Manager

Days after the sudden and tragic passing of renowned singer Zubeen Garg, his longtime manager and close associate, Siddharth Sarma, has issued a heartfelt and detailed statement on Facebook. In an open letter, Siddharth addressed the growing public speculation surrounding the ownership of Zubeen’s vast music catalogue and the revenue generated from his artistic work.

Siddharth began by clarifying widespread misconceptions, particularly regarding who owns the rights to Zubeen’s music. He stated that the majority of Zubeen’s body of work — an estimated 38,000 songs — is owned by various music labels and production companies, not by Zubeen himself.

“Almost all of Zubeen da’s songs, even the biggest blockbusters, were done before I entered his life,” Siddharth wrote. “He often lamented how he was shortchanged — producers and labels earned crores, while he received only modest payments. This can be verified with those companies directly.”

In an effort to reclaim control over his creative output, Zubeen took significant steps in 2021 by launching his own music label, Zubeen Garg Music LLP . Siddharth Sarma was also a partner in the venture, with Zubeen holding a majority 60% stake.

However, Siddharth admitted that the LLP had not yet become a major source of income. “The LLP has generated only a few thousand rupees monthly so far. The entire amount remains untouched in the company account,” he wrote, adding, “I consider it my duty to ensure his family inherits his rightful share.”

Siddharth also addressed concerns about royalties. He clarified that any royalties Zubeen earned in his role as a composer or lyricist were deposited directly into Zubeen’s personal account. He further stated that these funds will now be transferred to Zubeen’s widow, Garima Garg, ensuring that the singer’s earnings remain within his family.

Zubeen Garg’s Untimely Death

Zubeen Garg, a beloved figure in Assamese and Indian music, passed away on September 19 while visiting Singapore for the North East Festival. He was found in critical condition in the sea by local authorities and was immediately taken to a hospital, where he was admitted to the ICU. Despite receiving intensive medical care, he later succumbed to his injuries.

Zubeen’s death has sent shockwaves across the country, particularly in Assam and the Northeastern region, where he was considered a cultural icon. Known for his genre-defying music, multilingual prowess, and relentless passion, Zubeen recorded more than 38,000 songs across various Indian languages during his illustrious career.

As the investigation into his death continues, tributes from fans, artists, politicians, and cultural figures have poured in, honouring his immense contribution to Indian music and culture. Many remember him not only as a prolific artist but as a voice that amplified the identity and issues of the Northeast.

Siddharth’s statement offers a glimpse into the lesser-known aspects of Zubeen’s professional journey, shedding light on the legal and financial complexities surrounding his work. It also serves as a reminder of the importance of artists having control over their creative rights, even in industries where such control is often elusive.