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Bollywood

Mahesh Babu’s Varanasi Title Revealed at Massive GlobeTrotter Event With Epic Visual Teaser

by jummy84
written by jummy84

The wait is finally over. SS Rajamouli has officially revealed the title of his next big-screen adventure starring Mahesh Babu, Priyanka Chopra, and Prithviraj Sukumaran. The film, which had been referred to as GlobeTrotter during production, is now confirmed to be titled Varanasi. The announcement was made during a grand celebration held at Ramoji Film City in Hyderabad, where thousands of fans gathered to witness the moment live.
Just hours before the event, Rajamouli shared a message hinting at a major reveal. He wrote, “The title of the film will be revealed along with a visual to the world… Once it airs on the big screen at the #GlobeTrotter event, we will make it live online.” This immediately sparked excitement among fans who were eager to see what the filmmaker had planned.

During the event, Rajamouli introduced Mahesh Babu’s character, Rudhra, through an epic poster that received roaring applause. The filmmaker had already surprised fans earlier with the character posters of Priyanka Chopra and Prithviraj Sukumaran, but Mahesh Babu’s reveal marked the biggest highlight of the evening.

The title visual takes viewers across different global landscapes before shifting dramatically to the Manikarnika Ghat in Varanasi. It is here that Mahesh Babu’s Rudhra makes his first appearance, riding a white bull and holding a massive trishul, setting the tone for the film’s theme and scale. 

Have a look at this:

The visual teaser strongly hints that the story will not only span multiple countries but also move across different timelines, adding a mythic layer to the action narrative. The event also included a musical showcase to give fans an early taste of the film’s soundtrack. With the energy in the venue running high, Rajamouli’s vision for Varanasi seems poised to deliver a grand cinematic experience.

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Massive Attack's New Music Won't Be On Spotify
Music

Massive Attack’s New Music Won’t Be On Spotify

by jummy84
written by jummy84

Massive Attack have new music on the way in 2026, but it won’t be available on Spotify. “From next year, we will release a cache of work created in the recent past,” the group wrote on Instagram. “Tracks will be available physically and digitally via a new label, with a Spotify exception.”

Along with many other artists, Massive Attack pulled their music from the DSP earlier this year in protest of CEO Daniel Ek’s ties to the military tech company Helsing.

There was no further elaboration in reference to a new label; Massive Attack recorded for Virgin from their 1991 debut, Blue Lines, through their most recent studio album, 2010’s Heligoland, but their only new music since then was a self-released 2020 EP, Eutopia, which is not available on streaming services.

Beyond fresh tunes, Massive Attack will wind down their 2025 roadwork tonight (Nov. 13) in São Paulo in conjunction with the COP30 International Climate Change Summit in nearby Belém. The group has long been at the forefront of advocating for reducing carbon emissions related to the live music industry.

Massive Attack will also perform next summer at the Primavera festivals in Barcelona and Porto. Last October, the group scrapped their planned first U.S. tour since 2019 less than a week in advance due to “unforeseen circumstances.”

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Massive Attack Promise New Music for 2026
Music

Massive Attack Promise New Music for 2026

by jummy84
written by jummy84

Massive Attack don’t release new music often, but that could change in 2026. On social media, the band shared, “from next year we will release a cache of work created in the recent past,” adding that “tracks will be available physically and digitally via a new label.” The caveat, of course, is that the music will not be on Spotify, the digital streaming platform from which Massive Attack are trying to pull their catalog. The band has also directed fans to a new WhatsApp channel where there will be “direct announcements on 2026 releases and special performances.”

Massive Attack self-released the Eutopia EP in 2020. It marked their first new music since 2016’s “The Spoils,” “Come Near Me,” and Ritual Spirit EP. The band released its most recent studio album, Heligoland, in 2010. The album, along with the 2016 tracks, all arrived via Virgin.

The 50 Best Albums of 1998

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Laufey's Massive Rise Was Just a Matter of Time » PopMatters
Music

Laufey’s Massive Rise Was Just a Matter of Time » PopMatters

by jummy84
written by jummy84

Three-quarters of the way through the annus horribilis that has been 2025, as many of us have to strain our minds for the tiniest hint of optimism, a 26-year-old Chinese-Icelandic music prodigy, Laufey, has been packing arenas across North America. Including two sold-out dates at New York’s Madison Square Garden and another pair of sold-out dates in Toronto, all within one week.

