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Angelina Jolie Just Put a Tattoo-Baring Twist on One of Fall’s Biggest Trends

by jummy84 October 20, 2025
written by jummy84

When Jolie turned around, she revealed an unexpected open back cutout that perfectly frames a variety of large tattoos she’s accumulated over the years. In fact, if you look closely, the top panel holding up the dress appears to come just above her “know your rights” tattoo, which is reportedly the title of her favorite song by The Clash.

Angelina Jolie attends the “Couture” red carpet during the 20th Rome Film Festival on October 18, 2025.

Stefania D’Alessandro/Getty Images

The dress itself is a cross between the runway version and a ready-to-wear dress that currently retails for $1,773. While Alberta Ferretti creative director Lorenzo Serafini’s runway design featured glistening embellishments and more dramatic draping, the shoppable cape dress does not include an open back at all.

Clearly, this middle ground was the perfect fit for Jolie, who recently emphasized the importance of her tattoos in an interview with Backstage. “There’s something about being an actor where often, you’re expected to become a blank slate in between characters,” she said, revealing she was warned against getting tattoos early on in her career for that very reason.

Obviously, she ignored that advice. “It was one of many things I did in my life that was separate from film and being on camera—that was me and not a character,” she said. “So I wasn’t just staying a blank slate, even literally.”

October 20, 2025 0 comments
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bitchy | Angelina Jolie filed a declaration, laying out Brad Pitt’s disgusting behavior
Celebrity News

bitchy | Angelina Jolie filed a declaration, laying out Brad Pitt’s disgusting behavior

by jummy84 October 12, 2025
written by jummy84

Angelina Jolie has filed a new declaration in court, all part of Brad Pitt’s lawsuit – and Jolie’s countersuit – regarding her sale of Nouvel, her half of Chateau Miraval. The particular backstory is that, ahead of next year’s trial, Brad has continued to harass her through the courts, and his most recent “thing” is that he wants the court to order Angelina to produce her communications with her lawyers and her advisors from 2016. Specifically, the communications in the weeks after Brad assaulted and terrorized Angelina and their six kids on a plane, the weeks in which she took the kids, left him and filed for divorce. Angelina is fighting this discovery because of attorney-client privilege. Her new declaration is part of her request that Brad pay her legal fees just to handle this specific demand for her documents. Here’s more about the legal situation, and Jolie’s declaration:

Jolie demanded Pitt pay her $33,000 to cover her legal fees in defending the motion. “Jolie, through counsel, repeatedly asked Pitt to withdraw [the motion]. She even warned him numerous times that if the Court denied Pitt’s motion, Jolie would ask the Court to order Pitt to pay Jolie’s attorneys’ fees opposing the motion,” the court documents read. “Pitt still refused to withdraw it. Jolie thus requests that the Court order Pitt to reimburse her for the substantial attorneys’ fees she was forced to incur.”

In her filing, Jolie wrote, “The events leading to my need to separate from my ex-husband were emotionally difficult for me and our children. Upon filing for divorce, I left him control (and full residency) of our family homes in Los Angeles and at Miraval, without compensation, which I hoped would make him calmer in his dealings with me after a difficult and traumatic period.”

“To this day, the children and I have never again set foot on the property, given its connection to the painful events leading to the divorce,” the Maria star said. “Post-separation, I immediately began to look for a new house for me and our children, initially renting a home while looking for a more stable solution.”

“Because I wanted to ensure that Brad remained an important part of our children’s lives, I looked to buy a property near his home. At the time, my savings were tied up in Miraval, and I had not asked Brad for alimony or any other financial support. I was also very concerned about the health of our children, and so, for approximately two years, I declined work so that I could focus my attention on caring for our children and their recovery.”

“I was therefore not in a position to buy outright a home for our children in Los Angeles. I asked Brad to loan me the money to buy a home, which he agreed to do with interest,” Jolie detailed. In her declaration, Jolie explained that in early 2017, she had on-again, off-again talks with Pitt about him buying out her interest in Miraval.

