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Cricket in L1
Bollywood

Exclusive| Me Before You and Lazarus actor Sam Claflin on his global fandom: I don’t want to harbour…

by jummy84 October 22, 2025
written by jummy84

Sam Claflin became a globally renowned name with films like Pirates Of The Carribean: On Stranger Tides (2011), Me Before You (2016) and The Hunger Games series. As he gears up for the release of his mystery thriller series Lazarus, the British actor talks about the impact of this global fandom.

Sam Claflin

“I don’t think about it too much because that puts more pressure on things. I have a tendency to put everything into the world that’s in front of me on my mind. I feel lucky that there are people that watch the things that I’ve done. I try my best to sort of honour them as much as myself, but I feel the best way of honouring them is by honouring myself,” he says, adding, “I don’t want to harbour the responsibility of making other people happy anymore, but equally, I’m so grateful for everyone who’s got me to where I am and supported me through some really rough years. The better years are yet to come and I feel really lucky to be in this position.”

Watch the full video interview with Sam Claflin here:

Sharing his experience of working with legends like actor Bill Nighy and author-creator Harlan Coben, Sam Claflin calls it a “dream come true”. He adds, “I’ve been fortunate enough to have actually worked with Bill before, but we didn’t have many scenes together. So, having the opportunity to really go head-to-head with him during filming this was like a gift for an actor. He’s a very generous, giving and also a challenging actor to work with in a way that he just pushes you. He really forced me to be professional. As for Harlan, he is obviously an incredibly gifted writer. I’ve been a huge fan of the books and the adaptations that he has previously done. So it was a real no-brainer for me to get involved with this.”

His character Joel Lazarus goes through some intense situations in the series, and Sam admits that it did take a toll on him: “I had my own mini breakdown after filming. Without realizing it, the weight of the mental strain of playing Joe Lazarus, I did sort of carry over into my own life. I was just physically, emotionally and mentally tortured through the process of filming, but not in a bad way. I was also coming off the back of shooting something else, which again was very demanding. So, I put everything into it, everything that I had left in the tank anyway. It was an incredibly demanding and challenging role, but one that I was so eager to do and to do well. I was fortunately blessed with an incredible support network of great actors, filmmakers, and producers. I felt looked after but it definitely broke me in a great way.”

Glad about the love he receives from his Indian fans, Sam shares he hopes to visit the country soon. “I’ve never been to India and it’s on my list of places I’ve always been desperate to go. As an actor, I’ve been so blessed and fortunate to visit a few different places. And my hope is that India is going to be on that list one day and that there’s a project that will take me out there. But if not, I definitely have to go because I even have a friend who lives in Goa. So it’s on the list,” he ends.

October 22, 2025 0 comments
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Stephen A. Smith Says Court Confrontation w/ LeBron James Was A Calculated 'Set-Up': I Don't Like His @ss'
Celebrity News

Stephen A. Smith Says Court Confrontation w/ LeBron James Was A Calculated ‘Set-Up’: I Don’t Like His @ss’

by jummy84 October 21, 2025
written by jummy84

Stephen A. Smith Says Court
Confrontation w/ LeBron James Was A Calculated ‘Set-Up’: I Don’t Like His @ss’

#StephenASmith is standing ten toes down on his hatred for #LeBronJames.

In an interview on 7PM in Brooklyn with #CarmeloAnthony, the sports and political commentator spoke about his years-long feud with LeBron, saying, “I don’t like his *ss, not even a little bit. You do not understand the lengths this man would go to.”

Stephen continued, “This dates back more than a decade. I believe he’s one way publicly and another way privately. He might not be interviewed and he might not be quoted, but the things he says and the things he has said to people — it’s gotten back to me, the things he’s tried to do. If it were up to him, I wouldn’t be where I am today.”

Remember when LeBron confronted Stephen earlier this year during a game between the #Lakers and the #Knicks over comments made about his son and teammate, #BronnyJames? Well, Stephen feels that was a calculated move on LeBron’s part. “It’s some low, low sh*t. The day that he rolled up on me courtside, it was the day my contract was announced — that I had stayed at #ESPN,” Stephen explained. “Go back and look at the camera angles. I arrived there in the first quarter. He rolled up on me in the third quarter. This is 2025. We’ve got technology everywhere. #TNT is a nationally televised game. How is it we got one angle, and the only angle you see was of him and his face?”

