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Split Enz at Memphis in May in 1981. (Credit: Paul Natkin/Getty Images)
Music

Deep Cut Friday: ‘Sweet Dreams’ by Split Enz

by jummy84 October 17, 2025
written by jummy84

Each week, SPIN digs into the catalogs of great artists and highlights songs you might not know for our Deep Cut Friday series.

MTV premiered on August 1, 1981, and four different videos by Split Enz aired on the channel in its first 24 hours. The New Zealand band had only made its Hot 100 debut less than a year earlier with 1980’s “I Got You,” but at the dawn of music television, they were briefly as ubiquitous as rock titans like the Who and David Bowie. That’s because Split Enz were one of the most visually oriented bands in the world before the advent of MTV, with outrageously imaginative makeup and costumes. And by 1981, they’d already produced music videos for more than a dozen of their songs that had aired on television in New Zealand and Australia.

One of the earliest and most striking Split Enz videos was for “Sweet Dreams,” a track from 1976’s Second Thoughts that was never released as a single. Musically, the song showcases the distinctive voice and emotive, erudite lyrics of guitarist Phil Judd, who co-founded Split Enz and split frontman duties with Tim Finn on the band’s early albums. Visually, the clip showcases the work of Split Enz percussionist Noel Crombie, who directed most of the Split Enz videos and designed the surreal hairstyles and outfits sported by the band in “Sweet Dreams.”

On November 14, Chrysalis Records is releasing ENZyclopedia Volumes One & Two, a 5 CD set of early Split Enz work including two versions of Second Thoughts, one of them a new 2025 remix of the album by keyboardist Eddie Rayner. Rayner’s remix of “Sweet Dreams,” premiered here exclusively by SPIN, brings out more vivid sonic detail in the instrumental bridge of the original 1976 track, which was produced by Roxy Music’s Phil Manzanera.

Phil Judd left Split Enz in 1977 and briefly rejoined the band in 1978 before leaving a final time. Split Enz disbanded in 1984 and have reunited many times since then, including a planned appearance at the Electric Avenue Festival in New Zealand in February 2026. Judd hasn’t participated in any of the various Split Enz reunions over the years, but ENZyclopedia Volumes One & Two presents a loving portrait of the great songs he wrote for the band in the mid-’70s.

Three more essential Split deep cuts:

“Under the Wheel”

At nearly eight minutes long, “Under the Wheel” from 1975’s Mental Notes is an example of the kind of proggy, expansive songs Phil Judd and Tim Finn were writing together before Split Enz’s best known work in the new wave era.

“Missing Person”

Tim Finn’s little brother Neil joined Split Enz in 1977. And by 1980’s True Colours, the younger Finn was writing some of the band’s most memorable tracks, including “I Got You” and the Beatlesque “Missing Person.” After the breakup of Split Enz, Neil Finn would go on to greater international fame with his next band, Crowded House.

“Small World”

Tim Finn’s piano-driven Split Enz songs became a little more direct and concise after his brother’s success with the band, and 1982’s Time and Tide featured some of the elder Finn’s finest work before he began to turn his focus towards a solo career. 

October 17, 2025 0 comments
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Ayo Edebiri With Jellyfish Bangs Will Convince You Take the Edgy Cut for a Spin
Fashion

Ayo Edebiri With Jellyfish Bangs Will Convince You Take the Edgy Cut for a Spin

by jummy84 October 13, 2025
written by jummy84

Her blush-forward makeup complements the reddish tones in her hair, giving everything a rosy glow.

Karwai Tang

Attending a screening of After The Hunt at the BFI London Film Festival, the American star wore a white Chanel gown designed by the brand’s new artistic director Matthieu Blazy (she recently became a Chanel ambassador), and earrings featuring a small chick on a diamond perch.

In a recent profile for Vogue, Blazy complimented the star on “carving a unique path for herself” as well as ”her laugh and smile.” Edebiri, in turn, said the designer has a “wonderful energy” that “really does matter. When you’re doing anything creative in nature, you don’t realize how much your energy is up for grabs.”