“These discussions were always difficult for me, due to my deep emotional ties to our family home there and how our relationship ended. Miraval was one of the first major investments we made together, and it was a focal point of our family life. We were married there, I spent part of my pregnancy there and I brought our twin children home there from the hospital. To have such a sudden break from my home and memories has been hard, and it was especially difficult for the children to have their lives so disrupted,” Jolie told the court.
Jolie said things changed in 2021 after she brought up alleged domestic violence in their separate divorce case. She said Pitt then backed out of the deal. She said Pitt proposed she sign a non-disclosure agreement that would cover personal and business matters.

“There was no practical need for the NDA, as I had not pressed charges or spoken out about the events that led to our divorce. In fact, for the previous five years, I had never publicly said a word about his actions,” the entertainer added. “As the mother of our children, as well as an advocate for victims of violence around the world, I found his demand extremely painful.”
“Although I had always voluntarily kept Brad’s actions confidential for the health of our family and had no plans to ever publicly disclose the facts, I could not agree to this coercive demand,” the actress’ declaration continued. Jolie said she rejected the NDA and the deal fell apart. The actress claimed she told Pitt she was selling to Stoli. Pitt’s team previously disputed Jolie’s characterization of these events.

As Us first reported, Pitt has been demanding Jolie turn over a series of private messages he believes will help his case. He argued the documents he requested she produce “go directly to his core claims.” In her new motion, Jolie adamantly opposed his requests for certain emails she exchanged with advisors. Her lawyer asked the court to deny Pitt’s motion. He wrote, “The attorney-client privilege is a bedrock of American jurisprudence and a vital protection to clients in litigation. Yet [Pitt] moves to compel [Jolie] to produce 126 privileged communications where Jolie and several of her closest advisors are discussing her lawyers’ legal advice. The motion is a transparent attempt to invade Jolie’s privileged communications with her lawyers and should be denied for many reasons.”

[From Us Weekly]

While her declaration really doesn’t contain new information – if you’ve been following this case from the beginning – it’s good to see it all laid out. Brad is delusional, and this is still about punishing Angelina for leaving him. He wants to see her communications with her lawyer and her team, and she’s just reiterating exactly what happened and her decision-making throughout. This is particularly heartbreaking: “I left him control (and full residency) of our family homes in Los Angeles and at Miraval, without compensation, which I hoped would make him calmer in his dealings with me…” She was trying to placate the man who abused her and her children in the hope that they could settle everything privately for the sake of the children. Instead, Brad has been raging for nine years, smearing Angelina, bribing a judge, and suing Angelina over a completely legal winery sale.

Photos courtesy of Avalon Red, Backgrid.

18th award Ceremony the Screen Actor Guild Awards 2012 in Shrine Auditorium Los Angeles California, 29th January 2012. Brad Pitt and Angelina Jolie,Image: 515921708, License: Rights-managed, Restrictions: UK USE ONLY – Fee Payable Upon Reproduction
– For queries call London + 44 (0)20 7421 6000 , New York + 1 646-329-6242 or Hamburg + 49 (0)40 530 240 5959, Model Release: no, Credit line: imago stock&people / Avalon
Angelina Jolie, Brad Pitt
05/28/2014 “Maleficent” Premiere held at the El Capitan Theatre in Hollywood, CA,Image: 552786632, License: Rights-managed, Restrictions: WORLD RIGHTS – Fee Payable Upon Reproduction – For queries contact Photoshot – [email protected] London: +44 (0) 20 7421 6000 Florida: +1 239 689 1883 Berlin: +49 (0) 30 76 212 251, Model Release: no, Credit line: Kazuki Hirata / Avalon
Angelina Jolie attends the “Eddington” red carpet at the 78th annual Cannes Film Festival at Palais des Festivals on May 16, 2025 in Cannes, France.,Image: 999999170, License: Rights-managed, Restrictions: , Model Release: no, Credit line: Olivier Huitel/Avalon


