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Sarah Snook and Jake Lacy in
TV & Streaming

TV’s Biggest (Fictional) Jerk, ‘Abbott’ Off Campus, ‘Boston Blue’ & More

by jummy84 November 11, 2025
written by jummy84

Welcome to the Q&A with TV critic — also known to some TV fans as their “TV therapist” — Matt Roush, who’ll try to address whatever you love, loathe, are confused or frustrated or thrilled by in today’s vast TV landscape. (We know background music is too loud, it’s the most frequent complaint, but there’s always closed-captioning. Check out this story for more tips.)

One caution: This is a spoiler-free zone, so we won’t be addressing upcoming storylines here unless it’s already common knowledge. Please send your questions and comments to [email protected]. Look for Ask Matt columns on most Tuesdays.

The Guy You Love to Hate

Comment: I haven’t finished watching Peacock‘s All Her Fault yet. I’m five episodes in, but I feel compelled to say how much I love watching Jake Lacy. He seems born to play total jackasses, and no one does it better. I kind of feel sorry for him, that so many viewers might assume he is detestable like all his characters. Maybe he is, I have no way of knowing. For myself, usually I just feel cringe when someone is always being like that, but somehow, I keep wanting more Jake Lacy. — D.P.

Matt Roush: Boy, that White Lotus stink still clings to Jake Lacy, doesn’t it? It’s an interesting, and in this case amusing, topic, because typecasting can be a trap for some actors, and I imagine when casting directors see a description of someone as “handsome yet kind of slimy,” they may think of Lacy first because of his standout roles on The White Lotus, A Friend of the Family (as a creepy serial abductor) and Apples Never Fall (as a venture capitalist, which is almost always shorthand for dubious character). I urge you to check him out in a more heroic role — say, as the defendant in the most recent film version of The Caine Mutiny Court-Martial. But essentially, I agree. He’s great at playing jerks, and I knew a major shoe would eventually drop regarding his All Her Fault character of the husband with a hero complex and a major Achilles heel. (I didn’t get past the fifth episode’s reveal yet myself. I had other things to watch and find it harder to devote eight hours to these overlong streaming series about deeply unpleasant people. A few more are on the horizon later this week.)

I’ll end this discussion by suggesting that Jake Lacy can’t possibly be as awful as the characters he plays. Given how in demand he appears to be, he must be fun to work with, or he wouldn’t keep getting the kind of juicy roles many actors would kill to play.

School’s Out a Lot on Abbott Elementary

Question: Is it fair to say that there has been less of Abbott Elementary on Abbott Elementary this season so far?  I don’t mean this to sound like a complaint because the show is still consistently funny, engaging, and making great use of its talented ensemble. But it seems like we’ve seen very little of the teachers at the school. The premiere was a development day with no students. The third episode was the ballgame. The fourth episode primarily focused on the BMV and Gregory’s game night. And then the teachers took students out of school on a camping trip. None of these episodes have been subpar. But it does seem bizarre to have so many episodes in a row that really aren’t focusing much on the day-to-day at Abbott itself. The only episode to do that early on was when Melissa’s students cheated and Tariq sought special attention for his “son” in Janine’s class. I do like that they have expanded the world of the show and that we can see the characters more outside the classroom. But the show is still called Abbott Elementary, so it feels unusual to go for a long stretch without actually experiencing a school day. What do you think? — Jake

Matt Roush: Since receiving this commentary, Abbott aired one of its best episodes of the season last week, involving a “No Phones” day at the school where the staff flipped out much more over being deprived of their devices than the students. This is a fair comment, but it got me thinking that when Abbott strays too far and for too long outside the school’s walls, it magnifies and calls too much attention to the high concept of the mockumentary approach. In those moments, I can’t help but wonder why the camera crew (which apparently never sleeps) would follow these teachers at home for a game night or on a camping trip (which became especially noticeable when one of the camera operators got spooked and ran off, leaving Jacob alone for a change). I tend to prefer the workplace storylines on these and other shows using the same format, but it’s only natural as a show goes on for multiple seasons that they’ll want to shake up the formula from time to time.

A Death in the Family

Question: I’ve been enjoying Boston Blue, and I’ve noticed that when they mention Ben Silver (the family’s deceased husband/dad), they don’t mention his killer. Just that he was murdered. Will this be a mystery for the show? Finding out who killed him? Or am I just overthinking the show? — Caroline

Matt Roush: I’ll use this as an opportunity to remind readers that this isn’t a spoiler column, and I won’t speculate or comment on storylines that haven’t happened yet unless it’s already widespread knowledge. But my reading of Boston Blue in its current early stages is that this tragedy in the Silver family took place publicly on the courthouse steps, so maybe it isn’t a whodunit, although the implications of why Judge Silver was targeted could become a story thread as the show continues. I’m mostly impressed at how the family continues to honor his memory a year later and how it affects their ongoing faith journey.

The High Cost of Streaming

Question: I’ve watched Married at First Sight since the beginning of the series. I accidentally discovered it’s now on Peacock. So I subscribed to Peacock. But paying for a streaming service isn’t enough. You have to get the premium version! What’s going on? How has this affected their viewership? Companies are greedy! I’m so mad. — Gerri L.

