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Amanza Smith Lit Up Miami Art Week as the Creators Gala Delivered a Night of Art, Influence, and Luxury
Hollywood

Amanza Smith Lit Up Miami Art Week as the Creators Gala Delivered a Night of Art, Influence, and Luxury

by jummy84 December 10, 2025
written by jummy84

The return of Miami Art Week brought with it a surge of creative energy, and few gatherings captured its cultural pulse more vividly than the 2nd Annual Creators Gala Art Party, presented by Twenty35, Swagger Magazine, Jane Owen Public Relations and Zooz Group. On December 4, 2025, the trio of powerhouse brands once again transformed the One Ocean South residence an architectural jewel in Miami Beach’s South Pointe enclave into a haven for art, fashion, and elevated luxury.

The evening was hosted by Amanza Smith, the multifaceted television personality whose nine-season presence on Netflix’s Selling Sunset had already established her as a global figure in design and entertainment. This time, her artistic voice took center stage. Fresh off sold-out shows at MASH Gallery Los Angeles and Grove Gallery London, Smith unveiled a new art collection that showcased her evolving visual language, rich with texture, movement, and introspective expression. Her transition from model, actress, interior designer, and realtor to exhibiting artist resonated deeply during a week that celebrates creative reinvention.

Smith was joined by a dynamic lineup of creators from Zooz Group’s global influencer roster. Their presence underscored the gala’s identity as a gathering point for emerging talents and established tastemakers across entertainment, lifestyle, and media.

Amanza Smith attends SWAGGER Magazine Creators Gala hosted by Amanza Smith at Miami Art Week in Miami FL on December 4, 2025 (Photo by Udo Salters Photography).

 

Throughout the night, guests experienced the sophisticated ambiance of One Ocean South, beginning with red-carpet arrivals and continuing with curated culinary offerings and elevated mixology. Signature cocktails featured selections from the William Grant & Sons portfolio Milagro Tequila, Hendrick’s Gin, Glenfiddich Scotch, Reyka Vodka, and Monkey Shoulder Whisky while Sommsation presented an artfully assembled array of wines and sparkling varietals that complemented the evening’s “Liquid Art” theme. Premium Italian lager Peroni and Peroni 0.0 added a crisp, refreshing note to the drinks program, rounding out the celebration of artisanal craftsmanship.

Music played a pivotal role as DEOCA, one of Miami’s most exciting emerging producers and DJs, curated the soundscape. Having worked alongside major talents such as J Balvin, Trippie Redd, and David Guetta, and with several Top 10 releases on Beatport’s Tech House charts, DEOCA delivered a high-energy, globally influenced set that amplified the creative spirit of the evening.

Beyond the glamour, the gala also supported a meaningful cause through its partnership with GettingAlong.com, an organization dedicated to empowering future educators and policymakers with resources that foster societal well-being, personal growth, and responsible citizenship. The collaboration added a thoughtful dimension to an event celebrated for its artistry and cultural impact.

Amanza Smith attends SWAGGER Magazine Creators Gala hosted by Amanza Smith at Miami Art Week in Miami FL on December 4, 2025 (Photo by Udo Salters Photography).

The 2nd Annual Creators Gala once again stood out as a defining highlight of Miami Art Week—an experience where contemporary art, digital influence, and luxury living converged seamlessly. With Amanza Smith’s artistic evolution at its heart, a captivating roster of influential guests, and a carefully curated sensory journey, the evening left an indelible impression on attendees and reaffirmed the gala’s place among Miami Art Week’s most anticipated destinations.

As the city’s signature art festivities continued, the Creators Gala distinguished itself as a celebration of vision, creativity, and cultural momentum an unforgettable night where art did more than adorn the walls; it shaped the atmosphere itself.

