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Dolce & Gabbana Spring 2026 Ready-to-Wear Collection
Fashion

Dolce & Gabbana Spring 2026 Ready-to-Wear Collection

by jummy84 September 28, 2025
written by jummy84

Today, the devil wore Dolce & Gabbana. Domenico Dolce and Stefano Gabbana had the celebrity gets of the season: With movie-perfect timing, Meryl Streep and Stanley Tucci, dressed in character as Miranda Priestly and Nigel Kipling of Runway magazine, swooped in just as everyone else had taken their seats. Newcomer Simone Ashley, whose role in the sequel has not yet been revealed, perched above them in the second row. As the photographers got their shots, Streep peered around the side of a flashing camera and greeted Anna Wintour, the editor in chief of Vogue on whom Priestly is based, who was sitting on the opposite side of the runway. A meta moment if ever there was one.

As for the runway? It was a pajama party—one that picked up where Dolce & Gabbana’s men’s collection, presented in June, left off. At that time, the memo was “a kind of no-fashion fashion…something more individual, more spontaneous.” At the very least, it was a change from the jog bras and exercise leggings that have become so ubiquitous on city streets. And why not? After the men’s show, Dolce reported, they had women customers clamoring for pajamas of their own.

Of course, these were no ordinary striped cotton pajamas. In signature D&G fashion, the designers embroidered them with tiny bouquets of flowers or clusters of crystals and layered them over lacy black bras and briefs, sometimes swapping out the pajama bottoms for black cotton hosiery (a callback to a late-1980s show in which Linda Evangelista and Christy Turlington walked). Other times they tossed a tailored blazer on top, or a blouson leather bomber, or a shrunken brocade jacket that could have belonged to your grandmama, “like a memory,” Dolce said.

For evening, the designers swapped out striped cotton for black chiffon tops and bottoms and accessorized them with their famously elegant tuxedo jackets. Some of the looks got skyscraper satin sandals, but just as many were paired with fuzzy slippers. “This new generation,” Dolce commented, “they don’t dress with too much styling. They’re much more relaxed.” If we see Ashley’s DWP2 character turning up at Runway in her pj’s, we’ll know where she got the idea.

September 28, 2025 0 comments
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Movie Review Jolly LLB 3 | Entertaining & Socially Relevant | Glamsham.com
Lifestyle

Jolly LLB 3 Box Office Collection Day 8: Akshay Kumar’s Film Defies Odds, Earns Rs 4 Crore Despite Tough Competition | Glamsham.com

by jummy84 September 28, 2025
written by jummy84

Akshay Kumar and Arshad Warsi’s courtroom drama Jolly LLB 3 continues its steady performance at the box office, even as it faces stiff competition from Pawan Kalyan’s They Call Him OG and Ishaan Khatter’s Homebound. Despite the crowded release schedule, the film is holding its ground, with fans praising its mix of legal drama and social commentary.

Directed by Subhash Kapoor, Jolly LLB 3 was released on September 19 and has a runtime of 157 minutes. The film, made on a ₹120 crore budget, opened decently with a net collection of ₹12.5 crore on Day 1 in India. According to industry tracker Sacnilk, the film earned ₹4 crore net on Day 8 (Friday) — mirroring its Thursday performance — bringing its Indian net total to ₹78 crore.

Globally, the film entered the ₹100 crore club by Day 6, and by the end of its first week, it has reportedly grossed ₹113 crore worldwide, including ₹24.50 crore from overseas markets, according to IMDb and Sacnilk.

The film is on track to surpass the lifetime collection of the original Jolly LLB (₹48.7 crore) and is inching closer to matching or even overtaking Jolly LLB 2 (₹201.34 crore lifetime gross). The second weekend will be crucial in determining its long-term box office fate.

The story follows Rajaram Solanki, a poor farmer who dies by suicide after being exploited by corrupt officials and a powerful builder, Haribhai Khaitan. Akshay Kumar plays Advocate Jolly Mishra, who initially supports the builder but later teams up with Arshad Warsi’s Jolly Tyagi to expose the truth.

