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Taylor Swift Logs Another Chart Double
Music

Taylor Swift Logs Another Chart Double

by jummy84 November 14, 2025
written by jummy84

Taylor Swift hits the ARIA Charts for six, as the U.S. pop star extends her reign with The Life Of A Showgirl (via Republic/Universal) and its lead single, “The Fate Of Ophelia.”

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As Swift’s latest album completes its sixth week atop the national albums tally, published Friday, Nov. 14, Paul Kelly bags the top new release with Seventy (EMI), his 28th studio album. Seventy opens at No. 2 on the ARIA Chart.

The 70-year-old Kelly is one of Australia’s most-cherished singer-songwriters, boasting a collection of 16 ARIA Awards, induction into the ARIA Hall of Fame (in 1997), and four No. 1 albums with Life Is Fine (No. 1 for one week in 2017), Nature (one week in 2018), Songs From The South: 1985-2019 (one week in 2019), and Paul Kelly’s Christmas Train (one week in 2022).

Homegrown pop-punk band Teen Jesus and the Jean Teasers makes a glorious top ten debut, with GLORY (Community Music), their second studio album. Hailing from Canberra, the four-piece snagged the Michael Gudinski Breakthrough Artist award at the 2024 ARIA Awards, after opening the ceremony with a performance, and cracked the ARIA top 10 with 2023’s I Love You (peaking at No. 6).

Spanish superstar Rosalia makes her first top 50 in Australia with Lux (Columbia/Sony), new at No. 15. Lux is already a hit, everywhere. Following its release, the collection accumulated 42.1 million streams in its first 24 hours, the biggest global tally by a female, Spanish-speaking artist.

Meanwhile, veteran Australian country artist James Blundell nabs a top 40 entry with Patience Wins (AMB/MGM), his 12th studio album. It’s new at No. 25.

Western Australia singer-songwriter Stella Donnelly grabs her third top 40 appearance with Love and Fortune (DOT/RMT), new at No. 31. Donnelly previously made a mark with 2019’s Beware Of The Dogs (No. 15) and 2022’s Flood (No. 29).

Close behind is beloved punk rock act Cosmic Psychos with I Really Like Beer (RKT), pouring in a No. 32, while fellow Melburnians Icecream Hands crack the top 40 with the independently-released Giant Fox Pineapple Tree, new at No. 38, It’s the eighth album from the Aussie power pop band, and their first ARIA top 50 appearance.

Over on the ARIA Singles Chart, Taylor Swift ties a personal best as “The Fate Of Ophelia” enters its sixth week at No. 1. That effort draws level with 2022’s “Anti-Hero” as TayTay’s longest-running leader.

U.K. act Haven has the top debut with the viral number “I Run,” new at No. 8. It’s the only new release in the top 50. And finally, Tame Impala has, once again, the only appearance by an Australian artist on the chart, as “Dracula” (Columbia/Sony) improves 37-34, a new high.

November 14, 2025 0 comments
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Taylor Swift Extends Double ARIA Chart Reign for Fourth Week
Music

Taylor Swift Extends Double ARIA Chart Reign for Fourth Week

by jummy84 October 31, 2025
written by jummy84

Taylor Swift continues her domination of the ARIA charts this week, locking in her fourth consecutive double-header as The Life of a Showgirl and “The Fate of Ophelia” remain at No. 1 on the Albums and Singles charts, respectively.

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The feat marks yet another high in a standout year for Swift, with both her re-recordings and original material continuing to perform strongly in Australia. Her latest chart-toppers have held steady across Halloween week — a fitting flex for a pop sorceress who’s made chart magic her signature move.

Meanwhile, Australian country artist James Johnston celebrates a new career high, debuting at No. 5 with his sophomore album Where You’ll Find Me, which also lands at No. 1 on the ARIA Australian Albums Chart. It follows the success of his debut Raised Like That, which peaked at No. 7 in 2023.

British pop icon Lily Allen returns to the top 10 with West End Girl, her first album in seven years. The project opens at No. 6, becoming her fifth top 10 ARIA album. Her previous efforts include 2009’s chart-topping It’s Not Me, It’s You and 2014’s Sheezus, which peaked at No. 4.

UK rapper Dave also makes a strong entrance with The Boy Who Played the Harp, debuting at No. 7. It follows his 2021 project We’re All Alone in This Together, which reached No. 5.

Melbourne’s Paul Dempsey claims the No. 8 spot with Shotgun Karaoke Vol. II, a covers record that features renditions of songs by R.E.M., Patti Smith, Cher, and more. The Something for Kate frontman also lands at No. 2 on the ARIA Vinyl Albums Chart. Dempsey has a long history of top-charting albums, both solo and with his band, including No. 1 albums The Official Fiction (2003) and Desert Lights (2006).

On the Singles Chart, Olivia Dean continues her Australian ascent. “Man I Need” holds firm at No. 2, while “So Easy (To Fall In Love)” jumps to No. 7 from No. 22. Former hit “Nice To Each Other” climbs from No. 16 to No. 12. Dean now has five tracks in the top 50 as she gears up to perform at the ARIA Awards on Nov. 19.

