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Julia Roberts, Sean Penn Host Screening for Oscar Contender 'Manas'
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Julia Roberts, Sean Penn Host Screening for Oscar Contender ‘Manas’

by jummy84 September 14, 2025
written by jummy84

Sean Penn, Julia Roberts, and John and Nancy Ross hosted a screening of Marianna Brennand’s debut film “Manas” on Saturday in Los Angeles.

The film, one of those vying to be the Oscar contender for Brazil, was introduced by Roberts and Penn, who serves as an executive producer. The screening was followed by a Q&A with Brennand, the film’s director, writer and producer, and its star, Dira Paes.

Sean Penn and Julia Roberts with Marianna Brennand at the Los Angeles screening
Courtesy of Phil Faraone, Getty Images

Roberts told the audience: “I am so excited for what’s about to happen to everyone in this room because it happened to me and it will change you. This movie is life-affirming in such a sad and beautiful and magical way.”

Building on that sentiment, Penn reflected on the first time he encountered Brennand, recalling: “At the Cannes Film Festival this year, there was a Kering Foundation dinner, and a woman came up to the stage to accept the Emerging Talent Award. She gave a speech, and the authenticity of this person was the kind of power that could only make a great film.”

Julia Roberts with Marianna Brennand and Sean Penn at the Los Angeles screening
Courtesy of Phil Faraone, Getty Images

Brennand expressed her gratitude to her hosts: “Thank you, Sean, for seeing us, for recognizing the power of this story, and for speaking out… And Julia, thank you for empowering us with your presence here today. You both are immensely amplifying our voices.”

The film was born out of 10 years of research in the Amazon by Brennand, who began her career as a documentarian. It tells the story of Marcielle (Jamilli Correa), a 13-year-old from Marajó Island. Silenced in a society that ignores violence against women and children, she “confronts generational wounds and takes control of her destiny, forever altering her family’s fate,” according to a statement.

“Manas” won Brennand the best director award at Venice Days, the independent parallel section of the Venice Film Festival, and has collected a total 27 awards to date. The Brazilian film is one of six titles shortlisted to represent the country at the 2026 Academy Awards, with Penn, Academy Award winner Walter Salles, two-time Palme d’Or winners Jean-Pierre and Luc Dardenne, and “I’m Still Here” producer Maria Carlota Bruno serving as executive producers.

On his decision to join as executive producer, Penn previously stated: “In the tradition last fulfilled by Walter Salles’s ‘I’m Still Here,’ Marianna Brennand’s film ‘Manas’ continues Brazil’s most enduring cinematic legacy. Films of striking social relevance that never fall to polemic or sensationalism, but instead so trustingly fulfill their characters’ plight and courage. ‘Manas’ is deeply emotional, stirring, and God forbid… important. I felt as if I had to put my skin back on after watching it.”

September 14, 2025 0 comments
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Paul Thomas Anderson’s ‘One Battle After Another’ Joins ‘Sinners’ and ‘Hamnet’ as Early Oscar Frontrunner
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Paul Thomas Anderson’s ‘One Battle After Another’ Joins ‘Sinners’ and ‘Hamnet’ as Early Oscar Frontrunner

by jummy84 September 10, 2025
written by jummy84

At a packed Warner Bros. VistaVision industry screening on Tuesday night, Christopher Nolan, A.G. Iñárritu, Daniel Scheinert, and Rian Johnson were on hand to watch, followed by a half-hour Q&A with Anderson, Leonardo DiCaprio, Sean Penn, Teyana Taylor, Benicio del Toro, and more.

September 10, 2025 0 comments
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‘The Paper’ creators explain why Oscar was perfect for ‘The Office’ spinoff - National
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‘The Paper’ creators explain why Oscar was perfect for ‘The Office’ spinoff – National

by jummy84 September 6, 2025
written by jummy84

The Office may have ended, but its world is far from over because its spinoff, The Paper, carries on the mockumentary style and humour, introducing new characters on a new mission.

This time around, the same documentary crew that followed Michael Scott and his employees at Scranton’s Dunder Mifflin is focusing on a Midwest local newspaper in Toledo, Ohio, as it tries to get back on its feet with a team of (untrained) volunteer journalists.

Global News spoke with The Office director Greg Daniels, who is back at the helm of The Paper, and co-creator Michael Koman about the new series and their decision to bring back Oscar Nuñez , who is reprising his role from the original series.

“The bones of the show is that it’s a documentary and the documentary crew is the main connective tissue. We obviously have Oscar, which is wonderful, but the crew is looking for another subject for a documentary and they start in the paper company following the absorption of the paper company into a larger conglomerate that’s organized around things that use paper, like toilet paper and local newspapers,” Daniels said.

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Daniels said it was an easy decision to bring Nuñez back because he’s a “great actor.”

“His character didn’t have the same closure that a lot of the other characters did in the finale of The Office. There’s still more adventures for him to go [on] without undoing anything that we had settled,” he added.


Pictured: (l-r) Duane Shepard Sr. as Barry, Oscar Nunez as Oscar.

John P. Fleenor/PEACOCK

Daniels and Koman said that in the beginning of the show, Oscar is “horrified that he’s about to embark on it again.”

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“He doesn’t really want to participate but the other characters are more innocent and they’re just explaining what they do at The Paper. They start off a little bit dispirited until Domhnall Gleeson shows up,” Daniels revealed.


Pictured: (l-r) Sabrina Impacciatore as Esmeralda, Oscar Nunez as Oscar, Domhnall Gleeson as Ned, Gbemisola Ikumelo as Adelola.

Aaron Epstein/PEACOCK

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The series’ cast features Gleeson, Sabrina Impacciatore, Chelsea Frei, Melvin Gregg, Gbemisola Ikumelo, Alex Edelman, Ramona Young and Tim Key as they try to bring the Midwestern newspaper Toledo Truth-Teller back to life.

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Pictured: (l-r) Chelsea Frei as Mare, Ramona Young as Nicole, Melvin Gregg as Detrick, Gbemisola Ikumelo as Adelola, Alex Edelman as Adam, Eric Rahill as Travis, Oscar Nunez as Oscar.

