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'Terrifier' Actress Claims Breach of Contract, Sexual Harassment
TV & Streaming

‘Terrifier’ Actress Claims Breach of Contract, Sexual Harassment

by jummy84 October 28, 2025
written by jummy84

Catherine Corcoran, the actress whose brutal death scene in “Terrifier” (2016) helped make the smash-hit horror franchise a success, has sued filmmaker Damien Leone and producers for breach of contract. The case was filed in a California federal court on Sunday, beginning legal proceedings that will determine whether Corcoran has been wrongly denied her fair share of profits.

The lawsuit also alleges extreme working conditions, a broken SAG-AFTRA agreement, and on-set sexual harassment — naming producer Phil Falcone in a reported incident that Corcoran says involved Falcone photographing her nude without her consent while she was trapped in a special effects rig.

IndieWire

“Were it not for Corcoran’s willingness to take a risk on this production and receive her compensation on the back-end, the series would not exist as it could not have been made on a shoe-string budget otherwise,” the plaintiff’s filing argued. “When it came time to pay what was owed, the producers chose to cheat her. This injustice must be rectified.”

An attorney for Leone told The Hollywood Reporter (which broke this story), “Damien and Phil deny the claims in the complaint and will vigorously defend this lawsuit.” Neither responded to IndieWire’s request for comment.

Corcoran claims she’s entitled to 1 percent of proceeds from a backend deal that covers ticket sales for all three films in the series — as well as any money made from the licensing and use of “Terrifier” IP. To date, the actress says she’s been paid less than $8,400 for her contribution to the killer clown icon.

TERRIFIER, from left: Jenna Kanell, Catherine Corcoran, 2016. © Tubi / courtesy Everett Collection
Catherin Corcoran in ‘Terrifier’ (2016) Courtesy Everett Collection

“Terrifier 2” and “Terrifier 3” were distributed theatrically by Cineverse, and the franchise has a lifetime gross of more than $106 million at the box office. The suit lists major brand names in horror, including Spirit Halloween and Hot Topic, as proof of the artistic success Corcoran’s scene helped spark. Dawn’s death is currently featured as part of the walk-through “Terrifier” attraction at Halloween Horror Nights.

“The producers of the film paid Corcoran her royalties for a brief period of time several years after the release of the film, but when the film series’ success started to grow exponentially and exceeded the producer’s original expectations, the royalty payments became more and more sporadic and dwindled to amounts nowhere near commensurate with the revenues generated,” read the complaint, which also lists Dark Age Cinema, Fuzz on the Lens Productions, and the Art the Clown trademark as defendants.

Among the first victims of Art the Clown (David Howard Thornton), Corcoran sys she played Dawn — notoriously vivisected from crotch to cranium, while the actress was suspended upside-down — for just $100 a day. Corcoran’s performance reportedly fell under a special SAG contract for ultra low budget performers that, coupled with the terms of a mutual nondisclosure agreement Corcoran’s team has submitted as evidence, lead her to believe she would be compensated more robustly if the $35,000 film became a success. The suit claims Corcoran was later told Falcone “didn’t keep records.”

“The low-budget nature of the production carried over into the working conditions on set, including long hours in below freezing temperatures in condemned buildings, all without heat and some without bathrooms,” continued the complaint. “The so-called ‘practical effects’ that made ‘Terrifier’ so compelling on screen involved the director placing prosthetics with actual rat feces on Corcoran’s skin and real duct tape over her mouth.”

“Further, when creating the silicone mold for Corcoran’s body cast, the producers of the film required Corcoran to lie nude on a piece of plywood while she was covered with a quick-drying liquid silicone agent,” the court document said. “However, the process was done incorrectly and the silicone dried and essentially glued Corcoran to the plywood, requiring a long, painful process to remove the dried silicone from her body. To make matters worse, Falcone took numerous still photographs of Corcoran’s nude body while she was glued to the plywood sheet without her consent.”

The case further challenges the terms of Corcoran’s employment on “Terrifer,” arguing that Leone and producers never got her written approval for the nude scene as required by SAG. The actress claims that Leone, Falcone, and more “Terrifier” contributors have continued to profit off the unauthorized use of her nude image by using it to sell products. Corcoran says the sawing scene for “Terrifier” took ten hours to shoot and caused blood to pool in her head, resulting in reported cranial swelling and eardrum damage.

The public disagreement comes on the heels of more “Terrifier” controversy, involving the treatment of sequel stars Lauren LaVera and David Howard Thornton earlier this year. Neither actor has commented on the case. Production on “Terrifier 4” has not yet started and the film does not have a distributor.