Fleetwood Mac’s Rumours holds the No. 1 spot on the On Replay Albums Chart, while Teddy Swims’ “Lose Control” continues its reign atop the Hitseekers Singles Chart.

October 31, 2025 0 comments
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No Rap Songs In Billboard Hot 100 Top 40 For 1st Time Since 1990 As Kendrick Lamar & SZA's "Luther" Exits Chart
Celebrity News

No Rap Songs In Billboard Hot 100 Top 40 For 1st Time Since 1990 As Kendrick Lamar & SZA’s “Luther” Exits Chart

by jummy84 October 30, 2025
written by jummy84

Kendrick Lamar, SZA

No Rap Songs In Billboard Hot 100
Top 40 For 1st Time Since 1990 As Kendrick Lamar & SZA’s “Luther” Exits Chart

For the first time in 35 years, the Billboard Hot 100 Top 40 features zero rap songs following the exit of #KendrickLamar and #SZA’s song “Luther.”

The departure comes after #Billboard implemented a rule change that altered its retention criteria: songs must now hit certain thresholds, such as top 5 within 78 weeks or top 25 within 26 weeks, to remain on the chart. “Luther” dropped off despite finishing at No. 38, because it “failed to reach No. 25 after 26 weeks on the chart.”

The absence of rap in the Top 40 signals a shift in the genre’s commercial standing. Billboard noted this is “the latest sign of a recent dip in rap’s commercial dominance.” While rap tracks still appear lower on the chart, such as #YoungBoyNeverBrokeAgain at No. 44 and #CardiB at No. 48, none currently crack the Top 40.


October 30, 2025 0 comments
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Top Producers of the 21st Century on Billboard’s Hot Latin Songs Chart
Music

Top Producers of the 21st Century on Billboard’s Hot Latin Songs Chart

by jummy84 October 10, 2025
written by jummy84

Here’s who produced the most No. 1s on Hot Latin Songs in the first quarter of the century, as part of Billboard‘s yearlong retrospective.


10/10/2025

Emilio Estefan

Christopher Polk

The rich breadth and range of Latin music is beautifully laid out in Billboard’s list of the Top Producers of the 21st Century on Billboard’s Hot Latin Songs chart, ranked by their No. 1s on the weekly survey.

This is not just the land of reggaetón. Overwhelmingly, it’s the realm of romance, rhythmic pop and danceable tropical beats, a cornucopia exemplified front and center by producer of the quarter-century Emilio Estefan, whose hits range from pop anthems to tropical fusions. Multi-genre and pan-regional, the top 25 map a sonic evolution that is quite literally a trip that covers the entirety of Latin America to finally land in a U.S. melting pot.

Reflecting the biggest sonic architects in Latin from Y2K to today, check out the top 25 creators on the Top Producers of the 21st Century on the Hot Latin Songs chart below.

The ranking follows the reveals of Billboard’s Top Latin Artists of the 21st Century, Top Latin Albums of the 21st Century and Top Hot Latin Songs of the 21st Century charts — as well as the Top Producers of the 21st Century on the Hot 100, reflecting all genres — with all coverage of Billboard’s 21st Century Charts here.

Billboard’s Top Latin Artists, Top Latin Albums and Top Hot Latin Songs of the 21st Century recaps reflect performance on weekly charts dated Jan. 1, 2000, through Dec. 28, 2024. The Top Latin Artists category ranks the best-performing acts in that span based on activity on Top Latin Albums and Hot Latin Songs. (Titles released prior to mid-1999 are excluded, although such entries that appeared on Top Latin Albums or Hot Latin Songs in that span contribute to the calculation of the Top Latin Artists chart.) The Top Producers of the 21st Century on the Hot Latin Songs chart reflects producers with the most No. 1s on weekly Hot Latin Songs charts dated Jan. 1, 2000, through Dec. 28, 2024, with ties broken by most top 10s and most overall chart entries.

  • Kike Santander

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    3 No. 1s on Hot Latin Songs as a producer 2000-24

    Like fellow countryman and producer ahead on this list Estéfano Salgado (and coincidentally, also hailing from the city of Cali in Colombia), songwriter/producer Santander understands how to inject commercial sensibility into different genres and voices. He helped give Spain’s David Bisbal his greatest hits and was also the man behind Cristian Castro’s “Azul,” which spent nine weeks at No. 1 on Hot Latin Songs in 2021 and is one of Latin pop’s best songs of all time. —LEILA COBO

  • Ernesto “Neto” Fernández

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    3 No. 1s on Hot Latin Songs as a producer 2000-24

    Ernesto “Neto” Fernández has been at the forefront of the global rise of regional Mexican music for two decades, fusing his deep roots in banda, norteño and mariachi with modern innovation. A veteran of the ‘90s-era quebradita boom, the El Paso, Texas-born, Los Angeles-raised producer has become a trailblazer in the genre’s international expansion. In 2024, Fernández was named Billboard Latin Music Awards’ producer of the year and topped the year-end Hot Latin Songs Producers chart. As Peso Pluma’s musical director and the co-founder of Prajin Parlay Studioz, Fernández played a pivotal role in the groundbreaking success of Peso’s music in 2024, producing hits for the artist including fan-favorites “La People II” and “La Durango.” The same year, Fernández delivered charting hits for rising talents such as Xavi (“La Diabla,” “La Víctima”) and Junior H (“Y Lloro”). —ISABELA RAYGOZA