Angelina Jolie attends the “Eddington” red carpet at the 78th annual Cannes Film Festival at Palais des Festivals on May 16, 2025 in Cannes, France.,Image: 999999285, License: Rights-managed, Restrictions: , Model Release: no, Credit line: Olivier Huitel/Avalon
Ines de Ramon and Brad Pitt at the F1 European film premiere, London, UK on the 23rd Jun 2025,Image: 1014163951, License: Rights-managed, Restrictions: , Model Release: no, Credit line: James Shaw/Avalon
** RIGHTS: ONLY UNITED STATES, AUSTRALIA, CANADA, NEW ZEALAND ** Cannes, FRANCE – *FILE PHOTOS* Angelina Jolie and Brad Pitt are legally separated after a lengthy period of uncertainty. *Shot on 05/21/2007*

Pictured: Angelina Jolie, Brad Pitt

BACKGRID USA 14 APRIL 2019

BYLINE MUST READ: Best Image / BACKGRID

USA: +1 310 798 9111 / [email protected]

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*UK Clients – Pictures Containing Children
Please Pixelate Face Prior To Publication*


New York, NY – Brad Pitt rocks a stylish Gucci bag as he makes a quick exit from his hotel in New York. The superstar actor is in town promoting his new movie ‘F1.’

Pictured: Brad Pitt

BACKGRID USA 17 JUNE 2025

USA: +1 310 798 9111 / [email protected]

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Toronto, CANADA Angelina Jolie attends the premiere of “Couture” during the 2025 Toronto International Film Festival at Princess of Wales Theatre in Toronto, Ontario.

Pictured: Angelina Jolie

BACKGRID USA 7 SEPTEMBER 2025

BYLINE MUST READ: MediaPunch / BACKGRID

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October 12, 2025 0 comments
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Angelina Jolie does not regret undergoing double mastectomy and having ovaries removed
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Angelina Jolie does not regret undergoing double mastectomy and having ovaries removed

by jummy84 October 10, 2025
written by jummy84

10 October 2025

Angelina Jolie does not regret undergoing a double mastectomy and having her ovaries removed.

Angelina Jolie does not regret undergoing a double mastectomy and having her ovaries removed

The actress, 50, had the procedure after discovering she carried the BRCA gene mutation that increases the risk of breast and ovarian cancer.

Angelina, best known for roles in Tomb Raider and her latest film Maria, reflected on the surgeries in a new interview with Hello! magazine, explaining how her decision came after losing both her mother and grandmother to cancer.

She said: “I did choose to have that (surgery) because I lost my mother and my grandmother very young.

“I have the BRCA gene, so I chose to have a double mastectomy a decade ago. And then I’ve also had my ovaries removed, because that’s what took my mother.”

Agelina’s mother, Marcheline Bertrand, died in 2007 aged 56 following a battle with breast and ovarian cancer.

The actress added she felt at peace with her decision to undergo the preventative operations, adding she respected other women’s choices in how they approached their own health.

She said: “Those are my choices. I don’t say everybody should do it that way, but it’s important to have the choice. And I don’t regret it.”

The BRCA (BReast CAncer) gene mutation significantly raises the risk of developing breast and ovarian cancers, often at younger ages, according to the US National Cancer Institute.

Angelina revealed in 2013 that she had undergone a double mastectomy after doctors estimated she had an 87 percent chance of developing breast cancer and a 50 percent chance of ovarian cancer.

She later had her ovaries and fallopian tubes removed in 2015.

Her new film, Couture, explores similar themes of illness and resilience.

Angelina stars as Maxine, a woman grappling with a breast cancer diagnosis while navigating the emotional and physical toll of chemotherapy.

Speaking about the film, she said: “I think there’s much to say about this, and it is uniting for not just women but for anybody who’s gone through something, or someone who feels vulnerable and alone.”

While the movie is set in the world of haute couture, Angelina said its focus lies beyond fashion.

She said: “I think it’s not really a film about fashion; it’s a film about the fragility of life.

“Fashion, to me, is a metaphor for the world of appearances; a world where you have to hide your wounds.”




