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Miles Teller Says ‘Fantastic Four’ Got ‘Fucked Up’ by ‘One Important Person’

by jummy84 November 14, 2025

written by jummy84

Miles Teller opened up about leading the ill-fated 2015 “Fantastic Four” adaptation, telling Andy Cohen that he already wasn’t expecting a warm response for the superhero reboot after watching the final cut.

“When I first saw the movie, I remember talking to one of the studio heads and said, ‘I think we’re in trouble,’” Teller said in an interview on Cohen’s SiriusXM talk show. Teller went on to explain the industry pressure he felt in his late twenties to take on a superhero film — a genre that the “Top Gun: Maverick” star hasn’t touched since.

“As a young actor at that time, it’s like, ‘Alright, if you want to be taken seriously as a leading man, you got to get on this superhero train. That was our chance,” Teller said. “And the casting, I thought, was spectacular. I love all those actors.”

“Fantastic Four,” which starred Teller, Kate Mara, Michael B. Jordan and Jamie Bell as the titular team, was critically reviled upon release. Directed by Josh Trank, the feature only grossed $168 million globally against a $120 million production budget. The Marvel characters were put on ice for the next decade, only revived last summer for the Marvel Cinematic Universe entry “The Fantastic 4: First Steps.”

Speaking with Cohen, Teller appeared to lay the blame for the project’s failure on one individual, though he did not put a name to his allegations.

“It’s unfortunate for that, because so many people worked so hard on that movie. And honestly, maybe there was one really important person who kind of fucked it all up,” Teller said.

Teller is currently promoting his next feature “Eternity,” in which he, Elizabeth Olsen and Callum Turner play a love triangle in the afterlife. A24 is releasing the film to theaters on Nov. 26.

November 14, 2025 0 comments

Music

“I look at her as a real person”

by jummy84 November 7, 2025

written by jummy84

The creator of AI artist “Xania Monet” has spoken out in her first interview.

READ MORE: Keir Starmer tells us about “protecting creativity” in the UK

AI creation Monet has now become the first known AI artist to earn enough radio airplay to debut on a radio chart, per Billboard. In an article shared late last month, they pointed to a trend that so far has seen at least one AI artist debut in each of the past four chart weeks.

Monet – described on an Apple Music artist profile as “a contemporary R&B vocalist” – is operated by Mississippi poet and designer Telisha “Nikki” Jones, who reportedly uses the generative software to set her poems to music.

Back in September, it was revealed that she had signed a multimillion-dollar record deal with Hallwood Media after a bidding war between multiple labels, and this week, she became the first AI artist to chart on US Billboard rankings.

Now, Jones has spoken out for the first time in an interview with Gayle King on CBS This Morning, saying: “Xania is an extension of me, so I look at her as a real person.”

In the interview, she clarified that she writes all the lyrics and that they are not AI-generated, though the music is. She also showed King how she uses AI platform Suno to make her music.

When asked about whether her artistic process is a “shortcut,” Jones said: “I wouldn’t call it a shortcut because I still put in the work. And any time something new comes about and it challenges the norm and challenges what we’re used to, you’re going to get strong reactions behind it. And I just feel like AI is the new era that we’re in, and I look at it as a tool, as a instrument, utilise it.”

Monet’s has reportedly racked up 44.4million official U.S. streams, equating to over $52,000 in a matter of months.

Kehlani has previously hit out at the success of Monet, telling fans on TikTok the proliferation of AI in music was “so beyond out of our control.” She went on to highlight the power of AI to create fully formed songs without users having to “credit anyone” involved in making the copyrighted works on which such generative music systems are trained.

“Nothing and no one on Earth will ever be able to justify AI to me,” she added. Other critics of the tech include Mac DeMarco and SZA, while ABBA‘s Björn Ulvaeus called AI “such a great tool”.

It comes during a period of continued controversy for AI technology in the music industry, with a recent study sharing the stark warning that people working in music are likely to lose a quarter of their income to Artificial Intelligence over the next four years.

Last month, Spotify confirmed that it was cracking down on AI by removing 75million “spammy tracks” and targeting impersonators. The statement, titled ‘Spotify Strengthens AI Protections For Artists, Songwriters, And Producers’, added: “AI technology is evolving fast, and we’ll continue to roll out new policies frequently.”

This followed a report claiming that AI-generated songs were being uploaded to dead musicians’ Spotify profiles without permission.

Earlier this year, an AI-generated ‘band’ called The Velvet Sundown made headlines after gaining around 400,000 monthly Spotify listeners – despite only existing for less than a month. A ‘spokesperson’ for the viral act later admitted that he was running a hoax aimed at “the media”.

As for how The Velvet Sundown got so many listeners on Spotify, he said: “I know we got on some playlists that just have like tons of followers, and it seems to have spiralled from there.”

Meanwhile, Deezer recently revealed that 28 per cent of music uploaded to the streaming platform was fully AI-generated.

Paul McCartney, Kate Bush and Elton John are among the big British artists to have urged Keir Starmer to protect the work of creatives last month. This came after the Prime Minister told NME: “It’s very important we protect creativity, and we’re brilliant at creativity in this country – we punch well above our weight within the country and globally, and we’re all very proud of that.

“We need to get the balance right. That’s why we did a long and important consultation, and we’re going through the responses of that consultation now. So it is a question of getting the balance right.”