  • Edgar Barrera

    Edgar Barrera at the "Karol G: Tomorrow Was Beautiful" New York screening held at The Whitby Hotel on May 06, 2025 in New York, New York.
    Image Credit: Steve Eichner

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    3 No. 1s on Hot Latin Songs as a producer 2000-24

    Edgar Barrera has become one of the most sought-after producers and songwriters in Latin music, crafting a career that bridges his Mexican-American heritage and a forward-thinking approach to sound. A Texas-Mexico border native and founder of BorderKid Records, Barrera has helped drive the rise of artists including Grupo Frontera, guiding its breakthrough into música Mexicana stardom. His ability to blend regional Mexican traditions with global pop influences has solidified his reputation as a genre-blurring innovator. The Grammy-winning hitmaker has collaborated with some of the biggest names in music, including Peso Pluma, Shakira, Bad Bunny, Maluma and Karol G. Among Barrera’s most impactful creations is “Botella Tras Botella” by Gera MX and Christian Nodal. In 2023, Barrera dominated Billboard’s Hot Latin Songs Producers year-end chart, cementing his place at the forefront of the industry, and in 2024 became the first producer to grace Billboard Español’s end-of-year cover. —I.R.

  • Sergio Vallín

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    4 No. 1s on Hot Latin Songs as a producer 2000-24

    As Maná’s lead guitarist, Sergio Vallín is the melodic powerhouse behind some of the band’s most enduring hits. His guitar artistry and production work are showcased on Hot Latin Songs hits including “Lluvia al Corazón” (No. 1, 2011) and “El Verdadero Amor Perdona,” featuring Prince Royce. Vallín has also made his mark as a solo recording artist, debuting on Hot Latin Songs with “Solo Tú,” featuring Raquel, in 2009. His co-production extends to projects such as Maná’s 2022 reimagined hit “Te Lloré un Río,” featuring Christian Nodal, demonstrating his ability to blend rock traditions with modern regional Mexican influences. —I.R.

  • Lester Méndez

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    4 No. 1s on Hot Latin Songs as a producer 2000-24

    The Grammy-winning songwriter and producer has found success with numerous superstars, including Nelly Furtado, Shakira and Enrique Iglesias. With 13 quarter-century entries on Hot Latin Songs, Méndez is credited on some of Shakira’s biggest hits, including “La Tortura” (featuring Alejandro Sanz), which ruled for 25 weeks. He also appears on this list thanks to Enrique Iglesias’ “Mentiroso,” “Quizás” and “Para Qué La Vida,” also all No. 1s. —GRISELDA FLORES

  • Ricardo Arjona

    Ricardo Arjona at the US Open Women's Semifinals Blue Carpet held at the USTA Billie Jean King National Tennis Center on September 04, 2025 in Queens, New York.
    Image Credit: Adela Loconte

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    4 No. 1s on Hot Latin Songs as a producer 2000-24

    Across four decades, Arjona has soundtracked households in Latin America and beyond with romantic ballads that today are considered timeless classics, most of those gems produced or co-produced by the Guatemalan singer-songwriter himself. As a producer, he notched four No. 1s on Hot Latin Songs in 2002-11: “Desnuda,” “Cuando,” “El Problema” (which ruled for a personal-best eight weeks) and “El Amor.” —G.F.

  • Tommy Torres

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    4 No. 1s on Hot Latin Songs as a producer 2000-24

    The Puerto Rican singer-songwriter and producer became a leading force in music in the early 2000s at the peak of Latin pop domination. The hitmaker helmed some of Latin music’s classics, such as Ricky Martin’s “Tal Vez,” which ruled Hot Latin Songs for 11 weeks in 2003, and follow-up “Jaleo,” which led for one week, and “Looking for Paradise,” a collab between Alejandro Sanz and Alicia Keys that dominated for three weeks in 2009. —G.F.

  • Jesús Guillen

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    4 No. 1s on Hot Latin Songs as a producer 2000-24

    Guillen found success with norteño band Conjunto Primavera in the early 2000s. He placed 25 entries, all alongside Conjunto, on the Hot Latin Songs chart over 2000-24, including four leaders: “Una Vez Más,” “Hoy Como Ayer,” “Ese” and “Basta Ya.” Conjunto’s signature norteño-sax sound landed the band on Billboard’s editorial ranking of the 75 Best Regional Mexican Acts of All Time. —G.F.

  • Sky Rompiendo

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    4 No. 1s on Hot Latin Songs as a producer 2000-24

    In the early 2010s, Sky helped define a new era for reggaetón alongside J Balvin. With 16 top 10s on the Hot Latin Songs chart in the quarter-century measurement period, he scored his first No. 1 in 2015 with Balvin’s “Ay Vamos,” which ruled for one week. Months later, “Ginza” would ratify Sky as a bona fide hitmaker with the single ruling Hot Latin Songs for 22 weeks, his longest commanding performance on the chart. —G.F.

