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bitchy | Prince William cried while talking to a woman whose husband died by suicide
Celebrity News

bitchy | Prince William cried while talking to a woman whose husband died by suicide

by jummy84 October 12, 2025
written by jummy84

Have you ever watched Broadcast News? The James L. Brooks film came out in 1987 and largely predicted the decline in quality of broadcast journalism in America. It starred Holly Hunter, Albert Brooks and William Hurt. Hurt played Tom, the handsome newscaster who was not intelligent enough to really be the anchor of a national news broadcast, but he looks the part and he’s good at playing to the cameras. Holly plays Jane, the hard-edged news producer who falls in love with Tom. Part of the plot hinges on Tom doing a one-on-one interview with a rape survivor, which airs as a segment on the nightly news. During the interview, as the rape survivor describes the ordeal, there’s a cutaway to Tom as his eyes well up with tears. Jane thinks the segment is good, but Albert Brooks’ Aaron realizes what happened – Tom was only given one camera for the interview, and he made himself cry and then spliced in the reaction, which is extremely unethical journalism.

I bring up one of my favorite Holly Hunter movies because Prince William went to speak to a Welsh widow whose husband died by suicide. William brought a camera crew with him, and I definitely want to know how many cameras were there, because William was also caught on camera, tearing up as he spoke to Rhian Mannings. The video of William’s interview was published on KensingtonRoyal’s social media and William & Kate’s YouTube channel:

It was possibly a three-camera set-up. One camera for the wide shot of William and Rhian at the table, one camera on Rhian’s closeup and one camera on William’s closeup. Or it could be something else entirely. If KP has the money and personnel for a three-camera set up, just to make their in-house YouTube videos, that’s a stand-alone scandal in my book. What I do know is that William’s tears, however sincere or not, do not make up for his actual words and deeds in the past decade. From calling his mother paranoid, to assaulting his brother, to bullying, smearing and abusing his sister-in-law until she was suicidal, William has zero authenticity or credibility here. It reads as performative because of everything we already know about William. It also reads as performative because royalists are gleefully using the video as evidence for William’s preparations for his reign. From the NY Times:

At a time when the British royal family has been convulsed by drama, infighting and a tendency by some royals to over-share, Prince William has remained largely aloof — loath to reveal the kinds of details found in “Spare,” the memoir by his estranged brother, Prince Harry.

Yet William, too, has lifted the veil in recent weeks, in his own carefully managed way. Appearing with the Canadian comic actor Eugene Levy on an episode of his travel series, and later with a woman who lost her husband to suicide, William has shown a more personal side, speaking about his desire to change the monarchy after he becomes king and tearing up over another family’s tragedy.

The exercise in image making has taken on more urgency since his father was diagnosed with an undisclosed form of cancer in early 2024. While Buckingham Palace insists that Charles, 76, is on the mend, the prospect of William having to step up to the throne no longer seems so distant.

“He’s on fast forward,” said Tina Brown, the British American journalist who has written two books about the royal family. “His father had 50 years to tell the world who he was before becoming king. It’s essential for William to show the human side of himself before his image gets set in stone as the stoic foil to Harry.”

In a video released Friday to coincide with World Mental Health Day, William met with Rhian Mannings, who lost a baby to illness and her husband to suicide. As the two sat at Ms. Mannings’s kitchen table in Cardiff, Wales, William asked her what she would say to her husband, if she could.

“I would just like to sit him down like this and say, ‘Why didn’t you come to me?’” she replied. “Because he’s missed out on just so much joy.”

William looked away, his eyes brimming with tears.

“Are you OK?” Ms. Mannings asked.

Struggling to compose himself, William said, “I’m sorry; it’s hard to ask you the questions.”

It was a startling display of emotion — not least in contrast to the stiff-upper-lip stoicism of older-generation royals like Queen Elizabeth II — though it recalled the emotional encounters his mother, Princess Diana, had with people with AIDS in the 1990s. William’s focus on suicide prevention echoed his mother’s desire to destigmatize AIDS.