John P. Fleenor/PEACOCK

The new series has already been picked up for a second season.

(Watch the interview in the video, top.)

—

‘The Paper’ premieres Thursday, September 4 at 10 p.m. ET on Showcase in Canada. It streams exclusively on STACKTV.

—

Both Global News and Showcase are properties of Corus Entertainment.


&copy 2025 Global News, a division of Corus Entertainment Inc.

September 6, 2025 0 comments
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Graham Greene, ‘Dances With Wolves’ actor and Oscar nominee, dead at 73
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Graham Greene, ‘Dances With Wolves’ actor and Oscar nominee, dead at 73

by jummy84 September 2, 2025
written by jummy84

Oscar-nominated Canadian actor Graham Greene, who broke through with memorable roles across several genres at a time when the entertainment industry shunned Indigenous talent, has died at age 73.

Greene’s management team said he died on Monday in Stratford, Ont., after a long illness.

The actor, who was born in Ohsweken, Ont., and is from the Six Nations Reserve, starred in a steady stream of film, television and theatre projects from the late 1970s onward.

He earned an Oscar nomination for the supporting role of “Kicking Bird” in the 1990 film Dances With Wolves, an American western co-starring and directed by Kevin Costner that won best picture.

Last year, he won a Canadian Screen Award for playing a version of himself in the comedy thriller Seeds, directed by Kaniehtiio Horn.

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Horn, who was born in Ottawa and raised on a Mohawk reserve, says she first encountered Greene’s work when her family would rent the 1991 film Clearcut from their local video store.

“He was playing this playful, badass character,” Horn told The Canadian Press on Sunday night. “He was one of the first roles that I think we saw where we could actually cheer for the Indigenous character as he enacted some revenge.”

“It was really cathartic to watch for a lot of Indigenous people, especially after the Oka Crisis in the early ’90s,” she said.

That performance remained one to watch for Horn as she later became an actor.

“You can tell he’s having fun as an actor. That is just the best thing to watch, because he really made it his own,” Horn said.


(L-R) Lindsay Allikas, Eva Thomas, Meegwun Fairbrother, Kaniehtiio Horn, Graham Greene, Dallas Goldtooth, Leonard Farlinger and Jennifer Jonas attend the premiere of ‘Seeds’ during the 2024 Toronto International Film Festival at TIFF Lightbox on September 06, 2024 in Toronto, Ontario.

Shawn Goldberg/Getty Images

Horn and Greene would end up working together on the Syfy series Defiance as well as the FX hit Reservation Dogs. By the time she had cast him in her directorial debut Seeds they had built up what she described as a “niece-uncle” rapport. Horn said crews shot Greene’s scenes over the course of one day and said she loved riffing back-and-forth on set together.

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“Getting him to play and improvise…it was a little bit surreal, but he made it easy for me. I feel like he just wanted me to do good, and he would tell me that. He would tell me that he’s proud of me,” she said.


‘Defiance’ — Pilot — Pictured: (l-r) Julie Benz as Amanda Rosewater, Graham Greene as Rafe McCawley, Grant Bowler as Jeb Nolan.

Ben Mark Holzberg/Syfy/NBCU Photo Bank/NBCUniversal via Getty Images

Horn said Greene’s death marks the loss of “one of the old guard,” likening him to other seasoned Indigenous actors such as Gary Farmer and Wes Studi.

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She added Greene was an inspiration for not allowing himself to be pigeonholed into one type of role.

“As much as they probably wanted to stereotype him … he never let that happen. And even then, the ‘natives on the horse’ roles that he got, he stood out and made those roles his own and just interesting to watch.”

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“He was not only a good Indigenous actor, he was an good actor who happened to be Indigenous.”

Lou Diamond Phillips, Greene’s co-star on the short-lived TV show Wolf Lake, said he was “terribly saddened” to hear of Greene’s passing on social media.


‘Wolf Lake’, a sci-fi drama about a pack of wolves living in human form in the small Seattle suburb of Wolf Lake, where human disappearances have been running high. The stars are (l-r) Graham Greene, Lou Diamond Phillips, Paul Wasilewski, Mary Elizabeth Winstead, Tim Matheson and Stacy Edwards.

Tony EsparzaCBS via Getty Images

“From Wolf Lake to Longmire, we had a beautiful friendship. An Actor’s Actor. One of the wittiest, wiliest, warmest people I’ve ever known. Iconic and Legendary,” Phillips wrote.

Heartbroken. Terribly saddened to hear of the passing of Graham Greene at only 73.
From Wolf Lake to Longmire, we had a beautiful friendship.
An Actor’s Actor. One of the wittiest, wiliest, warmest people I’ve ever known. Iconic and Legendary. RIP, My Brother. pic.twitter.com/lJA0dKEoxz

— Lou Diamond Phillips (@LouDPhillips) September 1, 2025

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Greene was awarded the Governor General’s award for lifetime artistic achievement in June, and received the Order of Canada in 2015.

“He was a great man of moral ethics (and) character and will be eternally missed,” his agent Michael Greene said in a statement.

Greene’s credits also include the action classic Die Hard: With a Vengeance, the Tom Hanks-fronted drama The Green Mile and the western comedy Maverick.

On stage, he has appeared in Of Mice and Men and The Merchant of Venice at Stratford Festival, as well as Tomson Highway’s Dry Lips Oughta Move to Kapuskasking.


&copy 2025 The Canadian Press

September 2, 2025 0 comments
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Paul Mescal & Jessie Buckley Rip Your Heart Out
TV & Streaming

Telluride 2025 Kicks Off Oscar Race: Awards Movies to Follow

by jummy84 September 2, 2025
written by jummy84

The Oscar race has one established frontrunner, which is often not the ideal place to be. As it happens, “Sinners” (Warner Bros.) auteur Ryan Coogler was checking out the competition at Telluride this Labor Day weekend, which unveiled a healthy slate of Oscar contenders.

