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Béis x Rare Beauty Travel Beauty Makeup Collection 2025
Fashion

Béis x Rare Beauty Travel Beauty Makeup Collection 2025

by jummy84
written by jummy84

To start, meet The Makeup Brush Pouch (brush set not included), which features an easy-to-clean lining and elastic loops to keep your precious tools safe and secure while en route. Then, there’s The Large Cosmetic Pouch (and existing Béis fave but reimagined in a new hue — more on that in a bit), a roomy yet sleek case inspired by a pro makeup artist kit; in addition to a wipeable lining (because spills happen), this all-in-one organizer has plenty of pockets, dividers, brush slots, and even a removable storage pouch to customize your collection exactly how you want. Last but certainly not least, there’s the highly covetable Blush Case, which combines the aww factor of the bag charm trend with the utility of holding your favorite shade of Rare Beauty’s Soft Pinch Liquid Blush.
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Lee Mathews Spring 2026 Ready-to-Wear Collection
Fashion

Lee Mathews Spring 2026 Ready-to-Wear Collection

by jummy84
written by jummy84

Last season, Lee Mathews filled the first portion of her 25th anniversary runway show with dresses, outerwear, and sets that were predominantly white. It brought the focus to her silhouettes, which are characteristically intricate, unconstraining, and wearable in equal measure. Her latest collection was born of a new excitement about other time-honed archetypes. 

“The pushing forward to find all the new ideas… I’d rather go and be reminded of some of the things we used to do that were lovely, and haven’t seen the light of day for a long time, and start to re-work those,” Mathews shared. That began this season with “digging through the linen cupboard” of archival samples to find pieces that sparked joy in the present. Her daughter Matilda—who scours eBay and Depop and other resale sites to find older Lee Mathews pieces, as a way of owning memories of her mother’s work from her own childhood—was a key inspiration. Mother and daughter refer to this accumulation of material memories as a “magic cupboard.” “It sounds a bit sentimental,” the designer said of the process of looking back, “but it actually felt right.”

That manifested in a collection of punchy hues, which played to Mathews’s abilities with color and composition, working as memories seen with fresh eyes. There were pairings of white cottons with bold primary colors, as well as nimble knits and floaty organza confections. Detailed patterns and girlish ribbon adornments were countered by invigorating monochromatic pieces, like a gauzy aqua-blue organza dress, over a corresponding slip with tiny flowers dotted across. Mathews can pinpoint memories associated with some looks, but steered clear of too-obvious replications of the past, using intuition to find a midway point between then and now. “[Most of] the prints are actually prints from previous collections, but you wouldn’t recognize them,” she added. “I think that’s what I would like to do going forward: take from the past to put in the future, and keep evolving the chemistry.”

She is also considering having the collection’s exhilarating pink pieces in store windows when the range arrives at boutiques in time for southern hemisphere high summer, for a jolt of energy and exuberance. 

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Tao Tokyo Spring 2026 Collection
Fashion

Tao Tokyo Spring 2026 Collection

by jummy84
written by jummy84

It’s late in the season to be showing a collection, but Tao Kurihara, much like her mentor Rei Kawakubo, isn’t one to follow the crowd. The enigmatic designer, who now shows each season to a small domestic audience at the Comme des Garçons HQ in Aoyama, represents the most romantic side of the CDG stable. It’s also commercially minded in its way, managing to wrangle the whimsical into the wearable.

Accompanied by a chipper folksy soundtrack, this outing was full of big, confident shapes that snapped consummately between monochrome, dowdy neutrals and sweeps of sugary pastels. Towards the middle of the show we moved into stripes and gingham, spread monochrome and mime-like in different scales across big skirts, roomy trousers, and tiny jackets. Later, those gingham skirts that faded into sepia orange like an old photograph. For those who want to shop Comme off the runway, Tao is the best place to do it. Particularly in this collection, there were plenty of pieces that Comme devotees will enjoy, from the cropped flared jackets with Peter Pan collars, to the dotty floral dresses and peasant skirts.

Occasionally Tao shows instances of breaking away from the dominant aesthetic of the house she grew up in, but this season seemed to have committed to it wholeheartedly. Her show notes disagreed: “This time, I focused on creating the collection that stays true to Tao’s style—and to myself,” she wrote. Perhaps resisting it is futile: from the patterns to the silhouettes, the brand’s bloodline is clear.

There is a sensitivity to Kurihara’s work, however, of which she alone is capable. Some of the more striking pieces this season were created using prints of Fumi Imamura’s floral artworks, which came decorated with scarlet poppies across pouffy sheer skirts and cape-like shirts. They looked charmingly grannyish, and softly romantic in a way designed to please the wearer rather than the viewer. Per Kurihara: “I hope that by wearing them, one can carry the gentleness and strength [Imamura’s] work embodies.” That’s Tao in a nutshell, too: gentleness and strength. The delicate, the feminine, the flouncy—in a world that increasingly tries to quash those things, it’s timely to remember the power they hold. Bold yet balanced, Kurihara wields that power masterfully.

