These are the stories making headlines in fashion on Thursday. Bolis Media has acquired a majority stake in Office Magazine, the independent New York publication shaping downtown culture. As part of the merger, finalized in September 2025, Simon Rasmussen remains editor in chief, while co-founders …
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by Alex Billington
November 14, 2025
Source: YouTube
“Work in Milan and sleep in Sicily? This Christmas, it will be possible.” Ha! I wonder if this a funny concept only Italians will understand? Netflix has revealed an official trailer for a an extra wacky comedy mini-series titled Sicily Express, ready for streaming on Netflix starting in early December. Another holiday offering from Netflix – this one is really made just for Italians to laugh about. With Christmas around the corner, two blundering Sicilian friends working in Milan discover a dumpster that transports them to their families in seconds. It’s a fun concept where this trash bin allows them to travel instantly between North Italy (where Milan is) and South Italy (where Sicily and Palermo and Naples are located). The new miniseries is written, directed, and starring Ficarra & Picone. The beloved Sicilian duo returns with a five-episode holiday comedy launching in December. Along with Salvatore Ficarra & Valentino Picone, the cast also includes Katia Follesa & Barbara Tabita, along with Max Tortora, Sergio Vastano, Enrico Bertolino, Adelaide Massari, & Angelo Tosto, plus a special appearance by Giorgio Tirabassi. This is exceptionally goofy & the humor is dumb, but I gotta say – it does look fun enough to watch. Especially during the holidays. Enjoy.
Here’s the official trailer (+ poster) for Netflix’s comedy series Sicily Express, direct from YouTube:
Sicily Express is a comedy series that tells the story of Salvo and Valentino, two Sicilian nurses who split their lives between their work in Milan and their families back home in Sicily at the bottom of Italy. Just a few days before Christmas, they stumble upon a magical portal inside a garbage bin — an unexpected discovery destined to turn their lives upside down… though not necessarily for the better. Sicily Express, also known as Sicilia Express in Italian, is a comedy mini-series created and made and written and directed by the Italian actors / comedians Salvatore Ficarra & Valentino Picone – aka Ficarra and Picone – also directors of La matassa, It May Be Love But It Doesn’t Show, Andiamo a quel paese, L’ora legale, Once Upon a Time in Bethlehem, and the series “Framed! A Sicilian Murder Mystery” previously. With additional writing by Fabrizio Cestaro, Nicola Guaglianone, Fabrizio Testini. Produced by Tramp Limited. Netflix will debut Sicily Express streaming on Netflix starting December 5th, 2025 coming up. Who wants to watch?
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ROME, Sept 23 – Claudia Cardinale, a glamorous symbol of post-war Italian cinema who enjoyed a long and varied acting career on film and in the theatre, has died at age 87, according to AFP and other French media.
Raised in Tunisia to a family of Sicilian origin, Cardinale’s introduction to the movie world came in 1957 after she won a beauty contest in Tunis and was rewarded with a trip to the Venice film festival.
Her voice had to be dubbed for her first Italian screen roles because she had grown up in a family where Sicilian dialect was spoken and had been educated at a French-speaking school.
Her early career was also complicated by a secret pregnancy which she said was the result of an abusive relationship. She gave birth to a son, Patrick, in London in 1958 and passed him off as a younger brother for several years while he was brought up by her parents.
After a series of smaller roles, she shot to international fame in 1963 when she featured in Federico Fellini’s “8-1/2” while she also starred alongside Burt Lancaster in “The Leopard” in the same year.
Shooting two films at the same time brought complications, with Cardinale recalling that she had to have different hair colours for the two roles.
In an interview with Britain’s Guardian newspaper in 2013, Cardinale contrasted the approaches of directors Fellini and Luchino Visconti, who directed “The Leopard”.
“He couldn’t shoot without noise. With Visconti, the opposite, like doing theatre. We couldn’t say a word. Very serious,” she said.
Her growing profile opened the door to Hollywood productions and she appeared in the comedy caper “The Pink Panther”, directed by Blake Edwards, and Sergio Leone’s “Once Upon A Time In the West” in 1968.
OSTRACISED
Cardinale’s career took a hit in the 1970s, after she separated from film producer Franco Cristaldi to start a life-long relationship with filmmaker Pasquale Squitieri, with whom she had a daughter, also called Claudia.
Angry at being dumped for another man, Cristaldi asked friends and associates in the Italian cinema industry to ostracise Cardinale, resulting for example in Visconti turning her down for his last film, “The Innocent” .
“It was a very delicate moment. I discovered I had no money in my bank account,” Cardinale said about the period.
Franco Zeffirelli eventually came to her rescue, casting her in the 1977 television mini-series “Jesus of Nazareth”. She then continued working with other European directors, including Werner Herzog and Marco Bellocchio.
