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AC/DC Shook Melbourne So Hard Earthquake-Detectors Picked It Up
Music

AC/DC Shook Melbourne So Hard Earthquake-Detectors Picked It Up

by jummy84 November 13, 2025
written by jummy84

The band’s Australian ‘Power Up’ tour kickoff registered on a seismograph at a local research center

AC/DC’s first show in their home country in a decade was so powerful the sound waves registered on earthquake detection equipment. The band apparently took their 1980 hit “You Shook Me All Night Long” literally in Melbourne when they kicked off the Australian leg of their Power Up tour.

According to Australia’s ABC News, the Seismology Research Centre in nearby Richmond picked up the vibrations in the 2-5 hertz range and locals also took to social media to discuss the strikingly loud music. The show took place at the Melbourne Cricket Ground stadium, a little more than two miles from the Centre, but one resident living over six miles away also told ABC that they heard the concert too.

Still, Adam Pascale, a chief scientist at the Centre, told the publication that seismology is not just about how loud the concert was to the ear. “We’re picking up the ground motion, we’re not picking up the sound from the air. So you’ve got speakers on the ground pumping out vibrations and that gets transmitted through the ground, but also the crowd jumping up and down is feeding energy into the ground.”

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Pascale also said that the enthusiasm of the crowd is really what pushes a concert into earth-shaking territory. “If everyone’s sort of bouncing in unison, it tends to amplify the signal so we can pick it up a little bit better,” he said. “Whereas, if it’s sort of just general crowd motion, like even at the grand final at the MCG, we can still pick that up.” Pascale said AC/DC’s vibrations were no match for Taylor Swift’s in 2024, which emitted the largest signals they’ve registered from a show. 

AC/DC’s aptly named Power Up Tour started in Europe last year, where it sold more than two million tickets for 24 shows before going on to sell out in North America. They kicked off the U.S. leg of the tour in Minneapolis, Minnesota this April. In Melbourne, the band played a favorite from their back-catalogue, “Jailbreak” for the first time since 1991. 

November 13, 2025 0 comments
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AC/DC Shook Melbourne All Night Long, Scientists Confirm
Music

AC/DC Shook Melbourne All Night Long, Scientists Confirm

by jummy84 November 13, 2025
written by jummy84

AC/DC came to rock the Melbourne Cricket Ground on Wednesday night, Nov. 12 and the city felt it.

The opening date of AC/DC’s Power Up tour of Australia made waves that were detected by earthquake monitoring equipment, and could be felt, and heard, deep into this former Olympic City.

According to Adam Pascale, chief scientist at the Seismology Research Centre, the concert registered in the 2-5 hertz range at their office in Richmond, some 2 miles from the concert at the towering MCG.

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That’s enough force for people to feel the ground move.

“The sound waves that people were experiencing nearby and feeling something through their bodies, that’s the equivalent to what our seismographs feel,” Pascale told the Australian Broadcasting Corporation. A resident some 6 miles away told the ABC they could hear the concert.

“We’re picking up the ground motion, we’re not picking up the sound from the air,” Pascale added.

“So, you’ve got speakers on the ground pumping out vibrations and that gets transmitted through the ground, but also the crowd jumping up and down is feeding energy into the ground.”

Although AC/DC came to rock, the largest signals received by the Seismology Research Centre were generated by Taylor Swift’s record-busting three-night stand at the MCG in 2024, Pascale remarked.

Stadium rock can move us, literally. Oasis’s now-completed tour of Live ’25 tour of Australia (via Live Nation) generated a “clear uptick in seismic signal” when fans “started pounding the ground” at Marvel Stadium during a show earlier in the month, the center confirmed earlier.

AC/DC doesn’t do things by halves. These latest round of shows require 300 tons of steel to build the production, with 28 tons of PA and speakers pumping out the sound. A crew of 155 are working each show, which consumes 500kw of power every night.

With Angus Young on lead guitar, vocalist Brian Johnson, rhythm guitarist Stevie Young, drummer Matt Laug and bass player Chris Chaney, the Rock Hall-inducted legends ripped out the classics at the MCG, including “Back In Black,” “Thunderstruck,” “Hells Bells,” “Riff Raff” and much more.

