances together and posts for each other on social media. However, both have repeatedly called each other just friends.

Meanwhile, on the work front, Dhanashree will next be seen in Ashneer Grover’s upcoming reality show Rise And Fall.

September 2, 2025 0 comments
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