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Lifestyle

Art exhibition brings Australian indigenous stories to the city

by jummy84 November 22, 2025
written by jummy84

The capital received a vibrant dose of Australian First Nations culture on Friday as Songlines: Tracking the Seven Sisters opened at the Humayun’s Tomb Museum.

Songlines: Tracking the Seven Sisters (Raajessh kashyap)

The exhibition presents five sections of Indigenous Western and Central Desert songlines through nearly 300 paintings, objects, song, dance, photography, and multimedia. It tells the story of the Seven Sisters, or the Pleiades star cluster, fleeing across the desert while pursued by a powerful, shape-shifting male Ancestor linked to Orion. At the heart of the exhibition is the Songline, a spiritual and physical map defining sacred landscapes and preserving Tjukurrpa, or Aboriginal law, history, and survival knowledge. The journey spans three Indigenous lands: the APY (Aṉangu Pitjantjatjara Yankunytjatjara) people in the central desert, the Ngaanyatjarra in the west, and the Martu in north-west Australia.

“Australia has three main stories” said Philip Green, adding, “Settlers from Britain, migrants, and our Indigenous people, whose culture has thrived for 65,000 years. This exhibition brings that history, art, and tradition to life.”

One of the highlights of the evening was the immersive dome theatre that showcased animated paintings. The exhibition runs from 22 November 2025 to 1 March 2026.

November 22, 2025 0 comments
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Oasis end Australian reunion tour as Liam Gallagher tells fans: "See you again"
Music

Oasis end Australian reunion tour as Liam Gallagher tells fans: “See you again”

by jummy84 November 10, 2025
written by jummy84

The Australian leg of Oasis’ huge ‘Live ‘25’ tour came to an end on Saturday (November 8) in Sydney.

  • Read More: Oasis live in Cardiff review: a supersonic reunion for a new generation

Over 320,000 fans saw the Britpop icons on their stops in the country as part of their reunion tour. They played three nights at Melbourne’s Marvel Stadium on October 31 and November 1 and 4 before two nights at Sydney’s Accord Stadium on November 7 and 8, supported by Brisbane indie rockers Ball Park Music on all dates. 

“Thanks for putting up with us. We know we were dickheads sometimes,” Liam Gallagher told the audience in Sydney (via Billboard). “Your support has put us back on the map. Respect! You’ve got a lovely fucking country. See you again.”

While no shows for 2026 have been announced yet, Liam has previously teased the potential for more gigs. On September 27, he told gig-goers at Wembley Stadium – near the end of their most recent UK show, “I wanna thank you lot for keeping the faith and putting this band back on the map. See you next year.”

Oasis have almost finished touring for the year with a few South American dates remaining. And rumours of more shows have been rife in recent months – particularly that the band could play Knebworth or the Etihad Stadium next year, with the 30th anniversaries of their huge Knebworth and Maine Road falling in 2026.

Remarkably, a British peer in the House of Lords seemed to accidentally reveal that Oasis would play Knebworth next summer last month before backtracking. On October 22, Lady Taylor of Stevenage stood up and claimed that the band would play five back-to-back anniversary gigs at Knebworth House next year.

She then told The Guardian, “I was speaking hypothetically following speculation that they would play Knebworth again as they did in August 1996. I understand the band have not confirmed this.”

The Australia tour, meanwhile, became one of the highest-attended in Australia this year, and sensors at the Seismology Research Centre in Melbourne reportedly even picked up tremors during the shows (per 7NEWS Melbourne).

James Young, the owner of Cherry Bar, one of Melbourne’s most iconic music venues – which Noel Gallagher reportedly wanted to buy himself in 2002 (per The Age) – praised the band on social media too, calling the week of Oasis’ Melbourne dates the bar’s “biggest weekend and biggest week on record.”

He said: “The darkest hour is before the dawn, Melbourne and Cherry Bar needed a hero and who knew that it would come in the shape of a couple of ‘no f#cks given’ Mancunian larrikins?!”

A moment at the first Melbourne show, however, caused controversy with a fan launching a flare into the crowd. Liam later took to X (Twitter) to call the fan in question a “massive c**t”, adding: “You are 1 seriously fucked up individual and you will get yours trust me.”

Oasis are off to South America later this week, with two shows at Estadio Mâs Monumental in Buenos Aires, Argentina on November 15 and 16. They’re then playing Estadio Nacional Julio Martínez Prádanos in Santiago, Chile, on November 19, before two gigs at MorumBIS in São Paulo on November 22 and 23 to round off the year.

Bonehead will be rejoining them after the guitarist, real name Paul Arthurs, took a break from the tour to continue his cancer treatment. He was given the all-clear from tonsil cancer back in 2022, but shared at the start of October that he was diagnosed with prostate cancer earlier this year, and would sit out of Oasis’ Asia and Australia shows so he could have “the next phase of care”. 

