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New US Trailer for 'Jujutsu Kaisen: Execution' Anime Series in Theaters
Hollywood

New US Trailer for ‘Jujutsu Kaisen: Execution’ Anime Series in Theaters

by jummy84
written by jummy84

New US Trailer for ‘Jujutsu Kaisen: Execution’ Anime Series in Theaters

by Alex Billington
December 1, 2025
Source: YouTube

“Did you think you could go after my little brother & then leave this place alive?!” GKids revealed another official trailer for upcoming anime Jujutsu Kaisen: Execution, which is getting a full theatrical release in theaters this month. Following the massive box office success of both Chainsaw Man – The Movie: Reze Arc and Demon Slayer: Kimetsu no Yaiba Infinity Castle earlier this year, GKids is giving this anime series a theatrical run. The wildly popular series wrapped the 2nd season in December 2023, awarded “Anime of the Year” at the 2024 Crunchyroll Anime Awards, among many other prizes. Jujutsu Kaisen: Execution is the latest theatrical release from the Jujutsu Kaisen property and will feature the debut of all new content from the next Season 3. Animated by the legendary MAPPA studio, and based on the best-selling manga of the same name by Gege Akutami, published in Shueisha’s Weekly Shonen Jump, first aired in October 2020. It has since become a true global and pop culture phenomenon. This trailer below is for the English dub – both versions will be out in theaters. By connecting the directly linked episodes of the “Shibuya Incident” & “Culling Game” arcs, the story transforms into a new experience crafted specially for the big screen. Dive in.

Here’s the US trailer (+ poster) for Shouta Goshozono’s film Jujutsu Kaisen: Execution, from YouTube:

Here’s another official trailer for Shouta Goshozono’s film Jujutsu Kaisen: Execution, also on YouTube:

Jujutsu Kaisen: Execution Poster

A veil abruptly descends over the busy Shibuya area amid bustling Halloween crowds, trapping countless civilians inside. Satoru Gojo, the strongest jujutsu sorcerer, steps into the chaos. Lying in wait are curse users and spirits scheming to seal him away. Yuji Itadori, accompanied by his classmates and other top-tier jujutsu sorcerers, enters the fray in an unprecedented clash of curses — the Shibuya Incident. In the aftermath, 10 colonies in Japan are transformed into dens of curses in a plan orchestrated by Noritoshi Kamo, the most wicked sorcerer in history. As the deadly Culling Game starts, Special Grade sorcerer Yuta Okkotsu is assigned to carry out Yuji’s execution for his perceived crimes. The desperate confrontation between Satoru Gojo’s two beloved students comes to the big screen with an early preview. Be the first to experience Yuji & Yuta’s fateful battle with the hotly anticipated kickoff to Season 3 in theatres nationwide.

Jujutsu Kaisen: Execution, officially known as 劇場版 呪術廻戦「渋谷事変 特別編集版」×「死滅回游 先行上映」 in Japanese, is directed by the Japanese animation filmmaker Shouta Goshozono, also on “Chainsaw Man” previously before directing the entire “Jujutsu Kaisen” series. The screenplay is from Hiroshi Seko. Based on the “Shonen Jump” manga created by Gege Akutami. Animated by the legendary MAPPA studio. Produced by Mainichi Broadcasting System (MBS), Mappa, Shueisha, Sumzap, Toho. GKids debuts Jujutsu Kaisen: Execution in select US theaters starting December 5th, 2025 this fall. Who’s planning to watch?

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Baahubali  The Epic
Bollywood

Single Salma Review: Heart in The Right Place, but Execution Falters

by jummy84
written by jummy84

Nachiket Samant’s Single Salma is a film that means well, it wants to talk about choice, womanhood, and the complex mess of modern relationships, but the storytelling doesn’t always keep up with its good intentions. Its heart is firmly in the right place; its execution, unfortunately, isn’t.

Set in Lucknow, the film follows Salma (Huma Qureshi), a bright, no-nonsense woman who works for the city’s urban planning department. She’s the family’s emotional and financial anchor, engaged to Sikander (Shreyas Talpade), a dependable, well-meaning man who represents traditional stability. Salma, though, isn’t entirely convinced she wants the life that everyone else seems to have charted for her.

The film begins on a refreshingly grounded note. For once, government officers are shown working in earnest, preparing for a Smart City Conclave in London with genuine commitment. Even abroad, they’re seen learning and representing their city with professionalism, a detail rarely captured with such authenticity in Hindi cinema.

In London, Salma’s world shifts. She meets Meet (Sunny Singh), a charming planner from the London town planning department who believes in open relationships and is already involved with his girlfriend (Lauren Gottlieb). Drawn to his easy confidence and free-spirited approach to life, Salma finds herself pulled into unfamiliar emotional territory. When she gives in to her desire and loses her virginity to him, what follows is confusion, she wants something deeper, and later he too convinces himself he should marry her and follows her to Lucknow.

The film’s most compelling stretch comes when Salma becomes the target of public shaming after photos of her in a bikini are leaked online. Instead of melodrama, Samant crafts these moments with empathy. Her male colleagues rally to defend her, a quietly powerful reversal of stereotype. It’s a scene that captures both the vulnerability and dignity of a woman reclaiming her narrative.