October 13, 2025 0 comments
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Singer and guitarist Dolores O'Riordan of the Cranberries performs on stage in 1995. (Credit: Pete Still/Redferns)
Music

Deep Cut Friday: ‘Daffodil Lament’ by the Cranberries

by jummy84 October 12, 2025
written by jummy84

Each week, SPIN digs into the catalogs of great artists and highlights songs you might not know for our Deep Cut Friday series.

The Cranberries’ 1994 album No Need to Argue is their most popular release, selling seven million copies in the U.S. alone. And it’s been expanded multiple times with the addition of demos, remixes, and live tracks for a 25th anniversary reissue in 2020 and, again in August, for the 30th anniversary “super deluxe” edition. The latest version of the album runs nearly three hours and includes the first commercial release of three songs from the Irish band’s set at Woodstock ’94, including the epic “Daffodil Lament.”

After rising to fame with jangly songs such as “Linger” that earned them frequent comparisons to dream pop bands like the Sundays, the Cranberries toured heavily in support of their 1993 debut Everybody Else Is Doing It, So Why Can’t We? When the road-tested quartet returned to the studio with producer Stephen Street (The Smiths, Blur), they were ready to try new things. That most famously resulted in the hard rocking protest song “Zombie.” And the album’s six-minute penultimate track “Daffodil Lament” expanded the Cranberries sound in another direction, moving away from pop song structures for something more complex and linear. 

Singer-guitarist Dolores O’Riordan spoke about the genesis of “Daffodil Lament” in a 1995 conversation with journalist (and SPIN contributor) Evelyn McDonnell for Interview Magazine. “It was kind of weird, I had all these ideas about tempos changing and things stopping and starting, like a symphony or something, going into different phases and different tunes,” O’Riordan said. “I think musically everybody got more adventurous and experimental.”

Early in the days of mainstream artists beginning to use the internet to interact with and gather the opinions of the public, the Cranberries’ official website polled fans on the band’s most popular non-single in 2002 for inclusion on the band’s first greatest hits compilation. “Daffodil Lament” won the poll in a landslide and was a bonus track on Stars: The Best of 1992-2002.

Three more essential Cranberries deep album cuts:

“Wanted”

“Wanted” is the shortest song on Everybody Else Is Doing It, So Why Can’t We? but a memorable one that showed the band’s post-punk roots a little more than the album’s singles. It was also the album track that the Cranberries performed as often as their hits throughout the band’s three decades together.

“Forever Yellow Skies”

The Cranberries’ music got faster on 1996’s To the Faithful Departed, particularly on the lead single “Salvation” and “Forever Yellow Skies,” drummer Fergal Lawler’s finest performance.

“A Place I Know”

The Cranberries played their last shows together in May 2017, and O’Riordan and guitarist Noel Hogan wrote “A Place I Know” while on tour in Poland. They continued working on demos for the eighth Cranberries album up until O’Riordan’s death in January 2018. Her bandmates and Street completed the album, using the vocals she’d recorded, and 2019’s In the End received a Grammy nomination for Best Rock album.

October 12, 2025 0 comments
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D'Arcy Wretzky (bass), Jimmy Chamberlin (drums), Billy Corgan (leadsinger and guitar), and James Iha (guitar) of the Smashing Pumpkins in 1993. (Credit: Paul Bergen/Redferns)
Music

Deep Cut Friday: ‘Cash Car Star’ by the Smashing Pumpkins

by jummy84 October 5, 2025
written by jummy84

Each week, SPIN digs into the catalogs of great artists and highlights songs you might not know for our Deep Cut Friday series.

The last few years of the Smashing Pumpkins’ ’90s run were a little chaotic. Drummer Jimmy Chamberlin was fired and then rehired, and bassist D’arcy Wretzky permanently left the band. Frontman Billy Corgan envisioned another epic double album as a grand farewell record. But Virgin Records, stung by low sales for 1998’s Adore, only agreed to release a single-disc version of Machina/The Machines of God in February 2000.

As the year wound down, Corgan decided to go out with a bang, assembling the extra music Virgin declined to release as Machina II/The Friends & Enemies of Modern Music. Corgan had 25 vinyl copies pressed up and given away to friends and fans with instructions to share the music on the internet, and the album existed for decades only as a beloved bootleg. Machina II opens with a couple of uptempo rockers including “Cash Car Star,” featuring lyrics that seemed pointedly disillusioned with show business.