 

December 10, 2025 0 comments
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bitchy | Royalist: Princess Anne ‘delivered an epic snub to Harry’ by visiting Ukraine
Celebrity News

bitchy | Royalist: Princess Anne ‘delivered an epic snub to Harry’ by visiting Ukraine

by jummy84 October 5, 2025
written by jummy84

Do you remember King Charles’s coronation in 2023? Do you remember how it was scheduled on Prince Archie’s fourth birthday? Do you remember how much of the energy before, during and after the coronation was devoted to Prince Harry and Meghan Sussex? For months, the coronation storyline was “will the Sussexes be invited” and “will they come?” When Meghan skipped it, they were enraged and they wouldn’t shut up about why she didn’t come back to allow them to scream at her and abuse her. Even the coronation itself felt like it was all about Harry, what he was wearing, who he spoke to, how long he stayed (he left England immediately following the Chubbly), and most importantly, how Harry was “snubbed.” That was a major storyline: sure, the king’s son came to the coronation, but we’re still going to punish him for his crimes of living in California! One of those snubs was… Princess Anne wearing a plumed hat, with a feather blocking some of Harry’s view. Seriously. I bring all of this up because Tom Sykes claimed that “Princess Anne Delivers Epic Snub to Harry in Ukraine.” You see, Harry visited Ukraine last month, and Anne visited the country this week. Here’s Sykes’ take.

Remember the coronation feather? That giant plume on Princess Anne’s hat, which just happened to block Prince Harry’s face from the cameras as he sat in Westminster Abbey for his father’s big day? At the time, there was chatter that Anne herself had wondered whether she should remove it, but she didn’t, and the message, intentional or not, was unmistakable: the showrunners of this soap opera know how to deploy their bit part actors with ruthless efficiency.

Well, they’ve done it again. For, today, it emerged that Anne was parachuted into Harry’s patch — Ukraine — and not just Ukraine, but the very territory you’d think was reserved for Harry alone: the rehab centers, the veteran recovery programs, the Invictus turf.

Other than the, uh, entire itinerary, the contrast couldn’t be sharper. When Harry went to Kyiv last month, his trip was shrouded in secrecy. His meetings weren’t photographed. A rumored encounter with Zelensky has never been confirmed. Harry brought along a friendly Guardian journalist and photographer, and fell, inevitably, into the trap of talking about himself. The predictable result was that the memoir, his father, and his grievances made headlines, rather than what the trip was supposed to highlight: the recovery of wounded veterans in Ukraine. Noble work, yes, but muddied in execution.

Anne? No fuss, no Guardian interview, no Netflix crew, no need to explain or complain. Just the pictures: shaking hands with Zelensky, sitting with amputees in physiotherapy, watching disabled veterans in the gym, poking her nose into the “salt rooms” used for mental and spiritual rehabilitation (yeah, we can do touchy-feely too, pal). Straightforward duty, photographed, packaged, and broadcast by both the palace and the Ukrainians.

Crucially, Anne was there officially, at the request of the British government. Harry had “permission” to go, sure, but Whitehall was visibly uneasy about him freelancing on geopolitics. They couldn’t stop him, but they could make sure he was upstaged. Enter Anne: the hardest-working royal, the archetype of service without ego, beaming out images that Zelensky and Harry weren’t ever going to be allowed to deliver.

Harry’s camp said that Anne’s trip was “great” and that “anything that shines a light on Ukraine is to be welcomed.” Harry is passionate about the cause; he has shown that. But I still can’t help wondering whether, for Meghan and Harry, seeing his aunt beam out the very images he was denied, it all felt very like the coronation feather all over again.

[From The Royalist Substack]

It IS the coronation feather all over again, but not in the way Sykes means. It’s another version of the feather because the Windsors are obsessed with Harry, and they have constantly shown that 90% of what they do and the decisions they make are all for an audience of one: Harry. Anne’s trip didn’t overshadow Harry’s trip last month – Anne’s trip exposed (yet again) that the Windsors are desperate to ride Harry’s coattails and colonize his life and achievements. It’s actually not a flex to admit that the whole-ass British government threw a tantrum and begged President Zelenskyy not to publish his photo with Harry. It’s an admission of how far the British monarchy and government will go to thwart, harm and marginalize Harry through official channels. Also: Harry’s trip was photographed. He was photographed meeting with veterans, he was photographed receiving personal gifts, he was photographed visiting the Alley of Heroes. Ukrainians spoke openly about how they feel like Harry has a Ukrainian spirit, a Ukrainian soul. They admire him and they want to see more of him. Harry’s trip got much more global attention than Anne’s. I would be willing to bet that Harry’s trip got more attention within Ukraine as well.

Screenshot courtesy of the Times.