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bitchy | Duchess Meghan’s As Ever holiday collection includes $64 candles
Celebrity News

bitchy | Duchess Meghan’s As Ever holiday collection includes $64 candles

by jummy84
written by jummy84

There’s a tendency, from the usual suspects, to cry about the Duchess of Sussex’s lack of success in between her massively successful As Ever product drops. Those people have just decided, without evidence, that As Ever is not doing well, or that Meghan’s brand is in shambles. When really, the progression of As Ever has been quite organic and massively successful from the word go. Yesterday, Meghan launched As Ever’s holiday collection. People could buy a gift box full of multiple fruit spreads (jams), new jars of honey, a Spiced Cider mulling kit, a Hot Toddy mulling kit, and significantly (for me!) there was finally a restock on the much-loved raspberry jam. If you buy the jam gift box, you can also try a new flavor: strawberry!!

But people are talking about two other new items on offer: As Ever candles. One candle is No. 084, which is Meghan’s birthday (August 4) and the other candle is No. 519, named after the Sussexes’ wedding date. Both candles are $64. Now… I’m a candle person, I burn candles by my desk as I work/write most days. It’s calming and I love the scent. Because I’m burning candles for at least four hours every day, I do tend to buy the less expensive ones. I’ve experimented with some of the more expensive ones here and there and they’re nice, but so are the “cheaper” ones if you know enough to go by certain brand names. Basically, I gulped at the price and decided maybe I should do without. I did order a jam gift box and a raspberry restock though. Please let me know if the candles smell nice! I got some FOMO when I saw how many people were buying the candles and if they’re still in stock in a week, I might order one (the No. 084).

And yes, I know that As Ever candles are in the “nice candle” price range, if you’re comparing them to Jo Malone or what have you. Stop calling me broke-ass! I’m not broke, I’m just too cheap to spend $60-plus dollars on a candle! There’s a difference! Still, I really do want to hear about how the candles smell and if people like them.

Photos courtesy of As Ever’s site and Instagram. Additional photos courtesy of Backgrid.

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ManéMané Spain Spring 2026 Collection
Fashion

ManéMané Spain Spring 2026 Collection

by jummy84
written by jummy84

For the spring 2026 ManéMané collection, Miguel Becer joined forces with Ernesto Naranjo—a creative partnership that culminated in a dual collection. “We help and support each other. It’s about being able to talk every day, about finding someone who shares the same concerns, the same experiences,” said Becer of working with Naranjo, who has a studio nearby. The duo merged their respective universes to deliver a shared statement on contemporary fashion. “We have two very different points of view,  both in the identities we’ve built for our brands and in the creative formulas we use,” Becer added. “But we’ve been surprised: even though we each worked independently, the result feels bolder, stronger, and a lot more fun.” 

So, what’s the secret behind this effortless synergy? “We share the same sense of humor.” Becer laughed. That playful spirit translates into every detail—from the cheeky hairstyles on the mannequins to the spontaneous energy of the collection itself. “Everything came together so naturally; every idea felt right,” said Becer. The dynamic between the two designers, he added, couldn’t be further from rivalry. “There’s no sense of competition between us, everything adds up.”

The collection draws inspiration from the folklore of Montehermoso, reimagining its traditional silhouettes through a contemporary lens. To achieve this, Becer revisited the signature volumes and intricate dresses of this tradition, honoring heritage without falling into nostalgia. Textures take center stage in this project, with an emphasis on natural fibers and artisanal techniques, paired with delicate embroidery and experimental finishes. A subtle historical wink runs through the palette—shades inspired by the women of early 20th-century Montehermoso, who crafted their garments from fabrics brought by traveling merchants. 

This rich cultural legacy, reframed through a modern sensibility, evolves into a language that feels both versatile and quietly avant-garde—one that finds a natural dialogue with Naranjo’s creative world. “Yesterday, at an event, several of us from the industry ran into each other, and I went home thinking, how nice it is to have someone like you, someone you can share everything with, the good and the bad, and build a sense of community together,” Becer reflected. “That’s exactly what happens with Ernesto and me—it all comes so naturally.” And truly, there’s no greater fortune than that.

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Ek Deewane Ki Deewaniyat box office collection day 8: Harshvardhan Rane film surpasses Sanam Teri Kasam lifetime haul
Bollywood

Ek Deewane Ki Deewaniyat box office collection day 8: Harshvardhan Rane film surpasses Sanam Teri Kasam lifetime haul

by jummy84
written by jummy84

Ek Deewane Ki Deewaniyat box office collection day 8: Harshvardhan Rane and Sonam Bajwa’s romantic drama Ek Deewane Ki Deewaniyat released on Diwali, and despite clashing with Ayushmann Khurrana and Rashmika Mandanna’s film, it has emerged as a success, now inching closer to the ₹50 crore mark.