The band reunited in 2006 and have released many new albums since then, but for many years a proper release of Machina II remained elusive. And then this month Smashing Pumpkins released Machina – Aranea Alba Edition, a massive 80-song box set featuring an expanded version of both albums. The Machina II songs “Speed Kills,” “Let Me Give the World To You,” and “Real Love” have appeared on reissues and compilations over the years. But the new box set offers the first retail release of most of the songs on the album, albeit in a very expensive limited edition package ($395), including “Cash Car Star,” which the band performed on television multiple times.

“Cash Car Star” made its live debut in October 1998, when Smashing Pumpkins opened for Kiss at Dodger Stadium for a Halloween special broadcast on the Fox network.

Two years later, in between the black market release of Machina II and the band’s farewell shows in Chicago, the band made one last television appearance, playing “Cash Car Star” on The Tonight Show. Host Jay Leno walked over to banter with Corgan afterwards, asking why the band was breaking up. “Comedy doesn’t pay, Jay,” Corgan deadpanned. “You’ll be back, you guys will be back,” said Leno, who’d later have his own struggles with gracefully leaving the spotlight.

Three more essential Smashing Pumpkins deep album cuts:

“Hummer”

Siamese Dream is more purely a guitar album than the Smashing Pumpkins records that would follow it. But the “Hummer” intro is one of the album’s more unusual moments, a distorted loop of Corgan playing sitar that producer Butch Vig chopped up on the same Akai S 1000 sampler that he’d go on to use for many of Garbage’s early songs. 

“Starla”

1994’s Pisces Iscariot is one of the most impressive rarities compilations in the alternative rock canon, full of great songs that somehow didn’t make the cut for the band’s early albums. The 11-minute “Starla,” originally released on the B-side of the “I Am One” single, climaxes with arguably Corgan’s most transcendent guitar solo.

“Here is No Why”

The tuneful Mellon Collie and the Infinite Sadness highlight “Here is No Why” is sandwiched between the band’s heaviest hits, “Zero” and “Bullet With Butterfly Wings.”

October 5, 2025 0 comments
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Sylvan Esso Unveil New Single, Cut Ties With Spotify
Music

Sylvan Esso Unveil New Single, Cut Ties With Spotify

by jummy84 October 1, 2025
written by jummy84

It’s an eventful day in the world of North Carolina indie duo Sylvan Esso, who have released their first single in three years, “WDID,” and pledged to remove their digital catalog from Spotify. The confrontational cut is the first to be released on their own label, Psychic Hotline.

“As we prepare to release new music, we have to decide what we want to be a part of and what we don’t,” Amelia Meath and Nick Sanborn said in a statement. “To that end, with Sylvan Esso being on our own label for the first time, we have decided to remove our music from Spotify. While no solution is perfect, we simply can’t continue to put our life’s work in a store that, in addition to all its other glaring flaws, directly funds war machines.”

Sylvan Essso have been recording at their own Chapel Hill, N.C.-area studio with assistance from Jake Luppen. “WDID” will be backed by another new song, “KEEP ON,” when it is released as a 12-inch vinyl single on Jan. 9. The latter was “built from a week of improvisation” with bassist Daniel Aged and drummer TJ Maiani.

“She’s still kind of in zygote form,” Meath jokes with SPIN when asked how far along the new album is. “We’re doing a new thing where, instead of every other Sylvan Esso record where we’ve written 10 songs and those are the ones we’re recording, this time we’re writing a lot of them. We have about 30 or 40 ideas and we’re going to slowly work our way into finding 10 of them that we want to be on the record, which is so fun.”

Quizzed on the sound of the fresh material, Meath says, “we’ve been really delving into late ’90s breakbeat music. Lots of Boards of Canada, Beck’s Odelay and Madonna’s Ray of Light. A huge influence for me is Soul Coughing, who are wizards of sampling. We’re essentially creating those samples for ourselves and sampling ourselves on our own record.”