Best Picture Contenders

One movie emerged that could challenge “Sinners” in multiple categories: Oscar-winner Chloé Zhao (“Nomadland”) delivered heart-wrenching family drama “Hamnet” (Focus), featuring two powerhouse lead performances from Paul Mescal and Jessie Buckley as William and Agnes Shakespeare. Based on Maggie O’Farrell’s 2020 bestseller, the film tracks their early romance and marriage and the birth of three children, two girls and a boy, Hamnet. Their lives are rocked by grief when they lose Hamnet to the plague, and Shakespeare buries himself in writing the tragedy “Hamlet.”

NEW YORK, NEW YORK - JUNE 06: Director Gus Van Sant attends the Directors Series: Gus Van Sant with Vito Schnabel during the 2024 Tribeca Festival at Spring Studios on June 06, 2024 in New York City. (Photo by Theo Wargo/Getty Images for Tribeca Festival)

The directors will support Zhao’s meticulous period craftsmanship and scriptwriting with O’Farrell, along with the tech categories Cinematography, Production and Costume Design, Score, and Editing — and of course Mescal and Buckley are top contenders for Best Actor and Best Actress, respectively. How will it do at the box office? Critics are raving (Metascore: 95), but it was a favorite with audiences as well. Sometimes it feels good to cry.

Also playing well at Telluride was Yorgos Lanthimos’ latest assault on audiences, timely sci-fi comedy-thriller “Bugonia” (Focus), which Will Tracy (co-writer of “The Menu”) adapted from a 2003 Korean movie. Lanthimos’ usual suspects Emma Stone and Jesse Plemons are both at the top of their form. Plemons plays a conspiracy nut who kidnaps a Big Pharma CEO (Stone), believing she’s an alien out to destroy the planet. Watching these two actors face off is great fun — until the torture begins. This movie won’t be for everyone (Metascore: 76), but Lanthimos (“The Favourite” and “Poor Things”) is beloved by Oscar voters. Picture, Director, Adapted Screenplay, Actor, and Actress (Stone could also go supporting), and multiple crafts are likely possibilities — unless the movie bombs at the box office.

Netflix showcased several Best Picture contenders, including “The Shape of Water” Oscar-winner Guillermo del Toro’s 19th-century horror spectacle “Frankenstein,” starring Jacob Elordi as a terrifying, towering, but sympathetic monster, and Oscar Isaac as his abusive creator. Del Toro plays with a $120 million budget, and it shows. The well-reviewed film (Metascore: 75) could compete for Picture (if its horror elements aren’t too off-putting), Director, Actor and Supporting Actor, Adapted Screenplay, and multiple crafts including Cinematography, Production and Costume Design, Editing, and most especially, Original Score. The score from Oscar-winner Alexandre Desplat (“The Shape of Water,” “The Grand Budapest Hotel”), one of his best, carries the different tones of the movie. Netflix will give the film some theater play to qualify, but its box office won’t matter.

“Frankenstein”

Also coming into Telluride from Venice was Noah Baumbach’s elegiac “Jay Kelly,” a portrait of an aging Hollywood star who resembles (and was written for) George Clooney, who is moving as a star assessing his life and the time not spent with his daughters. Adam Sandler also shines as the long-suffering manager who has sacrificed much of his life serving his needy boss. He could land a Supporting Actor nomination, his first. The entertaining movie ends on a satisfying note. It’s less of a critic’s picture (Metascore: 64) but plays well, and should satisfy Academy audiences who often respond to show business stories.

Neon will push Norway’s Cannes prize-winner “Sentimental Value” (Metacritic: 88) in multiple categories including Best Picture, director Joachim Trier (“The Worst Person in the World”), screenwriters Trier and Eskil Vogt, actors Stellan Skarsgard (long overdue for a nomination) and Renate Reinsve, and Best International Feature Film.

Other Contenders

Scott Cooper’s “Springsteen: Deliver Me from Nowhere” (Metascore: 69) could be a commercial success for Disney’s Twentieth Century Pictures, and proves that “The Bear” star Jeremy Allen White can carry a movie. Acting award nominations for him and Jeremy Strong as his manager Jon Landau are in the offing.

You can’t win them all. Edward Berger’s “Conclave” follow-up “Ballad of a Small Player” (Netflix) did not wow the critics (Metascore: 51) and crowds at Telluride, although Colin Farrell’s performance earned raves.

Building on its good will at Cannes was Richard Linklater’s Netflix pickup “Nouvelle Vague” (Metascore: 71), which is a delightful black-and-white homage to Jean-Luc Godard’s “Breathless,” recreating the making of the movie in 1959. The French cast is flawless, as is Zoey Deutch in a pixie cut as Jean Seberg. But which categories will it wind up in? Cinephiles will be charmed, and writers and directors will recognize Linklater’s chops. Cinematography is a competitive category. Which is why Netflix is pushing the movie for Best International Feature Film, given its French producers, cast, and crew.

Zoey Deutch and Richard Linklater
Zoey Deutch and Richard Linklater at the Telluride BrunchAnne Thompson

Telluride tributee Jafar Panahi’s French-produced Palme d’Or winner “It was Just an Accident” (Neon) is another possibility (Metascore: 87). However, word is that this year the French committee may lean into a well-reviewed local production that played Cannes, animated feature “Arco” (Neon). Neon showed three possible Best International Feature contenders from Cannes at Telluride, including Brazil’s likely Oscar submission, “The Secret Agent” (Metacritic: 87).

Sony Pictures Classics brought one Oscar contender to Telluride, Linklater’s Berlin prize-winner “Blue Moon” (Metascore: 76) starring Ethan Hawke as declining songwriter Lorenz Hart. The movie is an emotional high-wire act that writers, directors, and actors will admire. Hawke could land his fifth Oscar nomination, and his fourth for collaborating with Linklater. The box-office prospects for this outside New York City are iffy, however.

A24 Sundance entry “If I Had Legs I’d Kick You” (Metacritic: 82) built up some steam for actress Rose Byrne, who gives a stellar performance as a mother overwhelmed by a special needs child. And Harris Dickinson’s “Urchin” (Metascore: 77) starring Un Certain Regard actor-winner Frank Dillane also played well.

Some of the movies playing at Telluride, like “H Is for Hawk,” which earned raves for Claire Foy, are looking for distributors; most of the available buyers have full slates.

