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Sam Fender wins 2025 Mercury Prize
Celebrity News

Sam Fender wins 2025 Mercury Prize

by jummy84 October 17, 2025
written by jummy84

17 October 2025

Sam Fender has won the 2025 Mercury Prize.

Sam Fender has won the Mercury Prize

The 31-year-old musician has received the £25,000 prize for the best British or Irish album of the year for People Watching, and Sam subsequently admitted to feeling surprised by his own success.

Sam – who was visibly shocked when his name was announced to the audience – told the BBC: “I didn’t think that was going to happen at all. I’ve spent the last 10 minutes crying.”

Sam received a rapturous ovation from his hometown crowd at the Utilita Arena in Newcastle.

The singer – who also received a nomination for his second record, Seventeen Going Under, back in 2022 – actually dedicated his accolade to Annie Orwin, his former mentor.

Sam – who earlier performed the title track of his award-winning album – said: “I was honoured and lucky enough to be with her in the last week of her life, and the title track was about her and about grief.

“Then the rest of the album is very much local stories, little pictures of Shields, and the people I’ve grown up with.

“So, very much like every other album I’ve done, but I think we got it right this time.”

This year’s awards ceremony was moved from London to Newcastle in an effort to make the music industry feel more inclusive, and less London-centric.

Jo Twist, the chief executive of the BPI, which organises the awards show, said: “Talent is everywhere but opportunity isn’t.

“So it’s only right that we bring these large scale shows (outside London) to show there are opportunities within the music industry without having to move city.”

Sam felt particularly thrilled to receive the award in his home city, observing that Newcastle has “always been in an isolated bubble” from the rest of the UK music industry.

The singer – who overcame competition from the likes of Pulp and Wolf Alice to win the award – added: “So for it to be recognised is really important. Hopefully it can be the beginning of many other wonderful things.”




October 17, 2025 0 comments
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Fender Unveils New American Professional Classic Guitars
Music

Fender Unveils New American Professional Classic Guitars

by jummy84 October 15, 2025
written by jummy84

Fender has officially unveiled the American Professional Classic, a new line of guitars and basses, with the help of hardcore heroes Turnstile.

Featuring some of the most recognizable Fender silhouettes and body styles, the American Professional Classic emphasizes vintage aesthetics and modern playability. The new line features Stratocaster, Jaguar, Telecaster, Precision Bass, and Mustang Bass models, each with overwound vintage-style pickups and modern performance-enhancing aspects, such as a modern “C”-shaped neck.

Get Turnstile Tickets Here

“These are road-worthy, ready-for-the-stage guitars that you can grab right off the hook of a store and go right to a gig and play,” Allen Abbassi, Fender’s Director of Product Management tells Consequence. “The pickups are actually based on our American Vintage II pickups, a line of reissue guitars that are made exactly like [guitars from] the ’50s and ’60s. These pickups are borrowed from that series, but they’re slightly modified. They’re overwound, so they have a touch more warmth and output.”

Related Video

These axes offer an accessible entry point for players looking for a pro-grade, stage-ready instrument, with prices ranging from $1,500 through $1,600 — a few hundred less than the American Professional II Stratocaster, for example. As of their launch, they’re the least expensive option for players looking for American-made Fender instruments.

“We have hyper-modern guitars in the Ultra, and we have very classic guitars in the American Vintage,” Fender Musical Instruments’ President of Americas Justin Norvell adds. “The American Pro is kind of the contemporary icon, and this line leans a little more classic than those, but remains a great entry point to American-made Fender.”

Fender has also touted the line’s durability for “night after night” usage, strategically tapping hardcore act Turnstile as the face of the American Professional Classic series. Not only are they an active touring band, but Turnstile are particularly physically active onstage, which requires a trustworthy instrument designed for high-energy performances.

“When you’re in a different place constantly, sometimes the most familiar thing is the guitar that you bring every single night,” says Turnstile guitarist Pat McCrory. “We look for something that sounds the same every time, sounds exactly how you want it, but also has versatility because spaces change. Sometimes you play outside, sometimes it sounds different, sometimes you play inside or there’s [noisy] lighting. Having some durability but flexibility is very important.”