It’s the latest in what has been an astonishing ascent for Laufey Lín Bing Jónsdóttir, who in 2020 was just another young person on TikTok during the lockdown, seeking to connect with others. Five years later, she’s in a sparkly Margot Fonteyn-inspired Bode dress, skipping along to a bossa nova tune in front of thousands of adoring fans who sing along to every word. The best part is that she did it on her own terms.

Barely a year removed from her much-ballyhooed multi-show appearance at the Montreal International Jazz Festival, Laufey was back in a venue five times the size, packed with a diverse collection of humanity. Most of the young girls in the audience sported homemade felt crowns and were clad in costumes that matched Laufey’s sparkly aesthetic, while groups of queer youngsters giddily bought merch by the bagful. Peppered throughout the crowd were not just parents of costumed kids, but boomer jazz aficionados, curious Gen-Xers like myself, and clusters of the young “performative males” that Laufey loves to poke fun at.

On more than one occasion, I’ve attempted to describe Laufey to the uninitiated and explain why she’s so popular. “Picture an artist drawing inspiration from the Great American Songbook like Lana Del Rey does, only instead of singing about the death of the myth of the American dream, she’s a band/theater kid who’s into Broadway, Snoopy, matcha, and bunnies.” She didn’t just attend the esteemed Berklee School of Music; she graduated, contrary to the running joke that most famous Berklee alums drop out before completing their studies. 

She plays cello, guitar, and piano. Her resonant voice is a blend of Ella Fitzgerald and Diana Krall, and her compositions draw from the influences of Tin Pan Alley, George Gershwin, Chet Baker, and Norah Jones. To label her as a jazz interloper or worse, “Starbucks music”, does her a disservice; her deep love of mid-20th-century pop and jazz vocals is palpable in every song she sings. 

Laufey’s first swing for the mainstream fences, A Matter of Time is a Technicolor fever dream that embraces the past, present, and future of popular music, expanding her sound well beyond the jazz-folk of 2023’s Bewitched and showcasing her versatility and range as a songwriter, arranger, multi-instrumentalist, and singer. 

The stage design for her 2025 tour, brought to life by London architects Stufish, gracefully reflects the ambition of the record. The main stage represents a palatial ballroom, while a sleek catwalk (inspired by the scroll of stringed instruments) connects to a smaller second stage shaped like a clock, its numbers illuminating one by one during a four-act show to reflect the passage of time. Orchestra risers flanking the main stage house Laufey’s eight-piece backing band, while two curved staircases move to create specific effects, such as a carousel for (you guessed it) “Carousel”, and a stormy Nordic cliffside for the epic “Forget-Ne-Not”.

Accompanied by four dancers, Laufey kicked off the show in full Doris Day mode on the utterly charming “Clockwork”. As someone more accustomed to the huge pop of a superstar’s grand entrance, it was disarming to hear the adoring screams quickly die down, allowing the gentle swing of the music to take over. It was a magical little moment, though the young crowd gave their idol license to take them on a languid musical journey. They were there to listen. No one was screaming lyrics with liturgical fervour; instead, kids dreamily sang along to their favorite numbers and gleefully provided joyous (and surprisingly on-point) claps to punctuate Laufey’s latest twinkly bossa nova revival, “Lover Girl”. 

Photo: Nicole Mago

Later on, “Silver Lining” pulled out all the 1950s pop stops, reminiscent of the starry-eyed ballads of Connie Francis, its gloriously melodramatic chorus becoming a gigantic sing-along. With Laufey on grand piano, the sumptuous “Too Little, Too Late” hints at Carole King. Still, her strong, mid-range timbre actually bears an uncanny similarity to the powerful chest voice of the underrated Ronee Blakley, adding an extra touch of anguish to an already heartbreaking tune.

