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Stevie Nicks and Lindsey Buckingham Are Back on Speaking Terms
Music

Stevie Nicks and Lindsey Buckingham Are Back on Speaking Terms

by jummy84 October 29, 2025
written by jummy84

It appears the frozen love has thawed. Stevie Nicks and Lindsey Buckingham went on Song Exploder to discuss the making of “Frozen Love,” and it appears the duo are back on speaking terms.

The exes and bandmates reflected on the track, released off the newly reissued Buckingham Nicks, in what appears to be separate interviews. However, Nicks admits throughout her portion that that the two are friendly again. While remembering the moment they met in 1966, when they were students at Menlo-Atherton High School in the Bay Area, Nicks said, “Lindsey and I started talking about it last night. This whole thing seems really like yesterday to us.” 

They describe their origin story, when they attended a youth group social and Nicks backed Buckingham on “California Dreamin.’” But they didn’t formally meet until a couple of years later, when they joined the band Fritz. They found success opening for Jimi Hendrix and Janis Joplin, but producer Keith Olsen told them they’d have better success as a duo. 

“Keith was extremely supportive, but Fritz was never able to secure a record deal,” Buckingham says, while Nicks adds that it was “terrorizing” for them. “We loved these guys,” she said. “So we were not at all happy about that, but there was nothing we could do …It was our first super disappointment in the music business.” But, she also added, it was bittersweet: “It was an invitation to greatness, and we both knew it.”

Nicks says she and Buckingham probably wouldn’t have dated if they hadn’t fired Fritz. “It drove us together, because we just couldn’t figure it out,” she said. “And then we fell in love with each other, and that was it.”

They hunkered down to write Buckingham Nicks, and reflected on creating the final track, “Frozen Love.” “The song is about two people that were in love, that had a lot of differences and saw the world slightly differently, but had this like relationship that seemed to be, like a gift,” Nicks said. “I like to think of it as Wuthering Heights or Great Expectations — a modern day love affair, tragedies. Because nobody really loves happy songs. Certainly I didn’t, and neither really did Lindsey.” 

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After it was written, Nicks gave it to Buckingham to work on. “I don’t think she craved my input on that level, and nor did I crave hers on production or instrumental level, either,” he said. “She understood that I was transforming things for her, and I understood that I wouldn’t have had anything to transform without the beautiful center that she’d given me.” 

“Our relationship was up and down and up and down and up and down and difficult, but at the same time, fantastic,” Nicks said. “And what we were doing was so fantastic, that it was worth putting up with the trials and tribulations of a relationship that’s difficult.” 

Nicks also joked that the line “Hate gave you me for a lover” was unintentional, and that it was originally written as “Fate gave you me for a lover.” “When I hear myself sing that line, it sounds like I’m saying ‘hate,’” she said. “So, that’s not good. I’m sorry, Lindsey. I’m calling him later.”

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Buckingham Nicks was a flop, but it was famously their ticket into Fleetwood Mac. The Song Exploder episode ends with Buckingham recalling the moment he was at Sound City, and heard “Frozen Love” blasting through the studio. “I’m going, ‘What the hell?’” he said. “And so I open the door and I go in, I see this tall guy, like, standing there listening to ‘Frozen Love,’ and he’s just rocking away to this song. And I’m going, ‘What is going on here?’ And so the song finishes, and Keith says, ‘Oh, Lindsey, this is Mick Fleetwood.’” 

Last fall, Nicks told Rolling Stone she last spoke to Buckingham at Christine McVie’s celebration of life, and would never consider a proper farewell Fleetwood Mac tour. “The only time I’ve spoken to Lindsey was there, for about three minutes,” she said. “I dealt with Lindsey for as long as I could. You could not say that I did not give him more than 300 million chances.” Hopefully, with the 50th anniversary of Rumours happening in 2027, a reunion is in the air.

October 29, 2025 0 comments
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Stevie Nicks’ Letter With Lindsey Buckingham Reference
Celebrity News

Stevie Nicks’ Letter With Lindsey Buckingham Reference

by jummy84 September 24, 2025
written by jummy84

Musical Success But Relationship Challenges

Clearly, it was the right move. The band’s 1975 eponymous album landed the No. 1 spot on the Billboard 200 chart and featured hits like “Landslide,” “Rhiannon,” “Over My Head,” and “Say You Love Me.”

Afterwards, the group began work on their 1977 album Rumours, which would go on to win Album of the Year.

But as their star was rising, the relationships between Nicks and Buckingham, the McVies, and Fleetwood and his wife Jenny Boyd were all crumbling.

