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'After The Hunt's Luca Guadagnino On Film's Power & Desire Dynamics
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‘After The Hunt’s Luca Guadagnino On Film’s Power & Desire Dynamics

by jummy84 October 11, 2025
written by jummy84

Luca Guadagnino, director of Amazon MGM Studios‘ picture After The Hunt, has revealed what drew him to the debut script of Nora Garrett.

After The Hunt follows a college professor (Julia Roberts) who finds herself at a personal and professional crossroads when a star pupil (Ayo Edebiri) levels an accusation against one of her colleagues (Andrew Garfield), and a dark secret from her own past threatens to come to light.

Guadagnino regular Michael Stuhlbarg and Chloë Sevigny also star along with Lío Mehiel, Thaddea Graham, Will Price, Christine Dye, and Burgess Byrd.

Appearing on stage at Deadline’s Contenders London event on Saturday, the Oscar-nominated Italian director said the dynamics of power and desire were appealing to him. He recalled reading Garrett’s script for the first time on a flight.

“It struck me the way in which Nora could bring together a very particular story in a very specific place, and make it a stage for idiosyncrasies and impulses that could speak to everybody,” he explained.

Garrett, an actress who has appeared in Criminal Minds: Beyond Borders, said it was “difficult to put into words” how grateful she was that Guadagnino took on the project after his previous work on films like Call Me by Your Name and Challengers.

Unpacking the ambition behind the story, she said: “I was really interested in someone who had such a powerful mechanism of self-denialism, and that mechanism is what supported their effort towards external success in a way that was powerful and propulsive, but hampered them in an emotional integrity way.”

Cinematographer Malik Hassan Sayeed said they wanted After the Hunt to feel like it was shot in the 1980s, using a single lens and other technology from that time. “He’s [Guadagnino] very precise and masterful at his craft, and I think it was an amazing pairing for us,” Hassan Sayeed said.

Guadagnino praised casting director Jessica Ronane for her “astonishing” work in balancing a cast that was “so wide and deep.” Roanne said it was a “great responsibility and a great thrill” to work on the movie.

After The Hunt premiered on October 10.

October 11, 2025 0 comments
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Luca Guadagnino on Woody Allen Influence on 'After the Hunt'
TV & Streaming

Luca Guadagnino on Woody Allen Influence on ‘After the Hunt’

by jummy84 August 29, 2025
written by jummy84

Luca Guadagnino‘s academia cancel-culture thriller “After the Hunt” (Amazon/MGM Studios) is the Italian filmmaker’s latest work to premiere at the Venice Film Festival. It stars Julia Roberts as a Yale philosophy professor, who’s unraveling amid a sexual-assault accusation made by her student (Ayo Edebiri) against her colleague (Andrew Garfield).

From a script by first-time feature writer Nora Garrett, Guadagnino’s third feature in three years plays out of competition in Venice, with the director joined by Roberts, Michael Stuhlbarg, Garfield, Edebiri, and Chloë Sevigny on the Lido. During Friday’s press conference in the Palazzo del Casino, the actors tangled with the film’s thorny topics, which deal not only with assault but also race relations in the academic world and the ideological divide between generations.

George Clooney in Jay Kelly

Given the film’s cancel-culture overtures, it’s noteworthy and not by accident that the film’s opening credits are in the style of a Woody Allen movie: in the Windsor typeface and white text against a black screen, in alphabetical order, and acknowledging said alphabetical order. Eagle-eyed audiences will ponder the connection between an artist who’s become persona non grata in American culture and Roberts as a professor who is facing accusations and persecution of her own.

During the Friday morning press conference, IndieWire asked Luca Guadagnino why those opening credits share an aesthetic with a Woody Allen movie. “The crass answer would be why not?” the “Call Me By Your Name” filmmaker said. “There is a canon that I grew up with, and why I started thinking about this movie with my collaborators, in front of the camera and behind the camera, we couldn’t stop thinking of ‘Crimes and Misdemeanors’ or ‘Another Woman’ or even ‘Hannah and Her Sisters,’ and there was an infrastructure to the story that felt linked to the great oeuvre of Woody Allen between 1985 and 1991.”

He added, “I played with that a few times before this, a couple of times used that kind of graphic and font, and I felt it was also interesting thinking of an artist who has been, in a way, facing some sort of problems about his being and what is our responsibility in looking at the work of an artist that we love, like Woody Allen. And by the way, it’s a classic font, that kind of font. It goes beyond Woody.”

Roberts said it’s “not so much that we’re making a statement” with the hot-button film. “We’re sharing these lives for this moment and want everyone to go talk to each other after… we are kind of losing the art of conversation in humanity right now, and if making this movie does everything, getting everyone to talk to each other is the most exciting thing we can accomplish.

August 29, 2025 0 comments
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