September 2, 2025 0 comments
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'Springsteen' and 'Ballad of a Small Player' Are Oscar Players
TV & Streaming

‘Springsteen’ and ‘Ballad of a Small Player’ Are Oscar Players

by jummy84 August 30, 2025
written by jummy84

Anyone who had doubts about “The Bear” star Jeremy Allen White’s ability to carry a movie as the Boss can put them away. Scott Cooper’s “Springsteen: Deliver Me from Nowhere” focuses on the period after Springsteen’s rise to fame in 1981 when he settles in a lakehouse in New Jersey to create the album “Nebraska,” laying down tracks by himself with new technology that was far from professional level.

The movie traces his fraught early years with his alcoholic father (Stephen Graham) and the counterbalancing gentle support coming from his manager Jon Landau (Jeremy Strong). The movie has some performances, but mostly Cooper and White are looking inside Springsteen, as he faces depression and fights for his album to be realized the way he hears it: Spare, intimate, echoey. He sets aside obvious hit tracks like “Born in the USA” and “Glory Days” for a later recording, the eventual album smash “Born in the USA.”

Jeremy Allen White, Harris Dickinson, Paul Mescal at the Telluride brunch

Who does that? Bruce. This movie could be a commercial success for Disney’s Twentieth Century Pictures, and proves that White is a star. Acting award nominations, certainly, are in the offing, as reviews are otherwise mixed.

Jeremy Allen White in Springsteen: Deliver Me from Nowhere
‘Springsteen: Deliver Me from Nowhere’20th Century Fox

Opening night also brought Edward Berger’s return to Telluride a year after “Conclave,” which went on to eight Oscar nominations and an adapted screenplay win. “Ballad of a Small Player,” adapted by Rowan Joffe from the Lawrence Osborne novel, is a meticulously mounted, gorgeous jewel of a movie set in the glittering gambling palaces of Macau. For all its showy camera moves, the movie centers on its tortured protagonist, a seedy gambling addict who is running out of time. Sporting a mustache, cravat, bright velvet jackets, and yellow gloves, Colin Farrell as con man “Lord Doyle” runs the gamut of sweaty emotions as he wins, loses, and faces desperate thoughts. The hotel is chasing him for his bill, and a private detective (Tilda Swinton) is chasing him for stealing money from a wealthy old woman. How far will his addiction take him?

Farrell could win some support from the Academy actors branch for taking on this moral steeplechase where the outcome is far from clear. We root for him to find his way, as the exit door gets smaller and smaller. Netflix is pushing the film for awards.

Next up: Chloe Zhao’s “Hamnet” screens Saturday as well as the first arrival from Venice, Yorgos Lanthimos’ “Bugonia.”

August 30, 2025 0 comments
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'King Hamlet' Review: Oscar Isaac Documentary Charms
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‘King Hamlet’ Review: Oscar Isaac Documentary Charms

by jummy84 August 30, 2025
written by jummy84

There are a lot of lessons that Elvira Lind’s “King Hamlet” seems to want viewers to learn: The timeless language of Shakespeare remains a source of wisdom for those going through hard times. Life is a cycle, and the sting of watching loved ones pass away can be soothed by the joy of welcoming new babies into the world. And the opinions of critics are far less valuable than the people who pour their own blood, sweat, and tears into making art together. But even if it sets its sights on loftier ideas, there’s one point that it drives home far more than any other: even when he’s Going Through It, Oscar Isaac is incredibly handsome and charming.

Join Judy Greer and IndieWire for 'The Long Walk' on September 4 in Los Angeles

All mortals have flaws, so I find it highly unlikely that Isaac is the first truly perfect human ever to walk the Earth. But after watching this breezy documentary directed by his wife, which documents the actor as he plays Hamlet in a New York production during a year when he lost his mother and became a father, I don’t think the possibility can be ruled out. That’s to be expected from a film whose production was such a family affair, and “King Hamlet” is better understood as a feel-good collection of memories that Lind and Isaac deemed worthy of preservation than a true behind-the-scenes look at the Broadway creative process. But what the documentary might lack in rigor, it makes up for with charm and a well-intentioned message about the healing power of art.

2017 was a big year for Oscar Isaac. The Juilliard graduate and lifelong Shakespeare geek was finally getting the chance to play his dream role in a Public Theater production directed by Tony winner Sam Gold, and he was relishing every step of the creative process. But in between debates about how changing the spelling of a single word can change the meaning of an entire line, he had a lot of personal problems to juggle. His mother was dying after a long hospital stretch, and Lind was pregnant with their first child. He had spent months at his mother’s side reading passages from “Hamlet,” as a means of both creative preparation and mutual grief processing, and was now returning to New York to dive head-first into rehearsals before a grueling summer of two-shows-a-day with a new baby at home. All while to managing his mother’s affairs, consoling his grieving extended family, and occasionally flying to London for “Star Wars” reshoots.

Even while overwhelmed with the burdens of life, Isaac’s enthusiasm for Shakespeare is infectious, and there’s joy to be found in watching him process his own pain through the act of creation. He has his share of painful moments when the pressure briefly becomes too much, but watching him bond with his newborn son while running lines and having creative discussions with Gold over speakerphone is a reminder of one of life’s most bittersweet lessons: it goes on. We never forget the people we love, but darkness is eventually supposed to fade enough for us to make new happy memories. Watching Isaac and Lind navigate it all leaves you with a cosmic sense of satisfaction that things are working the way they’re supposed to.

Lind is the only person who could have possibly directed “King Hamlet,” as the film’s greatest strength is its sense of intimacy. Nobody else’s camera would have ever been welcomed into their home so frequently during the first month’s of their son’s life, and Isaac’s genuine relaxation around her gives the film a fly-on-the-wall quality that feels more like home movies (with better cinematography!) than typical documentary footage. Her pacing is perfectly elegant, allowing Isaac’s grief and joy to unfold in equal measure from the beginning of the rehearsal process through the end of the production, allocating just enough time to the darker moments without dragging the mood down for too long.