Smith added that he felt “set up” by the entire ordeal.

Does Stephen A. have a point, or is he dragging the drama?


October 21, 2025 0 comments
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Gulshan Devaiah Recalls After-Party At Shah Rukh Khan's Mannat
Bollywood

EXCLUSIVE: Gulshan Devaiah Recalls After-Party At Shah Rukh Khan’s Mannat; Says, “Felt Really Uncomfortable, Like I Don’t Belong Here”

by jummy84 October 17, 2025
written by jummy84

Actor Gulshan Devaiah recently shared a story about visiting Shah Rukh Khan’s house, Mannat, after an award show. Clearing up a common misunderstanding, Gulshan said he did not gatecrash the party; he was actually invited by Shah Rukh himself.

Gulshan Devaiah Reveals He Did NOT Gatecrashed Shah Rukh Khan’s Mannat

He attended the party with filmmaker Anurag Kashyap and his then-wife, actress Kalki Koechlin. In an interview with Bollywood Bubble, Gulshan recalled, “We went in Kalki’s car. The entrance to Mannat is not what people think it is. I stayed at the party for about three hours, but I felt very uncomfortable. I kept feeling like I didn’t belong there. That feeling was a big realisation for me that I shouldn’t feel like I don’t belong. But I did.”

He described the star-studded party where he saw big names like Karan Johar, Vidhu Vinod Chopra, and Farhan Akhtar. “Everyone there was a big personality. Shah Rukh spoke to me very nicely, and even Gauri Khan was very sweet. I also had a long conversation with Australian actor Joel Edgerton. I kept looking at him, wondering, ‘Where have I seen you before?’”

Gulshan admitted that, despite the warm welcome, he couldn’t shake off the feeling that he didn’t fit in. “Those people are all high achievers. If I want to feel like I belong in this industry, I should feel comfortable in such situations. But for those three hours, I just wanted to leave. I don’t feel that way anymore, but back then, I did.”

Watch the interview here:

His honest story shows the emotional challenges actors can face in the industry, even when they are invited and welcomed warmly.

For more news and updates from the entertainment world, stay tuned to Bollywood Bubble.

Also Read: EXCLUSIVE: Delnaaz Irani Lauds Awez Darbar’s Game In The Bigg Boss 19 House; Questions His Eviction Saying, “It Was Shocking”

Manisha Karki

Manisha has established a reputation for insightful and engaging storytelling with over six years of expertise in the industry. With a deep passion for cinema, she brings a unique perspective to her coverage, making it a trusted voice in the entertainment world.

October 17, 2025 0 comments
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Cricket in L1
Lifestyle

Author Chetan Bhagat: I don’t, but Indians care about films because they don’t read books

by jummy84 October 15, 2025
written by jummy84

For the 90s kids thriving on Reddit today, the most pop-ular (or unpopular) author back then was Chetan Bhagat. His dealing of nonchalant characters, with rarely something unique, gained popularity for falling into familiar tropes and got much-talked about. So much so that Chetan’s books even became instant fodder for mainstream Indian cinema.

Author Chetan Bhagat talks about his new book, 12 Years, and how he managed to delve into the world of new age romances at 51.

Cut to 2025, the world has moved on, and so have the modern day characters or couples. Now, those living in the age of situationships have got a new talking-point with Chetan 2.0 returning to his OG loved-genre of love stories.

Excerpts from an interview:

Q. It’s 12 years since you last wrote about romance. The world has changed, and you’re back to writing the same genre. Why an old formula?

People love my love stories and that’s because there’s no formula in them. Each time it’s a fresh take on fresh issues. The age gap romance, in 12 Years, seemed bold and fresh and something I had not attempted yet. That’s why I felt it had something unique, which made me get back to love stories after more than a decade.

Q. So, this genre is not chosen with the agenda that it gets adapted for the screen; like your previous works?

That carries an assumption that I care a lot for the screen. I don’t care; Indians care because they don’t read books. So they are always asking me, ‘When is the movie coming?’ As if movie is the ultimate Nobel Prize! They believe that in Indian society films are up in the hierarchy of art forms; but it’s not. Films are the lazy man’s form of art consumption. I’ve had five adaptations of my works, and been part of six movies. It took a good amount of time from my life. But, I’ve reached an age where I don’t care much for that. I mean, ultimately, the joy you get from reading 2 States (his last book in the same genre), you’re not going to get from watching the movie.