During those shows, the band performed with an honorary cut-out of Bonehead. In his absence, Mike Moore from Liam’s solo band filled in.

November 10, 2025 0 comments
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Australian Gov’t Approves Content Quotas For Streaming Video Platforms
Music

Australian Gov’t Approves Content Quotas For Streaming Video Platforms

by jummy84 November 5, 2025
written by jummy84

SYDNEY, Australia — More than three-and-a-half years after the siren sounded, the Australian government is activating local content quotas for popular streaming video on-demand platforms operating on these shores.

Confirmed Tuesday, Nov. 4, the new obligation will require those services with over 1 million domestic subscribers to invest 10% of total program expenditure here, or 7.5% of their total Australian revenue, to supporting local storytelling.

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Netflix, Disney, Amazon and other SVOD services will be compelled to comply by the legislation, which will be introduced to Parliament this week, the ABC reports.

Those quotas must pass that bar set by the Australian Content and Children’s Television Standard (ACCTS), meeting or exceeding the same requirements currently applied to commercial and subscription television services.

“We have Australian content requirements on free-to-air television and pay television, but until now, there has been no guarantee that we could see our own stories on streaming services,” minister for the arts Tony Burke remarked.

“Since their introduction in Australia, streaming services have created some extraordinary shows. This obligation will ensure that those stories — our stories — continue to be made.”

APRA AMCOS celebrated the announcement as an “incredible first step for Australia.” Whether the next step is a long-mooted content quotas for streaming music platforms, time will tell.

The Australian-made regulation, says Dean Ormston, CEO of APRA AMCOS, is a critical mechanism “within a global content market where extraordinary local stories and local music can be drowned out by content from major overseas markets.”

Critically, he adds, “the obligation includes requirements to spend on post-production in Australia, opening the door for Australian screen composers and local music to play a central role in telling our stories. This represents a significant new opportunity for Australia’s music creators.”

The Albanese government’s announcement follows the presentation last week of APRA AMCOS’s 2025 Screen Music Awards, and delivers on Canberra’s commitment in its national cultural policy, the five-year action plan dubbed Revive.

With its presentation in January 2023, the federal government mapped out a timeline for legislation that would enforce local content quotas on streaming platforms. “For video streaming,” federal minister of the arts Tony Burke said at the time, “the timeline is locked in.”

The new rules should’ve been implemented in 2024 but were delayed over concerns on how they might create a stumbling block for Australia’s trade agreement with the United States.

The champagne corks aren’t exactly flying, but the Australian creative community has cause to celebrate. The government’s commitment to investing in Australian storytelling comes on the heels of last week’s decision that there would be no exception for big tech in Australia’s copyright regime to allow for text and data mining.

“This announcement marks a landmark day for the Australian screen industry,” enthuses Screen Producers Australia CEO Matthew Deaner. “For too long, our local production sector has operated in an uneven environment where global streaming services could reap the benefits of doing business in Australia without contributing fairly to the creation of Australian stories.”

The commitment is “the result of years of advocacy,” he continues. “It recognizes that Australian stories matter, and that they deserve to be seen and heard on every platform.”

November 5, 2025 0 comments
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Lifestyle

Australian fashion label Kirrikin makes its India debut

by jummy84 November 4, 2025
written by jummy84

The Capital went a little Aussie chic recently as Australian First Nations fashion took over the runway. Hosted by the Australian High Commission along with Kirrikin and the Fashion Design Council of India (FDCI), the showcase brought together culture, art and style in one vibrant celebration.

Her collection, ‘Evoke’ was all about fitted blazers, wrap dresses, flowy skirts, and tailored pants in soft viscose crepe

The evening opened with a traditional Aboriginal dance, a cultural practice that dates back more than 60,000 years. Dancers moved to beats inspired by the kangaroo and emu, offering a glimpse into Australia’s storytelling traditions through movement, rhythm, and colour. The performance set the tone for what unfolded next.

Taking over the runway was Kirrikin, which means “Sunday’s best clothes” in the Wonnarua language. Founded by designer Amanda Healy, the Indigenous Australian label is known for turning hand-painted First Nations artworks into elegant, contemporary pieces. Designed in Australia and crafted in Noida, the collection reflected the growing creative bond between the two countries. “Fashion has always been a bridge and this showcase is a true meeting of cultures,” said Sunil Sethi, FDCI chairman.

For Healy, the night also carried extra meaning as it marked ten years of her label and Kirrikin’s debut on an Indian runway. Her collection, ‘Evoke’ was all about fitted blazers, wrap dresses, flowy skirts, and tailored pants in soft viscose crepe inspired by the Noongar people of southwest Western Australia. “I chose India as my major supplier because of the sheer fabulousness of your fabrics,” said Healy.