The smaller second stage became a showcase for Laufey’s “jazz club” second act. Clad in an embroidered miniskirt with copious, flapper-style beaded fringe, she and her jazz trio launched into a cover of 1940s standard “Seems Like Old Times” (famously covered by her hero, Ella), followed by jazz interpretations of early songs “Valentine”, “Fragile”, and “While You Were Sleeping”. 

Back on the main stage, “Carousel” and “Forget-Me-Not” were spectacles in themselves thanks to that understated yet dazzling stage design, which then segued into the surprising inclusion of A Matter of Time’s musical interlude, “Cuckoo Ballet”. A cute medley of the first six tracks on the album (another charming nod to mid-century musical theater), it was an opportunity for Laufey to strut her stuff further, this time performing a cello solo.

The Golden Age of Hollywood was a prominent theme of the show’s giddy fourth act, which focused primarily on A Matter of Time, more contemporary-leaning material. “Mister Eclectic” is a humorous, witty takedown of performative males that translates well to a live setting. “Castle in Hollywood” and “Tough Luck” flirt with modern pop tropes without compromising Laufey’s retrofuturist persona. The brutal, confessional “Snow White” served as a fitting emotional climax to the main set. Laufey’s lyrics about her own body dysmorphia are echoed gracefully by her dancers, choreographing full-body mirrors that stalk the singer during the performance. 

Her beguiling breakthrough single from 2023, “From the Start”, is showing no sign of slowing down, and to no one’s surprise, it received a euphoric reaction from the audience, who were swept away by Laufey’s little scat solo as she danced across the sparkly stage. However, it was A Matter of Time‘s closing track, “Sabotage”, that left a bigger impression.

It wasn’t so much the brilliant execution of the song’s dissonant jump scare, but rather that the jump scare (and the song’s blustery outro) echoes the more abrasive moments of the late Scott Walker, hinting that there’s more to Laufey than self-referential mellow bossa nova tracks and cute bunny mascots. After all, glitter shines brighter when juxtaposed with darkness, and the way “Sabotage” built to its cacophonous crescendo was thrilling to witness in person.

Laufey’s final song was her poignant “Letter to My 13-Year-Old Self”, which includes the line, “I’m so sorry that they pick you last / Try to say your foreign name and laugh.” As soon as she sang it, shouts of “Laufey!” echoed from the darkness, her expression of vulnerability met with a chorus of affirmation that was, frankly, quite moving.

Laufey is a prodigious talent, but also immensely relatable: she’s a nerd, and everyone was at the show because, well, we’re all nerds too. Forty years ago, I was a band geek in junior high and didn’t fit in either. I’m not wild about matcha, but I’ve grown to love musical theater. Snoopy is awesome. Mei-Mei the bunny is indeed super cute. I’ve been humming those bossa nova tunes all year long. I turn 55 tomorrow, and I can’t wait to see what Laufey does next.

Laufey 2025
Photo: Nicole Mago
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KISS Announce Massive 50th Anniversary 'Alive!' Box Set
Music

KISS Announce Massive 50th Anniversary ‘Alive!’ Box Set

by jummy84
written by jummy84

KISS, technically, retired this year, but that doesn’t mean you can’t still rock and roll all night with the greasepaint and pyro legends. The band announced the upcoming release of a huge box set celebrating the 50th anniversary of their landmark Alive! concert album.

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The Super Deluxe version of the album will feature 4 CDs + Blu-Ray audio, an Alive! track list t-shirt with 120 tracks, including 88 previously unreleased tracks. The first CD features the original album on one disc for the first time ever, newly remastered from the original 1975 stereo analog master tapes. In addition, CDs two and three will feature two full-length concerts from the 1975 Dressed to Kill tour at the RKO Orpheum Theatre in Davenport, Iowa on July 20, and the Wildwood Convention Hall in Wildwood, N.J. on July 23, newly remixed by the legendary engineer Eddie Kramer from the original multi-track analog tapes with no overdbubs.

The fourth CD will pull together five rehearsal tracks from the Davenport show, including an impromptu jam and another six songs from Cleveland Music Hall in Cleveland, Ohio on June 21, 1975, remixed by Kramer from the original multi-track recordings. The Blu-Ray audio disc will contain a new Alive! mix from Kramer from the original album multi-track analog tapes in Dolby Atmos and Dolby TrueHD 5.1 surround, as well as newly remastered stereo in 192 KHZ 24-bit and 96 KHZ 24-bit PCM stereo set to a new visualizer with unreleased photos and tape box images.