Any book will trigger a reader’s imagination… I was also in a phase where I was fascinated by Bollywood. I grew up watching movies and saw the same actors call me to say, ‘We love your stories’. Of course you get carried away… But, finally, I realised that the true essence of what I enjoy doing is not that… For me, the biggest creative satisfaction come from writing a fresh story with fresh conflict and societal observations.

Q. How did you rewire yourself as a writer, to adapt to the modern age of ‘situationships’?

When my first book came out, there were no smartphones or even cellphones. I remember people used to tell me how they’d tear up the books in parts to exchange and read… Today, everybody has a phone in their pocket and is constantly entertained. So I had to change my plots too, embrace videos and social media and maybe that’s the reason I’m still around. I’ve tried to change and see the new generation non-judgmentally. Like I didn’t understand ghosting. For my value system it’s very rude. But I’m trying to come to terms with this, and the times we live in.

It’s a 51-year-old man writing a story about a 33-year-old guy falling in love with a 21-year-old girl. If not executed right, this bold story could’ve come across as creepy, strange and weird. But after 21 years of writing, I think I’ve reached a stage where I can handle this all, sensitively.

October 15, 2025 0 comments
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Now You See Me: Now You Don’t Brings Back The Four Horsemen With New Tricks And A New Generation Of Magic | Glamsham.com
Lifestyle

Now You See Me: Now You Don’t Brings Back The Four Horsemen With New Tricks And A New Generation Of Magic | Glamsham.com

by jummy84 October 13, 2025
written by jummy84

According to the official production notes from Lionsgate, Now You See Me: Now You Don’t is set to release on November 14, 2025, marking the highly anticipated return of the Now You See Me franchise. While full plot details haven’t been revealed yet, it is expected to continue the story of The Four Horsemen, the group of illusionists who amazed audiences with their clever heists and intricate tricks in the previous films.

They are joined by Morgan Freeman and Rosamund Pike, who are expected to play key roles in this next magical adventure. The film is directed by Ruben Fleischer, known for Venom and Zombieland, and produced by Alex Kurtzman, Roberto Orci, and Bobby Cohen.

This new installment reunites Jesse Eisenberg, Woody Harrelson, Dave Franco, and Isla Fisher, while introducing a new generation of illusionists played by Justice Smith, Dominic Sessa, and Ariana Greenblatt. 

While specific details about the storyline are still under wraps, early discussions suggest that the new movie may explore the mysterious world of The Eye, the secret society that has guided the magicians’ elaborate schemes. It is also believed that the film will feature a balance between mentorship and rivalry as the original Horsemen cross paths with new illusionists.

The Now You See Me series has always stood out for its mix of intelligence, spectacle, and surprise. Though no one knows exactly what this new chapter will bring, fans are already excited and hoping for even bigger illusions and smarter storytelling.

Based on official Lionsgate production notes and publicly available information.

October 13, 2025 0 comments
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Clipse Talk Articulating Parents’ Passing In "The Birds Don’t Sing"
Music

Clipse Talk Articulating Parents’ Passing In “The Birds Don’t Sing”

by jummy84 October 10, 2025
written by jummy84

Earlier this month at Pepsi’s Philly Eats Fest, Clipse opened up exclusively to VIBE about the deeply personal video for “The Birds Don’t Sing” — the heartfelt tribute to their late parents.

The Brendan O’Connor-directed visual, from their critically acclaimed album Let God Sort Em Out, finds the brothers revisiting their childhood home in Virginia Beach, articulating their grief through song.

“When asked what it was like being back in the house where they grew up, surrounded by photos and memories of their parents, Pusha T and No Malice didn’t mince words. “I didn’t think I could do it,” Pusha admitted to VIBE. The brothers also confessed to mentally checking out at times while reflecting on the reality that their parents are no longer physically present.

“I think I check out every day. I have that revelation like, ‘Damn. My parents aren’t here. I think about it every day. It’s something that you got to deal with,” Pusha candidly revealed. “I don’t know if it gets easier. It’s just tough. [‘The Birds Don’t Sing’] is a very real song and a reality for a lot of people. It was great to be able to articulate it through video.”