October 10, 2025 0 comments
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bitchy | Angelina Jolie: ‘I love my country, but at this time, I don’t recognize my country’
Celebrity News

bitchy | Angelina Jolie: ‘I love my country, but at this time, I don’t recognize my country’

by jummy84 September 22, 2025
written by jummy84

Angelina Jolie was in Italy over the weekend for the San Sebastian Film Festival. She premiered her latest film, Alice Winocour’s Couture, and Angelina will also receive the festival’s Donostia Award, which is sort of a lifetime achievement award. While Angelina’s film festival appearances always make news, this time, Jolie is making news for something she said during the press conference. She was asked about the state of America at this time, especially as an American artist.

Oscar-winning actor Angelina Jolie, who is at Spain’s San Sebastián Film Festival with Alice Winocour’s “Couture,” was asked a timely question at the festival’s press conference: What do you fear as an artist and an American? The actor sighed deeply and took a few moments to answer before saying, “It is a very difficult question.”

“I love my country, but at this time, I don’t recognize my country,” said Jolie. “I’ve always lived internationally, my family is international, my friends, my life… My worldview is equal, united, and international. Anything anywhere that divides or limits personal expressions and freedoms from anyone, I think, is very dangerous. These are such serious times that we have to be careful not to say things casually. These are very, very heavy times we are living in together,” concluded the actor.

It’s important to note that Jolie’s comment on freedom of expression comes just days after Disney’s ABC took Jimmy Kimmel‘s popular late-night show off its schedule “indefinitely.” The decision came after one of the biggest owners of TV stations in the U.S., Nexstar Media, said it intended to preempt airings of the program following remarks the host made about the killing of conservative activist Charlie Kirk.

[From Variety]

She’s right. I don’t recognize my country either. It’s like sane, normie Americans are the proverbial lobsters in gradually boiling water. One day, we’re just looking around and wondering when everything changed. It changed in 2016, btw. When a minority of American voters got that orange demon in office. Nothing has ever been the same since then. Angelina is lucky in a sense – she has other places to go and the means to take her family out of America. Reportedly, Angelina is waiting until her twins turn 18 and finish high school (next year) to move out of America permanently. Reportedly, she’s looking to move to the UK, but she also has a home in Cambodia and she does a lot of work in Ethiopia and Namibia.

Photos courtesy of Cover Images.

Premiere of the film ‘Couture’ at the 73rd San Sebastian International Film Festival at the Kursaal

Featuring: Alice Winocour, Louis Garrel, Anyier Anei, Angelina Jolie, Ella Rumpf, Garance Marillier
Where: San Sebastian, Spain
When: 21 Sep 2025
Credit: Clemens Niehaus/Future Image/Cover Images

**NOT FOR PUBLICATION IN GERMANY**

Premiere of the film ‘Couture’ at the 73rd San Sebastian International Film Festival at the Kursaal

Featuring: Angelina Jolie
Where: San Sebastian, Spain
When: 21 Sep 2025
Credit: Clemens Niehaus/Future Image/Cover Images

**NOT FOR PUBLICATION IN GERMANY**

Premiere of the film ‘Couture’ at the 73rd San Sebastian International Film Festival at the Kursaal

Featuring: Angelina Jolie
Where: San Sebastian, Spain
When: 21 Sep 2025
Credit: Clemens Niehaus/Future Image/Cover Images

**NOT FOR PUBLICATION IN GERMANY**


Premiere of the film ‘Couture’ at the 73rd San Sebastian International Film Festival at the Kursaal

Featuring: Angelina Jolie
Where: San Sebastian, Spain
When: 21 Sep 2025
Credit: Clemens Niehaus/Future Image/Cover Images

**NOT FOR PUBLICATION IN GERMANY**

Press conference for ‘Couture’ at the 73rd San Sebastian International Film Festival at the Kursaal

Featuring: Angelina Jolie
Where: San Sebastian, Spain
When: 21 Sep 2025
Credit: Clemens Niehaus/Future Image/Cover Images