AC/DC last toured Australia and New Zealand in 2015, the domestic leg of their Rock or Bust world tour. On that visit, Young and Co. shifted more than 520,000 tickets across 11 coast-to-coast dates, including shows in Auckland and Wellington.

Next up, the second of two shows this Sunday (Nov. 16) at the MCG, followed by dates in Sydney, Adelaide, Perth and Brisbane.

TEG Van Egmond, a division of TEG, is producing AC/DC’s nine-date national tour, with special guests Amyl & The Sniffers.

AC/DC 2025 “Power Up” Australia Tour Dates:

Nov. 12 — Melbourne Cricket Ground (completed)

Nov. 16 — Melbourne Cricket Ground

Nov. 21 — Accor Stadium, Sydney

Nov. 25 — Accor Stadium, Sydney

Nov. 30 – Adelaide bp Adelaide Grand Final

Dec. 4 — Optus Stadium, Perth

Dec. 8 — Optus Stadium, Perth

Dec. 14 – Suncorp Stadium, Brisbane

Dec. 18 – Suncorp Stadium, Brisbane

November 13, 2025 0 comments
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Melbourne indie upstarts shoot for global stardom
Music

Melbourne indie upstarts shoot for global stardom

by jummy84 October 28, 2025
written by jummy84

After turning heads locally in 2023 with their excellent debut album ‘Lush Life’, Melbourne band The Belair Lip Bombs made international headlines last year when they were announced as the newest signees to Jack White’s Third Man Records – in turn, making them the very first Australian act to join the label. It’s a big mantle to step up to, but it feels like a task the four-piece are equipped for – after all, it’s the drive and confidence that was present on ‘Lush Life’ that got them the gig in the first place.

The band’s second album ‘Again’, despite its title, is not a once-more go-around of ‘Lush Life’. Instead, it looks at that LP’s already-versatile nature and maps out new terrain for the ambitious indie rockers to explore. Such boldness is present in lead single ‘Hey You’, which buzzes with urgency due to its hypnotic Rhodes loop and the pounding, persistent drumming of new drummer Daniel Devlin (formerly of Delivery). It, paired with the satisfying rock-out finale of ‘Don’t Let Them Tell You (It’s Fair)’, showcases the band in full flight – reminding listeners that the Lip Bombs are a rock band first, indie band second.

Despite the aforementioned line-up change between ‘Lush Life’ and now, the band feel more sure of themselves from a musical standpoint. Lead guitarist Michael Bradvica, in particular, is an assertive presence throughout. His Nile Rodgers-style “chucking” on ‘Cinema’ gives the track both groove and depth, while his deft playing on the vulnerable, emotive ‘Smiling’ almost creates a dialogue of sorts between himself and vocalist Maisie Everett with transfixing results.

For her part, Everett has continued to develop her heartfelt vocal delivery on ‘Again’, making especially strong use of it in the album’s quieter, more pensive moments. Piano ballad ‘Burning Up’ might be the biggest sonic departure of the band’s young career thus far, and certainly feels like a considerable risk even when they’ve already established an eclecticism within their sound. For those that don’t talk over the quiet songs, however, a remarkable new side to the band can be found blossoming and blooming over the song’s four-minute runtime.

Rummaging through the wreckage of a relationship, Everett devastatingly assesses herself as “a prick in your thumb” and her former flame “a bruise in [her] lung”. “We were made for each other,” she sighs, “but we gotta blow out the flame.” With the churning guitars and swinging drumsticks traded in for E-bows and jazz brushes, the band aim for the heartstrings and don’t miss.

At an already exciting time for Australian music as a cultural export – from the rise of punk and hardcore acts like Amyl & The Sniffers and Speed, to the continuing arena dominance of Tame Impala and Rüfüs Du Sol – there’s unquestionably a space for The Belair Lip Bombs to thrive globally. ‘Again’, to paraphrase U2, feels like them auditioning to be the biggest band in the world.

Details

  • Record label: Third Man Records
  • Release date: October 31, 2025

October 28, 2025 0 comments
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