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Liv Ullmann to Receive Career Award From European Film Academy
TV & Streaming

Liv Ullmann to Receive Career Award From European Film Academy

by jummy84 October 9, 2025
written by jummy84

Liv Ullmann will be honored during the upcoming European Film Awards with a career award celebrating her body of work as an actress, director and screenwriter.

Ullmann has been an international star since Ingmar Bergman’s 1966 arthouse hit “Persona.” Indeed, she is best-known for her collaborations with Bergman, acting in 10 of his films and directing two of his screenplays. Bergman was also the father of her daughter, author Lin Ullmann.

Ullmann is also known for her work with Swedish director Jan Troell in “The New Land” (1972) and “The Emigrants,” for which she was nominated for an Oscar, and with Italy’s Mauro Bolognini in “Farewell Moscow,” for which she won a David di Donatello award.

Ullmann’s first film as a director was ” Sofie” (1992), about the life of a Jewish woman in Copenhagen from 1886 to 1907, starring Karen-Lise Mynster, Erland Josephson and Ghita Nørby. That drama was followed by an adaptation of Nobel laureate Sigrid Undset’s great historical epic “Kristin Lavransdatter” (1995) set in 14th-century Norway, and “Private Confessions” (1996), written by Bergman and starring Pernilla August and Max von Sydow. Her film “Faithless” (2000), starring Lena Endre and Erland Josephson, premiered in competition at Cannes Film Festival and her most recent directorial effort is “Miss Julie” with Colin Farrell and Jessica Chastain.

“Liv Ullmann has helped to shape our understanding of European film,” the European Film Academy said in a statement.

The 38th edition of the European Film Awards will take place on Jan. 17, 2026, in Athens.

October 9, 2025 0 comments
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Student Academy Award Winners 2025: See Full List
TV & Streaming

Student Academy Award Winners 2025: See Full List

by jummy84 October 7, 2025
written by jummy84

The Academy of Motion Picture Arts and Sciences announced its student winners from colleges and universities around the world at the 52nd Student Academy Awards ceremony on Monday, October 6, 2025. Gold, Silver and Bronze placements were announced and trophies presented during a ceremony held at the Ziegfeld Ballroom in New York City. 

The Student Academy Awards were established in 1972 to provide a platform for emerging global talent by creating opportunities within the industry to showcase their work. All Student Academy Award-winning films are eligible to compete for the 98th Oscars in the Animated Short Film, Live Action Short Film, or Documentary Short Film categories. The 2025 winners join the ranks of such past Student Academy Award winners as Spike Lee, Robert Zemeckis, Patricia Riggen, Pete Docter, and Patricia Cardoso. Last year, five 2024 Student Academy Award-winning films made the Oscar shortlists. Past winners have gone on to receive 69 Oscar nominations in total, and have won or shared 15 awards.

NEW YORK, NEW YORK - DECEMBER 12: Sam Altman speaks onstage during A Year In TIME at The Plaza Hotel on December 12, 2023 in New York City. (Photo by Mike Coppola/Getty Images for TIME)

This year, the Student Academy Awards competition received 3,127 entries from 988 colleges and universities worldwide. With remarks by Academy CEO Bill Kramer and Academy President Lynette Howell Taylor, the night’s category presenters included Academy Actors Branch Governor Lou Diamond Phillips and filmmakers Craig Brewer, Jon M. Chu and Alex Woo. The 2025 ceremony is available to view on the Oscars YouTube page.

The 2025 Student Academy Award placements are:

Alternative/Experimental

Gold: Xindi Zhang, “The Song of Drifters,” University of Southern California

Silver: Vega Moltke-Leth, “Without Perfection,” University of Copenhagen, Denmark

Bronze: Mati Granica, “flower_gan,” London College of Communication, United Kingdom

Animation

Gold: Tobias Eckerlin, “A Sparrow’s Song,” Film Academy Baden-Württemberg, Germany

Silver: Lucas Ansel, “The 12 Inch Pianist,” Rhode Island School of Design 

Bronze: Sofiia Chuikovska, Loïck du Plessis D’Argentré & Maud Le Bras, “The Shyness of Trees,” Gobelins, France

Documentary

Gold: Tatiana McCabe, “Tides of Life,” University of the West of England Bristol, United Kingdom

Silver: Rebeka Bizubová, “Confession,” Academy of Performing Arts in Bratislava, Slovakia

Bronze: Jane Deng, “I Remember,” New York University 

Narrative

Gold: Jan Saczek, “Dad’s Not Home,” Krzysztof Kieślowski Film School, Poland

Silver: Meyer Levinson-Blount, “Butcher’s Stain,” Tel Aviv University, Israel

Bronze: ZEFAN, “Kubrick, Like I Love You,” Columbia University

First-time honors go to the University of Copenhagen, Gobelins, Krzysztof Kieślowski Film School, Academy of Performing Arts in Bratislava, London College of Communication and University of the West of England Bristol.

