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How 'Culinary Class Wars' Turned Korean Cultural Codes Into Global TV
TV & Streaming

How ‘Culinary Class Wars’ Turned Korean Cultural Codes Into Global TV

by jummy84 November 4, 2025
written by jummy84

Netflix’s first Korean culinary competition series has quickly become a breakout global hit — with Taiwan ranking among its most enthusiastic markets.

The Taiwan Creative Content Fest hosted producer Eunji Kim of Studio Slam, who broke down how the series evolved from a rough idea into a fully realized format.

Before “Culinary Class Wars,” Kim and her team produced the 2020 talent show “Sing Again,” which spotlighted Korean singers who had released albums but never found mainstream recognition. That experience formed the foundational idea for their next project. “We wanted to make a competition show for chefs,” Kim said. “But our first question was: how do we stand out against long-running giants like ‘Top Chef’?”

For the team, the answer was rooted in local culture. “This is a Korean variety show. We needed a cultural symbol that speaks directly to Korean audiences,” Kim noted. In Korea, the spoon is a potent symbol of social class. That concept inspired one of the show’s defining visual cues: the split between white-spoon chefs, representing the culinary elite, and black-spoon chefs, representing lesser-known talent.

Not all participants immediately embraced the class-based format, but the creative team considered it central to the show’s DNA. From early development, they committed to the dramatic tension of a concealed classification system as the core engine of the competition. “From a production standpoint, we held firm to the show’s structure,” Kim said. “But how the chefs performed — how they presented themselves, how they marketed themselves — that was entirely improvised.”

Through careful editing and narrative shaping, the team ultimately found that cultural specificity didn’t limit the show; instead, its themes resonated widely with international viewers. Following the first season’s success, the response from the culinary community shifted dramatically. “For Season 2, many chefs who turned us down the first time actually came back to us after watching the show,” Kim revealed. “That boomerang effect proved that our approach wasn’t just creatively sound — it had real commercial value.”

From Korean cuisine and culturally rooted symbols to a competition format that speaks a universal entertainment language, “Culinary Class Wars” has achieved exceptional visibility on Netflix while pioneering a new style of reality-competition storytelling. As the series heads into a new season, global audiences are eagerly anticipating even more compelling narratives that go far beyond the kitchen.

November 4, 2025 0 comments
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Events

Broadwick secures eight-figure investment to power the future of cultural infrastructure in London and beyond

by jummy84 November 3, 2025
written by jummy84

© Photography by Jake Philip Davis (www.instagram.com/jakephilipdavis)

Broadwick Group – the global cultural real estate and live-experience company behind landmark destinations such as Printworks London, Magazine London, and Manchester’s Depot Mayfield – has secured a new financing partnership to accelerate its next phase of expansion in the UK and internationally.

Led by founders Simon Tracey, Simeon Aldred and Bradley Thompson, with Gareth Cooper and Jon Drape, Broadwick’s growing portfolio consists of 24 venues in the UK and US – including the new Brooklyn Storehouse in New York City – and reflects a new generation of hybrid destinations. Each space shares a single purpose: to bring people together and inspire the future of live culture, creating places where music, art, technology, and commerce meet.

The funding from Lloyds marks a significant milestone in Broadwick’s long-term strategy to scale its network of venues and services.

The eight-figure investment, brokered by the debt advisor Alvarez & Marshall LLP, will support the recent acquisition of hospitality operator Camm & Hooper – adding iconic London venues such as Banking Hall, OXO2 and 26 Leake Street to the Broadwick portfolio – alongside major site upgrades and the creation of new jobs in London and beyond.

Broadwick currently employs more than 200 permanent team members, including 35 colleagues from Camm & Hooper’s existing staff and a further 50 new roles within its growing catering and hospitality division – underscoring the Group’s commitment to job creation, skills development, and sustainable growth across the sector.

Broadwick has also entered a new partnership with Troxy, the iconic East London music hall, to increase capacity and add state-of-the-art facilities.