The Super Deluxe version ($400.48) has a number of other extras, including a 100-page hardcover book with extensive liner notes by Ken Sharp and new interviews with singer/guitarist Paul Stanley, bassist/singer Gene Simmons and other notable Alive!-era KISS team members, as well as a number of unreleased photos and rare images. In addition, it will fold in an Alive! 1975 press kit with: four black and white glossy photos, an Alive! tour program, album cover lenticular, t-shirt iron-on, four live color glossy photos, a Peter Criss drum head litho, a number of concert posters, ticket stubs and backstage passes, coasters, guitar picks, bumper stickers and a track-by-track interview with Kramer discussing nearly all the tracks in the collection.

The anniversary edition will also come in a 4-CD box set version with a t-shirt ($287.55), a deluxe picture disc edition with sweatshirt ($251.89) and a premium color vinyl version with a sweatshirt ($125.98). All the editions are slated to ship on Nov. 21, with Kiss Army members eligible for pre-order now here.

Alive! was KISS’ fourth album and their first live LP, as well as a kind of standard-bearer for live rock albums going forward. Though they’d released three albums by that point, the band rose to a new level of fame thanks to the double concert album that collected songs from the theatrical group’s 1974 self-titled debut, as well as that year’s Hotter Than Hell and 1975’s Dressed To Kill, including such future stone-cold live staples as “Deuce,” “Strutter,” “Firehouse,” “Black Diamond,” Cold Gin” and “Rock and Roll All Nite.” (Click here for a taste of Sharp’s extensive history of the making of Alive!)

The album features the indelible work of late founding guitarist Ace Frehley, who died last month at the age of 74 following injuries from a fall in the studio. Frehley will become only the third person to receive the Kennedy Center Honor posthumously when KISS collect the award at a ceremony slated to tape on Dec. 7 and air on CBS on Dec. 23.

Check out the track list for the Alive! 50th anniversary box set below.

CD ONE:

1. “Deuce”

2. “Strutter”

3. “Got To Choose”

4. “Hotter Than Hell”

5. “Firehouse”

6. “Nothin’ To Lose”

7. “C’mon And Love Me”

8. “Parasite”

9. “She”

10. “Watchin’ You”

11. “100,000 Years”

12. “Black Diamond”

13. “Rock Bottom”

14. “Cold Gin”

15. “Rock And Roll All Nite”

16. “Let Me Go, Rock ‘N Roll”

LIVE IN DAVENPORT, IOWA – RKO ORPHEUM THEATRE – JULY 20, 1975 – SECOND SHOW*

CD TWO:

1. “Deuce”

2. “Strutter”

3. “Got To Choose”

4. “Hotter Than Hell”

5. “Firehouse”

6. “She”

7. Ace Frehley Guitar Solo

8. “Nothin’ To Lose”

9. “C’mon And Love Me”

10. “100,000 years”

11. Peter Criss Drum Solo / “100,000 Years”

12. “Black Diamond”

13. “Cold Gin”

14. “Let Me Go, Rock ‘N Roll”

LIVE IN WILDWOOD, NEW JERSEY – WILDWOOD CONVENTION HALL – JULY 23, 1975*

CD THREE:

1. “Deuce”

2. “Strutter”

3. “Got To Choose”

4. “Hotter Than Hell”

5. “Firehouse”

6. “She”

7. Ace Frehley Guitar Solo

8. “Nothin’ To Lose”

9. “C’mon And Love Me”

10. “100,000 years”

11. Peter Criss Drum Solo / “100,000 Years”

12. “Parasite”

13. “Black Diamond”

14. “Cold Gin”

15. “Let Me Go, Rock ‘N Roll”

BONUS LIVE

CD FOUR:

REHEARSALS – LIVE IN DAVENPORT, IOWA – RKO ORPHEUM THEATRE – JULY 20, 1975*

1. “KISS Jam”

2. “Room Service”

3. “Strange Ways”

4. “Rock Bottom”

5. “Watchin’ You”