[From The NY Times]

“The exercise in image making” – Jesus. Am I alone in finding this incredibly exploitative? I’m sure Rhian Mannings simply wants her story out there, with the hope that more people will be willing to talk to loved ones and reach out to people when they’re at their lowest point. But for William to rather ruthlessly exploit her family’s tragedy as part of his really obvious and plodding image rebrand is pretty ghoulish, even for William.

Photos courtesy of YouTube video. Cover courtesy of the Daily Express.

October 12, 2025 0 comments
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"I Cried on That Phone Call"
TV & Streaming

I Cried on That Phone Call

by jummy84 October 10, 2025
written by jummy84

[This story contains spoilers from the season 22 premiere of Grey’s Anatomy, “Only the Strong Survive.”]

Grey’s Anatomy ended its 21st season with one of its biggest hospital explosions in recent memory when the operating floor of Grey Sloan Memorial Hospital went up in flames after a highly flammable acetylene tank was brought into the hospital. Only star Ellen Pompeo‘s Meredith Grey and a handful of other doctors were shown after the blast — everyone else could have potentially been killed off when the hit show returned.

Now, after a summer break, Grey’s has returned with its season 22 premiere and showrunner Meg Marinis and her writers revealed the fates for the doctors of the long-running ABC medical drama. Fan-favorite Dr. Atticus Lincoln aka “Link” (Chris Carmack) barely survived — and has quite a recovery ahead of him — but it was ultimately Dr. Monica Beltran, played by Natalie Morales, who is the sole casualty. She was crushed by hospital machinery, but stayed alive long enough to help instruct surgical intern/now resident Jules (Adelaide Kane) to help save a child on the operating table.

Below, Marinis brings The Hollywood Reporter into the writers room to reveal how they make decisions on who lives and who dies on Grey’s Anatomy, as she teases the effect that Beltran’s death will have on both Jules and Dr. Amelia Shepherd (Caterina Scorsone), why Grey’s most optimistic doctor now has a hard road ahead, and what to expect from Pompeo as Meredith Grey in season 22.

***

After the season 21 cliff-hanger finale, you said you had some ideas about how you would handle the fates of your up-in-the-air characters but that you weren’t set in stone until you got back into the writers room. What were you thinking coming out of the finale about where you wanted to go?

I didn’t want to kill anyone. I didn’t want to kill anyone! Even when we were choosing the VFX for the finale, post was like, “If you choose this one, there has to be someone who is dead. This is a huge explosion.” I said, “It’s going to be fine. We’re going to save everybody!” And then I sat down in the writers room and I was like, “We can’t save everybody. We just can’t. It doesn’t have as much of an impact if everyone is saved.”

Can you take me inside the debates you had in the room about who would die, and how heated do you guys get?

We’re a pretty nice, kind writers room. So if it’s heated, it’s heated with fun, right? We had that small group of people on the OR floor. You go through the chain reaction: If you kill this person, what story? If you kill this person, what story? We can’t kill that person! You go: If this, then what? We really look at the impact of each character’s death and what that does for the show, what that does for other characters and what stories can be told from that death. Then one morning, I woke up and went to the writers room and I said, “It’s Monica.”

Why?

I wanted to see someone die selflessly saving someone’s else’s life, and she was not only saving that little kid on the table, she was saving Jules. It really speaks to the kind of character Monica was. I didn’t want to. It was very difficult. It was very painful. I cried on that phone call. I love working with Natalie Morales. She is an exquisite performer, an amazing actor who brings so much to the table. I’ve already pledged that I will work with her again one day! She’s a writer’s dream. But also, just going through the impact and consequences on Jules and Amelia, that is where we landed.

How did Natalie take it if you cried, did she cry as well?

No, she’s a professional — unlike me! She loved being on the show, but she understands story. She’s a writer and director herself, so she understands storytelling.