If “King Hamlet” has any legacy as a film, it will likely be as a comfort watch for Isaac’s superfans and Shakespeare devotees. It won’t be joining the canon of great nonfiction cinema, but I have no doubt that many viewers will find that watching a shirtless Oscar Isaac play with an adorable baby while quoting Shakespeare is a great use of 89 minutes.

Grade: B

“King Hamlet” premiered at the 2025 Telluride Film Festival. It is currently seeking U.S. distribution.

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August 30, 2025 0 comments
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Will Ethan Hawke Win an Oscar for Playing Lorenz Hart in Blue Moon?
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Will Ethan Hawke Win an Oscar for Playing Lorenz Hart in Blue Moon?

by jummy84 August 30, 2025
written by jummy84

Is it time for the “Hawke” to swoop in and nab his Oscar prey?

After four Academy Award nominations spanning both acting and writing, Ethan Hawke may have found the role that finally earns him an Oscar. In Richard Linklater’s “Blue Moon,” the actor delivers a searing performance as lyricist Lorenz Hart, one half of the legendary Broadway songwriting team Rodgers and Hart.

The film premiered in February at the Berlin International Film Festival, where Hawke’s co-star Andrew Scott won the Silver Bear for best supporting performance. “Blue Moon” has since screened at the Telluride Film Festival, where Hawke received one of the festival’s Silver Medallions — a distinction that has proven to be an Oscar bellwether.

Recent Silver Medallion recipients include eventual nominees Cate Blanchett for “Tár” (2022) and Adam Driver for “Marriage Story” (2019), along with eventual winners Anthony Hopkins for “The Father” (2020), Renée Zellweger for “Judy” (2019) and Casey Affleck for “Manchester by the Sea” (2016).

Set to be released by Sony Pictures Classics, the film takes place in early 1943 — the opening night of Rodgers and Hammerstein’s “Oklahoma!” — and finds Hart in the depths of depression and alcoholism. Rather than celebrating his former partner’s new success, Hart retreats to Sardi’s restaurant in Manhattan, drowning his sorrows while reflecting on his tumultuous past.

sabrina lantos

Hawke embodies Hart’s wit and vulnerability with remarkable precision, channeling the man behind classics like “Blue Moon,” “The Lady Is a Tramp” and “My Funny Valentine.” The performance captures brilliance colliding with despair, rendered with both humor and heartbreaking authenticity.

Despite decades of critical acclaim, Hawke has never won Hollywood’s top acting prize. His previous nominations include supporting actor for “Training Day” (2001) and “Boyhood” (2014), plus shared screenplay nominations for “Before Sunset” (2004) and “Before Midnight” (2013) with Linklater and Julie Delpy. His enduring partnership with Linklater — “Blue Moon” marks their ninth collaboration — has consistently produced career-defining work.

The Academy has a proven track record of rewarding actors portraying real-life musicians and performers, from Jamie Foxx as Ray Charles in “Ray” (2004) to Marion Cotillard as Édith Piaf in “La Vie en Rose” (2007). However, stories about lyricists and composers remain rare, potentially making Hawke’s portrayal stand out.

Hart represents a unique figure — someone indispensable to the American songbook yet deeply fragile in his private life. This duality offers the kind of complex, transformative role that Oscar voters traditionally embrace.

The best actor race looks to be exceptionally competitive this year. Venice Film Festival alone showcased several potential contenders: George Clooney in “Jay Kelly,” Oscar Isaac in “Frankenstein,” Dwayne Johnson in “The Smashing Machine” and Jesse Plemons in “Bugonia.” Other viable candidates include Michael B. Jordan in the box office smash “Sinners,” Wagner Moura in “The Secret Agent” who won best actor at Cannes and Leonardo DiCaprio in the yet-to-be-released “One Battle After Another.”

At Telluride, Hawke also presented his music documentary “Highway 99: A Double Album,” about country legend Merle Haggard. While still seeking U.S. distribution, the project demonstrates Hawke’s versatility as both actor and filmmaker — a quality that often resonates with Academy voters.

In “Blue Moon,” Hawke delivers a turn that is both theatrical and intimate, showcasing an actor at the height of his craft. He renders Hart as a man hanging by a thread while compelling audiences to absorb every moment. In addition, if the Academy embraces Hawke’s worthy efforts, it could help right the wrong of Andrew Scott’s Oscar snub for “All of Us Strangers” (2023), which also premiered in Telluride. There are many instances of where a well-regarded leading turn in a biopic can help pull through an equally compelling supporting player, even if the film as whole isn’t garnering much traction (i.e., Sebastian Stan and Jeremy Strong from “The Apprentice” or Morgan Freeman and Matt Damon from “Invictus”).

With no clear frontrunner emerging in this year’s awards race, the combination of a beloved actor, a humanistic portrayal and a celebrated filmmaker like Linklater could prove irresistible to voters.

For Hawke, after years of near-misses, the stars could finally be aligning for Oscar gold.

“Blue Moon” also stars Andrew Scott, Margaret Qualley and Bobby Cannavale and is scheduled to be released on Oct. 17.


See all Academy Award predictions


Variety Awards Circuit: Oscars


August 30, 2025 0 comments
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International Feature Oscar Submissions Kick Off
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International Feature Oscar Submissions Kick Off

by jummy84 August 29, 2025
written by jummy84

Oscar season is about to kick into high gear with fall festival season just around the corner. The deadline to submit international feature selections is Oct. 1, so look for a flurry of announcements in the next five weeks. The Oscars shortlists are revealed on Dec. 16, with 15 international films selected to be voted on by Academy members in all branches who commit to watch all 15 films. Oscar nominations will be revealed on Jan. 22.

Turkey was the first country out of the gate, selecting “One of Those Days When Hemme Dies.” The Czech Republic chose “I’m Not Everything I Want to Be,” while Switzerland selected “Late Shift.”

Palestine submitted historical drama “Palestine 36,” Ireland went with Ukrainian-language doc “Sanatorium,” Bulgaria selected modern folktale “Tarika,” and Thailand chose romantic ghost story “A Useful Ghost.” Germany selected intergenerational drama “Sound of Falling,” and Austria chose social satire “Peacock.”