October 5, 2025 0 comments
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Salman Khan vs Aamir Khan vs Shah Rukh Khan At Box Office
Bollywood

Who Has Delivered Most Highest-Grossers Of The Year?

by jummy84 August 26, 2025
written by jummy84

Salman Khan vs Aamir Khan vs Shah Rukh Khan At Box Office (Photo Credit – Instagram)

Few rivalries in Indian cinema have defined generations like the battle of the three Khans, Salman, Aamir, and Shah Rukh. For over three decades, the trio has alternated between ruling the silver screen and rewriting the definition of box office success. Every decade brought its own wave of trends: family dramas in the ’90s, action-packed spectacles in the 2000s, and pan-global blockbusters in the 2010s.

But one question has always fascinated fans and trade experts alike: which Khan truly dominated the box office most consistently? While each boasts career-defining hits and cultural milestones, the numbers reveal a fascinating story of how their legacies took shape across eras. From Salman Khan’s family entertainers to Aamir Khan’s perfectionist-driven record breakers and SRK’s romantic global juggernauts, here’s a breakdown of who topped the box office crown and how often.

Salman Khan – The Box Office Sultan

Salman Khan’s journey as a box office topper is defined by his ability to reinvent himself with changing audience tastes. Starting with Maine Pyar Kiya (1989), which became the biggest grosser of its year, he transitioned into ensemble dramas like Hum Aapke Hain Koun..!, rewriting Indian box office history with a then-unimaginable ₹127 crore haul in 1994, as per Box Office India.

The 2000s brought mixed phases, but Salman reinvented himself with Wanted (2009) and went on a golden streak in the 2010s. Dabangg (2010), Bodyguard (2011), Ek Tha Tiger (2012), and Bajrangi Bhaijaan (2015) weren’t just hits; they cemented him as the crowd-puller supreme, drawing unmatched single-screen and family audiences. His films often achieved unprecedented lifetime runs, becoming festive season staples.

Box Office Crown Films (Salman Khan):

  • 1989 – Maine Pyar Kiya – ₹28 Cr (Worldwide Gross) – 14 Cr (Domestic Net)
  • 1991 – Saajan – ₹18 Cr (Worldwide Gross) – 10 Cr (Domestic Net)
  • 1994 – Hum Aapke Hain Koun..! – ₹127 Cr (Worldwide Gross) – 71 Cr (Domestic Net)
  • 1999 – Hum Saath-Saath Hain – ₹81.71 Cr (Worldwide Gross) – 40 Cr (Domestic Net)
  • 2005 – No Entry – ₹74 Cr (Worldwide Gross) – 45 Cr (Domestic Net)
  • 2010 – Dabangg – ₹221 Cr (Worldwide Gross) – 139 Cr (Domestic Net)
  • 2011 – Bodyguard – ₹234 Cr (Worldwide Gross) – 142 Cr (Domestic Net)
  • 2012 – Ek Tha Tiger – ₹320 Cr (Worldwide Gross) – 198 Cr (Domestic Net)
  • 2015 – Bajrangi Bhaijaan – ₹915 Cr (Worldwide Gross) – 320.34 Cr (Domestic Net)

Total Years As Box Office King: 9

Out of the above nine years, films No Entry and Dabanng were the highest-grossing in domestic collections and were beaten by Enthiran and 2.0, respectively, in worldwide collections.

Aamir Khan – The Perfectionist

Aamir Khan’s box office supremacy is unique because it didn’t rely on sheer quantity but on path-breaking quality. Starting with Dil (1990), he soon proved his versatility with Raja Hindustani (1996), which became the highest grosser of its time. Aamir chose fewer films than his peers, but each was crafted to break barriers.

The turning point came with Ghajini (2008), which introduced Bollywood’s first ₹100 crore benchmark. Then came 3 Idiots (2009), a cultural phenomenon that crossed ₹400 crore worldwide, cementing him as India’s most bankable star. Dhoom 3 (2013) and PK (2014) raised the stakes further, but Dangal (2016) remains his crown jewel, grossing ₹2,024 crore worldwide, a record still untouched by any Hindi film.

Aamir’s appeal lies in his ability to dominate not just domestically but also in overseas markets, especially China, where his films set new global trends.

