The path to becoming a filmmaker rarely follows a straight line. For Garrett Patten, it started with his childhood Sony camcorder and love for creating. His path detoured through over a decade in the corporate world, but has now circled back to where it began. This time, however, with the seasoned perspective of someone who understands what he’s been missing.
Patten’s early experiments were humble: two-minute shorts cobbled together on outdated Adobe editing software. But those amateur projects planted the seeds to keep him rooted in filmmaking. He surrounded himself with fellow creatives and film students while studying at the University of Southern California. He had a successful run of careers outside of the industry, but knew his heart yearned to go back to what he’s always loved doing most.
“All in all, I love filmmaking in every form writing, directing, acting, editing,” Patten reflects. “It’s a complete expression of creativity, collaboration, and truth.”
That reunion with film required strategic reentry. Rather than rushing behind the camera, Patten approached his return as a producer, working alongside talented directors on projects including “Bandit” and “Die Alone.” The experience gave him an insider’s look into the logistics and artistry of directing. He then deepened his craft at Ivana Chubbuck’s renowned acting school, initially seeking to better direct actors but discovering an unexpected passion for performance itself.
Now, Patten brings both perspectives as director and actor to his debut short film “Self Custody,” co-directed with Fernando Ferro and written by Daniel McCann. The suspense thriller stars Odette Annable, Michael Monks, and UFC champion Henry Cejudo in a story exploring redemption, technology, and the devastating price of lost access in the digital age.
The premise emerged from the startling reality that an estimated 30 to 40 percent of all Bitcoin has been lost or stolen permanently. “The idea that someone could hold a fortune worth hundreds of millions of dollars on a single drive, with no backup, no bank, no safety net,” Patten explains. “It’s complete self-reliance but also complete isolation.” Often drawing from this balance of reliance and independence with his characters and story.
That duality extends to the film’s title, which operates on two levels. Beyond the cryptocurrency concept, “Self Custody” also describes the psychological imprisonment of being trapped within one’s own mind. “Both meanings mirror my character’s journey,” Patten notes. “He’s someone searching for control and in the process, he becomes his own prisoner. The title reflects that tension between freedom and isolation, power and loss.”
Patten’s preparation process involved months of living inside his character’s world, breaking down objectives, obstacles, and emotional triggers. “To get into that headspace, I drew from moments in my own life. It’s a process of letting go of yourself and allowing the character to take over,” he explains. The intensity of that immersion often left him mentally drained on set, but he views that exhaustion as evidence of full commitment. “When you fully surrender to the role, that’s when it starts to feel real. This role took me to emotional places I didn’t know I could go. When you fully commit to a character like this, it strips away a lot of what’s comfortable—and that’s where the real growth happens.”
Having completed post-production, “Self Custody” begins its film festival run this month. For Patten, not only is this project his debut as director and actor, but it represents rediscovering his childhood spark for filmmaking. This time, however, refined by years of experience and a hard-won understanding of what it means to be a versatile filmmaker.
Sometimes the longest route home teaches you the most about where you’re going.