Huma Qureshi carries the film on her capable shoulders, lending Salma warmth, humour, and a believable mix of confidence and self-doubt. Though her character feels like a patchwork of different ideas. She gamely rises above it all and gives her 100 percent. Shreyas Talpade plays Sikander with restraint and decency, and with his comic timing spot on. He’s the narrator of the film, something like the unreliable narrator of How I Met Your Mother and we wish was given a freer hand. Sunny Singh’s Meet exudes an easy charm that later gives way to unexpected introspection. Navni Parihar as Mrs. Shrivastav, Salma’s senior colleague, and Nidhi Singh as her outspoken best friend, add texture and energy, giving the film its liveliest exchanges.

However, despite the strong performances, Single Salma struggles with tone and rhythm. What begins as a layered exploration of identity and independence slips into formula, the conservative girl falling for the first man who makes her feel seen, mistaking attraction for love. There are moments that remind you of Queen (2014), but without its effortless flow or organic humour. Where Queen felt like an unforced journey of self-discovery, Single Salma feels more like a well-meant essay on liberation.

Sohail Sen’s music barely registers, and the film’s pacing, particularly in the second half, is uneven. The narrative loses its spark just when it should be finding its emotional peak.

Still, there’s sincerity in Single Salma, in its attempt to portray an independent woman not as a stereotype but as someone flawed, curious, and learning to define herself beyond societal labels. It’s a film that tries to empower through empathy rather than rebellion, even if the craft doesn’t always rise to the occasion.

All-in-all, Single Salma is a well-intentioned, occasionally moving story that needed sharper writing and lighter storytelling to truly shine.

Also Read: Huma Qureshi Engaged To Acting Coach Rachit Singh?

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PRG’s Corporate Events Team delivers its “Global Reach: Local Execution” capabilities with its growing team
Events

PRG’s Corporate Events Team delivers its “Global Reach: Local Execution” capabilities with its growing team

by jummy84
written by jummy84

PRG UK’s Corporate Events team continues to go from strength to strength with the appointment of Cameron Bannister as Director of Corporate & Special Events, Ben Hornshaw as Head of Projects and the addition of Scott Rooney – Ashby as Account Director, joining Technical Account Manager Nick Clarke. The expanded team, based in central London, are continuing to deliver exceptional 360-degree production services to large scale live events across the world supported by PRG’s global footprint.

The PRG UK Corporate Events team bring their “Global Reach: Local Execution” philosophy to projects across the sector, including award shows, conferences, summits and brand activations. Utilising over 35 global locations, supplemented by a further 13 certified PRG Alliance partners, the team can deliver events across the world with the same project management team on board throughout the entire process. PRG become an event partner for clients, bringing technical knowledge and creative expertise, along with PRG’s extensive network of equipment and resources, to deliver a seamless experience from start to finish anywhere in the world with a core central team. The team are also able to tap into the experience from the company’s extensive portfolio including concert touring, TV and theatre to bring creative flair and client’s ambitions to life.

Cameron has been a pillar at PRG for over 16 years with 10 years in the corporate market, successfully delivering high profile events across the globe. His portfolio includes large scale events including the open ceremonies and full-service productions for clients including NVIDIA, Google and UEFA. His exceptional organisational skills, creative mindset and wealth of technical knowledge are trusted by all his clients and put him in the perfect position to lead the team into the next chapter of growth. “Our side of the business has seen incredible success this year and we are continuing to push forward into 2026.” Say Bannister. “With our newly strengthened team, I’m very excited to continue to deliver outstanding events around the world, ensuring our clients receive the best service from our dedicated team.”

Ben Hornshaw is also a familiar face to PRG clients, having been in the Events Services team for over 15 years. He brings his wealth of knowledge to the newly created role, overseeing all projects within the team, ensuring that all crew and equipment are optimised so the project runs as efficiently as possible. Hornshaw’s technical production background includes working on some of the UK’s largest festivals and global tours including The Cure, Elton John and Creamfields festival. His exceptional knowledge and multiple disciplines allow him to push creative boundaries whilst still maintaining a seamless technical integration. He brings a safe pair of hands to every event!

The newest addition, Scott Rooney-Ashby, joins the team with over 20 year’s experience in the live events industry. His focus on developing long term client relationships and delivering technical productions for global brands across the world aligns him perfectly with the team’s growth aspirations. “I’m very excited to be joining PRG at such a pivotal time” says Rooney-Ashby. “Bringing together our collective knowledge with the support of our extensive production resources, we’re ready to deliver any event across the globe.”

Scott will work alongside Technical Account Manager Nick Clarke, who has been with PRG for over a year. Bringing with him two decades of technical production experience Clarke has continued to expand the collaboration with global PRG teams and expand the creative agency offering from the UK, whilst also working on industry engagement projects including Production Futures and TPi Awards.

“I’m absolutely delighted with the new team structure and our strengthened presence in the corporate events sector” says Phil McMichael, Director of Events and Entertainment. “With our refreshed account team and dedicated project managers, we’re ready to take on a busy Q4 and look ahead to an exciting 2026.”

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