Specs on select models in the American Professional Classic line are as follows:

  • The American Professional Classic Stratocaster ($1,499.99): Coastline ’57 single-coil Stratocaster pickups and “C”-shaped neck with 9.5″-radius maple fingerboard and medium jumbo frets (purchase here)
  • The American Professional Classic Jaguar ($1,599.99): Coastline ’65 single-coil Jaguar pickups, alder body, and “C”-shaped neck with  9.5″-radius rosewood fingerboard and medium jumbo frets (purchase here)
  • The American Professional Classic Telecaster ($1,499.99): Coastline ’63 single-coil Telecaster pickups, alder body, and “C”-shaped neck with 9.5″-radius maple fingerboard and medium jumbo frets (purchase here)
  • The Professional Classic Precision Bass ($1,599.99): Coastline ’60 split-coil Precision Bass pickup, alder body, and “C”-shaped neck with rosewood fingerboard and Fender “lollipop” tuners (purchase here)
  • The American Professional Classic Mustang Bass ($1,599.99): Coastline ’70 Mustang Bass split-coil pickup, alder body, and “C”-shaped neck with maple fingerboard and Fender “lollipop” tuners (purchase here)

Below you can check out an introductory video featuring Turnstile and product photos. For more on the American Professional Classic, visit Fender’s website.

Turnstile x Fender, photo by Connor Peterson

fender am pro classic strat

fender am pro classic jag

fender am pro classic tele

fender am pro classic p bass

fender am pro classic mustang bass

October 15, 2025 0 comments
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Events

Sam Fender becomes first artist to tour with all electric trucks

by jummy84 September 17, 2025
written by jummy84

Sam Fender performing at Reading 2023. Credit: Andy Ford for NME

With his ‘People Watching’ shows this summer, Sam Fender became the first artist to complete a set of live dates with all electric transport.

The final run of the tour, taking the singer-songwriter from Manchester to Edinburgh and Belfast to Stradbally in Ireland, used four fully electric vehicles in partnership with Mercedes-Benz Trucks, covering over 900 miles.

Each night, four eActros 600s carried stage sets and equipment between cities and venues, charging while on the road.

The ‘Rein Me In’ singer commented on the achievement: “We’ve just finished our summer tour where we used some Mercedes-Benz electric trucks with help from KB Event. Hopefully, this will show what can be achieved on future tours, and other artists will jump on board too. Big thanks to everyone involved, and to Massive Attack for pioneering the way with more sustainable touring.”

Richard Burnett of KB Event added: “Transport is a key part of any live music tour, but we wanted to make the ‘People Watching’ tour as green and sustainable as possible. Until now, electric trucks weren’t seen as viable for big tours, but the eActros 600 has shown they can deliver the performance, the range, and the reliability.”

Meanwhile, the Music Venue Trust shared earlier this month that funds raised from his UK tour in late 2024 provided a package of over £100,000 to help support almost 48 independent music venues across England, Scotland and Wales.

Fender is currently playing shows in North America and will head to Australia in November. Find US tickets here and Australia tickets here.

A week ago, ‘People Watching’ – which came out in February – was announced to be on the Mercury Prize 2025 shortlist, alongside albums from the likes of CMAT, Fontaines D.C. and Wolf Alice.

His third album overall, it became his second to receive a Mercury Prize nomination after 2021’s ‘Seventeen Going Under’. There could be new music coming next year, too, with Fender telling the crowd at his huge Wythenshawe Park gig on August 16, “I’m gonna go away at the end of this lot of shows and sort my shit out and get my voice as good as possible and make another album and fuck loads of new tunes next year.”

Originally published by nme.com on 16th September 2025. SOURCE

September 17, 2025 0 comments
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Event Industry News
Events

Music Venue Trust Distributes Over £100,000 of Sam Fender Fundraising Support to 38 Grassroots Music Venues

by jummy84 September 5, 2025
written by jummy84

Music Venue Trust (MVT), the charity which represents hundreds of UK Grassroots Music Venues (GMVs), has confirmed that funds raised from Sam Fender’s arena tour at the end of 2024 have now been distributed, via its Liveline Fund, to support 38 independent venues across England, Scotland, and Wales.