The husky-voiced, chain-smoking Cardinale had a reputation as a fiercely independent, free-spirited woman, who once defied Vatican protocol by showing up for a meeting with Pope Paul VI in a miniskirt.
A 2022 book celebrating her life was called “Claudia Cardinale. The Indomitable”.
Based for much of the time in France, and friends with presidents Francois Mitterrand and Jacques Chirac, Cardinale turned to the theatre around the turn of this century, winning plaudits for her appearances on the stage.
She carried on making films in a variety of European languages until late in her life, appearing in Swiss TV series Bulle in 2020.
Awarded a lifetime achievement at the Berlin Film Festival back in 2002, she said acting had been a great career.
“I’ve lived more than 150 lives, prostitute, saint, romantic, every kind of woman, and that is marvellous to have this opportunity to change yourself,” she said.
“I’ve worked with the most important directors. They gave me everything.”
This article was generated from an automated news agency feed without modifications to text.
An Italian journalist is speaking out after facing strong criticism for her viral interview with Ayo Edebiri, Julia Roberts, and Andrew Garfield. The interview, filmed for ArtsLife TV on September 5, showed reporter Federica Polidoro asking Roberts and Garfield a question about the #MeToo and Black Lives Matter movements in Hollywood. Edebiri, who was sitting with them, was not included in the question, leading many viewers to accuse the journalist of ignoring her.
Polidoro asked Roberts and Garfield: “Now that the #MeToo era and the Black Lives Matter movement are done, what do we have to expect in Hollywood?”
Her wording surprised all three actors. Roberts quickly responded, “It’s not done.” Garfield agreed, and Edebiri stepped in, saying: “I don’t think it’s done at all. Hashtags might not be used as much, but there’s still important work happening every day.”
Edebiri’s thoughtful response went viral online, with fans praising her for addressing the issue clearly. But many questioned why she was left out of the question in the first place, especially since she is both Black and younger than her co-stars.
On September 8, Polidoro posted a statement on Instagram saying she has been targeted with personal insults, accusations of racism, and cyberbullying since the clip spread.
She explained that her question was meant only for Roberts and Garfield, but she published the full answers from all three actors in her interview.
“I find it striking that, instead of focusing on the thoughtful responses of Ayo Edebiri, Julia Roberts, and Andrew Garfield, the discussion is only about how I phrased the question,” she wrote.
Also read: Ayo Edebiri responds after being excluded from MeToo, Black Lives Matter questions to Julia Roberts, Andrew Garfield
Polidoro said she has worked with international publications for over 20 years and comes from a multi-ethnic, feminist family with a history of immigration.
“The real racists are those who see racism everywhere and try to silence journalism,” she added, saying she may take legal action against those who attacked her online.
The interview was part of the press tour for After the Hunt, a drama starring Roberts, Garfield, and Edebiri. The movie explores themes connected to the #MeToo movement and will be released in theaters on October 17.
It went viral after the reporter excluded her from a question on #MeToo and BLM, and Edebiri gave a powerful response.
She said she faced online attacks, denied racism, and defended her right to ask tough questions.
It’s a drama starring Edebiri, Roberts, and Garfield, exploring themes tied to the #MeToo movement.
The fashion world has bid farewell to one of its brightest luminaries, Giorgio Armani, the legendary Italian designer whose name became synonymous with modern elegance and who built an empire rooted in his vision, has passed away at the age of 91 in Milan. Born in Piacenza on July 11, 1934, Armani’s legacy endures through the Armani Group, which announced that its founder departed peacefully, leaving an indelible mark on design and entrepreneurship.
More than just a designer, Armani was a philosopher-king of fashion. In 1975, he sold his Volkswagen Beetle to fund his dreams — and within seven years, he graced the cover of Time magazine. His empire grew from tailored suits and red-carpet gowns to hotels, homewares, and chocolates, cementing his status as Italy’s most successful designer and one of its most astute businessmen. By 2019, his company was generating 2.1 billion euros, and his personal wealth was estimated at a staggering $11 billion.
India held a special place in Armani’s creative soul. During a visit in 1994, he fell in love with the country’s rich culture, heritage, and vibrancy. Inspired by this journey, he crafted collections that captured India’s spirit, showcasing them with his signature elegance on Milan’s runways. Armani once reflected on his drive: “Perfectionism, and the need to always have new goals and achieve them, is a state of mind that brings profound meaning to life.”
Armani’s farewell was as iconic as his career — during Milan Fashion Week’s F/W 2025-26 womenswear show titled Roots, he was escorted by two shimmering models. At 90, he was still meticulously overseeing every detail backstage, a testament to his unwavering perfectionism. The runway, designed by Japanese architect Tadao Ando, became the stage for his poignant last bow.
Funeral arrangements are scheduled at Teatro Armani in Milan from September 6 to 7, open to the public from 9 am to 6 pm.