Recently, Iceland chose family drama “The Love That Remains,” Sweden picked political thriller “Eagles of the Republic,” and Tunisia went with conflict drama “The Voice of Hind Rajab.”

Stay tuned for many more selections in the coming weeks and watch the trailers below.


  • The Voice of Hind Rajab (Tunisia)

    The Voice Of Hind Rajab
    Image Credit: Courtesy of Mime Films and Tanit Films

    Kaouther Ben Hania’s “The Voice of Hind Rajab” has been selected as the Tunisian candidate in the contest for the best international feature film Oscar at the 98th Academy Awards.

    It world premieres in Venice Film Festival’s competition section and its North American premiere at Toronto in the Special Presentations strand.

    The film is based on real events on Jan. 29, 2024, when Red Crescent volunteers receive an emergency call. A 6-year-old girl, Hind Rajab, is trapped in a car under fire in Gaza, pleading for rescue. While trying to keep her on the line, they do everything they can to get an ambulance to her.

    The film recreates this emergency as a narrative work using actual call recordings and scripted re-enactments based on first-hand testimonies and transcripts.

    “The Voice of Hind Rajab” is produced by Nadim Cheikhrouha, Odessa Rae and James Wilson. The production companies are Mime Films and Tanit Films.

    The U.S. sale is being handled by CAA Media Finance, while international sales are being led by The Party Film Sales.

  • Eagles of the Republic (Sweden)

    Eagles of the RepublicEagles of the Republic
    Image Credit: Courtesy of Cannes Film Festival

    Tarik Saleh’s political thriller “Eagles of the Republic” has been selected as Sweden’s entry in the best international feature film category of the Academy Awards.

    The film, the final installment in Saleh’s “Cairo Trilogy,” after Sundance winner “The Nile Hilton Incident” and Cannes prize-winning “Cairo Conspiracy,” features Fares Fares as Egypt’s most celebrated actor, George Fahmy, who reluctantly agrees to star in a regime‑commissioned propaganda biopic – only to find himself caught in political machinations, including an illicit affair with a general’s wife.

    “Eagles of the Republic” is produced by Linus Stöhr Torell (Unlimited Stories), Linda Mutawi and Johan Lindström (Apparaten), and Alexandre Mallet-Guy (Memento Production). The project is co-produced by SVT, Film i Väst, and others, with development backed by the Swedish Film Institute.

    The film had its world premiere at the main competition of the Cannes Film Festival. It will next play at the Toronto International Film Festival.

  • The Love That Remains (Iceland)

    The Love That RemainsThe Love That Remains
    Image Credit: Courtesy of Still Vivid, Snowglobe

    The Icelandic Film and TV Academy has selected Hlynur Pálmason‘s “The Love That Remains” as Iceland’s entry in the best international feature film category of the Academy Awards.

    The film, which had its world premiere in Cannes’ Premiere section, captures a year in the life of a family as the parents navigate their separation.

    The cast includes Saga Garðarsdóttir, Sverrir Guðnason, Ída Mekkín Hlynsdóttir, Þorgils Hlynsson, Grímur Hlynsson, Ingvar Sigurðsson and Anders Mossling.

    The film is produced by Anton Máni Svansson for Still Vivid in Iceland, with Katrin Pors for Snowglobe in Denmark.

    New Europe Film Sales handles international sales. North American rights for the film are with Janus Films.

  • Papa Buka (Papua New Guinea)

    Papa BukaPapa Buka
    Image Credit: NAFA Productions/Akshay Parija Productions/Neelam Productions/Silicon Media

    Papua New Guinea has selected “Papa Buka” as its inaugural submission to the Academy Awards, marking the first time the Pacific nation has entered the international feature film category at the Oscars.
    Directed by internationally acclaimed Indian filmmaker Bijukumar Damodaran (Shanghai winner “Trees Under the Sun”), “Papa Buka” follows aging war veteran Papa Buka as he guides two Indian historians uncovering untold WWII stories connecting India and Papua New Guinea through shared sacrifice and humanity.

    The Papua New Guinea-India co-production brings together producers Noelene Taula Wunum (NAFA Productions), Akshaykumar Parija (Akshay Parija Productions), Pa Ranjith (Neelam Productions), and Prakash Bare (Silicon Media).

    Leading the ensemble cast is 85-year-old tribal leader Sine Boboro from Papua New Guinea, alongside Indian actors Ritabhari Chakraborty and Prakash Bare. The supporting cast includes John Sike, Barbara Anatu, Jacob Oburi, Sandra Dauma, and Max Maso PPC.

  • Peacock (Austria)

    PeacockPeacock
    Image Credit: Courtesy of NGF Geyrhalterfilm, Cala Film, Albin Wildner

    Austria has selected Bernhard Wenger‘s social satire “Peacock” as its entry in the Best International Feature Film category of the 98th Academy Awards.

    “Peacock” had its world premiere in Venice Critics’ Week last year, and MK2 sold it to more than 40 countries. It will be released in U.S. theaters on Sept. 19 by Oscilloscope.

    The film stars Albrecht Schuch, who was BAFTA nominated for “All Quiet on the Western Front.”

    “Peacock” centers on the cultured and confident Matthias, who is available – for a reasonable fee – to fill any social role you desire, from “the perfect son” to the “enlightened boyfriend,” or even “pilot dad” to impress your classmates on Bring Your Parent to School Day. But while Matthias is at the top of his game professionally, his personal life begins to crumble as he detaches from his own identity and burrows deeper into his fictitious lives.

  • Sound of Falling (Germany)

    Sound of FallingSound of Falling
    Image Credit: Courtesy of Studio Zentral

    Germany has selected Mascha Schilinski’s intergenerational drama “Sound of Falling,” which won the Cannes Jury Prize, as its entry in the Best International Feature Film category of the 98th Academy Awards.

    “Sound of Falling” is set in a secluded farmstead in Germany’s Altmark region. For over a century, the walls have breathed the lives of the people who live here, their tastes, their existence in time.