The package, worth over £100,000, has provided urgent emergency assistance alongside essential improvement grants, forming a full programme of support that protects, secures, and improves the grassroots ecosystem.

The Liveline Fund was created by Music Venue Trust (MVT) and live music advocates Save Our Scene (SOS) to distribute funding directly to Grassroots Venues, artists and promoters with financial support raised by contributions from arena and stadium ticket sales. Artists including Sam Fender, Katy Perry, Coldplay, and Enter Shikari were early adopters of the Grassroots Levy and have enabled Liveline to begin fuelling the future of UK grassroots music.

A total of 19 venues have been supported through the Emergency Hardship Relief Fund and Emergency Response Team – a lifeline package that steps in to prevent imminent closures. These interventions address urgent challenges such as licensing issues, legal disputes, noise complaints, financial crises, and sudden, unpredictable shocks like floods, fires, or bereavement. Each grant or intervention is tied to a full audit and support process to ensure long-term sustainability. This proactive work directly prevents closures and stops venues from falling into crisis, ensuring viable grassroots spaces remain open.

Alongside this, a further 19 venues received over £50,000 in direct improvement grants, enabling upgrades to facilities, technical equipment, and infrastructure that directly benefit artists, staff, and audiences.

Sam Fender said “It’s brilliant to see that the money raised from the arena tour is making a real difference to so many venues. The grassroots circuit has been decimated over the last 10 years or so and the idea that money from shows in big venues supports the smaller venues, where it all starts for musicians like me, is just common sense. These places are legendary.”

The impact is being felt across England, Scotland, and Wales. Venues to receive funding include Stereo, Sub Club, Paper Dress Vintage, The Hunter Club, The White Hotel, The Strines Nightingale, Spanners, The Garibaldi Hotel, Moor Beer Vaults, Slay Glasgow, Hippos, Ashburton Arts Centre, Clwb Ifor Bach, Newhampton Arts Centre, The Verdict, The Peer Hat, and venues based in the North East like Little Buildings, NE Volume Music Bar & Venue, and The Globe.

In Bury St Edmunds, The Hunter Club called the support “a game-changer”, explaining that it empowers them to provide a better experience for artists and audiences while continuing to nurture the next generation of musicians.

In London, Paper Dress Vintage highlighted the importance of resilience: “Our trade relies on us being able to put on music and our mixing desk, which was irreparably damaged recently, is absolutely central to all this activity. Having this new, protected system in place will make us more resilient and protect us from future damage and loss of earnings.”

Manchester’s The White Hotel pointed to the stark financial pressures faced by independent cultural spaces: “The increased cost of running a hospitality business, especially one that prioritises art and culture, is increasingly difficult. This financial support is vital to us.”

In Cardiff, Clwb Ifor Bach said the grant has resolved a critical technical issue: “This funding means we finally have our main room back up to the standard we expect of ourselves for the artists who visit our venue.”

And in Glasgow, the iconic Sub Club explained how support from the Liveline Fund has been transformative: “It allowed us to do much needed repairs and upgrades to our ‘Body Sonic’ dance floor, upgrading the amps and servicing the entire floor system. This provides an intense dance floor experience for our patrons that’s unmatched anywhere else in Scotland and we believe is an integral part of the Subbie experience.”

Mark Davyd, CEO, MVT commented “This remarkable contribution from Sam Fender, his management, and his team has created a real and lasting impact on the grassroots music ecosystem. These venues are the places where artists like Sam take their first steps, where local communities come together, and where live music truly begins. By investing directly into their future, we are strengthening the entire live music sector.”

This initiative underscores how funds raised from arena and stadium events can play a pivotal role in sustaining the grassroots infrastructure that underpins the UK’s world-renowned live music industry. MVT’s Annual Report 2024 revealed that, on average, GMVs operated on a profit margin of just 0.48% with 43.8% of them reporting a loss in the previous 12 months.