Meath has also dipped her toe into acting in the Taylor McFadden-directed Lovers, which premiered last year at the Denver International Film Festival.

October 1, 2025 0 comments
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Lol Tolhurst and Robert Smith of the Cure in 1983. (Credit: Fin Costello/Redferns)
Music

Deep Cut Friday: ‘Push’ by the Cure

by jummy84 September 27, 2025
written by jummy84

Each week, SPIN digs into the catalogs of great artists and highlights songs you might not know for our Deep Cut Friday series.

On later Cure albums, Robert Smith’s songs started getting longer, and so did the instrumental intros, with the band frequently establishing a groove for a minute or two before Smith begins to sing. On “Endsong” from last year’s Songs of a Lost World, Smith doesn’t open his mouth until more than six minutes into the track.

1985’s The Head on the Door was the Cure’s last album made up almost entirely of fairly succinct pop songs, with no lengthy epics. There is, however, a very long instrumental intro on “Push,” which opens with a bright surging guitar riff. For over two minutes, the band bashes through sections of the song that sound like a first verse, a chorus, and a second verse, without any vocals. And then, when the part that feels like a chorus comes around the second time, Smith finally belts out “Go, go, go! Go, go, go! Push him away!” In an album with college radio classics like “In Between Days” and “Close to Me,” a half instrumental song contains one of The Head on the Door’s most irresistible hooks, sung only once. 

A 2006 deluxe edition of The Head on the Door features several instrumental demos that Smith made with a drum machine in December 1984. The brief “Push” demo serves largely to illustrate how much Boris Williams, the Thompson Twins drummer who joined the Cure in 1984, helped bring the song to life with bombastic tom-tom fills.

In concert, “Push”’s unusual structure created an opportunity for fans to take the lead. In 2018, the Cure celebrated its 40th anniversary as a band with a concert in London’s Hyde Park. And when the band played the instrumental first chorus of “Push,” you can hear a large segment of the audience start belting out the lyrics: “Go, go, go! Go, go, go! Push him away!”

Three more essential Cure deep album cuts:

X Ambassadors. (Credit: Ethan Glanger)

“10:15 Saturday Night”

The opening track on the Cure’s 1978 debut Three Imaginary Boys set the tone for the band’s career, with Smith making a teenager’s disappointing weekend feel achingly grim and dramatic: “Waiting for the telephone to ring and I’m wondering where she’s been.”

“Shake Dog Shake”

Andy Anderson, who played drums on 1984’s The Top, died of cancer in February 2019. A month later, the Cure were inducted into the Rock and Roll Hall of Fame, and the band kicked off their set at the ceremony with “Shake Dog Shake” from The Top before focusing on a few more famous songs. 

“Prayers for Rain”

The ominous Disintegration centerpiece “Prayers for Rain” is one of the many Cure songs where both Smith and Simon Gallup double up on bass to create an especially heavy low end, with backmasked guitar and piano adding an eerie atmosphere.

September 27, 2025 0 comments
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Why Teen Mom's Farrah Abraham Cut Contact With Parents
Celebrity News

Why Teen Mom’s Farrah Abraham Cut Contact With Parents

by jummy84 September 24, 2025
written by jummy84

Sharon Osbourne vs. Ashton Kutcher

In September 2023, while playing a game called Stir the Pot with her daughter Kelly Osbourne on E! News, Sharon said the That ’70s Show alum was the rudest celebrity she had ever met, branding him, a “rude, rude, rude, rude little boy” and a “dastardly little thing.”

He did not respond to her remarks publicly.

Five years prior, Sharon told Larry King that when Ashton appeared on The Talk in 2014, he had an “attitude” after she got his name wrong.

“He goes, ‘What are you, what have you done in this industry?'” she recalled. “And I was like, ‘Kid, don’t start with me, because I’m gonna eat you up and s–t you out.’ So I was just like, ‘You don’t know what you’re dealing with, kid.'”

September 24, 2025 0 comments
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Bob Dylan in 1965. (Credit: Michael Ochs Archives/Getty Images)
Music

Deep Cut Friday: ‘Tombstone Blues’ by Bob Dylan

by jummy84 September 20, 2025
written by jummy84

Each week, SPIN digs into the catalogs of great artists and highlights songs you might not know for our Deep Cut Friday series.