October 28, 2025 0 comments
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Tomorrow x Together Talk Contract Renewal, Solo Stages, New Era
Music

Tomorrow x Together Talk Contract Renewal, Solo Stages, New Era

by jummy84 October 3, 2025
written by jummy84

The roar starts before the lights go down — a low, collective thunder that shakes the arena floor. By the time the five members of Tomorrow X Together (TXT for short) appear, not from the stage but through the pit doors, weaving past the barricades and into the sea of fans, the noise has swelled to seismic levels. All day, fans have been buzzing online, daring each other to out-scream every stop before them after Yeonjun teased that some crowds weren’t loud enough. Consider the challenge accepted.

On this final U.S. night of the ACT : TOMORROW tour, the fans deliver a wall of sound that rattles the seats of Newark’s Prudential Center. And when Yeonjun leans into the mic, grinning as he says, “Let’s burn it all tonight, OK?” the roar somehow gets louder.

These are the kinds of screams that follow TXT wherever they go. In the six years since their debut, Tomorrow X Together have cemented themselves as one of the biggest K-pop boy bands on the planet, selling out arenas worldwide, topping charts, and cultivating a fiercely devoted fandom. Beyond the stage, they’ve extended their influence globally — they recently partnered with UNICEF on a campaign called TOGETHER FOR TOMORROW, even visiting the organization’s New York headquarters, where leader Soobin gave a speech on youth mental health. (Soobin admits he was nervous, but a thoughtful message from BTS leader RM helped him “calm down a bit.”) 

“The music we’ve always made is about helping youth and adolescents raise their voices and express their emotions,” Beomgyu tells Rolling Stone an hour before their last soundcheck of the tour. “We’ve been through the same obstacles and struggles that many people face, so we wanted to create a space where others can feel cared for and supported.” 

The five members — Soobin, Yeonjun, Beomgyu, Taehyun, and Hueningkai — are now entering a new phase of their careers. With their most recent album behind them, they have renewed their contracts with HYBE, securing their long-term future as a group while also carving out space for individual pursuits. The balance between collective identity and solo ambition has now become central to TXT’s story, and nowhere was that more visible than on this tour. 

Editor’s picks

For the first time, each member brought a solo stage to the setlist, a showcase of personal artistry that revealed new sides of the group. Taehyun chose restraint, standing in the spotlight for the lyrical ballad “Bird of Night.” Soobin leaned into playfulness with “Sunday Driver,” a breezy track that matched his easy smile. Hueningkai took a surprising turn with the sultry “Dance With You,” while Yeonjun used the moody “Ghost Girl” to tease his upcoming solo debut album, confirming the release onstage. (“All the songs and the choreo are done, and I even shot the music video,” he says, adding that he did the choreography in Atlanta and that American fans are “gonna love it.”) Beomgyu closed out the solos with “Panic,” a mellow, guitar-driven track that nodded to his roots as a songwriter.

If the ACT : TOMORROW tour marked a new chapter for TXT — louder crowds, solo spotlights, and a long-term future secured with HYBE — the next will be written in their own voices. Backstage at the Prudential Center, the members sat down with Rolling Stone to talk about what this moment means: the balance between group and individual, the weight of being senior artists at their label, and how they plan to carry TXT into its next era.

I was at your very first showcase in New York back in 2019, and now I’m here at the final U.S. stop of your latest arena tour. It really feels like such a full-circle moment and a milestone in your growth as TXT. How does this tour feel compared to your earlier ones, not just in terms of performance, but also in how you see yourselves now as a group?
Hueningkai: Compared to 2019, I feel like I became a pro. I sometimes watch videos from that debut time, and I look so much more professional nowadays in terms of demeanor and attitude onstage and in performances. We look a lot cooler. 

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Is there a moment on this tour, specifically, that really captures that evolution? 
Hueningkai: For the first time, we had our solo stage during this tour, and the solo stages are really different from the group work. Everyone was pretty nervous, and there were a lot of things to care for and think about, but as time went by during the tour, everyone felt more at ease, and everyone seemed more relaxed. I think we have this confidence that, as a group, we’re good, but through these stages, we realized that we can be good on our own, too. 

Hueningkai

courtesy of BIGHIT MUSIC

Like you said, this is the first time you’ve brought your solo stages on tour, and they really showcase your individual artistry. What did each of you want to express or explore through your solo performances?
Beomgyu: I’ve always had a love for indie music and the band sound, so it was really meaningful to share that through my solo stage. It felt amazing to be able to give people hope through my music — it was a truly elating experience for me. 

Soobin: I chose an easy-listening song for our fans, MOA. I was really excited to produce and prepare it [for the tour], and I felt so happy performing it on stage for them.