For more news and updates from the entertainment world, stay tuned to Bollywood Bubble.
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Italian fashion designer Giorgio Armani, popularly known as King Giorgio has died at 91. His demise has left a void in fashion and he was single-handedly responsible for rewriting the rules of fashion. The designer was the archetype of Italian style and built a multibillion-dollar fashion empire. His fashion house released a statement soon after his death. “Indefatigable to the end, he worked until his final days, dedicating himself to the company, the collections and the many ongoing and future projects,” the statement said.
The iconic designer died at his house surrounded by his loved ones. He gave a miss to the June 2025 Milan Fashion Week for the first time, and was planning a major event to celebrate his brand’s 50 years during Milan Fashion Week this month.
Indian fashion designers and personalities poured in their condolences for the icon.
This is such a big loss for all of us. His name has been synonymous with fashion. I had the fortune of working with him for two years for the launch of Armani Casa. I was his guest at the opening of Armani Casa in Milan, where I met him personally. I was in awe of his personality. Meeting him was the biggest highlight of my life. My first meeting with him was in the year 1994 at Oberoi Hotel and had a brief interaction in the hotel’s elevator.
Giorgio Armani’s passing marks the end of an era. He wasn’t only a master of elegance and restraint—he was the architect of how a designer could build a global brand. Armani created a business model that became a case study for generations: from Armani cafe, Armani Casa to multiple divisions under his name, he showed that creativity and structure can coexist at the highest level. For independent designers like myself, and even for conglomerates, his legacy is both wisdom and roadmap. Personally, for my study having lived in Milan and witnessed his vision up close, I can say his influence shaped my own path. His ideas, his craftsmanship, and his relentless vision will remain safe in history—and he will be deeply missed by us all…
The world has lost a true icon with the passing of Giorgio Armani. His vision redefined elegance and simplicity, leaving an indelible mark on global fashion. For me, Armani was the epitome of timeless style and creative genius, an inspiration whose legacy will live on forever.
Giorgio Armani, the maestro of timeless elegance, redefined modern fashion with his quiet confidence and pure lines. He gave the world a new order of style—where tailoring was softened, glamour became effortless, and jeans stood as a symbol of democracy in dress. Armani dressed presidents, film stars, and dreamers alike, yet his true genius was in making sophistication accessible. With his passing, we lose not just a designer, but a visionary who shaped how the world dresses forever.
Giorgio Armani is an absolute legend whose contribution to fashion is eternal. Bringing ease and fluidity to menswear, sophisticated androgyny to women’s fashion and being one of the first designers to build and nurture an independent fashion empire, his legacy is large and inspiring to generations of designers. I continue to be inspired by his focus and timeless elegance as he built his signature over decades.
As a young designer my only first big dream was to wear Armani head-to -toe. He exemplified quiet class in clothing, no logos sreaming what you are wearing. With time ofcourse newer brands came, but Monsieur Armani at 91 could still be seen at the end of the show walking tall though frail with age. Students in India in fashion in 2025 must read of his legacy his craft to understand my perspective.
The brand said Armani left this world peacefully at home, surrounded by his loved ones. In a statement on Instagram, it said: “Mr Armani, as he was always called with respect and admiration by employees and collaborators, passed away peacefully, surrounded by his loved ones. Tireless, he has worked until the last days, dedicating himself to the company, to the collections, to the different and always new projects in being and to becoming.” A public funeral chamber will open in Milan this weekend, followed by a private ceremony for family and close friends.
Known as “Re Giorgio” or King Giorgio, Armani was celebrated for reshaping the fashion landscape with his relaxed yet refined tailoring. He was known for personally overseeing every aspect of his work, from advertising campaigns to last-minute touches before models walked the runway. His absence from Milan Men’s Fashion Week in June, the first in his career, came as he recovered from an illness. Even during this period, Armani remained committed to his projects, continuing to steer a company that generated more than €2.3 billion annually.
Although he never married, Armani was devoted to his family, especially his niece Roberta, the daughter of his late brother Sergio. She gave up a film career to join the fashion house, eventually becoming its director of public relations. Roberta became a vital link between the brand and the celebrity world, famously organizing the 2006 wedding of Tom Cruise and Katie Holmes, for which her uncle designed the couple’s wedding attire. Her presence highlighted the close family ties that ran alongside the vast global legacy Armani leaves behind.
See Also: Priyanka Chopra’s fashion game is on point in Paris
f you’re anything like me, your social feed has been completely taken over by sun-drenched snaps from the Amalfi Coast to the streets of Saint-Tropez, with content creators soaking in the last few moments of summer.. While I’m a fan of a good pasta pic or sunset boat selfie, it’s the fashion that really has me bookmarking every other post. Of course, I’m talking about those classic Euro Summer outfits.