The film also stars Huma Qureshi, Saurabh Shukla, Gajraj Rao, and Amrita Rao in pivotal roles. Jolly LLB 3 continues to resonate with audiences for its relevant message and gripping courtroom drama.

September 28, 2025 0 comments
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Roberto Cavalli Spring 2026 Ready-to-Wear Collection
Fashion

Roberto Cavalli Spring 2026 Ready-to-Wear Collection

by jummy84 September 26, 2025
written by jummy84

“It’s a sad time, I’m very afraid. At the same time, I love my job, my tailors, my team. I thought: let’s celebrate the Roberto Cavalli DNA in shades of gold.” Fausto Puglisi has the difficult job of nurturing one of the most hedonistic aesthetics in fashion in a moment when the world is flashing caution signs and many designers are in retreat.

But caution and Cavalli are two things that don’t go together, so gold it was. It came in myriad ways: in Karen Elson’s sunray pleats, a dress straight out of old Hollywood save for the up-to-date flat sandals it was paired with. On denim, the Cavalli signature done here in wild textures (these were not your basic blue jeans). And via the silk velvet dévoré that gave Puglisi’s slip dresses a touch-me dimensionality.

Cut-outs—on bodysuits and body-hugging cocktail dresses—meant there was plenty of skin on display. Elsewhere, tiger stripes were picked out in lavishes of sequins. All of this was true to the Cavalli of old; Puglisi understands the brand codes without question. What it lacked was some of Puglisi’s own firecracker spirit: the obsessions with Carrara marble or the frescoes of Pompeii that have made it more personal and surprising.

To keep the label fresh and relevant in the mid 2020s, decades after its Glamazon heyday, that human touch is necessary. Here’s hoping that Puglisi is allowed the opportunity to reconnect with his own inner wild child going forward.

September 26, 2025 0 comments
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Naeem Khan Spring 2026 Ready-to-Wear Collection
Fashion

Naeem Khan Spring 2026 Ready-to-Wear Collection

by jummy84 September 26, 2025
written by jummy84

For years now, designer Naeem Khan has been operating his atelier out of New York’s Garment District—a historic neighborhood that is slowly shrinking year by year. For his new spring lookbook, Khan wanted to pay homage to the spirit of the area, so he photographed his new assortment of formal evening attire in his own studio, among the mannequins and rolls of fabric. “The area is becoming more residential, and the whole charm of the garment industry is being taken away,” said Khan. “I wanted to celebrate it.”

While the season served as a tribute to his own Manhattan headquarters, the colors and finishes of his glamorous gowns were much more European-minded. Khan drew inspiration from the vibrant hues that he found during trips to Tuscany and Sicily this year. “The churches in Italy have all these beautiful colors,” he said. “I wanted it to be upbeat—with tons of colors and flowers.” The fusion of sugary pastels was, naturally, perfect for spring.

It’s no surprise that Khan centered on evening gowns, given that’s what his customers constantly ask for (and buy). There were frocks like a yellow strapless gown with a full skirt, embroidered with florals and three-dimensional petals. “They were all hand-stitched, one petal at a time,” said Khan. Long-sleeved column gowns, striped with rows of multicolor beads (very Studio 54), accentuated the form in flattering ways. “I drew them all on the body, and then accentuated the angles to give it more of an hourglass shape,” said the designer. Another beaded sleeveless dress featured a skirt that referenced the shape of Roman arches, another Italian touch.

Since Khan’s exquisite embroideries and embellishments often draw the focus, the designer made attempts to strip things back and offer something different, too. His breezy caftans, for one, offered a sense of simplicity—though he couldn’t resist trimming the neckline and sleeves with crystals. “I wanted a La Dolce Vita moment,” he said. For those looking for discrete, stealth-wealth staples, look elsewhere.