Malice added a spiritual perspective. “That’s the message and the Gospel that Christ rose. So when we get ready to go to the grave you better take the grave robber with you. I have an eternal destiny. I know this is not the end,” he said.

Speaking to how they have been getting through the hard time for the last four years, he added, “We do mourn … but we don’t mourn as those who have no hope. I’m very thankful for my parents… the legacy that they left and the legacy that we get to pass down to our children. So we have to rejoice here right now in the living.”

No Malice and Pusha T of Clipse attend the Louis Vuitton Menswear Spring/Summer 2025 show as part of Paris Fashion Week on June 18, 2024 in Paris, France.

Kevin Winter/Getty Images

Taking a lighthearted turn, the ‘Grindin” duo reflected on their bond outside the studio and stage, sharing some of the things they still do as brothers. “We talk about rapping and who’s not good and how terrible they are and how much better we are than them,” Malice quipped. “That’s something we do. My brother [Pusha] always talks to me about what’s new going on, and with his son Nigel… just brother talk.”

That everyday connection and shared grief translate into the raw vulnerability at the heart of “The Birds Don’t Sing” video. Fans are given an intimate glimpse into their past, from home movies to family photos, culminating with Pusha T’s son placing flowers at his grandparents’ gravesite. While John Legend and Voices of Fire contribute vocals to the track, the visual remains firmly centered on Clipse.

“Lost in emotion, mama’s youngest/ Tryna navigate life without my compass/ Some experience death and feel numbness/ But not me, I felt it all and couldn’t function,” raps Pusha T in the first verse dedicated to their mother. Malice follows with a tribute to their father: “I can hear your voice now, I can feel your presence/ Askin’ ‘Should I rap again?’, you gave me your blessing/ The way you spelled it out, there’s an L in every lesson/ ‘Boy, you owe it to the world, let your mess become your message.’”

See below.

Earlier this summer, the brothers reflected on the emotional toll of writing the song in a conversation with Interview Mag. Pusha T explained, “Man, ‘Birds Don’t Sing’ had to be the hardest verse I’ve ever written.” He also shared that the song took four days of “gut-wrenching reminiscing,” to come together and “putting it all on paper was such a heavy task.”

“It was definitely one of those verses that’s going to go down in history for me, just with really tapping into the emotion and being as honest and as vulnerable as I’ve ever been on a song” he declared.

Malice echoed his brother’s sentiments in the interview, adding, “Yeah, I agree. It was hard for me too, from an emotional standpoint, coming up with verses. It’s our parents, and you want to do them justice in sharing with the world exactly who they were as people and what they meant to us. At the same time, with every line, you’re reminded of your own personal grief while trying to express that to the listener.”

Pusha T and Malice

Pusha T and Malice of Clipse perform onstage during the 2025 ESPY Awards at Dolby Theatre on July 16, 2025 in Hollywood, California.

Kevin Winter/Getty Images

“The Birds Don’t Sing” is the third visual from Let God Sort Em Out, following “Chains & Whips,” which features Kendrick Lamar, and the declarative “So Be It.”

Watch the music video for “The Birds Don’t Sing” above.

October 10, 2025 0 comments
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Suniel Shetty Once Showered Praise On Longtime Friend Salman Khan!
Bollywood

“People Don’t Always Get Him”

by jummy84 October 10, 2025
written by jummy84

Suniel Shetty Once Showered Praise On Longtime Friend Salman Khan!
Suniel Shetty Once Said Salman Khan Was The “Most Understood Person” On Earth!(Photo Credit –Instagram)

Salman Khan is undoubtedly one of the most iconic figures in Indian cinema, with a remarkable legacy of blockbuster films that have defined his career. Over the years, he has amassed a devoted fan base that eagerly anticipates each of his releases, while being captivated by his charismatic off-screen persona.

His influence and films continue to be at the center of industry conversations. Salman is not only loved by his fans and admirers but also by his industry peers. In a past interview, his longtime friend and fellow Bollywood actor Suniel Shetty spoke candidly about Salman Khan, describing him as one of the most misunderstood stars in the industry.

Suniel Shetty Showered Praise On Salman Khan

Speaking about the Kick actor, Suniel Shetty said, “Salman is a man who’s on a different level; he is the most misunderstood person on this planet. Sometimes actors make mistakes in the selection of a movie. If Salman gets a movie on a good topic, he makes sure to shine in it no matter what.”