**NOT FOR PUBLICATION IN GERMANY**


September 22, 2025 0 comments
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Angelina Jolie Fashion Drama Falls Flat
TV & Streaming

Angelina Jolie Fashion Drama Falls Flat

by jummy84 September 8, 2025
written by jummy84

Fashion is a serious business. It makes people billions of dollars a year, it influences culture in myriad overt and subliminal ways. But when covered on film, this haute world is typically skewered, in sophisticated satires like Robert Altman’s “Pret-a-Porter” and absurdist comedies like “Zoolander.” Credit to French director Alice Winocour, then, that she approaches her country’s perhaps most iconic industry with near total earnestness in the new film, “Couture.”

The film, like Altman’s, is a collection of intersecting storylines, all converging on an elaborate Paris Fashion Week show. Angelina Jolie plays a woman, Maxine, who is new to the atelier scene, an indie-horror director who’s flown from America to Paris to shoot a short film that will accompany the models as they take to the runway. Anyier Anei is Ada, a newbie model from South Sudan by way of Kenya, wide-eyed and hungry as she’s tossed into a maelstrom of haughty men and clubgoing sisters in strutting. Ella Rumpf plays a makeup artist-cum-novelist who observes this glamorous, exclusive milieu with poetic detachment, while Rumpf’s “Raw” costar Garance Marillier is a seamstress meticulously constructing one all-important garment. 

Black Rabbit stars Jason Bateman as Vince, Jude Law as Jake, shown here looking to the right, anxious, wide-eyed

Thus we have entrée into various interesting sectors of the industry, through which we ought to get a thorough, enlightening portrait of process, pride, and pressure. But Winocour — whose career has fascinatingly veered from the thriller “Disorder” to the sci-fi “Proxima” to the trauma drama “Paris Memories” — is ultimately more interested in mood than explication. We do learn a few things as the threads of “Couture” unspool, but mostly we are meant to feel a sort of broadly melancholic wonder at this jumble of human activity. 

On occasion, just such a feeling is achieved, especially in the climactic runway sequence, when a rainstorm whips up and epiphanies are experienced. Winocour is a tasteful stylist, employing Filip Leyman and Anna Von Hausswolff’s evocative score to further elevate her already plenty stirring pictures. There are quieter, subtler moments of loveliness too: a model taking a champagne bottle out of an ice bucket and replacing it with her swollen feet, a film director admiring the particular red of fake blood in a movie, an airport goodbye between two young fellow travelers from different war-torn lands. Winocour clearly has a deep care for her characters, and for the often maligned or misunderstood women who labor away in this still-quite-male-controlled industry. 

The effort is admirable. The overall construction of “Couture,” though, is patchy and ill-fitting. The crisscrossing narratives should allow Winocour to go exploring, and yet she doesn’t do much with the opportunity. Most of the characters are given plotlines so faint they’re barely detectable. Ada talks with her mother and brother back in Kenya, worries about a rolled ankle, parties with her new friends. Angèle, the makeup artist, goes from gig to gig, engaging in brief and rarely very meaningful small talk with whoever’s around. (That may be a close approximation of the job, but it’s not terribly cinematic.) The seamstress works on the dress and then works on it some more, and then she finishes it. That’s pretty much it. 

That naturalistic, lo-fi approach might play just fine were Maxine not saddled with a heavy, thudding cancer arc. She’s had some tests done before her Paris trip, and a phone call alerts her to bad news. This does afford Jolie the chance to share a few scenes with the great Vincent Lindon as a concerned doctor, but otherwise her plot is woefully light on specifics, on anything that might define Maxine’s particular reaction to this terrible news. Jolie has said in interviews that Maxine’s diagnosis was partly inspired by a health matter in her past, so there is something personal at work in the film. But Winocour does not do enough to give shading and texture to Maxine’s dismayingly generic journey.