October 7, 2025 0 comments
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Watch Feeder reunite with drummer Mark Richardson at Brixton Academy
Music

Watch Feeder reunite with drummer Mark Richardson at Brixton Academy

by jummy84 September 29, 2025
written by jummy84

Feeder have kicked off their latest run of UK tour dates, and brought out former drummer Mark Richardson. Check out footage and the setlist below.

The new run of dates are part of the band’s ‘Comfort In Sound’ tour, which sees them celebrate their classic 2002 album.

That album landed on the UK Top 10 upon its release and spent more than two years on the UK Independent Albums Chart Top 50. It was their first release since the tragic death of original drummer Jon Lee, and saw Mark Richardson join the band as sticksman.

Feeder kicked off the anniversary tour dates for the record last week, and shows have so far included a slot at the O2 Academy in Leeds and the O2 Brixton Academy in London.

The latter saw them reunite with Richardson, who joined as drummer in 2002 and played on ‘Pushing The Senses’, ‘The Singles’ and ‘Silent Cry’, as well as the aforementioned ‘Comfort In Sound’. He left the band in 2009 to rejoin Skunk Anansie, and was replaced by Karl Brazil.

He appeared with the band in London, with frontman Grant Nicholas introducing him to the audience and describing him as “the hardest-hitting drummer I’ve ever, ever worked with.”

“Respect! How are you getting on Mark? Everybody say hello to Mark,” he added, also encouraging the crowd to chant his name. “Want to hear one with him? How about this one?” Nicholas said, before launching into fan favourite song ‘Feeling A Moment’.

He also stayed to play ‘Pushing The Senses’. Check out more footage and the setlist below.

The Feeder setlist in London was:

‘Just the Way I’m Feeling’
‘Come Back Around’
‘Helium’
‘Child in You’
‘Comfort in Sound’
‘Forget About Tomorrow’
‘Summer’s Gone’
‘Godzilla’
‘Quick Fade’
‘Find the Colour’
‘Love Pollution’
‘Moonshine’
‘High’
‘Feeling a Moment’ (with Mark Richardson on drums)
‘Pushing the Senses’ (with Mark Richardson on drums)
‘Feel It Again’
‘Opaque’
‘Buck Rogers’
‘Just a Day’

As well as announcing this current tour, February this year also saw Feeder announce a re-release of the ‘Comfort In Sound’ album. It dropped on September 12 via BMG, and included new orchestral remixes of ‘Just The Way I’m Feeling’ and ‘Forget About Tomorrow’, as well as a reimagining of ‘Godzilla II’.

The current 2025 tour continues next month, with shows in Manchester, Glasgow, Bristol and Birmingham, on October 2, 3, 9, and 11, respectively. Visit here for tickets.

As aforementioned, the 2002 release was their first album was their first without Jon Lee, who died by suicide in January 2002, aged 33. His death came shortly after the band finished a tour supporting Stereophonics across Europe, and numerous famous faces from the music world paid their respects at his funeral.

September 29, 2025 0 comments
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Antigravity Academy Screenwriters Camp Year 3 Opens Submissions In October
TV & Streaming

Antigravity Academy Screenwriters Camp Year 3 Opens Submissions In October

by jummy84 September 26, 2025
written by jummy84

EXCLUSIVE: Antigravity Academy, the production company of Academy Award-nominated filmmaker Carlos López Estrada (Raya and the Last Dragon, Blindspotting), will be offering a third edition of its flagship Screenwriters Camp, a program that helps first-time feature filmmakers from the U.S. and Canada develop their debut projects, under the mentorship of industry veterans.

Launched in 2023, with the intention to create new pathways for artists who have historically lacked access to traditional industry networks, the program kicks off with a week-long intensive next May and will then see writers go through several months of continued development of their works through additional drafts, virtual sessions, and a dedicated period of industry exposure.

Abiram Brizuela, former Director of Artist Community at the Sundance Institute, is once again leading the program, with support from Unapologetic Projects co-CEO Chris Quintos Cathcart. The camp will be produced by Antigravity’s Head of Production, Valerie Bush, with creative development led by Antigravity founder López Estrada, Antigravity Head of Film & TV, Holly Stanton, and screenwriter Anna Moskowitz.

Applications for the 2026 Antigravity Academy Screenwriters Camp will open on October 13th and close on November 3rd. Only filmmakers with no previously produced feature films will be considered. All applicants must be over 18 and able to attend an in-person intensive from May 27th to June 1st, 2026, at a private resort in Lake Arrowhead, California. All travel and lodging expenses will be covered by Antigravity Academy.

In a statement to Deadline, Antigravity’s Brizuela and López Estrada said, “Our company was built with the mission of supporting the next generation of great storytellers, and it fills us with pride to see fellows from our first two cohorts already shining within our industry. We can’t wait to continue meeting the filmmakers who will be responsible for telling the most necessary stories of tomorrow.”

Antigravity’s first produced project, Dìdi (弟弟), written and directed by Sean Wang, premiered at the 2024 Sundance Film Festival and won the Audience Award as well the Special Jury Award-Ensemble. The film was acquired by Focus Features and later went on to win two Independent Spirit Awards.