  • Estéfano Salgado

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    5 No. 1s on Hot Latin Songs as a producer 2000-24

    Known simply by his first name, Estéfano, the Colombian hitmaker was first and foremost a songwriter whose phenomenal lyrics and beautiful, soaring melodies made him a go-to for the likes of Marc Anthony, Jennifer López and Paulina Rubio in the heyday of Latin pop. Formerly part of the duo Donato y Estéfano, he pivoted toward songwriting and production, where he found a slew of big, dramatic voices capable of bringing his songs to life. You know the hits: “Ahora quién” performed by Marc Anthony; Chayanne’s “Yo te amo;” Thalia’s “No me enseñaste;” Ricky Martin’s “Y todo queda en nada.” True hits during a golden era of contemporary Latin song. —L.C.

  • Ovy on the Drums

    Ovy On The Drums attends the 24th Annual Latin GRAMMY Awards at FIBES Conference and Exhibition Centre on November 16, 2023 in Seville, Spain.
    Image Credit: Juan Naharro Gimenez/Getty Image

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    5 No. 1s on Hot Latin Songs as a producer 2000-24

    The Colombian reggaetón hitmaker may be best known as Karol G’s producer of choice, but Ovy on the Drums has become one of the most in-demand producers over the past 10 years, branching out to work with Myke Towers, Anuel AA and Piso 21. Among his early hits is Karol G and Nicki Minaj’s “Tusa,” which ruled the Hot Latin Songs chart for four weeks and went on to become a global anthem. His longest-leading entry, “MAMIII,” by Karol and Becky G, claimed 10 weeks at No. 1. —G.F.

  • MAG

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    5 No. 1s on Hot Latin Songs as a producer 2000-24

    Since teaming up with Bad Bunny in 2020, Marco “MAG” Borrero has played an instrumental role in the production of all four of the megastar’s Billboard 200 No. 1 albums — making history for Spanish-language music in the process. The Dominican-Puerto Rican beatmaker first rose to prominence under the mentorship of Max Martin, and co-produced hits for Flo Rida, Imagine Dragons, Demi Lovato and Selena Gomez. His partnership with Benito, beginning with El Último Tour del Mundo in 2020, marked a turning point for both: It became the first all-Spanish-language album to top the Billboard 200. MAG continued pushing boundaries with 2022’s Un Verano Sin Ti and 2023’s Nadie Sabe Lo Que Va a Pasar Mañana. Among his standout productions, “Me Porto Bonito,” featuring Chencho Corleone, spent 20 weeks at No. 1 on Hot Latin Songs. Meanwhile, the Latin Grammy-winning “Tití Me Preguntó” ran up 14 weeks on top, another honor for one of música urbana’s most visionary architects. —I.R.

  • Gustavo Santaolalla

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    6 No. 1s on Hot Latin Songs as a producer 2000-24

    The Argentine producer, composer and musician is widely regarded as one of the builders of Latin alternative music, a genre he helped elevate from the underground to global recognition. His work with Café Tacvba, Julieta Venegas and Juanes helped redefine the landscape of Latin music in the early 21st century, blending rock, folk, electronic and pan-Latin influences into groundbreaking releases. Gustavo Santaolalla’s production on Café Tacvba’s Re, from 1994, is often hailed as one of the greatest Latin albums of all time, while his continued collaborations with the band — including the Grammy-winning Cuatro Caminos (2003) — furthered their role as torchbearers for the genre. Beyond his contributions to Latin alternative music, Santaolalla co-founded Bajofondo, a collective that fuses tango with electronic music, earning acclaim for modernizing one of Argentina’s most revered genres. As a two-time Academy Award-winning composer (Brokeback Mountain, Babel) and a multiple Grammy and Latin Grammy winner, he has bridged the worlds of film scoring, production and performance. On the Billboard charts, Santaolalla’s production on Juanes’ Mi Sangre spawned the timeless hit “La Camisa Negra,” which topped Hot Latin Songs for eight weeks in 2005. —I.R.

  • Sergio George

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    6 No. 1s on Hot Latin Songs as a producer 2000-24

    Sergio George’s impressive portfolio showcases his mastery over a Hot Latin Songs chart career that spans 23 years. He produced Eddie Santiago’s Celebración: Epic Duets, which houses a reimagination of Santiago’s ‘80s hit “Que Locura Enamorarme De Ti,” a collab with Huey Dunbar. George celebrated his first top 10 success on Hot Latin Songs when Dunbar’s “Con Cada Beso” climbed into the top five in 2001. His prolific career encompasses 18 top 10 entries, including six No. 1s. Among those, “Vivir Mi Vida” by Marc Anthony, earned the producer his longest stay at the summit, 17 weeks — the longest domination by a tropical soloist in the history of the 39-year-old tally. —PAMELA BUSTIOS

  • Enrique Iglesias

    Enrique Iglesias attends the red carpet during LOS40 Music Awards Santander at Palau Sant Jordi on November 08, 2024 in Barcelona, Spain.
    Image Credit: Xavi Torrent/Getty Images

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    7 No. 1s on Hot Latin Songs as a producer 2000-24

    Enrique Iglesias isn’t just a global Latin pop sensation — he’s also a producer with seven Hot Latin Songs No. 1 hits between 2002 and 2011. From heartfelt, chart-topping ballads “Mentiroso” (2002) and “Quizás” (2003) to the genre-blending pop anthem “Do You Know? (The Ping Pong Song)” (2007), the Spanish pop crooner has shown his versatility both on stage and in the studio. His work behind the scenes on 2008 tracks “Dónde Están Corazón” and “Lloró Por Ti” helped define Latin pop’s sound in the 2000s, burnishing his legacy as a multi-faceted hit savant. —I.R.