November 4, 2025 0 comments
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Best Pics From Night 1
Music

Reneé Rapp Joins Australian Open AO Live 2026 Line-Up

by jummy84 October 30, 2025
written by jummy84

Reneé Rapp is officially heading to Australia for the first time, joining the Australian Open 2026 AO Live lineup on Jan. 31 at Melbourne’s John Cain Arena.

The singer-songwriter and actress will perform on Saturday night of the five-day concert series, which runs Jan. 28 to Feb. 1 during the final stretch of the Australian Open. Her set is scheduled to run from 2–7 p.m. AEDT, just before the AO Women’s Final kicks off at 7:30 p.m. at the same venue.

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Rapp’s upcoming performance will mark her debut on Australian soil, following a massive year that saw her second studio album, Bite Me debut at No. 1 on the U.K. albums chart and No. 3 on the ARIA Albums Chart, while her 2023 debut Snow Angel earned the largest first-week sales for a female artist’s debut album in the U.S. that year.

Before heading Down Under, Rapp will hit the road in early 2026 for a European swing that is slated to kick off on March 11 at Lotto Arena in Antwerp, Belgium and keep her on the road through a March 22 show at the 3Arena in Dublin, Ireland.

In just over two years, Rapp has carved out a space as one of pop’s rising voices, earning both critical acclaim and a devoted fan base. She’s already taken her show to major U.S. festival stages, including Coachella, Lollapalooza, Governors Ball, and Boston Calling, and has made appearances on Saturday Night Live, The Today Show’s Summer Concert Series, and Late Night with Seth Meyers.

Before her music breakthrough, Rapp gained attention for her portrayal of Regina George in the Mean Girls Broadway musical in 2022 — a role she reprised in the 2024 film adaptation. The film’s soundtrack also featured Rapp and Olivia Rodrigo on the standout track “Not My Fault.”

Rapp joins this year’s AO Live lineup that also features an exclusive performance from The Kid LAROI and more. AO Pride Day on Jan. 30 will feature Australian favourites The Veronicas alongside Grammy-nominated duo SOFI TUKKER, while DJ and producer Peggy Gou will close out the event following the men’s final.

Each AO Live ticket includes full access to the arena concert as well as the Australian Open precinct. In addition to the headliner performances, the grounds will host acoustic sets in Garden Square and DJ-led parties on Grand Slam Oval. The event is presented by Tennis Australia and Untitled Group.

October 30, 2025 0 comments
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Australian WWII Soldiers + Sharks Movie 'Beast of War' Official Trailer
Hollywood

Australian WWII Soldiers + Sharks Movie ‘Beast of War’ Official Trailer

by jummy84 August 23, 2025
written by jummy84

Australian WWII Soldiers + Sharks Movie ‘Beast of War’ Official Trailer

by Alex Billington
August 22, 2025
Source: YouTube

“There’s dozens of dead bodies out there for it to munch on.” Well Go USA has revealed the official trailer for a shark movie called Beast of War, a WWII thriller from Australia about soldiers on a ship. From Kiah Roache-Turner, director of Wyrmwood and Sting, comes this uniquely terrifying tale. Set for a US release starting in October including on VOD right away. Based on true events about a warship carrying hundreds of Australian soldiers across the Timor Sea to the frontline of WWII. A group of young soldiers, fresh out of boot camp, find themselves stranded on a raft in the middle of the ocean after their ship is sunk. They must battle for their lives against a giant, very hungry great white shark. The cast features Mark Coles Smith, Joel Nankervis, Maximillian Johnson, Lee Tiger Halley, Sam Parsonson, Tristan McKinnon, & Sam Delich. This still looks a lot like almost every other shark movie. At least it seems they built a gigantic practical shark to use for filming, which looks much better than most of the CGI sharks in movie these days.

Here’s the official trailer (+ poster) for Kiah Roache-Turner’s film Beast of War, direct from YouTube:

Beast of War Trailer

Beast of War Poster

When their boat is sunk while crossing the Timor Sea during World War II, a young troop of Australian soldiers must find a way to survive the harsh seas on a quickly shrinking life raft. Hundreds of miles from anywhere, they must confront interpersonal conflicts, enemy attacks, and the advances of one very large, very hungry great white shark. Beast of War is written and directed by Australian genre filmmaker Kiah Roache-Turner, director of the films Wyrmwood: Road of the Dead & Wyrmwood: Apocalypse, Sting, and Nekrotronic previously, as well as a few other shorts. Produced by Chris Brown and Blake Northfield. This initially premiered at the 2025 Melbourne Film Festival in Australia a few months back. Well Go USA will debut Beast of War in select US theaters + on VOD starting October 10th, 2025 this fall. Look scary?

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August 23, 2025 0 comments
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