September 26, 2025 0 comments
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Missoni Spring 2026 Ready-to-Wear Collection
Fashion

Missoni Spring 2026 Ready-to-Wear Collection

by jummy84 September 25, 2025
written by jummy84

“I don’t see the point in constantly flipping things on their head,” said Alberto Caliri before today’s show, unfazed by the torrential monsoon that broke just as guests were arriving. “I’d rather slow down, land on a silhouette that works, and carry it forward as a foundation. I loved the knitwear and coats in the fall collection: start with a core, build around a clear idea. So why change?”

It’s an unhurried stance in an industry addicted to reinvention. But Caliri’s long tenure at Missoni grants him the poise and finesse to fine tune its codes without distorting their quintessential Missonism beyond recognition. It’s the sort of vantage point that, combined with his creative sensibility and anti-diva approach, most designers drafted in to shock-revive heritage brands (whether deceased, comatose, or simply decaying in obscurity) would kill for.

If fall was all about drastically abbreviated silhouettes and legs left bare, this season Caliri nudged the dial a notch further. He may sidestep the limelight, but conviction runs through every zigzag of the caperdoni patterns he has honed for decades. Beneath voluminous square-cut knitted blazers, swing-back trapeze tops, and poufy zippered blousons, he styled the entire swimwear line: one-piece suits, high-waisted bikinis, and trim swim briefs, all paired with masculine shirts tucked in and layered under textured cardigans, then spliced with waistcoats or cropped tops. At times they (barely) surfaced beneath lightweight parkas or slightly oversized pinstriped blazers. And because Caliri also happens to be a deft stylist, the layering took on a kind of virtuoso turn, without ever tipping into excess or ennui.

Many of the people Caliri knows keep a Missoni piece that once belonged to a grandfather, father, or boyfriend, a garment that somehow circles back and speaks to the present.“That’s why I love the idea of mixing,” he said. “A gray cashmere sweater with a shirt and a sly striped detail, your father’s trousers reinterpreted and made your own. It’s a continual play of references—not a rigid designer stamp, but a story that feels truer, less constructed.” He added that his collections are, in a way, the sum of meetings, impressions, and conversations. “I talk with you, an image sticks with me, I rework it, and something comes out of that. It’s an open, almost choral process—far more rewarding than solitary, self-referential design.”

September 25, 2025 0 comments
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Diesel Spring 2026 Ready-to-Wear Collection
Fashion

Diesel Spring 2026 Ready-to-Wear Collection

by jummy84 September 24, 2025
written by jummy84

What do New York City’s mayoral frontrunner Zohran Mamdani and Diesel’s creative governor Glenn Martens have in common? They both love a scavenger hunt. Following last month’s “Zcavenger Hunt” that brought 2,000 followers out for Mamdani, Martens threw a similar event in Milan tonight—the Diesel Egg Hunt—that attracted more than 3,000 pre-registered participants.

Both men’s initiatives were designed to rally the public behind their relative causes. As Martens declared via his press release soapbox: “This is Diesel for the people, a collection discovered by the public at the same time as everyone else.” Everyone else was that shadowy fashion elite, the sinister cabal of editors, buyers and influencers that might typically expect to sit front row at a Diesel show and decree it a hit, miss or meh. Tonight, however, Martens left these illuminati in the dark.

Instead of showing his looks on a closed runway, he took them to the streets. Diesel dressed 55 models and installed them in 34 “eggs”— large, open-backed oval vitrines—which were then distributed at locations around Milan (with the support of the city’s mayor). As Martens explained in a pre-hunt briefing, each egg was labelled with a QR code. He added: “The first five people who find all of the eggs will win a full look of their choice from the collection, tailored for them. And the second five will win any Diesel denim look of their choice. And then the next ten get to choose an accessory. And for anyone who wants to be part of it without going on the hunt, we’ll be having a party in Piazza Beccaria where everyone can come together. There’ll be a free concert and drinks. Cute huh?”