  • Juanes

    Juanes of 'Pimpinero: Blood and Oil' poses during the Toronto International Film Festival on September 09, 2024 in Toronto, Ontario.
    Image Credit: Gareth Cattermole/Getty Images

    Trending on Billboard

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    7 No. 1s on Hot Latin Songs as a producer 2000-24

    Soon after the start of the 21st century, Juanes earned his first two Hot Latin Songs top 10s and then his first No. 1, “Fotografía.” The Nelly Furtado duet proved a key partnership for Juanes, as the song dominated for five weeks in 2003, becoming his first of eight No. 1s as an artist. With the 2003 release of his second studio album, Un Día Normal, Juanes logged his first of five No. 1s on Top Latin Albums. Latin pop soon found new prominence in the United States, as the pop/rock singer-songwriter added the right touch of Colombian stylings. —P.B.

  • Shakira

    Shakira celebrates the launch of her new Latin-rooted clinically proven haircare line, isima on July 31, 2025 in Los Angeles, California.
    Image Credit: Stefanie Keenan/Getty Images

    Trending on Billboard

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    7 No. 1s on Hot Latin Songs as a producer 2000-24

    A global superstar in her own right, and one of the most consequential artists of all time, Shakira has also co-produced some of her biggest hits. She scored seven Hot Latin Songs No. 1s in the first quarter of the 21st century, including “Suerte,” which she co-produced with Tim Mitchell and which spent seven weeks on top in 2001-02, and her longest-leading smash, “La Tortura,” her runaway hit with Alejandro Sanz, and co-produced by Lester Méndez, that ruled for 25 weeks in 2005. —G.F.

  • Tainy

    Tainy at the Pre-GRAMMY Gala held at The Beverly Hilton on February 3, 2024 in Los Angeles, California.
    Image Credit: Gilbert Flores

    Trending on Billboard

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    7 No. 1s on Hot Latin Songs as a producer 2000-24

    Widely celebrated as one of Latin music’s most influential producers, Tainy has spent nearly two decades driving reggaetón’s global ascent and redefining the genre. The Puerto Rican beatmaker emerged in the mid-2000s as a protégé of Luny Tunes (recall Tainy Tunes?) and earned recognition for Wisin y Yandel’s hits including 2006’s “Pam Pam” and 2009’s “Abusadora.” His sonic fingerprint is unmistakable, shaping chart-topping smashes such as Bad Bunny’s 2020 global hit “Dákiti,” featuring Jhayco, and Kali Uchis’ “Telepatía.” Dominating the Hot Latin Songs Producers chart over 2019-21, Tainy has collaborated with genre heavyweights and global stars alike, such as Daddy Yankee, J Balvin, Dua Lipa, Karol G, Shawn Mendes and Rosalía. A true visionary, he has forged his legacy with his ability to fuse reggaetón’s raw edge with pop sophistication, setting the tone for música urbana today and surely beyond. —I.R.

  • Alex González

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    9 No. 1s on Hot Latin Songs as a producer 2000-24

    Nicknamed “El Animal” for his explosive drumming style, Alex González isn’t just the heartbeat of Maná but also a key creative force behind the act’s global success. As co-producer, he shaped the band’s signature rock en Español sound, driving hits such as “En el Muelle de San Blas” and “Clavado en un Bar.” His dynamic rhythms and production expertise powered chart-topping albums including Amar es Combatir (2006) and Drama y Luz (2011). Outside of Maná, he’s collaborated with the likes of Juanes, further growing his reputation as a genre-defining innovator. —I.R.

  • Carlos Paucar

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    9 No. 1s on Hot Latin Songs as a producer 2000-24

    With nine No. 1 hits on Hot Latin Songs in the quarter-century, Carlos Paucar is best known for his work with Enrique Iglesias, helming production on 2014’s enduring “Bailando,” featuring Gente de Zona and Descemer Bueno, and 2016’s “Duele el Corazón,” featuring Wisin. Paucar’s versatility also shines in 2013’s bachata crossover “Loco,” featuring Romeo Santos. Plus, thanks to soulful ballads “El Perdedor,” featuring Marco Antonio Solís, and “¿Dónde Están Corazón?,” Paucar’s production has helped craft many of Latin pop’s most memorable hits. —I.R.

  • Romeo Santos

    Romeo Santos at Billboard Latin Music Week 2022 held at Faena Forum on September 27, 2022 in Miami, Florida.
    Image Credit: Christopher Polk

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    9 No. 1s on Hot Latin Songs as a producer 2000-24

    Santos launched his solo career in 2011, but his musical journey was already well-established, having garnered acclaim as both a singer and producer during his time with Aventura, the group that modernized bachata and redefined its traditional sound in the early 21st century. The “King of Bachata” boasts a Hot Latin Songs history that includes nine No. 1s that held the top spot for a combined 50 weeks. Among these chart-toppers, his collaborations with global superstars Usher and Drake stand out, delivering his longest-running No. 1 hits as both performer and producer: “Promise” dominated for 10 weeks in 2011 and “Odio” reigned for 13 weeks in 2014. —P.B.