Bob Dylan’s sixth album Highway 61 Revisited, which recently celebrated its 60th anniversary, opens with the landmark single “Like a Rolling Stone.” The song that follows it on the album, “Tombstone Blues,” is far less famous, but Dylan himself thought highly of it. Interviewed by Cameron Crowe for the liner notes of the 1985 box set Biograph, Dylan said, “I felt like I’d broken through with this song, that nothing like it had been done before…just a flash really.”

An elliptical song about the escalation of the Vietnam War, “Tombstone Blues” is full of vivid images and characters, best remembered for one of Dylan’s funniest one-liners: “The sun’s not yellow, it’s chicken.” Like many of his songs of the era, Dylan and his backing musicians ran through a dozen takes of “Tombstone Blues” in a single day, choosing the twelth and final performance for the album. A couple of the alternate takes have appeared on archival releases, some a couple minutes shorter or a couple minutes longer than the Highway 61 version, all of them featuring fantastic lead guitar performances by Mike Bloomfield.

“Tombstone Blues” hasn’t been widely covered relative to Dylan’s ’60s output. But one of his old Greenwich Village folk scene contemporaries, Richie Havens, performed the song for the soundtrack to the deconstructed Dylan biopic I’m Not There in 2007. The 1999 live album Sheryl Crow and Friends: Live from Central Park ends with an all-star rendition of “Tombstone Blues,” with Natalie Maines and Chrissie Hynde passionately tearing through some of the song’s verses.

“Tombstone Blues” isn’t a major factor in Dylan’s live repertoire—according to Setlist.fm, he hasn’t played it in concert since 2006, and it’s not among his 100 most performed songs. He has occasionally returned to it on significant occasions, though: “Tombstone Blues” opened Dylan’s 1995 episode of MTV Unplugged, and was dramatically slowed down for the 2021 performance film Shadow Kingdom: The Early Songs of Bob Dylan. 

Three more essential Bob Dylan deep album cuts:

“The Lonesome Death of Hattie Carroll”

The penultimate track on The Times They Are A-Changin’ is, more than most of Dylan’s topical songs, largely a straightforward factual account of a news story, the 1963 death of a Baltimore barmaid: “William Zantzinger killed poor Hattie Caroll with a cane that he twirled around his diamond ring finger at a Baltimore hotel society gathering.” Dylan read about Zantzinger’s paltry six-month sentence for manslaughter on the way home from witnessing Martin Luther King Jr.’s “I Have a Dream” speech, and was moved to write a song that slowly builds up in righteous anger.  

“The Man in Me”

1970’s New Morning was well received at the time, but the song “The Man in Me” was relatively forgotten until Joel and Ethan Coen used it to soundtrack a memorably surreal scene in 1998’s The Big Lebowski.

“Silvio”

“Silvio,” from 1988’s Down in the Groove, is arguably the best song to come out of Dylan’s long association with the Grateful Dead and the band’s lyricist Robert Hunter. Last year President Barack Obama included “Silvio” on his summer playlist and Dylan performed it for the first time in decades.

September 20, 2025 0 comments
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bitchy | Mail: Prince William ‘is more determined than ever to cut Harry off altogether’
Celebrity News

bitchy | Mail: Prince William ‘is more determined than ever to cut Harry off altogether’

by jummy84 September 16, 2025
written by jummy84

From where I sit, something really shifted on September 4th, which is when the Prince and Princess of Wales stepped out for an event at the Natural History Museum in London. Kate debuted a terrible blonde wig and she and William showed zero concern for the children they had shipped into the museum’s garden when it started raining really hard. The event was a complete disaster for Will and Kate, and the only reason they even stepped out then was because they were trying to be visible and working ahead of Prince Harry’s four-day visit. That rainy day was the beginning of the end – William and Kate looked absolutely pitiful as they tried to throw themselves in front of the cameras and distract from Harry’s visit last week. They still look pitiful, especially William. As predicted, William’s rage-briefings began as Harry’s visit to the UK came to a close. Everyone got a call, it was like the deranger Avengers assembling to act as stenographers to William’s incandescent BS. Katie Nicholl published her VF piece on Friday. Charlotte Griffiths got a major exclusive for the Mail on Sunday. And of course Roya Nikkhah at the Times dutifully reports whatever the Other Brother shrieks at her. Griffiths’ piece in the Mail was the big one though, and it really paints a picture of a spiteful, jealous and pitiful heir whose childish rage-attacks are worrying aides.