Matt Roush: I wasn’t aware that Peacock still made that basic tier available for subscribers, but upon checking it out, they make it pretty clear what is and isn’t included. The basic tier seems to be intended for cord-cutters who primarily want access to NBC and the company’s related cable programming and their libraries. Anything exclusive and original to streaming, including movies, is only available on the Premium tier, which is less expensive with ads. And Peacock is now bundling with Apple TV (my favorite streamer), another sign that the streaming industry is adjusting and adapting to consumer frustrations. But the bottom line is the bottom line, and these are businesses, and when they invest in acquiring a show like Married, the intent is to drive subscriptions even at the cost of reducing the show’s availability and reach.

What’s in a Name?

Question: Since the beginning of the series, Elsbeth has had Captain Wagner as a core character. Then, this season, High Potential adds a new captain character and also names him Captain Wagner. Has Hollywood run out of names??? I find it quite odd — especially since Elsbeth is a highly rated show and many viewers would be watching both series. — Dawn J.

Matt Roush: High Potential is also a hit, and this is just one of those aggravating coincidences that remind us that most TV creators are too busy in their own world to notice what their neighbors are doing. There’s no doubt Elsbeth got there first, but these shows are on different networks and come from different studios, so it’s pretty clear that no one was paying attention or, possibly, caring.

And Finally …

Question: I enjoy revisiting favorite series on Start TV, such as The Closer, Major Crimes, In Plain Sight, Cold Case, Saving Grace, Rizzoli and Isles, Crossing Jordan, and Strong Medicine, the latter of which recently returned to the lineup, but not only are some episodes never shown, but some are shown out of order. Is this by choice? Are some episodes not rerun due to ethical, moral, or topical issues in today’s world that weren’t as prevalent when the series was new? Or is it a monetary business conflict, as in the delay of China Beach being released on DVD due to issues with the soundtrack? Missing episodes can cause confusion in the recurring characters’ storylines.  I still enjoy revisiting these series, but am disappointed when some episodes aren’t shown. I’m hoping your vast knowledge of the industry may provide an answer. — Adrienne, Vernon, N.J.

Matt Roush: I’m afraid my “vast knowledge” runs out when a show enters the chaotic world of cable syndication. As I often say, it’s challenging enough keeping up with first-run TV anymore. There are many possible reasons for these omissions, including copyright or other issues for an episode to be removed from the licensing package, or even carelessness on the part of the channel’s programmers, although the episode order is hardly a mystery. You might want to reach out and call this to their attention if it continues.

That’s all for now. We can’t do this without your participation, so please keep sending questions and comments about TV to [email protected]. (Please include a first name with your question.)

 

November 11, 2025 0 comments
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'Off Campus' Series at Amazon Adds 18 Recurring Cast Members
TV & Streaming

‘Off Campus’ Series at Amazon Adds 18 Recurring Cast Members

by jummy84 November 6, 2025
written by jummy84

The upcoming series adaptation of Elle Kennedy’s “Off Campus” books at Amazon Prime Video has rounded out its recurring cast, Variety has learned exclusively.

The new cast members include: AJ Abell (“Bad Times at the El Royale,” “Deadly Class,” “Tobot Galaxy Detectives”), Francesca Bianchi (“The Irrational,” “A Million Little Things,” “Allegiance”), Kai Bradbury (“Virgin River,” “Motherland: Fort Salem”), Karis Cameron (“BH90210,” “Nancy Drew”), Josh Chambers (“The Last of Us,” “The Flash,” “Alert: Missing Persons Unit”), Riley Davis (“November 1963,” “Lice,” “Crew Girl”), Miles Gutierrez-Riley (“Smile 2,” “The Wilds”), Chelah Horsdal (“The Man In The High Castle,” “Firefly Lane,” “Star Trek: Discovery”), and Quinten James (“Shiver,” “Wild Cards”).

Additionally, the following have also been added in recurring roles: Dylan Kingwell (“A Series of Unfortunate Events,” “The Good Doctor”), Riley Orr (“BH90210,” “Watson”), Lauren Patten (“Death and Other Details,” “Jagged Little Pill”), Frankie Randysek (“Mozaika,” “Fowl Fate”), Brandon Scott (“Girls on the Bus,” “Dead to Me”), Jennifer Spence (“The Trades,” “Travelers”), Julia Sarah Stone (“The Killing,” “Come True,” “Allure”), Marlee Walchuk (“So Help Me Todd,” “Creepshow,” “The Wedding Banquet”), and Chad Willett (“Big Sky,” “Beyond”).

The new additions join previously announced series regulars Ella Bright, Belmont Cameli, Mika Abdalla, Antonio Cipriano, Jalen Thomas Brooks, Josh Heuston, Stephen Kalyn. Khobe Clarke and Steve Howey will appear in recurring roles.

The official description of the show states that it “follows an elite ice hockey team, and the women in their lives, as they grapple with love, heartbreak, and self-discovery—forging deep friendships and enduring bonds while navigating the complexities that come with transitioning into adulthood. Season 1 follows the sexy and fun ‘opposites attract’ romance between quiet songwriter, Hannah (Bright), and Briar University’s all-star hockey athlete, Garrett (Cameli).”