And it actually was. Martens himself has quite enough runway on his plate over at Maison Margiela right now. Plus the schedules are heaving with so many shows that this one-season runway sabbatical made sense, at least on paper. In practice it’s too early to say, because at the time of writing the Diesel Egg Hunt is still going on.

Despite Martens’s democratic instinct, realpolitik demanded he play nice with Big Fashion. Which is why Vogue Runway and a few other powerful lobbyists were allowed to glimpse the collection immediately before Diesel’s eggs were hatched. The designer was especially proud of a newly developed fabrication that saw recycled poly-satin interwoven with denim, which was then distressed and treated to create iridescently surfaced dresses and biker-accented outerwear.

Womenswear bi-material jumpsuits seemed partially torn asunder at the crotch, but kept just barely in place by web-hemmed panels of knitwear. Floral dresses were embedded below layered manes of distressed chiffon at the shoulder. Tailoring was shaped in protective double-neoprene, and was sometimes patterned via a sort of x-ray process through which bleach applied through lining and construction left a rough outline stenciled on the surface of the garments.

The wildness of pattern, proportion and presentation reflected the brief Martens had shared with his design team: “the animal within.” This looked to be another effective campaign moment in the designer’s ongoing term as Diesel’s elected top dog.

September 24, 2025 0 comments
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Co Spring 2026 Ready-to-Wear Collection
Fashion

Co Spring 2026 Ready-to-Wear Collection

by jummy84 September 24, 2025
written by jummy84

Co’s Stephanie Danan began our appointment talking about how the spring collection was about “fluidity” and the “unexpected way of mixing our sportswear with our eveningwear.” She continued, “As the collection came together with the styling and the location there was a sense of escape a little bit. Living in a bubble and just kind of not listening to the noise right now of what we want to wear, what we should wear, what’s going on in fashion, what’s going on in the world.” 

She certainly cut out the noise, delivering a pared-back collection of a handful essential pieces. A light maxi knit “T-shirt” dress that she and Samuel Drira, her stylist and collaborator, layered over a linen suit, and over fringed separates, scrunched up around the shoulders as a kind of looped shawl. There were light, garment-dyed poplin separates—a trench coat, a button down shirt, narrow trousers; a truly terrific leather “poet blouse” jacket; and a handful of low-key, airy gowns including one in devoré velvet worn backwards and layered with “a bunch of skirts underneath just to elevate the whole thing.” There were no pops of color, just a sea of whites, black, and washed out military greens, everything worn with everything else. The point was not necessarily high/low dressing or the theory of opposites, but more simply a matter of why not just wear everything you love. “During our fittings with Samuel and the design team we just thought, ‘let’s get radical here,’” Danan added, after a string of “no, no, no’s” of all the things they’d rejected. “We’re just like, ‘this is who we are. This is our identity. This is what we think that you will love from us.’”

September 24, 2025 0 comments
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Fear of God Spring 2026 Ready-to-Wear Collection
Fashion

Fear of God Spring 2026 Ready-to-Wear Collection

by jummy84 September 23, 2025
written by jummy84

Twelve years and nine collections in, Jerry Lorenzo has stepped up to the plate with the launch of his first full Fear Of God mainline womenswear collection. After an initial first meet-up to see it on the rail in Paris during menswear this June, Lorenzo hopped on a call last Friday to bring Vogue Runway up to speed on the release of his label’s long-gestated entry into this fashion league of its own. “I finally felt I was at the point where I could transmit ease and elegance through construction and lightness,” he said.

Lorenzo is extremely completist in his approach to design: so did this leap from menswear, where he has an inbuilt affinity with his target audience, challenge that? “In menswear, I’m chasing a feeling, and it’s a feeling I know instinctively. So not being a woman puts me at somewhat of a disadvantage, because I can’t innately understand what that feeling is. That for me was the toughest part,” he said.