The Dhadkan actor further lauded Salman Khan, describing him as a star who consistently goes the extra mile in every endeavor. Highlighting Salman’s unmatched box office power, he pointed out how success is perceived differently for him compared to other actors. While many stars celebrate 200 crore collection as superhit, for Salman, that same milestone is often considered below par.

Suniel Shetty noted that this factor alone speaks volumes about Salman Khan’s unparalleled stardom and influence in cinema. “People don’t always get him. If I had to sum him up in two words, they’d be ‘human being’ and ‘being human,’ that’s exactly who Salman is.”

“He’s a different kind of person, someone who goes above and beyond in everything he does… We call a Rs. 200 crore film of his a flop, but for most of the industry, that would be seen as a superhit. When he gets the right story, he creates magic. Even his so-called underperforming films earn Rs 200 crore,” he mentioned. The actor’s heartfelt remarks reveal the genuine, down-to-earth person behind Salman Khan’s larger-than-life superstar image.

What Next For Salman Khan?

After Sikandar, Salman Khan’s line-up continues to be filled with high-octane entertainers, including his eagerly awaited war drama, Battle of Galwan, which has sparked widespread buzz and curiosity online since the release of its first look. A reunion with director Kabir Khan, particularly on a project like Bajrangi Bhaijaan 2 has also been rumored, which could signal a return to the emotionally rich storytelling that made their previous collaboration so memorable.

For more such stories, check out Bollywood Features

Must Read: When Sharmila Tagore Opened Up On Saif Ali Khan & Amrita Singh’s Divorce: “It Wasn’t Harmonious..”

Follow Us: Facebook | Instagram | Twitter | YouTube | Google News

October 10, 2025 0 comments
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Kelly Moran: Don’t Trust Mirrors Album Review
Music

Kelly Moran: Don’t Trust Mirrors Album Review

by jummy84 October 10, 2025
written by jummy84

The record’s five earliest pieces (the first four tracks, plus “Reappearing”) date from 2019 and 2020, when Moran wanted to take the prepared piano to the dancefloor. It’s easy to imagine album opener “Echo in the Field” blasting out over a late-night festival stage: A repeating synth line introduces buzzing bass chords, with the chiming piano carrying a clear melody over the top. Don’t Trust Mirrors isn’t really a dance record, though, and this club-friendly feel disappears quickly as Moran focuses on the timbral character of the prepared piano. “Prism drift” and “Sans sodalis” are built on spacious, ringing harmonics, not likely to move bodies, but to leave them stock-still and blissfully overwhelmed. These versions were later reworked into their more subdued partners, “Hypno” and “Sodalis (II),” for Moves in the Field, and their effect here is like seeing a familiar stage play shot in IMAX, with small, expressive gestures made grandly cinematic.

In the second half of Don’t Trust Mirrors, Moran largely works in the opposite direction, translating those songs written for Disklavier into pieces for prepared piano and synth. These tracks stand out from their originals through textural variety rather than compositional complexity. “Systems,” for example, is recognizable as Moves in the Field’s “Superhuman,” but it finds new force in the prepared piano’s clanging strings. At times, it sounds more like gamelan and with a bit of subtle synth, it becomes quietly sinister. The more variable sound of Moran’s electronics can completely alter a track, too: “Leitmotif,” a delicate little thing that unfurls like a rose petal on Moves in the Field, is big and airy and resonant as “Cathedral,” with tinkling notes spilling into an ambient wash of synth and disappearing in the cavernous distance.

Companion albums are nothing new for Moran, who released the improvisatory rush that became Ultraviolet later, unedited, as the Origin EP. But the relationship between Don’t Trust Mirrors and its predecessor is different, more involved, and ultimately more illuminating: Neither of these albums could exist without the other; neither is a first draft, though they each started where the other left off. Hold them up next to each other and you can see Moran reflected more accurately than in either: a picture of the artist becoming herself.

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Kelly Moran: Don’t Trust Mirrors

October 10, 2025 0 comments
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New Special, 'I Don't Wanna Work Anymore'
TV & Streaming

New Special, ‘I Don’t Wanna Work Anymore’

by jummy84 October 10, 2025
written by jummy84

For somebody who’d allegedly prefer a life of leisure, Phoebe Robinson sure hustles.