Louisa Levy is adapting the books for the screen and will serve as executive producer and co-showrunner. Gina Fattore will also serve as executive producer and co-showrunner. Temple Hill’s Wyck Godfrey, Marty Bowen, and James Seidman executive produce along with Leanna Billings via Billings Productions and Neal Flaherty. Amazon MGM Studios will produce.

(Pictured above, left to right: AJ Abell, Chelah Horsdal, Jennifer Spence, Brandon Scott, Dylan Kingwell, Frankie Randysek, Chad Willet, Josh Chambers, Francesca Bianchi)

(Pictured below, left to right: Julia Sarah Stone, Lauren Patten, Quinten James, Kai Bradbury, Marlee Walchuk, Riley Davis, Karis Cameron, Miles Gutierrez-Riley, Riley Orr)

November 6, 2025 0 comments
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Events

Team Building at the Etihad Campus

by jummy84 November 6, 2025
written by jummy84

Previous articleGlobal Payments Announced as Headline Sponsor for The Stadium Events & Hospitality Awards 2026
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Sam is the assistant content manager for Event Industry News (EIN). Sam is involved in publishing news stories, videos and podcasts. Sam also collates the latest stories for the EIN e-newsletter.
If you have a press release or story you think we might be interested to know about please email [email protected]

November 6, 2025 0 comments
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Antonio Cipriano, Jalen Thomas Brooks, Belmont Cameli, and Stephen Kalyn as Logan, Tucker, Garrett, and Dean on Off Campus
TV & Streaming

Which ‘Off Campus’ Hunk Is Your Boyfriend? (QUIZ)

by jummy84 November 2, 2025
written by jummy84

Let’s face it, we’ve all been waiting for an Off Campus hockey hunk to show up on our doorstep ever since The Deal hit shelves back in 2015. Now that Prime Video has put a face to the characters we’ve come to know so well — and we’re waiting with bated breath for a premiere date — those of us here at Swooon have decided to take matters into our own hands.

Season 1 of Off Campus is set to follow the romance of Briar University star hockey player Garrett Graham (Belmont Cameli) and his classmate, Hannah Wells (Ella Bright). Leading up to the highly anticipated premiere, Prime Video has been releasing swoonworthy teasers featuring all four of the series’s male leads: Garrett, John Logan (Antonio Cipriano), Dean Heyward-Di Laurentis (Stephen Kalyn), and John Tucker (Jalen Thomas Brooks). 

November 2, 2025 0 comments
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Event Industry News
Events

MAD//North Returns to Aviva Studios as it Expands to a ‘Campus’ Format for 2026

by jummy84 September 10, 2025
written by jummy84

MAD//Fest has today announced that its northern edition, MAD//North, will return to Aviva Studios, home of Factory International, as the event expands into an enlarged ‘campus’ style format across Manchester’s vibrant St John’s creative district, 25-26 February.

The event launched successfully in 2025 at Manchester’s landmark cultural venue, Aviva Studios where it welcomed attendees from the brand, creative, advertising and marketing industry. For 2026, the event has grown its footprint to encompass a full venue takeover, as well as expanding into the neighbouring state-of-the-art Versa Studios, the iconic former home of Granada Television. The growth will turn the surrounding St John’s area into a dynamic multi-venue village experience for 6,000 attendees.

This expansion will transform MAD//North into a campus-style festival, enabling more attendees, content, stages, activations, experiences, and networking spaces for brands and agencies to connect.

The St John’s district, a hub for creativity, media and innovation, provides the perfect campus for MAD//North. Aviva Studios will continue to host the main headline stages, while Versa Studios will house a range of new features and content streams, reflecting its rich broadcasting heritage and future-facing production facilities.

Dan Brain, Co-founder of MAD//Fest, commented: “The appetite for MAD//North has been phenomenal, and we knew we had to think bigger for 2026. Creating a campus across St John’s – a thriving hub for the creative industries and home of top brands with an increasingly strong infrastructure – is the perfect next step.”

“The expansion will give the community more of what they value: inspiration, innovation, and a scaled-up experience to connect brands and agencies from the north and beyond.”

Scott McVittie, Executive Commercial Director, Factory International, added: “We’re thrilled that MAD//North will return to Aviva Studios in 2026. It’s just the sort of event and the kind of audience we love to host here. It complements our creative and cultural programme, from world-class performances and music to the business of the creative industries.

“Alongside our neighbours at Versa Studios, it becomes a real Manchester moment and a creative and inspiring environment for the marketing, brand, and advertising industry. We can’t wait to see the campus vision of MAD//North come to life across the venue and the wider St John’s area.”

Victoria Braddock, Managing Director, Marketing Manchester, also added: “Greater Manchester is recognised as one of Europe’s largest creative and marketing clusters, home to some of the world’s best agencies and media brands, as well as a constantly evolving cultural sector. We’re delighted therefore, that MAD//North is returning to Manchester for its second year, anchoring itself in St John’s and set to welcome thousands of the best creative minds from across the country.”

September 10, 2025 0 comments
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