  • Fher Olvera

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    10 No. 1s on Hot Latin Songs as a producer 2000-24

    Widely known as the frontman and producer behind legendary rock en Español band Maná, Fher Olvera played an essential role in driving the group’s global success. Under his production, Maná achieved 10 Hot Latin Songs No. 1s including “Labios Compartidos” and “Bendita Tu Luz,” featuring Juan Luis Guerra. His work elevated Maná to international fame, via such albums as Amar es Combatir in 2006. Pioneering a sound that fused pan-Latin music with rock, Olvera’s contributions to the genre continue to shape its evolution. —I.R.

  • Sebastian Krys

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    10 No. 1s on Hot Latin Songs as a producer 2000-24

    Equal parts rocker and pop lover, Krys also found his footing in tropical music, producing some of Carlos Vives’ greatest hits, including “Déjame entrar” (alongside Emilio Estefan) and the inescapable “Carito,” which never made it to the top spot on Hot Latin Songs but underscores Krys’ capacity to blend vast commercial appeal with regional, rock and alternative sounds. Krys was also the producer behind Luis Fonsi’s massive “Aquí estoy yo,” Gloria Estefan’s “Hoy” (produced with Emilio Estefan) and the hits that launched singer-songwriter Obie Bermúdez’s career, including “Antes.” —L.C.

  • Rudy Pérez

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    11 No. 1s on Hot Latin Songs as a producer 2000-24

    Known for his work with great vocalists, the Cuban-American songwriter and producer helped define the sound of the early 21st century. Pérez is a crossover master in many senses. He produced Christina Aguilera’s Spanish-language debut album, was the producer behind Los Temerarios’ bridging of grupero and Latin pop and produced Christian singer Jaci Velasquez’s foray into pop. Plus, Pérez has excelled in breaking new acts, and names such as Jennifer Peña, Jen Carlos Canela and even Oscar De La Hoya recorded their greatest hits in his studio. Pérez’s credentials additionally include co-founding the Latin Songwriters Hall of Fame —L.C.

  • Emilio Estefan

    Emilio Estefan at the 2025 American Music Awards held at the Fontainebleau Las Vegas on May 26, 2025 in Las Vegas, Nevada.
    Image Credit: Brian Friedman

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    14 No. 1s on Hot Latin Songs as a producer 2000-24

    It would be impossible to talk about the current apex of Latin music worldwide without Emilio Estefan. Long before reggaetón took over the world in the mid-2000s, Estefan was the most significant, influential captain of Latin music’s journey to mainstream recognition and acceptance, putting his imprint on some of the biggest crossover hits in history.

    Estefan’s versatility and longevity assure him his spot as the top Latin producer of the 21st century so far, placing a remarkable 50 titles on Billboard’s Hot Latin Songs chart from 2000 through 2024, of which 14 hit No. 1. The variance in genres and rhythms is dizzying. Carlos Vives’ “Déjame Entrar” (co-produced with Sebastian Krys) is a signature pop/rock/vallenta that spent four weeks on top of the chart. Who can forget Paulina Rubio’s pop anthem “Te quise tanto,” which ruled for six weeks? And then, of course, there’s the pathos of queen Gloria Estefan, the muse behind much of Emilio’s music, who traverses from salsa (“No me dejes de querer”) to introspective, acoustic balladry (“Tu fotografía”) to zany novelty (“Hotel Nacional”) under one steady production vision.

    Emilio Estefan has not only produced and written hits but also gave first opportunities to the likes of Estéfano, Sebastian Krys and Kike Santander, all of whom worked with him at the beginning of their careers. —L.C.

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October 10, 2025 0 comments
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'KPop Demon Hunters' Soundtrack Hits No. 1 on Billboard 200 Chart
Music

‘KPop Demon Hunters’ Soundtrack Hits No. 1 on Billboard 200 Chart

by jummy84 September 14, 2025
written by jummy84

The soundtrack to Netflix’s animated film KPop Demon Hunters hits No. 1 on the Billboard 200 albums chart for the first time, rising 2-1 on the chart dated Sept. 20, after seven nonconsecutive weeks in the runner-up slot. The set earned 128,000 equivalent album units in the United States in the week ending Sept. 11 (up 7%), according to Luminate, marking the album’s best week yet. The surge to No. 1 follows the album’s deluxe reissue on Sept. 5 with additional tracks, plus the wide release of its CD that day.

KPop Demon Hunters’ rise to No. 1 on the Billboard 200 was preceded by four top 10-charted hits on the Billboard Hot 100 songs chart — the most from a soundtrack in nearly 30 years, with the soundtrack the first ever with four simultaneous top 10s. Among those is the No. 1 “Golden” by HUNTR/X — the trio of EJAE, Audrey Nuna and REI AMI (the singing voices of the film’s characters Rumi, Mira and Zoey).