We see Jules and Amelia are both devastated by her death; Jules was there in the room with her, and Amelia has recently been in a romantic relationship with Monica. Why did you want to focus on these two characters after this loss?

In particular with those two characters, I want to launch a different aspect of Jules’ career journey. She was dying for that solo surgery at the end of last season — all cardio, singularly focused. And the solo surgery she got was a pediatric surgery under duress, and she doesn’t even like kids. So that was really interesting to us. And while Amelia was so centered in that storyline at the end of last season with Piper [Perabo]’s character and with the child [in the finale], I wanted for us to believe that everything was kind of OK for Amelia after we saved Link’s life. I also really wanted to deliver consequences of Amelia taking on all these impossible surgeries.

It’s a double whammy for Amelia with Link also. How close did you come to killing off Link?

Well, I feel like we got pretty close because he flatlined in the stairwell! We definitely talked about it. And we felt like we love the character of Link, we love Chris. But we thought: This couple has been through so much that we were not ready to go there yet. As Amelia mentions in the episode, she lost her father at a very young age and that really propelled the way her life went.

You didn’t give Jo and Link too much time of wedded bliss. When you plotted their wedding last season, did you know where you were going to be taking their story next with Link’s recovery ahead now?

Yes, we intentionally made that big wedding story right before.

How relieved was Chris to hear that Link survives? Was he worried when he first got the phone call?

Oh, yeah. When he read the last scene [of the finale] in the table read he was like, “Um, OK, is it me or nurse Linda?!” Linda [Marguerite Moreau] is OK, but she was right next to him.

What recovery journey will you be exploring with Link, and how will you challenge Grey’s most optimistic character?

I just want to shout out Chris’ performance because he is usually this very positive, jovial character on our show, and this is a side of the character we’ve never seen. He really brought it with the stairwell scenes. I mean, the poor guy had to get carried down the stairs! But the emotional performance that he delivers just kills me every time. We’re going to see more of that as the episodes go on. It’s so amazing to see performances you haven’t seen from characters you’ve known for so long, because we haven’t put them through an injury like this. Also, because that’s his character, this is going to be really hard for him. He is not a sit-in-a-bed kind of guy, but he has to because he’s really injured. And also, his wife is very pregnant with twins, so not being able to be there for her is going to be very difficult for him.

How long is he bedridden?

He’s not in bed the whole season. In the next episode, he’s in the hospital. But I would say the first part of the season is his recovery, but this baby has to be born pretty soon!

Why was this the time to give Chris some more challenging material and focus on Link this season?

There’s never a reason why it’s time for one character to go through it more than the others, but to talk about filling some of it, I mean, he was put through it. He had to lay on that floor in the OR for so long with that thing on top of him. I also want to shout out our art department. The sets of those ORs were amazing. It looked so real; it was so dusty, there was so much debris and there was fake fire, and Chris is just happy-go lu-ky lying on the floor for hours. He’s also a big, muscular guy and our actors had to carry him down a real stairwell. There was a lot of physical stuff, a lot required in filming this episode and nobody complained. Everybody was so up for it. The performances in this episode, across the board, were breathtaking.

Were there any characters you came close to killing that you abandoned?

I mean, everyone on that OR floor was a discussion. But I don’t know if I want to divulge!

How does this high-tense, high-stakes premiere set the tone for what you are tackling this season? And now that this is your third season as showrunner, how do you compare how year three feels?

I’d like to say it gets easier, but it doesn’t! There’s always the pressure of the show being on for so long — how do you continue to keep it fresh and keep it going and keep eyeballs on it? This premiere delivered an old-school, high-stakes Grey’s disaster episode, but we’re still going to have quieter emotional episodes as well. The second episode is the 450th episode, and there’s some high stakes in there, but also some beautiful, emotional storylines to pay off the impact of what happened with the explosion, but also emotional storylines that have a little bit of a nostalgic quality, too.