The writer-actress has a deal with Sony Pictures TV, via her Tiny Reparations production company. There’s the literary imprint of the same name, where she’s published her first three books of comedy. And, more pressingly, there’s the stand-up career that’s just birthed her latest comedy special. I Don’t Wanna Work Anymore is now on YouTube. And if you don’t watch it, well, Robinson will be that much further from retirement.

Speaking in early October, the 2 Dope Queens and Everything’s Trash alum spoke about the communal joy of raunchy jokes, why she has no plans to discuss her new hour with her family this holiday season and her firm belief that people should take an “Are You Dumb As Fuck or Not?” test before they’re allowed to to record a podcast. Speaking of podcasts… an extended version of this conversation will be featured in the premiere of The Hollywood Reporter’s latest, out later this month. (And, no, I did not take the test.)

You say you don’t want to work anymore, but clearly enjoy what you do. What part of your job could you do without?

If I never had another meeting in my life, I’d be fine. I don’t want to do a general meeting. “Hey, what are you watching right now?” I don’t give a shit. We’re all watching 20 different shows. I just love writing, I love doing stand-up. I love doing the creative stuff. The admin things and the networky things… I only have a certain amount of bandwidth.

The title of the special is work-focused, but I’d argue it’s really about sex. When it comes to personal material, do you have a line that you won’t cross in terms of what you’ll share on stage?

I always want to be respectful… and I know that may not be what you think when you see my stand-up. And by that I mean that I never want to punch down. I never want to just completely eviscerate someone. The way that I talk and joke about sex on stage, it’s fun and liberating. I think other people feel that way, too. They just need to hear someone on stage say the things that I’m saying. At least that’s what I’m telling myself.

Have you had any reactions to the contrary?

I mean, I’m definitely going to tell my parents to skip this one. Just skip it, Phil and Octavia! There is nothing here for you. Not one solitary sweet thing. Please don’t put yourself through it. I’ve got to go home for Thanksgiving. I don’t want the stress. We’ve got to make conversation over vegan turkey, so let’s just skip this awkward part, go see Wicked: For Good and pretend everything was fine. This special is kind of wild.

The stand-up special economy has changed dramatically over the last few years. How did you end up going with YouTube?

There’s just an over-saturation. For me, I want to bet on myself and see where this goes. I like what YouTube does for a lot of stand-up comedians. It’s just a very open space. It’s really hard to stand out on streaming platforms when they’re dropping one or two specials a week. I don’t want to get lost in the shuffle. So I wanted to go my own way. I think it’s very in line with my career. Jessica [Williams] and I started 2 Dope Queens because we didn’t feel there were enough gay people and people of color doing late night. I started my own imprint because it was hard for me to sell my first book in 2015. People were telling me that people don’t buy books written by Black women. To me, this doesn’t feel like anything new.

Your last series, Everything’s Trash, aired in 2022. You’ve now got projects in various stages of development. What is the biggest obstacle to getting a green light?

Hollywood is so cray cray right now. I have a first look with Sony TV, and they’ve been great so far. We have a good mix of half-hour comedies and a couple of dramas. I have a couple of projects I’m trying to develop for me to start in. I think the biggest hurdle is that there’s a reticence to doing something original or left of center. It’s so funny you hear these platforms and networks. They’re like, “Oh, we want a Fleabag or a Beef.” All these shows that are so singular and have a specific voice. Then when you pitch them those things, sometimes they’ll try and tell you all the ways in which it won’t work. I’m like, “Yeah, it could also work, so how about we try that?” It’s been really tricky, but I’m holding out hope that the tide will turn.

When you say left of center, do you mean quirky or, like, progressive or politically left?

I think both. But it is also a big time for procedurals, and I don’t think anyone turns to me to be like, “We need Phoebe Robinson to write a procedural!”

But if you had to make a procedural, what does a Phoebe Robinson procedural look like?

I thought Justified, on FX, was a really good way of doing a procedural. Also, the Matlock reboot! I tell everyone how good that show is. That is truly a straight down the middle procedural, but the writing, the acting are also really great. I would want something that’s a little gritty, a little interesting, a little sexy, a little something for me to star in opposite Andrew Lincoln. I just saw him do a play in London. He’s so absolutely brilliant and I would love to see him lead another show.