    The film tells the story of four women from different eras – Alma (1910s), Erika (1940s), Angelika (1980s) and Nelly (2020s) – whose lives are eerily intertwined. Each of them experiences their childhood or youth on this farm, but as they roam through their own present, traces of the past – unspoken fears, repressed traumas, buried secrets – reveal themselves to them.

    Alma discovers that she was named after her deceased sister and believes she must follow the same fate. Erika loses herself in a dangerous fascination with her disabled uncle. Angelika balances between a death wish and a lust for life, trapped in a fragile family system. And finally there’s Nelly, growing up in apparent security, who is haunted by intense dreams and the unconscious burden of the past. When a tragic event repeats itself on the farm, the boundaries between past and present begin to blur.

    The film was produced by Maren Schmitt, Lucas Schmidt and Lasse Scharpen for Studio Zentral. MK2 is handling international sales.

  • A Useful Ghost (Thailand)

    'A Useful Ghost''A Useful Ghost'
    Image Credit: Cannes

    Thailand has selected “A Useful Ghost” (Pee Chai Dai Ka) as its submission for the international feature film category at the 98th Academy Awards, the country’s National Federation of Motion Pictures and Contents Associations has revealed.

    It debuted at the Cannes Critics’ Week earlier this year, where it won the grand prize.

    Directed by debutant Ratchapoom Boonbunchachoke, “A Useful Ghost” follows March, who is mourning his wife Nat after she dies from dust pollution. When her spirit returns by possessing a vacuum cleaner, their unconventional human-ghost relationship faces resistance from his family. To prove her worth and their love, Nat offers to cleanse a factory haunted by the ghost of a worker whose death shut down operations. The film ingeniously reimagines the ghost story as a satirical romantic comedy, a deliberate departure from Thailand’s renowned horror cinema traditions.

    Read the Variety review here.

  • Tarika (Bulgaria)

    TarikaTarika
    Image Credit: Courtesy of Red Carpet

    Bulgaria has selected Milko Lazarov’s “Tarika,” which had its world premiere at the London Film Festival, as its submission for the International Feature Film category of the Oscars.

    The film centers on Ali and his daughter Tarika, who live peacefully, but isolated, from their community in rural Bulgaria. Tarika has started developing “butterfly wings,” a bone condition she inherited from her mother and which for a long time has been a source of superstition in the village. Ali rejects invasive procedures and will do anything to protect his daughter when their village’s intolerance turns dangerous.

    The sales company is Films Boutique.

  • Sanatorium (Ireland)

    SanatoriumSanatorium
    Image Credit: Courtesy of Venom Films

    The Irish-made, Ukrainian-language doc “Sanatorium” is set to represent Ireland at the Oscars.

    The feature debut of Galway-born filmmaker Gar O’Rourke, “Sanatorium” takes a look inside the Kuyalnik Sanatorium, a large 1970s building near Odessa in southern Ukraine, where a small group searches for love, healing and happiness and where mud treatments and Soviet-era therapies continue despite a war close by. The film had its world premiere at CPH:DOX in Copenhagen in their main international competition, DOX:AWARD.

    “Sanatorium” — which comes a year after the Irish-language music biopic “Kneecap” made the Oscars shortlist for Ireland — is produced by Venom Films by IFTA-winning Ken Wardrop and Andrew Freedman (“His & Hers,” “Making the Grade”), along with Samantha Corr. It was was co-produced by 2332 Films Ukraine and made with support from Screen Ireland, BBC Storyville, MetFilm Sales, France TV, and Creative Europe.

  • Palestine 36 (Palestine)

    Palestine 36Palestine 36
    Image Credit: Courtesy Mad Solutions

    Annemarie Jacir’s drama “Palestine 36,” which reconstructs the Palestinian revolt against British colonial rule in 1936, has been picked as Palestine’s official entry for Palestine for the Oscars‘ international feature film race.

    The selection of the timely film, which will soon premiere at the Toronto Film Festival, was made by an independent committee of Palestinian film professionals and confirmed by the Palestinian Ministry of Culture.

    “Palestine 36” follows a young man named Yusuf who gets caught up in political upheaval as tensions rise in Jerusalem and his village amid British crackdowns prompted by the arrival of Jewish immigrants escaping antisemitism in Europe. The hot-button epic features a high-profile cast comprising Jeremy Irons as a colonial commissioner, Hiam Abbas (“Succession”), Liam Cunningham and Saleh Bakri (“The Teacher”).

  • I’m Not Everything I Want to Be (Czech Republic)

    The Czech Republic has selected Klára Tasovská’s documentary feature “I’m Not Everything I Want to Be” as its submission for the International Feature Film category of the Oscars following a controversial contest.

    The documentary follows the life of photographer Libuše Jarcovjáková, drawing on her diaries and thousands of photographs. It depicts the underground movement in Czechoslovakia in the 1980s as well as her dramatic escape to West Berlin, and fashion shoots in Tokyo. The film had its world premiere at the Berlin Film Festival last year and was awarded the Czech Lion for the best documentary feature this year.

  • Late Shift (Switzerland)

    'Late Shift''Late Shift'
    Image Credit: Courtesy of Keystone

    Petra Volpe’s “Late Shift” is Switzerland’s official entry for the International Feature Film category for the Academy Awards.

    TrustNordisk is handling international rights on the film, which stars Leonie Benesch, who previously appeared in the Oscar-nominated drama “The Teachers’ Lounge” in 2023, and Oscar-nominated drama “September 5” last year. Music Box has acquired North American rights.

    “Late Shift” follows a nurse, Floria, as she navigates the relentless pace on a surgical ward with unwavering dedication, infusing humanity and warmth into her patient care even though the shift is understaffed. As the day intensifies, the film transforms into a gripping race against time, culminating in a riveting climax.

    Read Variety‘s review here.

  • One of Those Days When Hemme Dies (Turkey)

    One of Those Days When Hemme Dies!One of Those Days When Hemme Dies!
    Image Credit: Courtesy of Luxbox

    Turkey has announced that first-time director Murat Firatoğlu’s “One of Those Days When Hemme Dies” has been selected as the country’s entry for the Academy Awards’ international feature film category.