Hueningkai: I wanted to try a style of music I wouldn’t normally choose, something just for this concert. I really wanted to make an impact through both my dancing and singing.

Yeonjun: I’ve always had a love for rock ballads, so I knew what I was doing. I was pretty confident in my performance. It wasn’t anything fancy, but I wanted to focus and concentrate on myself — and that music really helped me do that.

Taehyun: I have a love for a variety of genres. I’m still on a journey to discover my strengths. So I chose a song that could highlight my vocals. It’s all part of the process of exploring where my future direction might be. 

Taehyun

courtesy of BIGHIT MUSIC

Rolling Stone interviewed your producer Slow Rabbit a few months ago, and he mentioned that you’re in a transitional period right now. I get that sense from your answer,  too. It feels like you’re in the process of finding your individual sounds. What has that experience been like for you?
Hueningkai: Since our debut, we’ve had a specific musical color that we’ve carried as a group, but that chapter is coming to an end. As a group, that phase is closing, but as solo artists, we’re still exploring and still figuring out the direction we’re headed. So I’d say we’re very much still on that journey.

You’ve all had the chance to watch each other’s solo stages. Did you learn anything new about one another through that? Were there any sides of each other that surprised you or stood out during those performances?
Yeonjun: In terms of order, I always get to watch Hueningkai’s stage the most, so I’ve been able to observe his performances closely. We’ve always thought of him as the youngest brother of the group, but seeing him onstage, I really felt like he’s grown up so much. He just looks so cool and confident up there.

Beomgyu: I perform right after Yeonjun, so I get to watch his stage a lot. He mentioned that he took out a lot of choreography for this performance, but he was absolutely on fire onstage — fully immersed and really cool. Watching his performance was so motivating and inspiring for me.

Hueningkai: I often get to watch Soobin’s performances while I’m doing my makeup, and the first thing that comes to mind is how handsome he looks. Watching his stage presence, you can really feel that. My second thought was how well he pulls off this genre. He just did a sexy duet [with Yeonjun] before, and yet he can also handle this style with the two dancers so effortlessly. I found myself really immersed watching his performance.

Yeonjun

courtesy of BIGHIT MUSIC

Taehyun: I don’t think anyone gets to see my performance because I’m the first in the order. 

Hueningkai: But we’re listening, though! We can hear him singing, and we can also hear the fans getting hyped up during his stage. 

Soobin: I actually get to see his stage sometimes, and his demeanor and attitude are really relaxed. He just takes off his jacket and gets the fans hyped up. Since the song has no dancing, he has to carry the whole performance with just his singing, and he pulls it off really well. It’s cool and exciting to watch.

Beomgyu: Mine’s last in the order, so I don’t think anyone gets to see it because we’re always busy preparing for the next stage.

Hueningkai: But we’re still listening! Even when we’re preparing for the next stage, we’re always listening. When he’s performing, he knows how to get emotional during the song. 

Taehyun: I always get that feeling whenever I hear [Beomgyu] think about his solo stages that he’s really trying to improve his vocal performance. It’s not easy to strike a balance between pursuing what you love and excelling at what you do best. Those two don’t always align naturally. But I think he’s managing to pull that off.

Beomgyu: [Flashing a peace sign] I’m lucky!

Beomgyu, what’s it like going from sharing the stage with four other people to being completely by yourself onstage?
Beomgyu: My solo stage is more focused on showcasing my vocal abilities, so I put a lot of effort into making that the core of my performance. But when I get to do a solo dance stage next time, I think that will be a new challenge I’ll have to overcome. 

Beomgyu

courtesy of BIGHIT MUSIC

Do you guys feel like your solo work adds new dimensions to TXT overall?
Taehyun: We haven’t come out with another album yet, but this challenge — we could even call it a bit of a struggle — has been real. We’ve had to fill a stage that used to be shared by all five of us, and doing that alone is no easy task. But I believe facing this kind of challenge will definitely have a positive impact on our teamwork moving forward.

Yeonjun: We’ve been a team for such a long time, so even when we perform solo stages, they still reflect the color of our group, whether we intend them to or not. Exploring these personal layers through solo performances adds new dimensions to who we are individually, and that inevitably feeds back into the group. It’s a process that not only helps us grow as artists but also strengthens us as a team.

You guys recently renewed your contracts with HYBE, which feels very significant. What made you confident in that decision?
Taehyun: When it came time to renew our contract, we were all on the same page. We’d heard from senior artists in the K-pop industry that this part is often the hardest — getting everyone to speak up and agree at the same time. But for us, it felt natural. 