Prince William has ‘doubled down’ on his resolve to cut Prince Harry out of his life, in the wake of his brother’s Clarence House rapprochement with the King. It’s been exactly a year since the Sussexes launched ‘Operation Bring Harry Back In From The Cold’ – and while the Duke’s 12-month strategy has come to fruition with his father, he is no closer to contact with his brother.
Indeed, Harry’s success in the UK last week means the future King is burning with a renewed determination to rid the monarchy of the Sussexes for good.

‘William is back at the point where if you mention Prince Harry in his presence he would throw you out of the room,’ one well-placed insider admitted. ‘He’s doubling down.’

The Princess of Wales agreed to attend a Women’s Institute meeting in Berkshire with her husband on Monday at the last minute, prompting some to suggest William hoped a glamorous appearance from his wife would blow Harry off the front pages. Harry countered the move with a £1.1million pledge to Children in Need – crass to cite the amount, perhaps, but effective. A day later, Harry met his father at Clarence House for the first time in 18 months. Harry’s breathless schedule during his week-long presence in the UK, followed by a trip to Kyiv, provided some healthy competition for William.

Charles may well welcome having Harry nipping at his brother’s heels, for it could prompt the Prince and Princess of Wales to ‘up their game’ by carrying out more of those small-scale events we saw last week – the type that they would prefer not to do but which are essential to the public’s perception of the monarchy. Without the future King and Queen doing the rounds, it falls to Charles to pick up most of the slack and it has been noted that, despite his battle with cancer, he carried out official engagements on 175 days during the past 12 months. Over the same period, Prince William clocked up 68 fewer engagements.

‘William is more determined than ever to cut Harry off altogether,’ adds the source. ‘It infuriates William that Harry has pulled off a 12-month “master plan” to re-ingratiate himself.’

The pair have long had a tempestuous relationship, not least in the run-up to ‘Megxit’ when, in 2019, the brothers came to blows in Nottingham Cottage, in the grounds of Kensington Palace, and Harry ended up shoved to the floor, cracking a dog bowl.

Palace aides are said to be anxious that William’s ‘doubling down’ mentality marks a setback for him personally.

‘For some time now William’s anger had cooled to the point of indifference over his brother, which was healthy for his mental wellbeing,’ adds another source. ‘William had got to the stage where Harry was a “non-person”, he had fallen so far beneath his radar as to have disappeared from his mind altogether. It can’t be good that William has gone back to the point where he would throw someone out at the very mention of Harry’s name.’

The phrase ‘non-person’ was coined by the Queen Mother to refer to people whose name cannot be mentioned by friends or aides in her presence – like that of her brother-in-law Edward VIII whose abdication forced her and her husband (who became George VI) to become King and Queen. With Harry a ‘non-person’, safely 5,000 miles away in California, people around William felt no need to bring up Harry’s name. All that was shattered by the appearance last week. The source added: ‘Now Harry is back – back in the UK, back at Clarence House, back in touch with his father and back into the subject line of emails.’

Another source said: ‘William originally went through all the stages of grief over his brother. When they first fell out he went to Balmoral and went off his food. Just before the Oprah chat screened, he wept. Then he turned to anger and when that stage was over, he simply compartmentalised it all and moved on. He never expected to be regularly in the same postcode as his brother again, like he was last week.’

[From The Daily Mail]

Doesn’t it feel like the wheels are coming off? I can’t believe they’re saying some of this stuff openly. Last week became the point where this tabloid-and-palace-created image of “Angry Harry is sad and lonely” blew up in a million pieces. They can’t scream about how all of their emotional-support polls show that Harry is terribly unpopular, they can’t argue that Britain doesn’t want Harry back. British people were thrilled to see him, and his “tour” went spectacularly well. It reminded everyone of one of the biggest reasons why William and Kate did everything they could to push the Sussexes out and then copy/colonize everything they did, wore and said.