His comments followed a call on the UK government from various major acts to change copyright laws to combat the tech as it progresses rapidly. Elton John claimed in January that AI would “dilute and threaten young artists’ earnings”, while backing criticism from Paul McCartney.

November 7, 2025 0 comments

Bollywood

Ajith Kumar breaks silence on Karur tragedy: “One person cannot bear the blame alone”

by jummy84 November 2, 2025

written by jummy84

The devastating incident in Karur this September, which left several lives lost and many injured during a political event attended by Vijay, continues to echo through Tamil Nadu. In his recent interview with The Hollywood Reporter India, actor and racing enthusiast Ajith Kumar shared a thoughtful take on the tragedy, urging society to see it not as the fault of one man but as a collective failure.

“That individual alone is not responsible. We are all responsible for it, and even the media has a part to play,” Ajith said, referring to the way public gatherings and celebrity events often spiral out of control. He pointed out that society has become “obsessed with gathering,” and this obsession must stop before it costs more lives.

Ajith’s comments mark a rare moment of self-awareness from one of Tamil cinema’s most private stars. He spoke calmly but firmly about how the culture of mass adoration can quickly turn dangerous when boundaries are blurred between admiration and frenzy. “There should be a way to express love and excitement, but it has to be within limits,” he added.

The actor also highlighted the importance of understanding the risks that come with fame. “As an actor, like many others, I work hard, stay away from family for long periods, and often get injured on set. We do it out of love for our fans,” he said, adding that this very bond must be expressed responsibly.

Hero Worship and the Reflection on Cinema

Ajith’s words come at a time when the line between film and politics in Tamil Nadu has become increasingly thin. Overcrowding at public events, competitive displays of loyalty, and the urge to show fan strength have become common. The Karur tragedy, according to Ajith, should be a moment of reflection for everyone involved.

“Why is it happening only in theatres or at events linked to cinema personalities?” he asked. “When things go wrong, it projects the entire film industry in a bad light.” His message, while measured, carries an unmistakable urgency. It calls for a change in how fandom is expressed and how media amplifies that spectacle.

Reports from the investigation into the Karur incident indicate that mismanagement, overcrowding, and inadequate control were major factors that led to the tragedy. Ajith’s response, therefore, is not just a reaction to public sentiment but a wider commentary on accountability. His stance underlines the need for awareness, restraint, and respect for safety, both from fans and those who lead them.

Ajith Kumar breaks silence on Karur tragedy: “One person cannot bear the blame alone”

Looking Ahead: A New Chapter with Adhik Ravichandran

While addressing the tragedy, Ajith also spoke about his professional journey. He confirmed that he will be joining hands again with filmmaker Adhik Ravichandran after their recent collaboration Good Bad Ugly. The official announcement of the new project will be made in January 2026.

Director Adhik had earlier mentioned that while Good Bad Ugly catered primarily to Ajith’s fans, their next project would reach a broader audience. This upcoming venture is expected to mark a new phase in Ajith’s career, bringing together his mass appeal and his growing desire to explore deeper, more universal stories.

Ajith’s openness in this interview reflects a side of him that fans rarely see. By addressing the Karur tragedy head-on, he has reminded the industry, the media, and the audience that empathy and self-reflection are as vital as success and celebration. His words serve as both a reality check and a call for change within a culture that often confuses admiration with worship.

Also Read: Ajith Kumar Welcomes Narain Karthikeyan to His Racing Squad

November 2, 2025 0 comments

Music

Oasis’ Liam Gallagher Calls Out “Seriously F**ked Up Person” For Launching Flare

by jummy84 November 2, 2025

written by jummy84

In a rare moment of the language meeting the situation, Liam Gallagher has lambasted the “seriously fucked up person” who launched a flare during Oasis’ sold-out October 31st concert in Melbourne, Australia.

The incident happened Friday night local time as part of Oasis’ three-show stay at Melbourne’s Marvel Stadium. According to reports, at least one flare was launched into the stadium as the band wrapped up the evening with “Champagne Supernova.”

Get Oasis Tickets Here

In an interview with the Australian Broadcasting Corporation, concertgoer Brad Bultman said that he and others had originally believed the flare to be part of some grand finale pyrotechnics display.

Victoria Beckham Wore the Skirt Trend Every Fashion Person Has on Their Radar

by jummy84 October 19, 2025

written by jummy84

When I think of Victoria Beckham, her sleek, considered tailoring comes to mind first—the kind of refined dressing that has become her signature. It’s exactly why she’s one of the first people I look to when I’m seeking inspiration for the smarter side of my wardrobe.

This week, the designer stepped out in a tailoring trend that’s been making its way back onto the fashion radar. Leaving her beloved puddle pants at home, Beckham was spotted in a sharply tailored pencil skirt that grazed her ankles and featured a thigh-high slit.

Having made a confident return on recent runways, the pencil skirt is poised for a major revival this winter. A structured alternative to the voluminous white styles that dominated summer, this new iteration speaks to our growing desire for sharp tailoring and poised, form-flattering silhouettes as the temperature drops.

(Image credit: Getty Images)

Victoria styled her skirt with a black V-neck blouse and peep-toe curved-heel mules—a sleek departure from the pops of colour she’s been experimenting with this season. Victoria’s elevated ensemble was a reminder of the enduring elegance of a dark, monochromatic look.