LIVE IN CLEVELAND, OHIO – CLEVELAND MUSIC HALL – JUNE 21, 1975*

6. “She”

7. Ace Frehley Guitar Solo

8. “Nothin’ To Lose”

9. “C’mon And Love Me”

10. “100,000 Years”

11. Peter Criss Drum Solo / “100,000 Years”

BLU-RAY AUDIO – ALIVE!:

DISC FIVE:

[Dolby Atmos* / Dolby True HD 5.1* / 192kHz 24-bit & 96kHz 24-bit PCM Stereo]

1. “Deuce”

2. “Strutter”

3. “Got To Choose”

4. “Hotter Than Hell”

5. “Firehouse”

6. “Nothin’ To Lose”

7. “C’mon And Love Me”

8. “Parasite”

9. “She”

10. “Watchin’ You”

11. “100,000 Years”

12. “Black Diamond”

13. “Rock Bottom”

14. “Cold Gin”

15. “Rock And Roll All Nite”

16. “Let Me Go, Rock ‘N Roll”

* Previously unreleased


Billboard VIP Pass

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Amaal Malik and Shahbaz’s Leaked Conversation About Tanya Sparks Massive Backlash Online
Bollywood

Amaal Malik and Shahbaz’s Leaked Conversation About Tanya Sparks Massive Backlash Online

by jummy84
written by jummy84

These days a video featuring Amaal Malik and Shahbaz Badesha has recently gone viral on social media, causing a major uproar among viewers. The clip reportedly captures the two talking negatively about Tanya late at night. The tone and content of their conversation have left fans shocked and disappointed, sparking widespread criticism across various platforms. In the leaked video, Shahbaz can be heard telling Amaal, “What a game you’re playing.”

Amaal Malik

Amaal Malik On Tanya Mittal

To which Amaal responds, “Shameless.” Shahbaz adds, “Fully shameless. Now I’ll play the complete opposite.” In another part of the recording, Amal allegedly says, “Fake person. We’ll cut you up, we’ll turn you into a whore. We’re very dangerous people, brother. We’ll catch you outside, not just here.” Shahbaz then remarks, “Is she so proud of her money?”

Shahbaz And Amaal Malik

Also Read: Delnaaz Irani Opens Up on Why She Won’t Marry DJ Percy Karkaria Despite 10-Year Relationship, Read To Know More

The harsh language used in the video has not gone down well with viewers, many of whom have called out Amal and Shahbaz for their inappropriate behavior and disrespectful comments toward Tanya. The video quickly spread online, generating thousands of comments within hours. Many fans expressed disappointment and anger over the way Tanya was spoken about.

Tanya Mittal

One user commented, “I unfollowed her today. I regret following her. Stay strong, Tanya.” Another wrote, “Show this footage to Salman Bhai. Let him see what really goes on.” Some fans came forward to defend Tanya’s character, calling her loyal and genuine in friendships, while others accused the show’s makers of encouraging such negativity for drama. However, a few viewers had a different take. One person wrote, “Tanya isn’t some innocent, helpless woman. She knows how to emotionally trigger people. Yesterday, Shahbaz was crying because she made personal comments.

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Baahubali The Epic box office collection day 4: SS Rajamouli film shows massive dip, crosses ₹25 crore mark
Bollywood

Baahubali The Epic box office collection day 4: SS Rajamouli film shows massive dip, crosses ₹25 crore mark

by jummy84
written by jummy84

₹25 crore mark”>

Updated on: Nov 03, 2025 10:19 pm IST

Baahubali The Epic box office collection day 4: The film starring Prabhas, Rana Daggubati, Anushka Shetty and Tamannaah Bhatia saw a massive dip on Monday. 

Baahubali The Epic box office collection day 4: SS Rajamouli’s Baahubali: The Epic, starring Prabhas, Rana Daggubati, Anushka Shetty and Tamannaah Bhatia in lead roles, was released in theatres on October 31. While the film performed well in its first weekend, it experienced a significant drop in collections on its first Monday.

Baahubali The Epic box office collection day 4: Prabhas plays dual roles in the SS Rajamouli film.