Can you tell me a little bit about your ongoing Instagram series, Thirsty Thursday? You pen these incredibly well-written and totally perverse odes to the famous men you find attractive.

I’ve always been a horny person, and I just wanted to have a fun way of talking about these hot celebs. So, I write these little horny sonnets about everyone from Jason Momoa and Denzel Washington to Tom Holland. It’s been fun, and people get the joke. I’m just having a good time objectifying these guys. Sometimes I think, “Oh, is this person going to be problematic?” So far I’ve been good. But let’s see.

Ever hear back from any of them?

I wrote one about Milo Ventimiglia. I just think he is so dreamy, and he DM-ed me. Mandy Moore sent it to him, which is so wild. And he was like, “Thank you so much. It was so funny.” The fact that the guys get it and know it’s not wild or crazy, that’s really cute. I did Steven Colbert’s show and he asked me to do one on him, so I did.

Any dates come out of this yet?

No. One thing I will tell you about hot famous men: They’re not like, “Wow, she can write! That’s who I want to date — someone who’s witty with the pen, someone who’s going to challenge me. Oh yeah, that gets my dick hard.” That has not happened. But there’s still hope. Maybe one day.

You just ran the Berlin marathon. Congratulations! And, a totally inappropriate pivot, did you see Harry Styles out there?

That man is so fast. I did not see him. It was so hot, and he was wearing all black, long sleeves! This guy’s a true athlete… I’m so jealous of him. But I just started running two years ago and I’m already running four marathons, so I feel like I’m doing OK.

Before I let you go, I’m wondering, as a podcasting pioneer, what are your thoughts on the saturation point we seem to have reached? You have not been shy in sharing your critiques of the podcast bros.

There are too many people with microphones. And most of them don’t even listen. You don’t know how to interview. You don’t know how to carry a conversation. You should have to take an exam before you can launch a podcast. It’s called “Are You Dumb As Fuck or Not?” I’ve listened to some of these podcasts, and hurts my brain. Now these guys are coming along with their stupid ass platforms and their nonsensical opinions; they’re flooding the space. It’s not great. I have hope that some people will go away from podcasting.

October 10, 2025 0 comments
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Fuerza Regida, Future to Headline JOP’s 2025 Don’t Fall in Love Fest
Music

Fuerza Regida, Future to Headline JOP’s 2025 Don’t Fall in Love Fest

by jummy84 October 8, 2025
written by jummy84

Only Fuerza Regida’s JOP could pull together the biggest stars in both hip-hop and música mexicana for one festival. On Tuesday, the Fuerza frontman unveiled the lineup for the second annual Don’t Fall in Love Fest — headlined by Fuerza Regida and Future — set for Nov. 22 in San Bernardino, California.

On the Mexican music front, heavyweights Banda MS and Los Tucanes de Tijuana will perform, along with newer stars Oscar Maydon, Netón Vega, Banda Machos, Clave Especial, Chuyin, and Victor Mendivil.

Repping the rap and hip-hop world will be Future, Chief Keef, Saweetie, Baby Bash, Snow Tha Product, and Peysoh.

Chicano stars Lil’ Rob and MC Magic, along with Mexican bands Mi Banda el Mexicano and Banda Machos, round out the lineup. J.I Bandz and Kingmostwanted will represent the local San Bernardino rap scene.

“Don’t Fall in Love Fest is back, and we’re coming back with full force,” said JOP in a press release. “Neton, Future, Chief Keef, Banda MS, música mexicana meets rap across two stages. No one has done anything like this before, and after last year’s success, we can’t wait for fans to come celebrate the music, the culture, and the energy with us.”

Festival passes are on sale now. General admission entry costs $263, GA+ entry starts at $393, and VIP tickets will cost fans $688 each.

This year, the fest — hosted by JOP’s Street Mob Records and Bobby Dee Presents — will expand to two full-production stages and a club dome with DJs and “state-of-the-art sound and lighting” late into the evening.

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A portion of the festival profits will support charitable initiatives, including immigration legal assistance for the Latin community, according to a press release.

Last year, JOP hosted the fest fo the first time, bringing along artists such as Lil Baby, Xavi, Luis R Conriquez, Los Ángeles Azules, and Kodak Black to San Bernardino.

October 8, 2025 0 comments
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