What are some of the real-world storylines that have seeped into this season’s stories?

One of the real-world themes that has come into this season is the theme of hope. No matter where you stand on anything, things have been happening one after the other, and in particular, that’s what we felt this summer. We thought, “How can we write our feelings out in this season of television?” And that is through the theme of hope. Who gives you hope; who helps you find it after you’ve lost it; what gives you hope; and, how can you be hope for somebody else? How do we rise from what happened?

Ellen Pompeo said she’s not going anywhere and that she’ll be on screen similar to how much she was on the show last year. Has any of that changed?

No. Same. We are so happy to have her whenever we can, same thing with Scott [Speedman]. His schedule is going to be a little bit different moving forward [with his other work], but we’ll see Meredith a lot at the beginning of the season.

You previously said that Ellen typically films in chunks for her schedule. Since we saw her in the premiere, what can you tease about her arc in the next couple of episodes? Obviously, you have a hospital floor to rebuild. Will that be a big part of her storyline?

Yes, it will be, as well as being a source of strength for her sister who just experienced a huge loss.

Any characters you are bringing back or any nostalgic surprises you can tease?

We’ll definitely have a couple of visits from old characters. I will say, Meredith will interact with some of those planned visits, and you might get to see Meredith in her old house. Something else I will tease that is exciting to me is the character of Ben [Warren, played by Jason George] being back and not being on probation with Teddy [Kim Raver] anymore, and really getting to see him come into his own rather than him being behind. We’re going to be looking at stories about Ben moving forward and catching up. We weren’t always planning to reveal that in the first episode, but it felt most organic to do it then. We’re going to see Bailey [Chandra Wilson] seeing him as a leader. We also might not be finished with Nora [Floriana Lima], even though you saw her transferred. The separation of Teddy and Owen [Kevin McKidd] will be part of the season, for sure.

With Lucas (Niko Terho) and Simone (Alexis Floyd), you also didn’t wait long before Simone confessed to him that she slept with someone else [new intern played by Trevor Jackson]. Where is that relationship headed this season?

As hard as it was, I don’t think Simone knew she was going to tell Lucas. My intent in that scene is that the reason she tells him is because it’s the only way to communicate to him that they shouldn’t be together. It wasn’t like, “I have to get this off my chest because I feel so guilty about it.” That he will not take “no” for any answer unless I tell him this. That’s why there was the blurt in that moment and also, it’s really fun to play that conflict within that group of four.

What can you tease about the new interns?

Well, West [Jackson] is extremely confident, even though he hasn’t been there for that long, he thinks he knows it all. We’ll get to be more of that in episode two. Simone is going to try to deny that attraction, but it’s clearly still there. And new intern Danny — sweet Danny! — she’s going to need a new first day. (Laughs.) Now we have to see these residents be teachers, and it’s always fun to see people who still make mistakes be in charge of teaching people. And also, our attendings having to let them teach is a little nerve-racking. So it’s switching up the dynamic that way. Now there’s a new class of interns to make mistakes, and it’s also going to be on them when they make mistakes, which really sucks.

Also, have you spoken to or heard from former Grey’s star Eric Dane at all since his ALS diagnosis?

My second script he wasn’t in, because his character [McSteamy] had already died. But my first script he was in, and I was a researcher at the time. So I knew him, but I didn’t know him as well as I know the cast now. But it is just the saddest news, it’s awful. I know that other people at the show have spoken to him.

***

Grey’s Anatomy releases new episodes Thursdays at 10 p.m. on ABC, streaming next day on Hulu.

October 10, 2025 0 comments
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Smita Patil Broke Down After Shooting Aaj Rapat Jaayein
Bollywood

Smita Patil Shot ‘Aaj Rapat Jaayein’ & Cried Her Heart Out Till Amitabh Bachchan Stepped In To Coax Her

by jummy84 September 16, 2025
written by jummy84

Smita Patil In A Still From Namak Halal (Photo Credit – Youtube)

Smita Patil is one of the most iconic actresses Indian Cinema witnessed. However her journey was short lived since the actress passed away 15 days after giving birth to son Prateik Babbar and her husband Raj Babbar, moved back with his first wife and children Juhi Babbar and Aarya Babbar after Smita‘s death.

