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Avatar: Fire and Ash first reactions are in as critics single out "unimaginable" and "bold" sequel filmmaking
TV & Streaming

Avatar: Fire and Ash first reactions are in as critics single out “unimaginable” and “bold” sequel filmmaking

by jummy84 December 2, 2025
written by jummy84

The first wave of reactions have arrived for Avatar: Fire and Ash ahead of the release of the third entry in James Cameron’s epic sci-fi franchise later this month – and early signs suggest the new film could be another winner.

Although full reviews for the film are still under embargo for the time being, critics have begun posting their takes on social media, and the vast majority have been very positive so far.

“Three films in and I still can’t get over how magical the [Avatar] movies are,” wrote Perri Nemiroff of Collider, adding that Fire and Ash “truly feels like a ride.”

She continued: “I couldn’t believe how quickly I was pulled back into the world of Pandora and swept up in the situation. And once that happens, there’s a noticeable increase in complexity in quite a few aspects of the production.”

Critic Courtney Howard called the film “a glorious saga” and added: “Bold, brilliant & awesome in every way, this is what movie theatres were built for,” while writer Michael Lee claimed that it “pushes technical boundaries in unimaginable ways”.

Avatar: Fire and Ash 20th Century Studios

Chris Killian of ComicBook.com wrote that the film was a “damn good James Cameron movie!” and continued: “What else do you need to know? Go see it in 3-D in the best theatre you can find because it’ll blow your mind. That’s what JC does. Every bit as gorgeous as you’d expect, Fire and Ash is also easily the most INTENSE Avatar movie yet.”

Some viewers noted that the film would work best as a double bill with previous entry The Way of the Water, suggesting that it might be best to rewatch that one before going to see the new film.

“It feels like a Part 2 of that story,” wrote YouTuber Adam Hlaváč. “I was blown away by the visuals, the score, and many performances. But goddammit, you gotta see this thing in Dolby 3D! It’s unreal how immersive it is.”

Jesse Hassenger added that it was: “The first James Cameron sequel that feels kinda like a regular follow-up rather than an innovative re-envisioning of its predecessor’s world,” but added that “it also just casually drops ~3-4 of the best/coolest action sequences of the year and I was rapt the whole time.”

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While most of the reactions skewed very positive, a couple of them did also come with one or two reservations. For example, Eric Goldman wrote that while it was “another visually fantastic epic” and that “Cameron delivers spectacle like no one else”, he had “some issues with the third act and Way of Water remains the peak”.

Meanwhile, Matt Neglia of Next Best Picture wrote that while it “delivers the most emotional moments of the franchise” and is “the most epic in both scope and runtime”, the film contained “a few questionable choices” and was at times “frustrating”.

The reactions were pretty much unanimous in their praise for the visuals, but there were some critics who seemed otherwise unimpressed, with Variety’s Clayton Davis calling it the “most bloated entry yet”.

He added: “The dialogue often makes you cringe, and the story essentially devolves into an episode of My Two Dads meets James Cameron’s take on A Pyromaniac’s Love Story.”

Kaitlyn Booth also wrote that “story-wise, it’s the same ‘capture/rescue’ plot over and over again with some laughable dialogue thrown in the middle” adding that “the runtime is criminal, and if you have eye issues, avoid the 3D”.

The film arrives in UK cinemas on Friday 19th December, with Sam Worthington, Zoe Saldaña, Stephen Lang, Sigourney Weaver and Kate Winslet among the stars to reprise their roles from previous instalments and, Oona Chaplin, Edie Falco, and David Thewlis joining the cast.

The official synopsis teased: “A year after settling in with the Metkayina clan, Jake and Neytiri’s family grapples with grief after Neteyam’s death.

“They encounter a new, aggressive Na’vi tribe, the Mangkwan clan, also called the Ash People, led by the fiery tribe leader, Varang, who has allied with Jake’s enemy, Quaritch, as the conflict on Pandora escalates to devastating consequences.”

Avatar: Fire and Ash will debut in cinemas on Friday 19th December 2025 in the UK.

Check out more of our Film coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more from the biggest stars in TV, listen to The Radio Times Podcast.