Ek Deewane Ki Deewaniyat box office collection day 8: Harshvardhan Rane and Sonam Bajwa’s still from the romantic drama.

Ek Deewane Ki Deewaniyat box office performance

According to Sacnilk, after a decent first weekend, Harshvardhan’s film collected ₹3.5 crore on Monday and ₹4.25 crore on Tuesday (day 8), taking its total to ₹49.25 crore. With this, the film is close to crossing the ₹50 crore mark at the domestic box office.

While the film is still trailing behind Ayushmann, Rashmika, and Nawazuddin Siddiqui’s horror-comedy Thamma, which has so far collected ₹95.6 crore, Ek Deewane Ki Deewaniyat has nonetheless managed to emerge as a commercial success. Made on a modest budget of just ₹25 crore, the film has recovered more than its production cost in just eight days. It has also surpassed the lifetime collection of Sanam Teri Kasam ( ₹42.28 crore).

Harshvardhan recently expressed his gratitude to fans for supporting the film and making it a success. During a visit to a cinema screening his film, he said, “This Diwali, you supported the films of two outsiders. Ayushmann Khurrana’s film released along with mine. Watch both the films, please, and enjoy both. This sends a good message out, that aap logon ne akele poora ka poora Bollywood se nepotism hi khatm kar diya (you people alone have wiped out nepotism from Bollywood).”

He added, “I hope you like it. And those of you in your family who haven’t watched it yet, please come again with them.”

About Ek Deewane Ki Deewaniyat

Directed by Milap Zaveri, the romantic drama tells the story of politician Vikramaditya Bhonsle, whose life changes after crossing paths with Adaa Randhawa, a renowned actor. What begins as attraction soon turns into obsession, taking the audience on an intense emotional journey. The film received largely mixed to negative reviews, with many critics calling it out for promoting misogyny and toxicity. Despite the criticism, the film continues to perform well at the box office.

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Vogue World Spring 2026 Ready-to-Wear Collection
Fashion

Vogue World Spring 2026 Ready-to-Wear Collection

by jummy84
written by jummy84

© 2025 Condé Nast. All rights reserved. Vogue may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. Ad Choices

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Thamma box office collection day 6: Ayushmann Khurrana, Rashmika Mandanna film holds strong, earns over ₹90 crore
Bollywood

Thamma box office collection day 6: Ayushmann Khurrana, Rashmika Mandanna film holds strong, earns over ₹90 crore

by jummy84
written by jummy84

Thamma box office collection day 6: Dinesh Vijan’s Maddock Films expanded its horror-comedy universe with Thamma, starring Ayushmann Khurrana, Rashmika Mandanna, and Nawazuddin Siddiqui. The film is continuing to hold steady at the box office.

Thamma box office collection day 6: Ayushmann Khurrana and Rashmika Mandanna’s horror comedy started on a strong note on Diwali.

Thamma box office update

According to trade tracking site Sacnilk, Thamma is performing well at the box office. On day six, which marked the first Sunday after its release, the film earned ₹13 crore, bringing its total collection to ₹91.70 crore.

The film, part of the Maddock Horror Comedy Universe, had started on a strong note on Diwali before slightly dipping over the weekdays. But it seems to be making a healthy recovery over the weekend now. In terms of occupancy, the film had an overall 23.19 per cent occupancy in Hindi on Sunday.

The supernatural-themed film saw a significant boost at the box office on its fifth day, earning ₹13.1 crore. This marked a 31 percent jump compared to the previous day, when the film had raked in ₹10 crore. The surge in collections suggests growing audience interest, indicating that the film is gaining momentum as it continues its theatrical run.

On Saturday, Thamma surpassed the lifetime box office collection of Varun Dhawan’s Maddock horror-comedy Bhediya, which had grossed ₹68.99 crore. Prior to this, the film had already overtaken the domestic earnings of Sunny Sanskari Ki Tulsi Kumari, starring Varun Dhawan and Janhvi Kapoor, which had earned ₹60.35 crore.

The film is working well overseas as well. Thamma has crossed the ₹100 crore mark in terms of worldwide earnings in five days.

All about Thamma

Directed by Aditya Sarpotdar, Thamma stars Rashmika Mandanna and Nawazuddin Siddiqui as vampires, with Ayushmann playing a journalist caught in the midst of their bloody battle. The film comes with several surprise cameo appearances from other actors in the MHCU, including Varun Dhawan.

Thamma is the fifth instalment in Maddock’s horror-comedy universe after Stree (2018), Bhediya (2022), Munjya and Stree 2 (both 2024). Produced by Dinesh Vijan and Amar Kaushik, the film is described as a bloody love story. It was released on October 21.