Part of the collection was rooted in a territory Lorenzo knows extremely well: sportswear, and particularly baseball attire. Here you could see him apply the processes of refinement and elevation of sportswear codes that he has long developed in menswear to womenswear pieces including a cropped, sculpturally shaped hooded jacket and matching drawstring waist paint in slate-shaded nylon taffeta, and a black double faced wool/cashmere coat with baseball collar and sidesplit hem.

Elsewhere, Lorenzo adapted his sensibility to this entirely new playing field without any apparent training wheels drawn from his menswear experience. A spaghetti-strap slip dress in sheer wool-viscose voile was effectively bias cut and body-skimming. Lorenzo said of it: “I just love the simplicity, that you can wear it as it is in the lookbook, super chic and straightforward. Or you could throw it on with some Doc Martens and a flannel, you know, and be super tough. It’s meant to seem simple, but it took 12 or 13 samples to get right.”

Elsewhere the vented hem of a dark ochre boat neck dress in wool was weighted to gather and fold with movement. A floor-length dress shirt was shaped to a familiar architecture but in a fluidly skittish hammered silk chiffon. Working in this as well as other unfamiliar fabrics including sheer jerseys and lightweight cashmeres was both “fun and frustrating,” said Lorenzo. Frustration or no, womenswear represents a learning curve he is determined to surmount: “I feel like this is the biggest thing—the most exciting new frontier for the house.”

September 23, 2025 0 comments
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Paolina Russo Spring 2026 Ready-to-Wear Collection
Fashion

Paolina Russo Spring 2026 Ready-to-Wear Collection

by jummy84 September 23, 2025
written by jummy84

The starting point for Paolina Russo’s spring 2026 collection came during a research trip to Ilsan, northwest of Seoul—a city known for its vast array of vintage shops. “They have these mountains of vintage, from America, the UK, everywhere,” the brand’s namesake co-founder Paolina Russo said in a preview. The brief? To find archival designs that read “Laura Ashley meets sport”—which, unsurprisingly, was a near-impossible task. “There weren’t any clothes exactly like that, but we were kind of clashing together silhouettes,” Russo explained.

Laura Ashley’s ditzy florals might seem a million miles away from Paolina Russo’s trademark jersey tops and optical illusion prints, but Russo and co-founder Lucile Guilmard wanted to explore a more feminine side this season. This could be seen via the lightweight chiffon handkerchief dresses, adorned with a combination of Liberty-esque florals and graphic sports jersey numbers—collaged together using blown-up photographs of archival designs from previous seasons. The pastoral theme (also reflected by this season’s deliberately low-fi lookbook, featuring photographs taken by Russo during a hike in Wales) continued with the pair’s “girly” take on a tracksuit, in the form of an elasticated maxi skirt and matching zip-up jacket, featuring distorted picnic blanket checks.

The brand’s lighter, more wearable knits were also new for this season—painstakingly developed in collaboration with a vertical factory in Hong Kong that manufactures everything from “fiber to final garment.” While in the past, Paolina Russo has arguably found more success with its fall collections—thanks to its popular warrior princess knits and laser-printed denim—spring 2026 marked a pivotal moment in the brand’s development. “We feel like it melds all the things that we’ve been building for the past few seasons, but it’s now more of an expanded wardrobe,” Russo said. “It’s one of our favorite collections.”

September 23, 2025 0 comments
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Daus Mendoza x Glamlite Makeup Beauty Collection Collab
Fashion

Daus Mendoza x Glamlite Makeup Beauty Collection Collab

by jummy84 September 23, 2025
written by jummy84

What was the process of bringing the collection to life?

The process took more than two years from start to finish. It was meticulous, and honestly, at times, really challenging because I’m incredibly picky when it comes to the details – from the exact shade of a color, to the texture and formula, to how it looked when applied, and even how long it lasted. Every single element had to feel perfect. One of the biggest surprises we faced was when our manufacturer suddenly cancelled on us a year into the process, which forced us to essentially start over. That pushed the launch back by another year, but in the end, I think it made the collection stronger, because I had even more time to refine every detail.

September 23, 2025 0 comments
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