Beomgyu: We had trust in each other, confidence in one another’s growth, a shared love for music, and a common desire to keep improving as one team. All of that came together, and it made the decision feel right for all of us.

When you sat down to have this conversation and you thought about the next several years together, what was one promise that you made to yourselves?
Hueningkai: At the end of the day, we’re musicians. We make music, we live for it. And when it came to renewing our contract, one thing we all wanted to hold onto was our love for music. That was something we promised ourselves we’d never lose, no matter what.

What does the next chapter of TXT look like?
Beomgyu: We’re still in the middle of that conversation, so we haven’t figured it all out yet. But one thing we can promise is that it’ll be a better version of TXT.

Hueningkai: This moment itself has become a new kind of challenge for us. In the past, our music followed one big story, one connected narrative, so we always had a clear direction for the next chapter or the next album. But now we’ve reached the end of that storyline. Figuring out where to go from here is the next task we have to face.

I interviewed you back when you had just debuted, and at the time, everyone referred to you as BTS’ “little brothers.” Now, you’re stepping into the role of seniors yourselves. How does it feel to take on that position as a senior group within your company?
Taehyun: Time has passed so fast, so it doesn’t feel real at all. 

Hueningkai: It’s honestly a bit surprising. We always thought of ourselves as one of the younger K-pop acts. But now, seeing trainees and new idols born in 2009, 2010, even 2011, it’s starting to hit us that we’re becoming… well, the older group now. Maybe even the elders in some ways.

Do you remember a specific moment when you realized, “Oh wow, we’re the senior artists now?” Especially now that a new group has debuted under your company, CORTIS. 
Taehyun: I think I feel it the most whenever we go to a music show. The older or more senior the group, the bigger the green room they get, and they usually perform last. One time, we noticed we were given the biggest green room and got to perform last, and that’s when it really hit us: “Wow, we’ve become the seniors in K-pop.” 

Soobin

courtesy of BIGHIT MUSIC

What advice would you give to younger artists just starting their journey?
Soobin: We have a group chat with other artists, and recently, a newly debuted group was asking what they should say to fans during their fan meet-and-greet. It was cute. I think those are the kinds of thoughts and challenges everyone goes through when they’re just starting out. It’s something we can all relate to.

Beomgyu: I’ve always believed that having that freshness, being a little nervous or not fully relaxed onstage or in front of fans, is actually one of the charming things younger groups have. So I just want to tell them to let it flow and be themselves. And if things get busy, to stay healthy and try to enjoy every moment.

Trending Stories

Taehyun: I didn’t know that I would feel this way, but having those younger brothers [CORTIS] debut, like, they’re just so cute. They’re adorable. 

And very tall! 
Hueningkai: Oh, yeah, really very tall. [Singing a part of “Go!” by CORTIS.] Martin, play that beat!

October 3, 2025 0 comments
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PJ Washington Confirms 90 Million Contract Extension Dallas Mavericks Brittany Renner Alisah Chanel
Celebrity News

PJ Washington Seemingly Confirms $90M Contract Extension

by jummy84 September 4, 2025
written by jummy84

Roommates, it looks like the money is long and flowing this week in the PJ Washington household. He recently took to social media to respond to reports that he secured a $90 million contract extension with the Dallas Mavericks. The news comes just two days after his wife, Alisah Chanel, revealed the Rolls-Royce she gifted him for his 27th birthday. It also follows viral footage of a tense argument between PJ and his eldest son’s mother, Brittany Renner.

RELATED: Alisah Chanel Reveals Rolls-Royce She Gifted PJ Washington Following Viral Footage Of Heated Exchange With Brittany Renner

PJ Washington Seemingly Confirms Dallas Mavericks Extension 

ESPN Senior NBA Insider Shams Charania first reported the extension news on September 3 via X, formerly Twitter. In the tweet, Shams said the forward player secured the $90 million contract through his agent, Kevin Bradbury of LIFT Sports Management. Bradbury also confirmed the contract extension to ESPN. The new deal will reportedly keep PJ Washington on the Dallas Mavericks through the 2029-2030 season after they traded for him during the 2023-2024 campaign. Complex reports that the pro-baller was a key component in the franchise’s playoff run last season.

Dallas Mavericks forward PJ Washington has agreed to a four-year, $90 million contract extension with the franchise, agent Kevin Bradbury of LIFT Sports Management told ESPN. Washington secures a new deal that keeps him in Dallas through 2029-30. pic.twitter.com/v28jVbtMs9

— Shams Charania (@ShamsCharania) September 3, 2025

PJ hasn’t said much about the deal on his social media, but it appears he did co-sign the news. Two minutes after Shams Charania’s announcement, Washington replied, “God is God,” with a prayer hands emoticon.