Baahubali The Epic box office collection

According to trade website Sacnilk, Baahubali: The Epic made an estimated ₹1.35 crore net in India on its first Monday, taking its total domestic haul to ₹25.7 crore. The film had a good opening, making ₹1.15 crore from premieres alone on Thursday and ₹9.65 crore on Friday. Through the weekend, the film made ₹7.25 crore and ₹6.3 crore.

Its opening weekend collection stood at ₹24.35 crore in India and ₹39.75 crore worldwide. While a dip is expected, given that it’s a weekday, it remains to be seen if the film sustains through the week. In Baahubali’s initial run, Baahubali: The Beginning (2015) collected ₹650 crore worldwide, while Baahubali 2: The Conclusion (2017) made ₹1788.06 crore.

Baahubali: The Epic was released with high expectations, with the film’s conclusion even announcing an animated story, titled Baahubali: The Eternal War, mounted on a ₹120 crore budget. It remains to be seen if it makes a dent at the box office.

About Baahubali: The Epic

Baahubali: The Epic is director Rajamouli and producer Sobhu Yarlagadda’s pet project. It is an amalgamation of both the Baahubali films. The combined runtime of over 5 hours was trimmed to 3 hours and 44 minutes. During the film’s remaster, it was visually and sonically elevated, with some scenes either being trimmed or removed. The film opened to a positive response, with excited fans heading to theatres to watch it again on the silver screen.

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Lily Allen discovered ‘f****** massive lump’ on her right breast after cosmetic surgery earlier this year
Celebrity News

Lily Allen discovered ‘f****** massive lump’ on her right breast after cosmetic surgery earlier this year

by jummy84
written by jummy84

Lily Allen discovered a “f****** massive lump” on her right breast after undergoing cosmetic surgery earlier this year.

Lily Allen discovered a ‘f****** massive lump’ on her right breast after undergoing cosmetic surgery earlier this year

The 40-year-old singer discussed her recent breast augmentation and the events surrounding it in an interview with Perfect Magazine, saying she underwent the surgery in February, following her separation from actor David Harbour, 50, after four years of marriage – but reassured fans medical tests confirmed the growth is not cancerous.

Asked how she felt about the procedure, Lily said: “Good, although I have got a f****** massive lump in my right boob. I think it must be a cyst. Yeah. It’s not dangerous. I went to have a mammogram and an ultrasound in New York last week and it came back OK.”

She added her decision to have surgery was linked to changes in her body and weight loss during a difficult period.

Lily said: “I felt like it. No, actually, you know what it was? It was that I got really, really thin when I was feeling at my lowest, in the past year or so. Or longer, actually.

“And I knew that I had to gain weight. And I’ve always been bottom-heavy and so I had a fear that if I was to gain weight, my body would feel out of proportion.

“And so I felt like, why not gift myself a get-out clause? Make it feel more enticing.”

In March, Lily described her operation as “incredible” and said she had been buying new lingerie to celebrate her body.

Speaking on her Miss Me? podcast with friend Miquita Oliver, she joked about the contrast between her breasts and her face. She said: “They look really incredible when I take my top off, and my bra off, but there’s definitely a contrast in age between my breasts and my face.

“I’m like 40, 18, 40, 18. I’m just thinking ‘maybe I get the BBL next’. I quite want the bum.”

Discussing recovery, Lily said: “There’s a thing that happens a few months after you get them which is they drop and fluff. So they’re still quite high and they’re still quite hard.

“When they drop and fluff they feel like normal boobs. So I haven’t got to drop and fluff yet, I’m very much looking forward to that.”

She continued: “I feel like it’s really fun. I’m buying fancy lingerie that my boobs can actually fit in and taking pictures on my phone. Haven’t sent them to anyone yet, but it will hopefully get there at some point. On my 40th birthday I’m going to drop and fluff.”

Lily’s comments come as she prepares to release her first album in seven years, West End Girl, written after her separation from David.

She said the record, released under her new deal with BMG, explores her life in a new city and the aftermath of the split.