Smita’s body of work includes many award-winning films like Manthan and Arth. But apart from these heavy, content-driven films that were called the ‘artsy types,’ she was a part of commercial hits like Namak Halal and others.

Smita Patil was paired with Amitabh Bachchan in Namak Halal. The film became iconic for its song Pag Ghunghroo Baandh Meera Naachi Thi  – a must at Indian weddings. However, today, we will talk about what happened after shooting for the other iconic song from the film.

Why Smita Patil Broke Down After Filming Namak Halal’s Iconic Song

When we talk about the most iconic rain songs of Hindi Cinema, Aaj Rapat Jaaye probably undoubtedly tops the list. The song from Namak Halal had Amitabh Bachchan and the queen of parallel cinema dancing their heart out on the streets of Mumbai, drenched in rain. However, what happened after the shoot was surprising.

After Smita Patil completed shooting for the song, she locked her room and cried her lungs out. The reason for her meltdown was an attempt at commercial cinema, and suddenly, she was worried about her serious image that brought her weight as a star. Smita had never attempted such an eye-grabbing dance before, and she was unsure if commercial cinema would work for her like parallel films did. 

Later, co-star and great friend Amitabh Bachchan stepped in and coaxed the actress to shed her inhibitions. Some reports suggest that the actor even cajoled her to broaden her perspective and balance the best of both worlds. 

Namak Halal eventually was a huge hit at the box office, and Smita Patil’s dance in Aaj Rapat Jaayein with Amitabh Bachchan is sealed in history!


For more such stories, check out Bollywood Features

Must Read: Amitabh Bachchan & Yash Chopra Had A Massive Showdown In Public After Silsila Flopped, Big B Exploded Like Volcano Revealing Darkest Secrets About The Filmmaker

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September 16, 2025 0 comments
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Ileana D’Cruz says she almost quit Barfi after Anurag Basu lashed out at her on set: ‘I cried and called the producer’
Bollywood

Ileana D’Cruz says she almost quit Barfi after Anurag Basu lashed out at her on set: ‘I cried and called the producer’

by jummy84 September 16, 2025
written by jummy84

For Ileana D’Cruz, Barfi remains a special film of her career. But there was a moment when she decided to quit the film midway when filmmaker Anurag Basu shouted at her for no reason, leaving her feeling offended.

Anurag Basu’s Barfi with Ranbir Kapoor, Priyanka Chopra and Ileana D’Cruz in the lead role was released in 2012.

Ileana D’Cruz looks back at Barfi memories

Ileana walked down the memory lane and spoke about her experience of working with Anurag Basu during an interview with NDTV. The film also featured Ranbir Kapoor and Priyanka Chopra in the lead role.

“One morning, I just walked in super happy in the morning on set and I was like, hey, how’s it going? And he was in a very bad mood. Something ticked him off and he lashed out on me and I got really offended. So, I said, Dada, listen, if you think I’m not right, for this role and if you’re not happy with the work I’ve done, I’ll leave. I’m not going to sue you. I will leave. I love the story so much and it won’t make me happy to be in a film like this if you don’t think I’m right for the part. He went one way I went the other way crying and called the producer. And I said, no, I’m leaving,” Ileana said.

She added, “I spoke to Vidya’s husband, Sid, and he said he’s on his way, just do the scenes. So I go, get ready, have my makeup on, And Dada comes walking back in and he’s the only one who used to call me Ilu. I don’t allow anybody call me Ilu. And he just simply said that I walked in at a bad time, and not to take him seriously. We laughed it off and hugged it out.”