God is God 🙏🏽 https://t.co/yOkiRXYLFq

— PJ Washington (@PJWashington) September 3, 2025

PJ’s Wife Also Flexes Her Wallet

Meanwhile, it seems the Washington household is already in good financial standing! About a week after the pro-baller’s 27th birthday, his wife Alisah revealed the luxury gift she blessed her man with. Photos and a video on her Instagram page show that she got him a 2025 Rolls-Royce Cullinan with bright orange interior seats and a dark grey exterior. The high-end vehicle retails for around $400,000. In the post’s comment section, Washington wrote, “I love you” with three emojis.

Will Little PJ Get A Cut Of Daddy’s Check?

Outside the Washington home, PJ encountered a tense situation with his firstborn’s mother, Brittany. Viral footage circulated over the weekend showing him and Renner in a heated argument as he picked up his son from her house. Her mother was recording the entire interaction, which showed little PJ upset as his mother handed him over. The verbal tussle moved from Renner’s front door to the side of his truck, where he eventually blurted out, “Man suck d*ck” while strapping his son into the car seat. After her mother challenged him to say it again, he did, along with some other NSFW words. Brittany and her mother matched the energy, and eventually Alisah stepped in with some words, too! That didn’t happen until Renner’s mother shouted, “$170,000 to your hoe but $11,000 in your son’s bank account.” In her clapback, wifey shouted, “Shut the f**k up before I beat your a*s” and Renner’s mother dared her to before the clip cut off.

Brittany Renner and her mother got into a heated arguement with PJ Washington and his wife during a custody exchange, claiming the child always cries when it’s time to go with him
pic.twitter.com/Go032Vx0Uh

— FearBuck (@FearedBuck) September 1, 2025

It’s still unclear what day the argument happened or where the co-parents stand. No one involved has issued any statements about the beef. On Wednesday, Renner shared a photo from little PJ’s first day of school. It appears that Washington was not present. On the contrary, he was front and center for his second son’s first day, per photos shared by the mother and wife, Alisah.

RELATED: Whew! Footage Goes Viral Showing Brittany Renner Getting Into Heated Exchange With PJ Washington (VIDEO)

What Do You Think Roomies?

September 4, 2025 0 comments
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Judge Grants Drake's Legal Team Access To Review Redacted Contract
Music

Judge Grants Drake’s Legal Team Access To Review Redacted Contract

by jummy84 August 26, 2025
written by jummy84

A judge has granted Drake‘s legal team permission to review a previously redacted version of Kendrick Lamar‘s recording contract. This win for Drizzy comes a week after he filed a motion in federal court to gain access to the restricted documents. In the initial lawsuit, Drake’s legal team argued that UMG’s redactions made the 22-page agreement “unreadable and incomprehensible.”

A statement from Judge Jeanette Vargas of the US District Court for the Southern District of New York read, “Plaintiff and UMG’s request… for permission to file under seal a contract between UMG Recordings, Inc. and Kendrick Lamar Duckworth, as produced by UMG in redacted form with the designation Attorney’s Eyes Only, is GRANTED.”

She ruled that “UMG has made a sufficient showing that the information that he seeks to seal qualifies as confidential, ‘sensitive business information.’”

The document, though, will remain sealed from the public. Judge Vargas explained this is because “in this instance, the ‘interest in protecting confidential business information outweighs the qualified First Amendment presumption of public access.’”

The document will remain publicly protected because “the Lamar Contract reflects an ‘ongoing contractual relationship’ between UMG’s business partner and Lamar, the Court agrees that sealing the contract would best protect UMG’s ‘business relationships and interests, and the privacy interests of non-parties.’”

The contract in question is the main focal point of Drake’s case against Universal Music Group. He accused UMG of having contractual authority over the “Not Like Us” rapper’s music and intentionally releasing and promoting the aforementioned diss track.

Previous court filings show that Drake was seeking “extensive documentation” from UMG while the label called his complaint a “hundred-plus page ‘legal’ blather” that ignores his own history of songs with “equally provocative taunts against other artists.”

Despite them arguing that Drake initiated the exchange, they wrote, “Drake’s lawyers believe that when Drake willingly participates in a performative rap-battle of music and poetry, he can be ‘defamed’ even though he engages in the exact same form of creative expression. Drake’s lawyers can also keep seeking to ‘uncover’ evidence of wild conspiracies as to why one song that upset Drake had massive global appeal, but there is nothing to ‘uncover.’ Except for this: by working tirelessly in partnership with our artists, we achieve global success for them and their music.”

August 26, 2025 0 comments
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