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Massive Indian Action Movie 'Baahubali: The Epic' Re-Release Trailer
Hollywood

Massive Indian Action Movie ‘Baahubali: The Epic’ Re-Release Trailer

by jummy84
written by jummy84

Massive Indian Action Movie ‘Baahubali: The Epic’ Re-Release Trailer

by Alex Billington
October 20, 2025
Source: YouTube

“Strangers look up to me like I’m God. Who am I?!” Variance has revealed the new trailer for Baahubali: The Epic, a brand new version of the two-part Baahubali epic series of movies. This is pretty much India’s Kill Bill: The Whole Bloody Affair (also finally getting released this year). Directed by S.S. Rajamouli, who later went on to make the world-shattering RRR, directed these original two action movies Baahubali: The Beginning (2015) and Baahubali 2: The Conclusion (2017). Now he’s re-edited & remastered both of them into one single movie, combining footage from both with technical enhancements and previously unseen scenes. When a lost prince is rescued and raised in exile, he grows up unaware of his past. Years later, he returns to uncover the truth about his father’s murder & his mother’s imprisonment, and will rise to reclaim his place as the rightful king. Baahubali: The Epic stars Prabhas in dual roles, with Rana Daggubati, Anushka, Tamannaah Bhatia, Ramya Krishnan, Sathyaraj, and Nassar. I actually went to see this in theaters back in 2015 and it’s proper awesome. I bet even players better now as this final version. Give it a shot and experience a real epic like no other on the BIGGEST screens around – including IMAX worldwide.

Here’s the new official trailer (+ poster) for S.S. Rajamouli’s Baahubali: The Epic, direct from YouTube:

Baahubali: The Epic Trailer

Baahubali: The Epic Poster

10 years before RRR took the world by storm, master filmmaker S.S. Rajamouli redefined Indian Cinema with his two-part Baahubali saga – from 2015 & 2017. Now, the epic tale of royalty, revenge, kings, and wars has been personally re-edited by the master himself into a single unforgettable cinematic experience, with fully remastered picture and sound (and a few new surprises), so audiences can reunite to experience the euphoria the way it was intended: on the big screen. When a lost prince (Prabhas) is rescued & raised in exile, he grows up unaware of his past. Years later, he returns to uncover the truth about his father’s murder and his mother’s imprisonment, and must rise to reclaim his place as the rightful king. Baahubali: The Epic (aka Bahubali) is directed by acclaimed Indian filmmaker S.S. Rajamouli, his 10th feature film at the time – he later directed RRR in 2022. Produced by Shobu Yarlagadda and Prasad Devineni under Arka Media Works. Made in the Telugu film industry (in both Telugu & Tamil). Baahubali: The Beginning first released in 2015; Baahubali: The Conclusion in 2017. Rajamouli’s Baahubali: The Epic opens in theaters worldwide starting October 31st, 2025 – with special screenings October 29th. Who wants to go watch it?

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Find more posts in: Foreign Films, To Watch, Trailer

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Teyana Taylor & Leonardo DiCaprio's Film 'One Battle After Another' Faces Massive $100 Million Box Office Loss Despite Critical Praise
Celebrity News

Teyana Taylor & Leonardo DiCaprio’s Film ‘One Battle After Another’ Faces Massive $100 Million Box Office Loss Despite Critical Praise

by jummy84
written by jummy84

Teyana Taylor & Leonardo DiCaprio’s Film ‘One Battle After Another’ Faces Massive $100 Million Box Office Loss Despite Critical Praise

Leonardo DiCaprio and Teyana Taylor’s new film “One Battle After Another” is being hailed by viewers but it’s struggling to make its money back.

Directed by Paul Thomas Anderson, the Warner Bros. drama reportedly cost around $130 million to produce and another $70 million to promote. So far, it’s earned about $140 million worldwide, falling short of what’s needed to turn a profit.

“These prestige-type movies have failed to create a sense of FOMO among audiences,” says Fandango box office analyst Shawn Robbins in a statement to Variety. Warner Bros. pushed back on reports of a $100 million loss, saying, “Films across the studio’s slate, including ‘One Battle After Another,’ have achieved financial reward in 2025 with more than $4 billion earned to date.”

Despite the numbers, “One Battle After Another” is generating major Oscar buzz for its emotional storytelling and standout performances by DiCaprio and Taylor.

Did y’all go catch this action flick?


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