    “One of Those Days When Hemme Dies” was selected from 14 submissions by Turkey’s Oscar committee, comprising representatives from professional associations in the country’s film industry that operates under the Directorate General of Cinema.

    The film is a tale of class-based rage and rebellion through the justice-seeking journey of a farmworker named Eyüp who works relentlessly under the blazing sun during a tomato harvest in southeastern Turkey, driven by the urgent need to settle an impending debt. After a clash with his supervisor, he roams the city in search of a radical solution.

    “One of Those Days When Hemme Dies” world premiered last year at the Venice Film Festival, where it won the special jury prize in the event’s Orizzonti (Horizons) section.

  • Left-Handed Girl (Taiwan)

    Left-Handed GirlLeft-Handed Girl
    Image Credit: Netflix

    Taiwan‘s Ministry of Culture has revealed that “Left-Handed Girl,” directed by Tsou Shih-ching, has been selected as the country’s submission for the best international feature category at the 98th Academy Awards.

    Written by Sean Baker and Tsou, the film is set against the bustling backdrop of Taipei’s night markets and portrays a multi-generational story spanning three generations of women. The narrative follows a single mother who relocates to Taipei with her two daughters, establishing a night market stall to make ends meet. As the family navigates the challenges of an unfamiliar city and new life, the three women struggle with real-world pressures while finding belonging and family bonds through their mutual dependence.

    The cast includes Janel Tsai, Ma Shih-yuan, Nina Ye, Brando Huang, Akio Chen and Chao Xin-yan.

    “Left-Handed Girl” has already gained international recognition, winning the Gan Foundation Award at the Critics’ Week competition section of the Cannes Film Festival. The film was subsequently invited to the Toronto International Film Festival, and has been selected for competition at the Busan International Film Festival.

  • Kokuho (Japan)

    KokuhoKokuho
    Image Credit: Aniplex Inc

    Japan has selected Lee Sang-il‘s “Kokuho” as its submission for the international feature category at the 98th Academy Awards, the Motion Picture Producers Association of Japan has announced.

    Set initially in 1964 Nagasaki, the film follows 14-year-old Kikuo who, after his yakuza father’s death, finds himself taken under the wing of a famous Kabuki actor. Alongside the actor’s son Shunsuke, Kikuo dedicates himself to the centuries-old theatrical tradition, with their relationship evolving through decades of performances — from acting school to prestigious stages — against a backdrop of “scandals and glory, brotherhood and betrayals.”

    The cast includes rising star Ryō Yoshizawa as Kikuo, Ryusei Yokohama as Shunsuke and international star Ken Watanabe, who plays Hanjiro.

    “Kokuho” bowed at Cannes Directors’ Fortnight and subsequently selected for the Shanghai and Toronto film festivals.

August 29, 2025 0 comments
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Why Oscar Is the Only 'The Office' Character Back
TV & Streaming

Why Oscar Is the Only ‘The Office’ Character Back

by jummy84 August 29, 2025
written by jummy84

When viewers tune in to The Paper, the new spinoff of The Office set at a Midwestern newspaper, they will be met with a familiar face.

Oscar Nuñez, who played fan-favorite Dunder Mifflin accountant Oscar Martínez in the original series, is back for the new show, alongside a fresh cast of Domhnall Gleeson, Sabrina Impacciatore, Chelsea Frei, Melvin Gregg and Ramona Young — and behind the camera, the same fictional documentary crew that filmed at Dunder Mifflin, now looking for their next subjects. At the series’ Los Angeles premiere on Wednesday, creators Greg Daniels and Michael Koman explained the decision to have Oscar be a connecting piece between the two projects.

“He’s fabulous, he’s hilarious. Also if you look at the finale of The Office, the characters have a lot of wrap up and they were mostly going in different directions, leaving Dunder Mufflin; Oscar was kind of the same as he was in the beginning when he was still there, so it made sense,” Daniels told The Hollywood Reporter. Koman added “Oscar’s just really funny and I love him, and I thought he works really well because he blends in to almost any ensemble. He makes the show funnier,” and after The Office “his story was a little more open-ended. So it made sense to bring him back because it felt like there was more story there.”

But don’t expect too many more cast members Office cast members to show up at The Paper, as Daniels explained, “Most of the cast, their stories had closure and I don’t think they really want to open them up again just to guest on another show. It was very important for me to create a show that would stand on its own and make its own name for itself and not need guest stars from the old show every week to get [people to] tune in.”

Nuñez himself said his return was a “slow process” and came after many conversations with Daniels, as he joked that he doesn’t think this former castmates are too jealous that he’s the chosen one: “They’re doing OK, no one’s starving. I think they’re happy for me.”

Several former stars of The Office were in attendance at the premiere, as Ellie Kemper, Paul Lieberstein, Creed Bratton and Kate Flannery all walked the carpet. Kemper — who is married to Koman — teased when she heard of Nuñez’s return that she didn’t “want to speak to him ever again. I was like ‘Why does he get to share in a joyous second iteration?’” But after watching the first episode, she says, “He’s just fantastic.”

Koman also explained the thinking behind his and Daniels’ unique spinoff concept, which is set in the same world as The Office but has fairly little overlap with the original series.

“Greg originally ran the idea past me about creating a documentary-style show at a newspaper, specifically a newspaper that was having a difficult time and somebody comes in and is trying to put it back on its feet. I just responded to that idea and really liked it, and said yes. Then he ran the idea past me that it was connected to The Office,” the co-creator recalled. “I was already on board with the basic premise; what I really liked about the second idea was that the same crew that had made The Office documentary would go look for a new subject, come across this and feel like ‘Yes, this is the next project we want to do.’”

He continued, “I also really liked the idea that this documentary exists — the original Office documentary exists in our world so our characters would know what it looks like to be filmed at work over a period of years. It doesn’t play a big part, but I like the reality of that because I feel like that’s how real life works; we all watch reality shows and documentaries and we sort of know what it means now to be filmed in a way that we didn’t 20 years ago.”

The Paper debuts all 10 episodes of its first season Sept. 4 on Peacock.

August 29, 2025 0 comments
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