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The Backlash Over Shay Mitchell's ‘Dystopian’ Skincare Masks for Kids, Explained
Fashion

The Backlash Over Shay Mitchell’s ‘Dystopian’ Skincare Masks for Kids, Explained

by jummy84 November 11, 2025
written by jummy84

Shay Mitchell is facing backlash for her latest business venture Rini, a skin care line developed for children. On November 6, the Béis mogul and Pretty Little Liars star launched a new line of sheet masks for tiny faces, including two jelly masks for hydration and after-sun care, as well as “everyday” masks that come in three animal faces.

“We created Rini because we wanted products that are gentle, trustworthy, and inspire creativity, elevated by Korean innovation,” Mitchell wrote in a brand mission statement alongside cofounders Esther Song and Matte Babel, Mitchell’s long-term partner. “Rini is where skin care meets play, a world where kids can dream, transform, and explore with dermatologist-tested products parents trust. Our mission is simple: to nurture healthy habits, spark confidence, and make thoughtfully crafted daily care essentials and play products accessible to every family.”

When Mitchell first teased the products on Instagram with a glossy editorial photo of a little girl using a pink jelly mask, the response was loud—and overwhelmingly negative. “I struggle to find the right words to articulate how disappointing and dystopian this is 💔,” commented Sarah Adams (@mom.uncharted), an anti-child exploitation activist prominent on social media. Another wrote, “This is paving the way to future adults with serious body image problems. Not good.”

But what, exactly, is all the outrage about and what else do you need to know? Here’s the TL;DR.

Give me the TL;DR.

Shay Mitchell is facing backlash for launching a new skin care line designed for children. The brand is called Rini, a colloquial term for “children” in Korean.

Wait, I need more. What’s the background here?

Last year saw the boom of “Sephora Kids”—a.k.a. children obsessed with skin care brands like Drunk Elephant, Summer Fridays, and Laneige. Some parents had concerns over their kids using skin care made for adults, specifically products containing actives that could potentially irritate young skin.

Mitchell is not the first to launch a skin care brand marketed towards children: brands like TBH Kids, Rile, and Evereden have created products to help meet newfound demand in a safe and responsible way.

For Rini, Mitchell was inspired by her own daughters. “My girls would always see me with [masks on], especially when getting prepared for any makeup to follow,” she told Elle of the inspiration behind the brand. “They would just come into the bathroom and look at me in the mirror and be like, ‘Can I use that? What’s that?’ I’ll even pass them some deodorant—with a lid on, of course—just so they feel like they can be a part of my routine. I also want them to know that skin care, for me, is about creating healthy habits and about having that self-care time—that’s important.”

Read more

Inside the Tween Obsession With Drunk Elephant Skin Care

Children as young as eight and nine years old are begging parents to buy Drunk Elephant products, some costing upwards of $50. How did a millennial skin care brand become Gen Alpha’s most viral gift? Glamour senior beauty editor Ariana Yaptangco investigates.

According to a Rini press release, the formulas were developed in “collaboration with leading pediatric chemists and laboratories in South Korea,” adding that “Rini offers dermatologist-tested products designed to inspire curiosity and confidence while supporting healthy habits from an early age.”

What age is recommended for Rini?

On the website’s general FAQ page, Rini teases future “bath essentials” that are “generally recommended for ages 2 and up.”

November 11, 2025 0 comments
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Japanese Anime 'Killtube' Brings Dystopian Battle to Tokyo Market
TV & Streaming

Japanese Anime ‘Killtube’ Brings Dystopian Battle to Tokyo Market

by jummy84 October 29, 2025
written by jummy84

An original anime feature set in an alternate 2027 Japan is at the Tokyo Gap-Financing Market, promising a high-octane blend of feudal imagery and futuristic warfare.

“Killtube,” directed by Kuribayashi Kazuaki, takes place in a world where Japan remains under Edo Shogunate rule, transformed into a sprawling metropolis of skyscrapers behind isolationist walls. In this stratified society, citizens are divided into seven status levels that determine every aspect of their lives — from housing to occupation to food rations.

The only escape from predetermined fate comes through “Killtube,” a government-run streaming platform where combatants duel to the death for fortune and freedom. At the story’s center is Musashi, a boy raised by dogs at the bottom of society’s hierarchy, who teams up with Kikuchiyo, a shrewd producer, and Leo, an inventive genius, to fight their way to the top. Their unconventional approach catches the eye of Shogun Ieyasu himself, ultimately forcing them to confront the darker truths beneath their controlled world.

“Within the 90 minutes of the film, I want to paint the feeling of excitement that someone has felt in their life, and to do that, I try to keep that same excitement within myself throughout the process,” Kuribayashi tells Variety. “We would like the audience to feel that sense of excitement and anticipation, and if this original work can reach people across borders and connect with them, that would be a real success for us.”

The production has adopted an unconventional approach that sets it apart from typical anime workflows. “‘Killtube’s identity is built on continuously gathering and integrating ideas from creators across diverse industries,” Kuribayashi explains. “Rather than following a conventional assembly-line workflow, we iterate through idea cycles. The greatest challenge has been maintaining a sense of speed, but we are now at a stage where that flow is becoming firmly established.”

Producer Fujimura Kayane notes that the team completed the screenplay and storyboards in 2025 and has now entered the CG pre-visualization phase. “Because we adopted a unique workflow that required moving back and forth between scriptwriting and storyboarding, we faced some major creative challenges,” Fujimura says. “However, through that process, our team was able to shape a story and characters we are truly proud of.”

Casting is currently underway, bringing fresh momentum to the production. “Hearing the characters come to life through the actors’ voices has given the entire team a renewed sense of excitement and confidence in the project,” Fujimura adds.

For the filmmakers, the Tokyo Gap-Financing Market represents a crucial opportunity to expand the project’s reach beyond Japan. “It’s a very valuable opportunity for us to present ‘Killtube’ to audiences outside Japan,” Fujimura says. “We hope to directly share our vision and explore how people around the world perceive the potential of this project, while building new international relationships and collaborations along the way.”

The production is targeting completion in 2026, with plans for both local and international release. Kuribayashi remains hands-on throughout the process, “deeply involved in checking and directing every part of the production, from animation and recording to background CG and color keys.”

“We aim to release Killt’ube not only in Japan but also to audiences around the world,” Fujimura says. “We’re working hard to make it a film that people everywhere can look forward to.”

October 29, 2025 0 comments
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