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Vivienne Westwood Spring 2026 Ready-to-Wear Collection
Fashion

Vivienne Westwood Spring 2026 Ready-to-Wear Collection

by jummy84
written by jummy84

While the Vivienne Westwood team’s spring 2026 collection was shot in a house close to the Champs-Élysées, captured in its light-filled chambres and wild garden, it was just down the road at Christie’s auction house in London where inspiration first took root. There, the late Dame Vivienne Westwood’s wardrobe was on display for auction: her fall 1983 Witches collection, a corduroy suit she wore for decades, Yorkshire tweeds, 18th century samplers. This set the scene for designs made for traversing the English moors, discovering the dark and decay amid the vegetation.

Rococo-style suiting, the impeccably tailored Bettina jacket, mini-skirts, and shorts that recall the Cafe Society collection were remixed in treated denims, windswept silks, and undyed, organic fabrics, with a rumpled and ragtag feel—like a tumble taken in the Garden of Eden. The ever-popular Sunday dress was made in crinkled gauze, and there was a spectrum of kilts in classic and high-octane colored tartans. Soft, airy knitwear sets featured a new take on the ‘Paradise’ print by artist and frequent collaborator Dominic Myatt, depicting a trash-filled, tarnished utopia—a tribute to Westwood’s climate activism and the brand’s continued eco ethos.

Nods to recent runway pieces from Andreas Kronthaler confirmed a growing sense of fluidity for the house, from A.K. to bridal (though, would you believe, the brand’s first-ever bridal-focused show only took place in April 2025?). In the mix were a bag-waisted pair of pants for both men and women, a diaphanous, inky-print jumpsuit, and sequin and trussed-up taffeta evening gowns. The Westwood lens on sportier sensibilities—including a pair of playful, visor-like sunglasses—and a deeper offering of the house’s classic tailoring reflected the wants of a younger audience who have become enamored with Vivienne Westwood through Depop dives and Bella Hadid. The brand has garnered increasing interest from young men, especially, looking for those slashed and remade silhouettes.

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Thamma worldwide box office collection day 4: Ayushmann Khurrana, Rashmika film mints ₹93 crore; beats Bhool Chuk Maaf
Bollywood

Thamma worldwide box office collection day 4: Ayushmann Khurrana, Rashmika film mints ₹93 crore; beats Bhool Chuk Maaf

by jummy84
written by jummy84

₹93 crore; beats Bhool Chuk Maaf”>

Updated on: Oct 25, 2025 09:43 am IST

Thamma worldwide box office collection day 4: Ayushmann Khurrana and Rashmika Mandanna’s film is inching close to the ₹100 crore mark.

Thamma worldwide box office collection day 4: Even as Thamma is facing some slowdown at the box office over the weekdays, the Maddock Films horror comedy continues to gallop towards the ₹100-crore mark worldwide. After an impressive start at the domestic box office, the film picked up pace overseas too on Thursday and Friday, solidifying its chances of a good lifetime haul.

Thamma worldwide box office collection day 4: Ayushmann Khurrana and Rashmika Mandanna star in this horror comedy.

Thamma worldwide box office update

Thamma, a vampire story, earned ₹65.15 crore net ( ₹78.20 crore gross) in India over the first four days of its release. This included a more-than-impressive ₹24 crore start on Diwali, followed by a continuous decline over the next three weekdays. To its credit, the film managed to avoid too large a drop in collections on any of those days, limiting the dips to 25% or under. But even then, its daily collection was down to ₹9.55 crore net by Friday.

However, overseas, the film reversed the trend. In the first two days of release, Thamma barely managed to scratch the surface of overseas collections as it did not get the benefit of a festive release outside India (Diwali is not a holiday in most major international markets). But as the weekend arrived, Thamma picked up pace. It has now earned almost $1.6 million in the overseas territories in four days, and is promising to go past the $3 million mark in the first week itself.

This takes Thamma’s worldwide collection after four days to an impressive ₹93 crore. On Friday, it surpassed the lifetime collection of Maddock’s recent romantic comedy Bhool Chuk Maaf, which ended its run at ₹89 crore worldwide. The film is now set to cross the ₹100 crore mark on Saturday.

All about Thamma

Directed by Aditya Sarpotdar, Thamma is the story of a journalist (Ayushmann Khurrana) who gets caught up in the power struggle of vampires (Rashmika Mandanna and Nawazuddin Siddiqui). The film is part of the larger Maddock Horror Comedy Universe, and is hence connected to the Stree films, Bhediya, and Munjya. It has been praised for its humour, visual effects, and starry cameos.

News / Entertainment / Bollywood / Thamma worldwide box office collection day 4: Ayushmann Khurrana, Rashmika film mints ₹93 crore; beats Bhool Chuk Maaf

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