As London’s cultural and events landscape continues to evolve, Broadwick is focused on creating ‘must-attend’ venues and experiences that strengthen the city’s reputation on the global stage. Its venues host everything from large-scale music and cultural events to international brand launches, art installations, film productions, and high-end corporate experiences.

Alongside its venue portfolio, Broadwick delivers a full end-to-end offering across events, hospitality, and production – transforming heritage buildings, industrial conversions, and purpose-built destinations into experiences that unite creativity with commerce. From concept and catering to design, production, and technical delivery, Broadwick’s integrated model supports its ambition to build a connected network of spaces that serve both the 9-to-5 and the 5-to-9 alike.

Simon Tracey, Group CEO at Broadwick, said: “Broadwick was founded to connect people through remarkable spaces – from global music events to major brand launches and creative gatherings. As our portfolio continues to expand across the UK and US, we’re focused on building the next generation of hybrid destinations: places that inspire, perform, and endure.”

“The support from Lloyds gives us the ability to invest in growth, talent, and infrastructure – ensuring our spaces continue to deliver long-term value for partners, audiences, and cities.”

Declan Mulcahy, Relationship Director at Lloyds Bank, said: “Broadwick’s vision for how culture, hospitality, and real estate can work together is redefining the live-experience sector. It’s a privilege to support a business that continues to set new standards for creativity, regeneration, and economic impact – both in London and internationally.”

Steven Knight, Director of Growth & Structured Finance at Lloyds Bank, added: “Broadwick exemplifies the type of forward-thinking, high-growth company that our Growth & Structured Finance team is built to support. This bespoke funding package enables the business to accelerate its strategy, unlock new opportunities, and continue shaping the future of global cultural infrastructure.”

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November 3, 2025 0 comments
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Rina Sawayama sends "big love" to Sabrina Carpenter but calls out "cultural insensitivity" of 'SNL' performance
Music

Rina Sawayama sends “big love” to Sabrina Carpenter but calls out “cultural insensitivity” of ‘SNL’ performance

by jummy84 October 22, 2025
written by jummy84

Rina Sawayama has shared her thoughts on Sabrina Carpenter’s Saturday Night Live performance, praising the star but commenting on the performance’s martial arts theme.

  • READ MORE: Sabrina Carpenter – ‘Man’s Best Friend’ review: pop’s bawdy troubadour hits the melodic G-spot

Carpenter performed the song ‘Nobody’s Son’ from her latest album ‘Man’s Best Friend’ on SNL on October 18. The performance had a martial arts theme, with Carpenter herself wearing a short white robe and black belt and dancers acting out a fight sequence.

The singer was making her hosting debut on the long-running show, serving as her own musical guest, and also performed her single ‘Manchild’, made reference to the controversy over the ‘Man’s Best Friend’ album cover, and poked fun at her friend Taylor Swift’s song ‘The Fate Of Ophelia’.

The following day, Sawayama posted a clip of the performance on her Instagram Stories, and wrote, “Big love to Sabrina but fellow artists creative teams … if we are clearly referencing a culture, please can you do so with the research, respect and care it deserves. Shoes on tatami is jail.”

Tatami are soft mats used in traditional Japanese rooms, and etiquette dictates that people shouldn’t wear shoes on them.

Sawayama was born in the Japanese city of Niigata and moved to London with her family when she was five years old. While adjusting to life in the UK, she tried to “preserve” her Japanese culture, in part by listening to Japanese artists, and in 2019 Vogue Japan named her one of its women of the year.

At Glastonbury Festival two years ago, she spoke out against The 1975 frontman Matty Healy, previously a director at her record label Dirty Hit, following a controversial podcast appearance on which he mocked the appearance of rapper Ice Spice and said that he watched a racially charged pornography series.

Introducing her song ‘STFU!’, she said: “I wrote this next song because I was sick and tired of microaggressions. So, tonight, this song goes out to a white man who watches [pornography series] Ghetto Gaggers and mocks Asian people on a podcast. He also owns my masters. I’ve had enough.”

She then seemed to call Healy out again during her set at NOS Alive in Portugal a couple of weeks later.