“When we joined Fleetwood Mac, everything was really rocky between me and Lindsey,” Nicks said in the Don’t Stop documentary. “I think we kind of all made a little silent vow: Let’s fix these relationships for right now, because we cannot breakup. We just can’t. If we do, there will be no Fleetwood Mac.”

However, the relationships did end. In 1976, the McVies divorced while Nicks and Buckingham split (Fleetwood and Boyd would also later breakup).

And if fans really listen to the track’s—including Christine’s “Don’t Stop,” Nicks’ “Dreams” and Buckingham’s “Go Your Own Way”—they can get a sense of what they were going through.

“My songs were all about Lindsey, and Lindsey’s songs were all about me,” Nicks added, “and you just had to blow it off and play the song.”  

September 24, 2025 0 comments
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Stevie Nicks Reveals Pre-Fame Letter She Wrote Predicting Her Legacy
Music

Stevie Nicks Reveals Pre-Fame Letter She Wrote Predicting Her Legacy

by jummy84 September 23, 2025
written by jummy84

Following the reissue of Lindsey Buckingham and Stevie Nicks‘ 1973 album, Buckingham Nicks, last week, Nicks shared some insight into her delightful notions while recording the LP more than five decades ago.

Taking to Instagram on Monday evening, Nicks posted images of the penned letter alongside the caption, “I wanted to share this letter I wrote to my family while Lindsey and I were making Buckingham Nicks. My mom saved it and it’s been in a drawer for over 50 years.”

Addressed to her mother, father, and brother Chris, Nicks writes to them from the “famous” Sound City Recording Studio in Los Angeles. “I am getting very tired of sitting around listening to 12 hours of music per day,” she begins. “I know it will pay off in the end, and when I am sitting in my small but luxurious Beverly Hills home overlooking my small but tasteful pool that is totally secluded, where I can sun in the nude and tan my entire fat body while waiting for my plastic surgery leg lift – it will all be worth it.”

After assuring everything is “peach-y,” she playfully teases that she’s sure “dad is already beautifully tan and lythe – making those gorgeous blue grey eyes even more sparkling than they usually are,” adding, “sickening that he looks better than I do at 47(?) and I’m only 25. (Give me a break, Dad!).” Nicks segues to her upcoming 25th birthday, declaring that the family “should set aside the entire month of May to celebrate the fact that I am now 1 quarter of a century old,” calling it a “landmark” that warrants a “gala celebration.”

After leaving the party planning to her parents and brother, she quips, “presents will be accepted any time after the first of May – no C.O.D’s please.”

Bringing it back to the music, Nicks tells them, “I certainly do miss you all, and wish you could be here to hear some of this stuff.” Addressing her father and Chris, she notes, that the “rock and roll tune” they both liked — “(‘Baby Baby, don’t treat me so bad’) with the fancy guitar work” — is “almost finished” and declares Buckingham “may go down in history as one of ‘greats’ in guitar playing.”

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After predicting her and Buckingham’s future greatness, Nicks concludes “It really is quite amazing,” before telling her family “so much love to you all – and hold good thoughts about this thing.”

While the initial release of Buckingham Nicks wasn’t a commercial success, it would eventually lead to Mick Fleetwood asking the couple to join his band. Coincidentally, the reissue arrived after Fleetwood Mac’s self-titled 1975 album turned 50 in July.

September 23, 2025 0 comments
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Buckingham Nicks Is the Work of Two Virtuosos Finding a Singular Voice: Review
Music

Buckingham Nicks Is the Work of Two Virtuosos: Review

by jummy84 September 19, 2025
written by jummy84

Lindsey Buckingham and Stevie Nicks were fresh Los Angeles transplants when they created their first and only collaborative album as a duo, 1973’s Buckingham Nicks. Released in September of that year, the album flopped and went mostly ignored by the public. One day, Mick Fleetwood stumbled upon one of Buckingham and Nicks’ recordings — “Frozen Love” — as his band wrestled with another lineup change, and he was quickly won over. The songwriting duo officially joined at the start of 1975, immediately contributed new songs to the band’s self-titled rebirth, and the rest is history.

But the process of making Buckingham Nicks, when the two were just beginning to realize their songwriting partnership, was less miraculous. According to the pair, Nicks took on the breadwinner role at the time, working waitressing and cleaning jobs while Buckingham stayed at home with guitar in hand, smoking weed and making music. They did this, apparently, because they both felt it would be best for Buckingham to not work and instead focus on his guitar technique and songwriting efforts.

That’s quite the arrangement. Obviously, in 2025, gender roles are more nuanced than they were in the early ’70s, but with both Buckingham and Nicks demonstrating serious ambition as songwriters, vocalists, lyricists, and instrumentalists, they had every reason for the survival workload to be equitable. The album they made is not just Lindsay Buckingham and not just Stevie Nicks. It’s both of them, shoulder-to-shoulder, skin on skin, like the album cover suggests.