December 2, 2025 0 comments
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Shira Ghertner: A Luminary in Contemporary Filmmaking
Hollywood

Shira Ghertner: A Luminary in Contemporary Filmmaking

by jummy84 November 14, 2025
written by jummy84

Shira Ghertner is carving a niche for herself in the world of contemporary filmmaking, marked by her distinctive voice and dedication to avant-garde storytelling. Based in Tel Aviv, Ghertner’s work challenges traditional cinematic norms and illuminates underrepresented narratives, establishing her as a pioneer in the film industry.

Growing up in a vibrant cultural landscape, Ghertner found herself drawn to the arts from an early age. She pursued her passion through formal education at Minshar for Art in Tel Aviv, immersing herself in film production. This educational journey was not just about acquiring skills but fostering a deep understanding of visual storytelling that resonates with audiences. Her academic experience was complemented by extensive training in theater at Sela – The Performing Arts Studio, where she developed a strong foundation in narrative construction and character dynamics. This duality of education has equipped her to tackle various storytelling mediums, allowing her to blend cinematic and theatrical elements in her films effectively.

Ghertner’s filmography is a testament to her innovative spirit and artistic vision. Her breakout film, Soft Sign, explores intricate themes surrounding identity and social acceptance, capturing the struggles and triumphs of the queer community. The film portrays a nuanced perspective on love, resilience, and the quest for self-acceptance, themes that resonate deeply with many viewers. Its success at international film festivals illustrates her ability to weave personal stories into broader societal contexts, earning her critical acclaim and respect within the filmmaking community.

Additionally, her role as a producer on projects like Broken Mirrors further demonstrates her prowess in the industry. This film, which examines the impact of personal and collective trauma, showcases her commitment to exploring complex emotional landscapes. Ghertner works diligently to ensure that her productions maintain high artistic standards, focusing not only on visual aesthetics but also on meaningful, thought-provoking narratives.

What sets Ghertner apart is her commitment to exploring complex human experiences through her films. She skillfully navigates themes of love, identity, cultural conflict, and interpersonal dynamics, resonating deeply with audiences. Her characters are richly drawn and relatable, inviting viewers to empathize with their journeys.

In an era where many filmmakers resort to formulaic storytelling, Ghertner’s work stands out for its authenticity and emotional depth. She often draws inspiration from her own life experiences and the diverse backgrounds of those around her, weaving these influences into narratives that speak to universal truths. This authenticity not only enhances the relatability of her films but also positions her as a crucial voice in a cinematic landscape that increasingly values representation.

Ghertner is also a staunch advocate for diversity and inclusion within the film industry. Recognizing the barriers that many underrepresented voices face, she actively collaborates with emerging talent from various backgrounds. She believes that film is a powerful medium for social change, and through her projects, she aims to elevate stories that reflect the rich tapestry of human experience.

Her commitment to diversity goes beyond mere representation; it involves fostering an inclusive environment that encourages collaboration among diverse filmmakers, writers, and artists. By creating opportunities for marginalized voices, Ghertner is helping to break down the walls that have historically restricted access to the film industry. This approach not only enriches her own work but also contributes to a broader movement toward equitable representation in cinema.

In the rapidly changing landscape of filmmaking, Ghertner is keenly aware of the role technology plays in shaping narratives and audience engagement. She embraces new media and digital platforms as essential tools for reaching wider audiences and presenting stories in innovative ways. This adaptability has allowed her to explore hybrid forms of storytelling, blending traditional cinematic techniques with modern digital artistry.

The rise of streaming platforms and social media has also transformed how films are distributed and consumed, providing independent filmmakers like Ghertner with opportunities to share their work with global audiences. She is leveraging these platforms not only to showcase her films but also to spark dialogues around the themes she explores. By engaging with her audience directly, Ghertner creates a sense of community that further amplifies her message.

As Ghertner continues to evolve as a filmmaker, she is expanding her horizons into television and digital media. Her upcoming projects promise to push the envelope further, with a focus on inclusive storytelling that reflects the diversity of human experiences. By venturing into television, she aims to explore longer narrative arcs, allowing for more character development and intricate plots that delve deeper into the lives of her characters.