“Palace aides are said to be anxious that William’s ‘doubling down’ mentality marks a setback for him personally.” Um, it really sounds like William is in the middle of a full-blown nervous breakdown over being exposed as a boring, dull, unimaginative, uncharismatic rage monster. It also sounds like palace aides are really worried about how he’s incapable of keeping his sh-t together. And how f–king fragile is William that he can only keep going by pretending his brother is dead?

Photos courtesy of Avalon Red.

William, Prince of Wales and Catherine – Princess of Wales visit Natural History Museum, London, England, UK on Thursday 4 September, 2025 to view the Museum’s newly transformed gardens and meet children and young people taking part in learning programmes which see them connecting with nature and boosting biodiversity in urban areas.,Image: 1034075583, License: Rights-managed, Restrictions: Please credit photographer and agency when publishing as Justin Ng/UPPA/Avalon., Model Release: no, Credit line: Justin Ng/Avalon
NMA ROTA The Prince of Wales visits l Skills, a youth organisation in Lambeth, who have received funding

from the Homewards Fund to expand their services for young people in the local area. The Homewards

Fund aims to support the delivery of work in the six Homewards flagship locations and offers up to

£500,000 of flexible seed funding in each location.

Spiral Skills was founded in 2015 and works with local schools, youth organisations, and authorities to

provide early intervention, holistic support, employability skills, and access to employment and services

for undeserved 14–25-year-olds. The organisation provides a range of services including career

coaching, employment opportunities and workshops to help break the cycles of exclusion and

unemployment for young people in the local community. The Prince met Fara Williams ex professional footballer,Image: 1035516396, License: Rights-managed, Restrictions: *** NO UK USE FOR 48 HRS ***, Model Release: no, Credit line: Ian Vogler/Avalon

NMA ROTA The Prince of Wales visits l Skills, a youth organisation in Lambeth, who have received funding from the Homewards Fund to expand their services for young people in the local area. The Homewards Fund aims to support the delivery of work in the six Homewards flagship locations and offers up to £500,000 of flexible seed funding in each location. Spiral Skills was founded in 2015 and works with local schools, youth organisations, and authorities to provide early intervention, holistic support, employability skills, and access to employment and services for undeserved 14–25-year-olds. The organisation provides a range of services including career coaching, employment opportunities and workshops to help break the cycles of exclusion and unemployment for young people in the local community. The Prince met Fara Williams ex professional footballer,Image: 1035526672, License: Rights-managed, Restrictions: *** NO UK USE FOR 48 HRS ***, Model Release: no, Credit line: Ian Vogler/Avalon


PRINCE HARRY VISITS COMMUNITY RECORDING STUDIO IN NOTTINGHAM,Image: 1035535517, License: Rights-managed, Restrictions: *** NO UK USE FOR 48 HRS ***, Model Release: no, Credit line: Paul Grover/Avalon
PRINCE HARRY VISITS COMMUNITY RECORDING STUDIO IN NOTTINGHAM,Image: 1035535717, License: Rights-managed, Restrictions: *** NO UK USE FOR 48 HRS ***, Model Release: no, Credit line: Paul Grover/Avalon
Nottingham, UK, 09 September 2025: Prince Harry, Duke of Sussex, visits the Community Recording Studio (CRS) in Nottingham.,Image: 1035538464, License: Rights-managed, Restrictions: *** NO UK USE FOR 48 HRS ***, Model Release: no, Credit line: Paul Grover/Avalon