KPop Demon Hunters is the Billboard 200’s first No. 1 soundtrack in three-and-a-half years, since another animated film, Encanto, saw its companion album spend nine nonconsecutive weeks on top (Jan. 15-March 19, 2022).

Notably, as KPop Demon Hunters climbs to No. 1 in its 12th week on the chart, it completes the longest wait to reach No. 1 since Toby Keith’s 2008 release 35 Biggest Hits re-entered the chart at No. 1 on the Feb. 17, 2024-dated list, following his death that Feb. 5. The last album with a longer continuous climb to No. 1 than KPop Demon Hunters was The Kid LAROI’s F*ck Love, which jumped 26-1 in its 53rd consecutive chart week, on the Aug. 7, 2021, list. The latter vaulted to No. 1 following two reissues during that tracking week.

Meawhile, the last soundtrack to take a longer journey to No. 1 was O Brother, Where Art Thou?, which rose 2-1 in its 63rd continuous week on the chart, on the March 23, 2002-dated list. Its ascent to the top was aided by its Grammy Award win for album of the year at the 44th annual ceremony that Feb. 27.

Plus, KPop Demon Hunters spent seven nonconsecutive weeks at No. 2 on the Billboard 200 before reaching No. 1. That’s the longest wait an album endured in the runner-up spot before leading the Billboard 200 in nearly a half-century: In October-November 1977, Linda Ronstadt’s Simple Dreams logged nine weeks at No. 2 before topping the chart at last. (Stray Cats’ Built for Speed holds the record for the most weeks peaking at No. 2: 15 in 1982-83.)

Also in the top 10 of the latest Billboard 200: Justin Bieber’s SWAG vaults 17-4 following its deluxe expansion with 23 additional tracks, and sombr’s I Barely Know Her reaches the top 10 for the first time, rising 12-10 in its third week, following the artist’s performance on the MTV Video Music Awards (Sept. 7).

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 20, 2025-dated chart will be posted in full on Billboard‘s website on Sept. 16. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of KPop Demon Hunters’ 128,000 equivalent album units earned in the latest tracking week, SEA units comprise 103,000 (up less than 1%, equaling 141.08 million on-demand official streams of the set’s tracks — it rises 2-1 on Top Streaming Albums for its first week on top), album sales comprise 23,000 (up 56%; it’s pushed down 3-4 on Top Album Sales) and TEA units comprise 2,000 (down 7%).

In the tracking week, the soundtrack got a boost from its deluxe reissue as a digital download and streaming album on Sept. 5 with 23 additional tracks. The additional cuts are mostly sing-along, instrumental and a cappella versions of the album’s hit songs. The album’s sales gain was aided by the wide release of its standard 12-track CD to brick-and-mortar retailers. It is available in five CD variants, each containing a poster and randomized photocard. A vinyl release for the project is expected Oct. 17.

KPop Demon Hunters premiered on June 20 in a limited theatrical release in the U.S. (in three movie theaters), and on Netflix, alongside its soundtrack. The film returned to theaters, this time nationwide, for a limited engagement on Aug. 23-24 as a sing-along version. The same sing-along version hit Netflix on Aug. 25.

In the tracking week ending Sept. 7, the animated film was No. 2 in its 12th week on Netflix’s Top 10 Movies in United States chart, with four of those weeks at No. 1. The movie now stands as the most popular original Netflix film to date.

KPop Demon Hunters is the seventh animated film soundtrack to reach No. 1 on the Billboard 200, since the list began publishing on a regular weekly basis in March 1956. It follows Encanto (nine weeks at No. 1, 2022), Frozen II (one week, 2019), Frozen (13, 2014), Jack Johnson’s Curious George (one, 2006), Pocahontas (one, 1995) and The Lion King (10, 1994-95).

KPop Demon Hunters ends a dry spell for soundtracks at No. 1 on the Billboard 200. It’s been three years and six months since Encanto spent its ninth and final week atop the list (dated March 19, 2022). That’s the longest the chart has gone without a soundtrack at No. 1 since the three-year and nearly eight-month gap between the second and final week at No. 1 for Armageddon (July 25, 1998) and the first of two weeks at No. 1 for O Brother, Where Art Thou? (March 23, 2002).

Back on the latest Billboard 200, Sabrina Carpenter’s Man’s Best Friend falls to No. 2 with 119,000 equivalent album units earned (down 68%) after debuting at No. 1 a week ago. Morgan Wallen’s chart-topping I’m the Problem is a non-mover at No. 3 with 98,000 (down 6%).

Justin Bieber’s SWAG surges 17-4 with 80,000 equivalent album units (up 223%) after it was surprise reissued in a deluxe edition as a digital download and streaming album on Sept. 5 with 23 additional tracks. The deluxe edition is dubbed SWAG II and contains the original SWAG album’s 21 tracks, along with an additional 23 bonus tracks. The original SWAG album was also a surprise affair, arriving on July 11 with little notice; it debuted at its No. 2 best. All versions of SWAG are combined for tracking and charting purposes.

SWAG also gets an assist from the release of the standard 21-track album’s release on CD and via two deluxe CD boxed sets (each containing a branded T-shirt and a copy of the standard SWAG album).