Not long after, former collaborator Charli XCX unfollowed Sawayama, with fans speculating that it was related because Charli was dating, and is now married to, Healy’s bandmate George Daniel.

Charli then addressed the drama on X (Twitter), writing: “Look – this all got a bit crazy – me and Rina spoke about things on the phone just now. My unfollowing (which happened a couple of weeks ago) was over a personal disagreement between friends which we’ve now spoken about.”

In 2024, Sawayama – who released her most recent album ‘Hold The Girl’ in 2022 – said that she couldn’t release her next album “under my current conditions”, admitting: “I feel really trapped and don’t know what to do.”

She told The Independent that, since the previous summer, she had “felt intense racist misogyny in a way that I’ve never felt before,” adding: “In public and private I feel as though I’ve been repeatedly gaslit, disrespected, ignored, even cyber-bullied for calling out blatant racist and sexist behaviour.”

October 22, 2025 0 comments
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Snapped: The Long Feng Art Car - A Cultural Phenomenon (A Photo Essay)
Music

Snapped: The Long Feng Art Car – A Cultural Phenomenon (A Photo Essay)

by jummy84 October 4, 2025
written by jummy84

With the likes of Vintage Culture, Damian Lazarus, Gordo, Colyn, Lee Foss, Arodes b2b AMÉMÉ, Kaz James and more gracing its decks at Burning Man last month, the AAPI-inspired art car did more than turn heads. It served as a cultural bridge between East and West. Concepted from the forms of the dragon, the phoenix, the pearl and the five elements, the extraordinary moving art piece brought thousands together through its groundbreaking visuals and sound.

“We built Long Feng with the precision of a tailor — every cut intentional, and every detail curated.” Mark Alan Diaz, Long Feng Creative Director

In addition to its moving, contorting robotics and full complement of mind blowing visuals, Long Feng leaves nothing on the table when it comes to sound design, including components from Funktion-One, NST Audio and Full Fat Audio. Adding to the immersive sensory experience are “performers, circus artists, and immersive storytelling that literally unfold with the music.”

Next time you’re on The Playa – or wherever else Long Feng is making an appearance, make sure you carve out some time to take it all in. It was definitely a highlight of my burn.

Special thanks to Benji Kaiyo for the images.

October 4, 2025 0 comments
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Jay-Z Defends Times Square Casino Bid As Cultural Investment + Says It's About 'Strengthening' Broadway & Creating 'Real Value' Within The Community
Celebrity News

Jay-Z Defends Times Square Casino Bid As Cultural Investment + Says It’s About ‘Strengthening’ Broadway & Creating ‘Real Value’ Within The Community

by jummy84 September 12, 2025
written by jummy84

Jay-Z Defends Times Square Casino Bid As Cultural Investment + Says It’s About ‘Strengthening’ Broadway & Creating ‘Real Value’ Within The Community

Jay-Z is doubling down on his love for New York City by investing in what he calls a “world class destination” in the heart of Times Square. He shared his vision in a new interview with City & State New York.

Through Roc Nation, Jay-Z has partnered with SL Green and Caesars to propose a casino at 1515 Broadway.

“New York City is the entertainment capital of the world,” he said. “Caesars Palace Times Square is an extension of culture.”

He believes the project will support the community and Broadway.

“Casino visitors will buy tickets, fill seats, book dinners before shows, and keep hotels full,” he explained. “This project isn’t about taking away from Broadway – it’s about strengthening it.”

Addressing critics, he emphasized responsible gaming programs and investments in arts and public resources.

“Our goal is to create opportunity and ensure this project delivers real value,” he added.

When asked what he loves most about NYC, he said, “The attitude, the culture, the energy. You can’t replicate New York anywhere else.”

Do you think the casino project is a good idea?