Nottingham, UK, 09 September 2025: Prince Harry, Duke of Sussex, greets the crowds as he visits the Community Recording Studio (CRS) in Nottingham.,Image: 1035540770, License: Rights-managed, Restrictions: *** NO UK USE FOR 48 HRS ***, Model Release: no, Credit line: Paul Grover/Avalon
CARDIFF, WALES – SEPTEMBER 10: Prince William, Prince of Wales talks to teammates from Jac’s football team Ammanford FC during his visit to new a mental health hub run by the Jac Lewis Foundation on World Suicide Prevention Day at Principality Stadium on September 10, 2025 in Cardiff, Wales.,Image: 1035774408, License: Rights-managed, Restrictions: *** NO UK USE FOR 48 HRS ***, Model Release: no, Credit line: Chris Jackson/Avalon
CARDIFF, WALES – SEPTEMBER 10: Prince William, Prince of Wales talks to Jac’s family members and teammates from Jac’s football team Ammanford FC during his visit to new a mental health hub run by the Jac Lewis Foundation on World Suicide Prevention Day at Principality Stadium on September 10, 2025 in Cardiff, Wales.,Image: 1035774559, License: Rights-managed, Restrictions: (EDITORS NOTE: Retransmission with alternate crop.), *** NO UK USE FOR 48 HRS ***, Model Release: no, Credit line: Chris Jackson/Avalon


September 16, 2025 0 comments
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Deep Cut Friday: 'What Will You Say' by Jeff Buckley
Music

Deep Cut Friday: ‘What Will You Say’ by Jeff Buckley

by jummy84 August 29, 2025
written by jummy84

Each week, SPIN digs into the catalogs of great artists and highlights songs you might not know for our Deep Cut Friday series.

“This is a song some of you have probably never heard…most of you,” Jeff Buckley told his audience during a July 1995 performance in France, introducing “What Will You Say”—a haunting midtempo song that became one of his most frequently performed unreleased pieces. The performance was later included on the 2000 live album Mystery White Boy. Having released only one studio album in his lifetime (Grace in 1994), Buckley regularly supplemented his lengthy tour sets with covers and new material, with “What Will You Say” becoming a particular favorite that typically ran 7 minutes or longer.

“What Will You Say” was primarily written by one of Buckley’s closest friends, Fishbone keyboardist Chris Dowd, with Buckley and drummer Carla Azar (Wendy and Lisa, the Waterboys) also receiving songwriting credits. Another recording from a 1994 performance at Wetlands in New York, released on a 2019 live album, features Buckley and Dowd singing the song together.

Despite Buckley performing “What Will You Say” roughly 100 times between 1994 and 1996, a studio recording of the song has never surfaced in decades of posthumous releases. It evidently wasn’t among the many tracks he worked on for his unfinished second album before dying in 1997, which were compiled on 1998’s Sketches for My Sweetheart the Drunk. Dowd and Buckley worked together extensively in a band called the Seedy Arkhestra, but there’s no indication that “What Will You Say” was part of that project—a different song they co-wrote, “Despite the Tears,” appeared on the only Seedy Arkhestra album, 1997’s Puzzle.

In a 2011 solo performance at Arlene’s Grocery in New York, which has been archived on YouTube, Dowd performed “What Will You Say.” He also talked about how Buckley wrote Grace’s closing track “Dream Brother” about him, and reciprocated that gesture with a song he’d written about Buckley called “Long Live the Chief.”

Three more essential Jeff Buckley deep album cuts:

“She Is Free” with Gary Lucas

Buckley wrote two of his greatest songs, “Mojo Pin” and “Grace,” with Captain Beefheart sideman Gary Lucas. A collection of Buckley and Lucas’s collaborations called Songs To No One 1991-1992 was released in 2002, with legendary jazz guitarist Bill Frisell recording additional overdubs on the standout “She Is Free.”

“Calling You”

The Jevetta Steele song “Calling You” was nominated for an Academy Award after appearing in the 1987 film Bagdad Café. The expanded 2003 edition of Buckley’s debut release, the Live at Sin-e EP, featured a gorgeous rendition of Bob Telson-penned ballad.

“I Know We Could Be So Happy Baby (If We Wanted To Be)”

Sketches For My Sweetheart the Drunk is largely comprised of polished studio recordings that Buckley made with his backing band. The set’s second disc, however, features a few 4-track recordings Buckley made alone in his rental house in Memphis that are truly more like sketches than songs. The most striking of those lo-fi recordings is “I Know We Could Be So Happy Baby (If We Wanted To Be),” which feels remarkably fully realized despite a scratchy rhythm track that sounds like it may have been Buckley just tapping his fingers on a microphone.

August 29, 2025 0 comments
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