Alex Warren’s You’ll Be Alright, Kid is a non-mover at No. 5 on the Billboard 200 with 38,000 equivalent album units earned (up less than 1%). SZA’s chart-topping SOS climbs 9-6 (just over 33,000, down 2%), Wallen’s former leader One Thing at a Time dips 6-7 (33,000, down 6%), Stray Kids’ chart-topping KARMA falls 4-8 (32,000, down 49%), and Gunna’s The Last Wun falls 8-9 (31,000, down 10%).

Closing out the top 10 is sombr’s debut studio album I Barely Know Her, which rises 12-10 in its third week on the chart — and its first week in the top 10. The set earned 29,000 equivalent album units in the latest tracking week (up 5%). The rise comes after sombr performed a medley of the album’s “Back to Friends” and “12 to 12” on the MTV Video Music Awards broadcast on CBS on Sept. 7. Prior to the album’s ascent to the top 10, its singles “Back to Friends” and “Undressed” both hit the top 30 of the Hot 100 and the top 20 of the all-genre Streaming Songs chart.

It’s free Billboard charts month! Through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber? Sign up for free here.

September 14, 2025 0 comments
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Conan Gray's 'Wishbone' Debuts at No. 1 on Top Album Sales Chart
Music

Conan Gray’s ‘Wishbone’ Debuts at No. 1 on Top Album Sales Chart

by jummy84 August 25, 2025
written by jummy84

Conan Gray’s latest studio album, Wishbone, bows at No. 1 on Billboard’s Top Album Sales chart, marking his first leader there. Simultaneously, the collection arrives at No. 3 on the overall Billboard 200, granting the singer-songwriter his highest-charting project yet on the latter list. Both tallies, dated Aug. 30, will be posted in full to Billboard’s website on Tuesday (Aug. 26).

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Also in the top 10 of the Top Album Sales chart, Billie Eilish, Niall Horan, Maroon 5, Chevelle, Chance The Rapper and Selena all make waves.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.

Wishbone sold 53,000 copies in its first week (Gray’s best sales week ever) with physical purchases comprising nearly all of its sales. Vinyl sales accounted for just over 30,000 sold — Gray’s best week ever on vinyl. Wishbone also bows at No. 1 on the Vinyl Albums chart, marking his second leader. The set’s opening-week sales were bolstered by its availability across seven CD variants (including signed editions) and seven vinyl editions (some signed).

On the Billboard 200, Gray has charted five entries overall, with three of them reaching the top 10 (Kid Crow in 2020, No. 5; Superache in 2022, No. 9 and Wishbone in 2025, No. 3). On the Top Album Sales chart, he’s also notched five entries, with four hitting the top 10 (Kid Crow, No. 2; Superache, No. 22; Found Heaven in 2024 at No. 2 and Wishbone, No. 1).

Elsewhere on the latest Top Album Sales chart, Billie Eilish’s HIT ME HARD AND SOFT surges 44-2 with 18,000 copies sold (up 988%), following the release of a one-year anniversary vinyl variant. Vinyl purchases made up nearly all of its sales for the week. (The 18,000 figure is the total sales of all the versions of the album, old and new, combined.) The anniversary edition of the vinyl was pressed on bio-vinyl dark blue and orange splatter with its cover printed on silver mirror foil board and contains a poster.

Another anniversary helps Niall Horan’s chart-topping Heartbreak Weather reenter the chart at No. 3, as a suite of five-year anniversary products help push the album back onto the ranking. Collectively, all the versions of the album, old and new, sold 12,000 copies in the tracking week (up from a negligible sum the previous week).

Heartbreak Weather was reissued for its fifth anniversary in two new vinyl variants (an opaque baby blue color variant with new cover art, and a deluxe double-LP set pressed on sea-blue and white splatter vinyl with expanded packaging and nine bonus tracks), a CD variant (with new cover artwork and eight bonus tracks) and a digital download (with eight bonus tracks).

Maroon 5 collects its eighth top 10 on the Top Album Sales chart as its latest release, Love Is Like, arrives at No. 4 with nearly 11,000 copies sold. TOMORROW X TOGETHER’s chart-topping The Star Chapter : TOGETHER climbs 7-5 (8,000, down 18%) and Chevelle nabs its sixth top 10 with the No. 6 debut of Bright as Blasphemy (nearly 7,000).

Chance The Rapper’s new studio effort Star Line starts at No. 7 with nearly 7,000 sold, scoring the third top 10 for the artist. Selena’s former No. 1 Dreaming of You reenters the chart at No. 8 with 6,000 sold (up from a negligible sum in the week previous) after a number of 30th anniversary reissue products were released. Dreaming of You was remastered for its 30th anniversary, and reissued across four vinyl variants, a CD and a digital download.

The KPop Demon Hunters soundtrack climbs 15-9 on Top Album Sales with its best sales week yet (nearly 5,500 — up 3%). The album has only been available to purchase as a digital download, but will see the impact of its release on CD (on Aug. 22) in the tracking week ending Aug. 28 (as reflected on the Sept. 6-dated Top Album Sales chart).

Closing out the top 10 of the latest Top Album Sales chart is TWICE’s THIS IS FOR, which is steady at No. 10 with 5,000 sold (down 22%).

August 25, 2025 0 comments
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