Jolie nonetheless manages to bring some palpable life to the role, complicating her otherworldly magnetism with a dawning dread and sorrow. She’s particularly effective — and even funny — in scenes with Louis Garrel, who plays Maxine’s cinematographer and possible love interest with understated sex appeal. Jolie is, of course, a master of flirting and seducing on camera, but she does not do so on autopilot. She sharply illustrates the desperation and loneliness that are driving Maxine into the arms of her colleague, the sense that she may be saying goodbye to a certain facet of herself as she is whisked off into the realm of disease and treatment. 

That is, I suppose, why one asks a movie star like Jolie to join the ensemble. If only Winocour gave her more nuance to play with. And if only the rest of “Couture” didn’t feel so mismatched with Maxine’s struggles. As is, the film is somehow both glancing and melodramatic, a strange and underwhelming cocktail of blasé Euro sleekness and TV-movie drama. Ah well. At least the clothes are nice. 

Grade: C

“Couture” premiered at the 2025 Toronto International Film Festival. It is currently seeking U.S. distribution.

Want to stay up to date on IndieWire’s film reviews and critical thoughts? Subscribe here to our newly launched newsletter, In Review by David Ehrlich, in which our Chief Film Critic and Head Reviews Editor rounds up the best new reviews and streaming picks along with some exclusive musings — all only available to subscribers. 

September 8, 2025 0 comments
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Angelina Jolie Film ‘Couture’ Sells To Key Markets Ahead Of Premiere
TV & Streaming

Angelina Jolie Film ‘Couture’ Sells To Key Markets Ahead Of Premiere

by jummy84 September 2, 2025
written by jummy84

EXCLUSIVE: Ahead of its world premiere at Toronto this weekend, we can reveal that HanWay Films has closed key international sales on Couture, Alice Winocour’s high-fashion drama, starring Oscar winner Angelina Jolie.

International sales confirmed include: Airlines & Ships with Cinesky Pictures, Baltic States with ACME Film, Benelux with Case Départ, Bulgaria with Beta Film, Czechia & Slovakia with AQS, Former-Yugoslavia with MegaCom Film, Greece with The Film Group, India/Pakistan with Lionsgate Play, Italy with Plaion Pictures Italy, Switzerland with Pathé Films AG, Portugal with NOS Lusomundo Audiovisuais, Scandinavia with Mis. Label, Spain with Avalon, Poland with Monolith Films, Latin America with Synapse Distribution, Malaysia with Golden Screen Cinemas, The Middle-East with Frontrow Films, Singapore with Shaw Renters, Turkey with Bir Film and Ukraine with Greenlight Films.

UTA Independent Film Group is handling North American rights, with HanWay Films representing international. Pathé, who previously collaborated with Winocour on her Cannes Directors’ Fortnight premiere Revoir Paris, will handle distribution in France.

Jolie plays the lead role of Maxine, and Louis Garrel (Little Women) and Ella Rumpf (Raw) star alongside her. The film marks international model Anyier Anei’s feature film debut.

The synopsis reads: “Set during the frenzy of Paris Fashion Week, three women’s lives intersect in Paris: Maxine (Angelina Jolie), an American filmmaker discovers she has breast cancer and is drawn into an unexpected connection with a familiar collaborator (Louis Garrel); Ada (Anyier Anei), a fresh face in modeling, is escaping a predetermined future back home in South Sudan; and Angèle (Ella Rumpf), a makeup artist works in the shadows of the catwalks.”

French born Winocour (Proxima), teamed up with cinematographer Andre Chemetoff (The Happening), multi-César nominated costume designer Pascaline Chavanne (Becoming Karl Lagerfeld), and multi-César nominated production designer Florian Sanson (Holy Motors).

The film is produced by Charles Gillibert (Bergman Island) of CG Cinéma alongside Zhang Xin (History Of Sound) of Closer Media, William Horberg (The Talented Mr Ripley) and Angelina Jolie (Unbroken). Bob Xu serves as an executive producer.

The project is a co-production with France 3 Cinéma and received funding from La Région Île-de-France, Canal+, Ciné+ OCS, France Télévisions and Chanel.

September 2, 2025 0 comments
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