About Barfi

Barfi was released in 2012. The film starred Ranbir, Ileana and Priyanka Chopra in the lead roles. It was directed by Anurag Basu and produced by Ronnie Screwvala and Siddharth Roy Kapur under UTV Motion Pictures.

Set in Darjeeling and Kolkata in the 1970s, the film focuses on Barfi (Ranbir), a deaf-mute man based in Darjeeling, and his relationships with Shruti (Ileana) and autistic Jhilmil (Priyanka). The film also featured Saurabh Shukla, Ashish Vidyarthi, Jisshu Sengupta, Roopa Ganguly and Haradhan Bandopadhyay.

About Ileana’s recent film

Ileana was last seen in Shirsha Guha Thakurta’s 2024 romantic comedy Do Aur Do Pyaar, which also starred Vidya Balan, Pratik Gandhi, and Sendhil Ramamurthy.

September 16, 2025 0 comments
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Man calls Zoom divorce hearing with wife who had 'drinking problem' most awful moment of his life: 'I cried entire time'
Lifestyle

Man calls Zoom divorce hearing with wife who had ‘drinking problem’ most awful moment of his life: ‘I cried entire time’

by jummy84 September 14, 2025
written by jummy84

In a September 12 Reddit post, a man described a poignant and emotional experience of a Zoom divorce hearing, highlighting the complexity of ending a long-term relationship. He shared that the divorce hearing was a difficult experience for both parties, with both Redditor and his ex-wife showing visible signs of distress. Also read | How to support your partner through mental health challenges and actually strengthen your bond even further

A Reddit post touches on the challenges of navigating a divorce, especially when both parties have a deep emotional connection. (Freepik)

‘She couldn’t look at the camera and was crying’

He wrote, “My wife and I were married for almost 15 years. High school sweethearts. The world has been so unkind to her, and she is such a good person. She developed a drinking problem that was going to take me down and ruin both of our lives. Eventually, I had to file for divorce. She is doing much better now, but we haven’t spoken in a few months. The Zoom hearing was this morning, as we both live on opposite sides of the country now. It took 5 minutes. She looked beautiful, but she couldn’t look at the camera and was crying.”

‘It was the worst experience of my life’

Despite the necessity of the divorce, the man shared that he felt broken and alone, indicating the depth of emotional investment in the relationship. He wrote, “I cried the entire time, and then they just declared you divorced and ended the Zoom. We talked on the phone for an hour afterwards, and it felt like the old us. We said we loved each other, and I feel so f***ing broken and alone now. It needed to happen, but it was the worst experience of my life, and it changed me forever, whether for the better or worse, I don’t know yet.”

His post touches on the challenges of navigating a divorce, especially when both parties have a deep emotional connection. It’s a reminder that even when a divorce is necessary, it can still be a painful and transformative experience.

Many responded to his post, with one Redditor commenting: “Mine was also just weird. I waited for six other Zoom divorces and then my soon-to-be ex popped up on the screen. I hadn’t seen him in a while, and this was the finality of 25 years together. It was informal and cold.”

If you are unsure how a divorce will shape you in the long run, or worry about the uncertainty that often accompanies significant life changes, click here to learn ways to cope, as per a psychologist.

Note to readers: This report is based on user-generated content from social media. HT.com has not independently verified the claims and does not endorse them.

This article is for informational purposes only and not a substitute for professional medical advice.

September 14, 2025 0 comments
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'I Cried Inside': Munawar Faruqui On His Mother's Death, Forgiving His Father
Bollywood

‘I Cried Inside’: Munawar Faruqui On His Mother’s Death, Forgiving His Father

by jummy84 August 30, 2025
written by jummy84

Woman’s era offers high-impact advertising solutions for partners across our website and social media channels. Please use the contact details below for all advertising and partnership inquiries. Thanks for your understanding! For backlink contact us at: [email protected]For posting articles on womansera.com, Caravanalive.com contact us at: [email protected]

August 30, 2025 0 comments
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