2025 participants in the company’s Screenwriters Camp included Alex Bush (Thaw), Alexander Chard (Fire Over the Hills), Bobby Herrera (Pink Casa), Emma Van Slyck and Tommy Tang (Dead Language), JP Bradham (Egg Bound), and Monisha Dadlani (The Fiddler). The inaugural cohort included A.J. Riggins (Look at Toine), Alexandra Qin (Thirstygirl), Andrés Perez-Duarte (The Last Supper), Carrie Carusone (Somebody Said Nobody), Jay Pendarvis Jr. (Brother’s Keeper), and SM Goldberger (Your Heart Is a Hummingbird).

September 26, 2025 0 comments
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TV Academy Sets AI Guidelines For Members As Hollywood On Edge About Tech
TV & Streaming

TV Academy Sets AI Guidelines For Members As Hollywood On Edge About Tech

by jummy84 September 11, 2025
written by jummy84

EXCLUSIVE: A Television Academy task force developing what it calls “responsible AI and production standards” has finalized a set of guidelines for members, Deadline has learned.

The three pillars of the guidelines, Academy officials say, are “creative integrity,” “permissions, licenses, legal and commercial viability”; and “accountability, transparency and sustainability.”

The document resulted from a survey of the organization’s 30,000-plus members. Plans call for rolling them out to the membership following Sunday’s Primetime Emmys.

Generative AI has been the third rail of Hollywood since the arrival of ChatGPT and the labor impasse of 2023, when SAG-AFTRA and the Writers Guild went on strike amid widespread anxiety about AI eliminating industry jobs. Anxiety over copyright protection continues to run high, with Disney, NBCUniversal and Warner Bros. Discovery filing lawsuits against AI image creator Midjourney, one of several legal cases being closely tracked across Hollywood.

The Academy’s task force was led by Christina Lee Storm, governor of the Academy’s Emerging Media Programming peer group, co-chair of the Advocacy Committee, and a member of the Innovation Advisory Committee. She is also a noted producer and co-founder of tech consultancy Playbook PLBK.

Speaking with Deadline this week during the Toronto Film Festival, Storm said the prevailing attitude toward GenAI in the creative community has changed significantly over the past 24 months.

“Two years ago, the Television Academy did an AI Summit [with] a lot of disgruntled folks,” she said, and participants were “not quite understanding the tools, or reading the headlines saying, ‘It’s going to take over everything.’

“This year, we had a lot more people come and be much more open to it, because what we’re seeing – as more and more people are using these tools – is that it’s advancing certain pieces [of the craft], but it’s not advancing everything,” Storm added.

“The need to have a filmmaking language, filmmaking understanding, and all of the [human] traits that are a part of the process – and have always been a part of the process – is crucial.”

According to Lee, the three board-approved ‘Key Principles’ at the heart of the task force’s findings are:

1) Creative integrity for professionals, creators, performers and craftspeople

How does my decision to use GenAI support and respect the work of the artists and collaborators on this project, including writers, performers, directors, producers, and craftspeople? Have they been informed and are properly credited or compensated for their contributions?

2) Permissions, licenses, legal and commercial viability

Is the AI model I’m using trained on ethically sourced, properly licensed and clean data, and not pirated or publicly available content without prior consent or permission from copyright owners? (Storm noted Anthropic’s $1.5 billion settlement, announced Monday, paid out to authors whose work was used without permission.)

3) Accountability, transparency and sustainability

How will I disclose transparency to the production team, distributors, clients, or stakeholders about when, where, and how GenAI was used in the project?

For now, the principles are just recommendations, Storm explained, and the Academy is “not necessarily mandating things per se.” However, the input process involved all 31 of the Academy’s peer groups, a wide spectrum including animators, casting directors, VFX artists and writers.

“The Television Academy recognizes the need for ethical, responsible rules of engagement for the use of Generative AI in television,” Maury McIntyre, president and CEO of the Television Academy, told Deadline. “We commend the Academy’s Innovation Advisory Committee for the development of these Key Considerations and we are committed to educating our members, our colleagues, and our elected representative on how to navigate, adapt and preserve creative integrity as the industry moves forward.”

The news from the TV industry follows a move by the Academy of Motion Picture Arts and Sciences last April to update its rules for Oscar consideration. That decision came after a contentious awards season featuring several AI scandals, including one that dogged Best Picture nominee The Brutalist. AMPAS stated, in somewhat vague terms, that the use of AI and other generative tools would “neither help nor harm the chances of achieving a nomination” going forward.

Storm joined a TIFF AI panel on Monday that also featured Nikola Todorovic, co-founder of Tye Sheridan’s AI, 3D and VFX platform Wonder Dynamics; and Ángel Manuel Soto, the Puerto Rican filmmaker whose credits include DC’s Blue Beetle and HBO Max’s Menudo: Forever Young. Also on the panel was Seungwoo Kim, creator of CJ ENM’s Cat Biggie, a fully GenAI-based 3D animated series; and Don Allen Stevenson III, the creative and AI research lead at Asteria and Moonvalley, which develops workflows for the emerging arena of “ethical” AI in filmmaking.

September 11, 2025 0 comments
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