While the internet might have you thinking that head-to-toe designer looks are the Euro summer dress code, the stylish women I spotted in Paris and Positano are telling a very different story. Spoiler: it’s not about flashy logos or trendy gimmicks. Instead, European women are opting for tried-and-true staples like linen sets and silk scarves to carry them through the end of the summer. Below, shop all of the Euro summer staples European women are actually wearing this season.
Light, fluid, and endlessly versatile. Worn with tanks or oversized shirts, slip skirts are a go-to for effortless dressing. French and Italian women lean into neutral shades or soft pastels for an easy, polished vibe.
With Jéan
Penny Skirt in Yellow Dot
Princess Polly
Asymmetrical Midi Skirt
Old Navy
Crepe A-Line Midi Skirt
Matching linen sets are the low-effort, high-impact uniform of the season. Think boxy tops, drawstring shorts, earthy tones. Breezy, chic, and made for long, hot days on the Mediterranean coast.
Madewel
100% Linen Scoopneck Cutaway Vest
Gap
365 High Rise Linen-Blend Trousers
Aritzia
Cruiselinen Regal Vest
Worn over swimsuits or half-tucked into trousers, it’s clear poplin button-downs are the ultimate summer layer. Classic white is everywhere, but soft blue is a close second. European women are also having fun with colorful striped button-downs, too.
Gap
Organic Cotton Poplin Big Shirt
COS
Tailored Pima Cotton Shirt
Alex Mill
Jo Striped Shirt In Cotton Poplin
Reformation
Andy Oversized Shirt
Part cover-up, part statement. Crochet dresses, skirts, and tops are everywhere on the sand (or on super-yachts!) this summer. Neutral tones keep it classic, while open weaves give just the right peek of swimwear underneath.
Tularosa
Bryce Crochet Top
Anthropologie
Capittana Sabrina Crochet Cutout Dress
Gap Factory
Crochet Pull-On Sweater Shorts
Tularosa
Luanne Cold Shoulder Top
Minimal triangle bikinis are the swimwear of choice. No prints, no frills—just sleek shapes in timeless colors like black, red, or white. This sleek, minimalist bikini style is often paired with the hat of the season—oversize bucket hats.
Riot Swim
Jax Bikini Bottom
Tropic of C
Equator Top in Black Terra
Los Angeles Apparel
Strappy Bikini Top
Like something you’d wear to bed — but prettier. These floaty, romantic dresses look straight out of a vintage film. Soft straps, barely-there fabrics, maybe a hint of lace. French girls wear them with worn-in leather sandals or nothing at all.
Mango
Embroidered Cotton Nightgown
Reformation
Holly Sleep Dress
Helsa
Summer Vintage Nightgown
A summer 2025 look wouldn’t be completed without a classic silk scarf. Tied with zero effort but maximum effect, silk scarves are everywhere—on handbags, hair, and waists.
Toteme
Centered Monogram Silk Square Scarf
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Netflix has officially announced that Emily in Paris Season 5 will debut on December 18, 2025. The popular romantic comedy series starring Lily Collins returns with a brand-new twist—Emily is leaving Paris behind and heading to Italy.
A New Chapter in Rome
Following the events of Season 4, Emily Cooper takes on a new professional challenge as she sets up a Rome office for Agence Grateau. Promoted by Sylvie (Philippine Leroy-Beaulieu), Emily finds herself navigating not just a new city, but also a wave of personal and professional chaos. Netflix teases that her “work idea backfires,” leading to heartbreak, career troubles, and a “big secret” that threatens one of her closest relationships.
First-Look Photos Tease Italian Glamour
On August 20, Netflix shared first-look images showcasing Emily soaking in Italian culture—sailing in a chic polka-dot outfit, lounging in the sun, and even horseback riding with new character Marcello, played by Eugenio Franceschini. Sparks fly between Emily and Marcello, hinting at a blossoming romance.
Love Triangle Returns
The romantic drama isn’t over—Gabriel (Lucas Bravo) and Alfie (Lucien Laviscount) are also back, adding tension to Emily’s evolving love life. After Gabriel admitted lingering feelings for Emily in Season 4’s finale, the stage is set for another emotional triangle.
Returning and New Cast Members
Season 5 welcomes back fan favorites including Ashley Park, Samuel Arnold, Bruno Gouery, and William Abadie. New cast members include Bryan Greenberg as Jake, Michèle Laroque as Yvette, and Minnie Driver as Princess Jane.
Also Read: Lily Collins’s surprise baby arrival! Emily in Paris star welcomes first child via Surrogacy
La Dolce Vita Awaits
Created by Darren Star (Sex and the City), and with Lily Collins also serving as producer, Emily in Paris Season 5 promises more fashion, romance, and drama—this time with a Roman and Venetian flair.