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But when listening to Buckingham Nicks, which will now be released into the world officially for the first time since its initial pressing in the early ’70s, you can also hear why the arrangement worked. Both Buckingham and Nicks were obsessing over craft, just in different ways. Buckingham’s virtuosic nature is more obvious, evident in spellbinding, fingerpicked passages and clever harmonic turns. Nicks, on the other hand, was developing something just as sophisticated: a vocal approach inspired by her late ’60s heroes in Grace Slick and Janis Joplin, with raw command and a capacity to depict a multitude of emotions within her lyrics.

These studied approaches meet on Buckingham Nicks, which has held a sort of mythological status among Fleetwood Mac devotees, but has been largely unavailable to casual listeners. Usually, debut albums from legacy acts like Buckingham and Nicks demonstrate a scrappier dynamic; even looking at Nick’s charged gaze and Buckingham’s untamed (and untrimmed) features on the album cover suggests a raw, adventurous work, imbued with the recklessness of youth and ambition.

But Buckingham Nicks is much more measured and unblemished than you might expect, an aspect further emphasized by the release’s newly-remastered audio. The remastering reveals just how polished these recordings were; Buckingham’s clean guitar tones on tracks like “Without a Leg to Stand On” shimmer with clarity, while the rhythm section (featuring top-shelf session players like Jim Keltner) provides a rock-solid foundation that sounds anything but amateurish.

This is especially apparent on the seven-minute closer “Frozen Love,” a majestic cut that features an moving string section and an extended bridge that burns with fiery emotion. The chords dissolve into one another as Buckingham plucks his guitar with bewildering speed, the urgency mirrored by growing dynamics and an expansive arrangement. Recorded at the legendary Sound City Studios with future Fleetwood Mac producer Keith Olsen at the helm, the album benefited from state-of-the-art equipment (including the studio’s new Neve console) and world-class musicianship back then; it sounds even more crisp and immersive now.

September 19, 2025 0 comments
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Stevie Nicks and Lindsey Buckingham fuel fresh reunion rumours after sharing cryptic post
Music

Stevie Nicks and Lindsey Buckingham fuel fresh reunion rumours after sharing cryptic post

by jummy84 September 7, 2025
written by jummy84

Stevie Nicks and Lindsey Buckingham have fuelled fresh speculation about reunion rumours after sharing yet another cryptic post on social media.

  • READ MORE: Christine McVie, 1943-2022: an eternal songbird

Just weeks after confirming the rerelease of their 1973 album ‘Buckingham Nicks‘, which was teased in a similar fashion, the former Fleetwood Mac bandmates shared a joint Instagram post on Friday (September 5) featuring an old clip of the two onstage.

In the video, Nicks sings the opening lyrics of their 1973 track ‘Frozen Love’: “You may not be as strong as me, and I may not care to teach you.” She then trails off before laughing: “That’s all I remember.”

Their latest post was captioned: “We remember the rest now.”  If an official reunion were announced, it would also be the first time Nicks and Buckingham joined forces since Buckingham was fired from Fleetwood Mac in 2018. 

The pair originally dated between 1972 and 1976 and would remain bandmates for over 40 years, though it was ultimately their acrimonious relationship that would lead to Buckingham’s departure.

Since Buckingham’s departure, Mick Fleetwood has said he wishes Buckingham and Nicks would “pal up a bit more” and “just say everything’s OK”. He also similarly admitted last year that “it’s no secret, it’s no tittle-tattle that there is a brick wall there emotionally. Stevie’s able to speak clearly about how she feels and doesn’t feel, as does Lindsey.”

“But I’ll say, personally, I would love to see a healing between them – and that doesn’t have to take the shape of a tour, necessarily,” he added.

However, shortly after Buckingham’s firing in 2018, Fleetwood told People that it was “all Stevie’s doing,” and that she “basically gave the band an ultimatum that either I had to go or she would go.”

Nicks would deny the accusations made by Fleetwood, clarifying: “I did not demand he be fired. Frankly, I fired myself. I proactively removed myself from the band and a situation I considered to be toxic to my well-being. I was done. If the band went on without me, so be it.”

The ‘Buckingham Nicks’ reissue will seemingly be the closest chance to a Fleetwood Mac reunion; a full reunion with the band currently appears to be unlikely due to Christine McVie’s passing in 2022. Nicks has said that without the late McVie, “there is no chance of putting Fleetwood Mac back together.”

Elsewhere, Stevie Nicks has said she’s working on a new album, saying it was made up of “real stories, memories of mine, of fantastic men”.

September 7, 2025 0 comments
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