With several new projects in the pipeline, Ghertner is keen on collaborating with writers, directors, and creatives from various cultural backgrounds to enrich her stories. She is particularly interested in exploring themes related to contemporary societal issues, including mental health, social justice, and the intricacies of modern relationships. These subjects are not only timely but crucial in fostering conversations that matter within society today.

Shira Ghertner represents a new generation of filmmakers who are redefining the art of storytelling. Her innovative approaches and dedication to authenticity make her a trailblazer in contemporary cinema. As she forges ahead, the film community eagerly anticipates the next chapter in her impressive career.

Through her work, Ghertner not only entertains but also educates and inspires, proving that film has the power to shape perceptions and foster empathy. She embodies the future of filmmaking, a future that is diverse, inclusive, and committed to exploring the rich complexities of the human experience.

 

November 14, 2025 0 comments
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piyush mishra anurag kashyap
Bollywood

Piyush Mishra Criticises Anurag Kashyap’s Filmmaking In Gulaal, Dev D

by jummy84 September 14, 2025
written by jummy84

Piyush Mishra has criticised Anurag Kashyap for “ruining the second halves” of films like Dev D and Gulaal, claiming that the director tends to lose grip after strong beginnings. The writer, lyricist, and actor spoke candidly during a discussion he attended by Manoj Bajpayee, producer Ranjan Singh, director Raam Reddy, and Anurag Kashyap himself.

Piyush Mishra Criticises Anurag Kashyap For Ruining Second Halves Of His Films

When asked if he revisits some of Kashyap’s most acclaimed films, Mishra didn’t hold back. On the Humans of Cinema YouTube channel, Mishra said bluntly, “Gulaal toh… maaf karna Anurag. Par uska second half pata nahi kya tha. Iski dikkat yeh hai ki woh apni adhi film achhi bana leta hai, phir lagta hai ki bohot badiya film ban rahi hai, aur phir usse bigaad kar dekhta hai. Second half bigaad deta hai. Gulaal achhi film ban rahi thi, par isne uska bohot bigaad kiya.”

He also extended his critique to Dev D, noting that its highly praised opening lost momentum midway: “The first half was a classic, and then he ruined it.”

At this point, Manoj Bajpayee chimed in with a humorous remark that Nawazuddin Siddiqui’s quirky cameo in the song Emotional Attyachar ‘saved the second half. Mishra further included Gangs of Wasseypur in his criticism, saying, “I don’t know what his problem is. Gangs of Wasseypur had the same issue; he made the first part, then he lost his mind. I thought Dev D would be a film on alcoholism, and then it became something strange.”

Anurag Kashyap Moves On with Nishaanchi

While Mishra’s comments drew laughter from the panel, they also reflected a recurring criticism of Kashyap’s storytelling—his tendency to start strong but lose focus in the latter half. However, the filmmaker has little time to dwell on these remarks. He is now preparing for the release of Nishaanchi, a crime drama marking Aaishvary Thackeray’s acting debut, alongside Vedika Pinto, Monika Panwar, Mohd Zeeshan Ayyub, and Kumud Mishra. The film is scheduled for release on September 19.

Meanwhile, Manoj Bajpayee was recently seen Jugnuma – The Fable, Raam Reddy’s new film that hit theatres on September 12.

For more news and updates from the entertainment world, stay tuned to Bollywood Bubble.

Also Read: Nishaanchi Trailer Out! Aaishvary Thackeray, Vedika Pinto’s Crime Drama Promises Guns, Romance And Action In Anurag Kashyap’s Directorial- Watch

Akankshya Mukherjee

Akankshya Mukherjee is a dynamic and ambitious individual poised to make waves in the realm of Media and Communication. With a passion for creativity and a drive to contribute to forward-thinking organizations, Akankshya embodies adaptability and a hunger for learning. Having already garnered experience through involvement in various organizations, she has honed the skill of quickly adapting to new environments and challenges. She sees each opportunity as a chance for personal and professional growth, eagerly embracing roles in communications and content writing.

September 14, 2025 0 comments
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