Box Office Crown Films (Aamir Khan):

  • 1990 – Dil – ₹18 Cr (Worldwide Gross) – 11 Cr (Domestic Net)
  • 1996 – Raja Hindustani – ₹76 Cr (Worldwide Gross) – 45 Cr (Domestic Net)
  • 2008 – Ghajini – ₹194.58 Cr (Worldwide Gross) – 114 Cr (Domestic Net)
  • 2009 – 3 Idiots – ₹395 Cr (Worldwide Gross) – 220 Cr (Domestic Net)
  • 2013 – Dhoom 3 – ₹601 Cr (Worldwide Gross) – 284 Cr (Domestic Net)
  • 2014 – PK – ₹792 Cr (Worldwide Gross) – 339.5 Cr (Domestic Net)
  • 2016 – Dangal – ₹2,059.04 Cr (Worldwide Gross) – 387.39 Cr (Domestic Net)

Total Years As Box Office King: 7

Shah Rukh Khan – The King Khan

Shah Rukh Khan’s legacy is deeply tied to the globalization of Bollywood. His first box office crown came with Darr (1993), but it was Dilwale Dulhania Le Jayenge (1995) that made him “King Khan,” smashing records with ₹103 crore domestic in an era where such numbers were unheard of.

Through the late ’90s and 2000s, SRK’s films dominated India and overseas, especially in the UK, the Middle East, and the USA. Kuch Kuch Hota Hai (1998), Kabhi Khushi Kabhie Gham (2001), and Devdas (2002) made him the face of Indian cinema abroad. His Om Shanti Om (2007) was Bollywood’s biggest spectacle of its time, while Chennai Express (2013) reaffirmed his domestic supremacy. The recent Jawan (2023) proved SRK’s box office might is far from over, grossing ₹1,159 crore worldwide, making him once again the king of the box office after decades.

Box Office Crown Films (Shah Rukh Khan):

  • 1993 – Darr – ₹21.3 Cr (Worldwide Gross) – 12.75 Cr (Domestic Net)
  • 1995 – Dilwale Dulhania Le Jayenge – ₹103 Cr (Worldwide Gross) – 53.5 Cr (Domestic Net)
  • 1997 – Dil To Pagal Hai – ₹71.87 Cr (Worldwide Gross) – 35 Cr (Domestic Net)
  • 1998 – Kuch Kuch Hota Hai – ₹106.74 Cr (Worldwide Gross) – 47 Cr (Domestic Net)
  • 2000 – Mohabbatein – ₹90.01 Cr (Worldwide Gross) – 43 Cr (Domestic Net)
  • 2001 – Kabhi Khushi Kabhie Gham – ₹135.53 Cr (Worldwide Gross) – 55.8 Cr (Domestic Net)
  • 2002 – Devdas – ₹99.87 Cr (Worldwide Gross) – 42.5 Cr (Domestic Net)
  • 2003 – Kal Ho Naa Ho – ₹86.09 Cr (Worldwide Gross) – 38.6 Cr (Domestic Net)
  • 2004 – Veer-Zaara – ₹97.64 Cr (Worldwide Gross) – 43 Cr (Domestic Net)
  • 2007 – Om Shanti Om – ₹149.87 Cr (Worldwide Gross) – 79.5 Cr (Domestic Net)
  • 2023 – Jawan – ₹1,163.62 Cr (Worldwide Gross) – ₹640.42 Cr (Domestic Net)

Total Years As Box Office King: 11

Out of the above eleven years, the film Darr was the highest-grossing for only the domestic box office, as Aankhen beat it for overall gross. Further, SRK’s global dominance is proven by the fact that the films Dil To Pagal Hai (1997), Mohabbatein (2000), Kabhi Khushi Kabhie Gham… (2001), and Kal Ho Naa Ho (2003) were in fact not the winners of the Domestic Net box office but managed to became the biggest Indian movie on the global box office in those years. On the domestic front, these movies were bested by Border (1997), Kaho Na Pyaar Hai (2000), Gadar (2001), and Koi Mil Gaya (2003).

Note: Box office numbers are based on estimates and various sources. Numbers have not been independently verified by Koimoi

Stay tuned to Koimoi for more box office updates!

Must Read: Jolly LLB 3: From Co-Stars To Legal Foes — Akshay Kumar & Arshad Warsi Reunite But As Rivals

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August 26, 2025 0 comments
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