September 12, 2025 0 comments
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Priyanka Chopra's 'Namaste' As Warm Greetings At New York Fashion Week Convinced Netizens of Her Cultural Roots
Bollywood

Priyanka Chopra’s ‘Namaste’ As Warm Greetings At New York Fashion Week Convinced Netizens of Her Cultural Roots

by jummy84 September 12, 2025
written by jummy84

Our desi girl, aka Priyanka Chopra, and her husband Nick Jonas turned heads and set major couple goals with their charming appearance at New York Fashion Week 2025. The power duo recently attended the Ralph Lauren show, where they instantly became the center of attention. Dressed in perfectly coordinated brown ensembles, Priyanka and Nick looked effortlessly stylish as they posed for the cameras and mingled with the fashion elite.

Priyanka Chopra And Nick Jonas

Even while attending one of the world’s biggest fashion events, Priyanka proudly carried her Indian roots. A video from the evening shows her greeting photographers and fans with a warm “Namaste” as she walked hand in hand with Nick. This simple yet graceful gesture won hearts across social media, with fans praising her for staying connected to her culture even on such a global stage. The clip of her sweet greeting has since gone viral, with viewers calling it both classy and adorable.

Priyanka Chopra

Priyanka and Nick’s fairytale romance is no secret to their followers. The couple first crossed paths at the Met Gala in 2017, where they walked the red carpet together as guests of designer Ralph Lauren. At the time, Priyanka believed Nick had placed her firmly in the friend zone, especially since she arrived nearly an hour late to meet him. However, fate had other plans. Shortly after the event, Nick slid into her DMs, and their friendship soon blossomed into a full-fledged love story.

Priyanka Chopra And Nick Jonas

By July 2018, the pair were inseparable and took a romantic trip to Greece, where Nick proposed. Their whirlwind romance led to a spectacular wedding just a few months later in December 2018, held in India with both Hindu and Christian ceremonies that beautifully blended their cultures. Today, Priyanka and Nick are proud parents to their adorable daughter Malti Marie, who was born via surrogacy in 2022.

September 12, 2025 0 comments
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Ray Winstone says Marvel stop "cultural films" from being made
Music

Ray Winstone says Marvel stop “cultural films” from being made

by jummy84 August 20, 2025
written by jummy84

Ray Winstone has hit out at Marvel, claiming it stops “cultural films” from being made.

  • READ MORE: ‘Thunderbolts*’ review: aggy antiheroes make Marvel fun again

The actor, who played villain Dreykov in the Scarlett Johansson-led 2021 action-thriller Black Widow, said he felt the industry has “become a business” at the Sarajevo Film Festival.

Winstone said via Variety: “It’s all about selling tickets. We see what’s happening in Hollywood with Marvel and all that kind of stuff… There is room for it, and it’s fun, but it takes away from getting cultural films made, which are best for the actors, [and] are really good acting parts.

“It’s getting more and more difficult to do that. If you’re not on social media now, they might not even consider you for a movie because they want a fanbase to come with that.”

He added: “You have to go on Instagram, and I don’t want to go on fucking Instagram. I don’t know if it’s a good thing, but if it brings people to the cinema and creates new jobs, then I’ll do it. But I’d like to see more cultural films being made, that’s where good cinema is. From my point of view, anyway.”

Ray Winstone starred alongside Scarlett Johansson in ‘Black Widow’ CREDIT: Disney / The Hollywood Archive

Winstone referred to his roles in Gary Oldman’s Nil By Mouth and Sexy Beast as examples of cultural films.

He previously recalled filming Black Widow as a “soul-destroying” experience due to having to do reshoots.

The actor has now reiterated his frustrations with working on the movie adding: “I come home after finishing the job and get a call saying we need to do some reshoots.

“I say: ‘How many scenes?’ [director Cate Shortland] says ‘all of them.’ So I said she should recast [the role], but I was contracted, so I had to do it. I go back, they do my hair all nice, put me in the suit, and I couldn’t do it. I’d already done it. I thought, ‘I’m not doing it now. I’ve done it. That’s how it’s going to be.’ That’s rejection, you know? There’s nothing worse than doing something, leaving it on the floor, and then being told it’s not right.”

Winstone is currently filming the next season of Guy Ritchie’s The Gentlemen and will appear in a forthcoming biopic about former snooker star Jimmy White.

August 20, 2025 0 comments
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