Originally published by Music Venue Trust on 4th September 2025. SOURCE

September 5, 2025 0 comments
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How Leon Thomas Is Using His Fender Strat To Hold Down R&B
Music

How Leon Thomas Is Using His Fender Strat To Hold Down R&B

by jummy84 September 5, 2025
written by jummy84

Leon Thomas is well aware that R&B is not the first style of music that comes to mind when the guitar takes the lead. Now, as a member of the 2025 Fender Next class, the 32-year-old is excited to bring his Fender Stratocaster along for the journey as he continues to evolve in the genre.

“Coming up being a fan of music, I was a big fan of Jimi Hendrix, and he always played a red Strat. The red Fender Stratocaster has been a potent part of my sound on R&B since the inception of my career. It’s my favorite guitar to play live on stage, so working with Fender was just a no-brainer, and to be recognized by them is definitely legendary to me,” the New York native explained to VIBE on a friendly Zoom call. He later declared that this would be the only guitar of his choice.

“It was so cool to see my picture up there with a lot of different rock stars. In R&B, guitar is one of those instruments that makes its appearance here and there, but it’s nice to be one of the few guys out there in my generation and in my class of R&B that actually plays plays.”

Kofi Ansah-Agyei

And he’s right. His breakout single “Mutt” widened his audience as listeners latched onto his strong musicality and unique style. In fact, the song and the album of the same name, were ranked VIBE’s top R&B offerings of 2024. With his star rising, Leon Thomas is always armed with the Fender Strat in his uniquely paved lane.

“I think the first time I picked up a guitar was the first time I ever wrote a song. It’s synonymous to everything that is me as an artist. It’s not something I really tried to do. It’s just me kind of being at this point,” he explained.

“So respect to everybody, but I know for me personally, I like to feature a lot of live instrumentation throughout my records because I’m not just writing on a lot of the songs. I’m also co-producing, so it’s nice to kind of have those elements that feel authentic to me featured on the record. Now you’re seeing the effects of that. As I promote it, as I’m on those stages, I don’t really feel comfortable hitting the stage without my baby.”

Leon Thomas wearing black jacket

Leon Thomas III at the Nickelodeon 2025 Kids’ Choice Awards held at Barker Hangar on June 21, 2025 in Santa Monica, California.

Gilbert Flores/Variety via Getty Images

The former Nickelodeon star continued to detail how his creativity translates to energetic live shows.

“It’s just a part of my process as an entertainer. I’m not hitting a bunch of choreography like Chris Brown. I’m not rapping like Kendrick [Lamar] or anything, so I got to find a way to really make a crowd go wild. I think my wow factor lives not just in what I’m doing vocally but also what I’m able to do on those instruments,” he relayed.

“I just want to make people smile. I want to make them feel good when they come to see me. It’s not cheap to buy a ticket to a show these days. I definitely respect the amount of work people are putting in outside of coming to see me live. If they spent that dollar, I want to make sure that they’re getting a show that’s worth it.”

Leon Thomas performing

Leon Thomas III performs onstage at the VVIP Superlounge Experience during Day 2 of the 2025 ESSENCE Festival of Culture presented by Coca-Cola at Caesars Superdome on July 05, 2025 in New Orleans, Louisiana.

Josh Brasted/Getty Images for ESSENCE

While last year may stand as his biggest yet, 2025 brought the Grammy winner the BET Award for Best New Artist, and a full-circle Kids’ Choice Award nomination for Favorite Male Breakout Artist. He is also nominated at the upcoming 2025 MTV VMA awards for “Mutt” remix with Freddie Gibbs.

“It’s a beautiful thing, man,” he reflected on the nomination.

He continued to joke, “They gave us like $20 to shoot them videos, so I’m excited. We’re even up there amongst all of those crazy other budgets that other people had. So, I’m just blessed to be mentioned in that category. It’s a real pleasure. I’m super excited to pull up. I’m still picking out my fit, but I’m going to grace that carpet, and I’m going to have a good time.”

And his career is just getting started. Thomas is set to release an EP, Folks, which he notes as “continuing to push the needle, and “a little bit more experimental.”

He continued to assure, “I think I’m just going to continue to be as creative as I can be, and I’m going to continue to take risks and chances in popular music. I hope the world really understands me.”

Listen to MUTT below.

September 5, 2025 0 comments
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