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Sean Patrick Thomas on Polarity's Fate, Chance Perdomo
TV & Streaming

Sean Patrick Thomas on Polarity’s Fate, Chance Perdomo

by jummy84 October 23, 2025
written by jummy84

[This story contains major spoilers from the Gen V season two finale, “The Guardians of Godolkin.”]

In the finale of Gen V, Polarity literally blows the doors off Goldokin’s master plan. 

It’s a significant way to close out the season for the character played by Sean Patrick Thomas, who began season two’s eight episodes shrouded in anger and grief over the death of his son Andre (Chance Perdomo). That on top of his struggle with the increasing loss of control over his powers, which was first introduced at the end of season one. 

With some nudging and accountability by Emma (Lizze Broadway), Polarity not only becomes a key component of the small resistance Andre’s friends mount at Cipher’s (Hamish Linklater) God U, but he also helps uphold the values and heroism Andre sought to embody in that final battle against Ethan Slater’s egotistical and evil Godolkin. 

Though the term “Guardians of Godolkin” can have a pejorative undertone with its link to performative acts, manipulation and school surveillance, Polarity — particularly in season two’s finale — becomes a sort of real guardian for Marie (Jaz Sinclair), Emma, Jordan (London Thor, Derek Luh), Cate (Maddie Phillips), Sam (Asa Germann) and Annabeth (Keeya King). After the gang successfully takes down Godolkin by embracing supe differences and leaning on their collective power, Polarity ultimately makes the choice to stay behind, charging himself with taking care of the rest of the school’s young supes. 

In light of how the season began with a sacrifice, that moment — like a few others in season two — feels like a nod to Andre’s love for his friends and how they each carry his spirit through battles, both emotional and physical. It’s a meaningful journey and something Polarity acknowledges by the end of the finale. 

Taking on aspects of Andre’s — and Chance’s — presence in the gang’s storyline this season wasn’t something Thomas had an awareness of, particularly in scenes that were maybe rewritten for him. He also “didn’t really feel like I was stepping into his literal position. That’s impossible. Chance is so unique and an incredible performer.” 

Instead, he tells The Hollywood Reporter, “The only thing I thought was, ‘I have to do everything I can to make sure we do justice to this young man and make sure he’s honored and respected and elevated in the way he should be.” In the conversation below, Thomas details how he accomplished that across all eight episodes, as well as Polarity’s reckoning, redemption and revolution alongside Andre’s friends. 

***

Polarity discusses the racialized realities of Andre’s death in Elmira early on in the season. But if Polarity knows Andre is fighting an uphill battle — whether in the school’s halls or the walls of that prison — what about his own experience as a Black man made him choose pushing Andre through at any cost over shielding his son from Vought? 

I had a whole set of thoughts about that in season one. That Polarity feels like, in a just world, he would have been in The Seven. But when he was younger, he got relegated to being a rap star or a movie star, and he didn’t get to be elevated into what he felt was his rightful place in the Vought [ecosystem]. So Polarity was using Andre to compensate for the fact that, in his mind, his race kept him from being properly respected when he was younger, and this is his chance to make up for that with his own son.

I think he looks at the Black people in The Seven now — somebody like A-Train, for example — and thinks, “That guy is a lightweight. They didn’t want a real, multi-dimensional Black guy in The Seven, and that’s why I got rejected.” He feels that if there’s going to be a Black guy in The Seven, it needs to be somebody who’s a true, formidable force, and that’s going to be my son. That was my thought about Polarity’s bitterness from his own past and his relationship with his son in season one. 

Cipher at one point recounts Andre’s seizures in Elmira, but later, Doug reveals how Andre persisted inside that prison. It’s a moment that honors Andre’s spirit and avoids reducing him to his torture and death. How important was that to Polarity to know his son found his own ways to survive and resist? And is there a positive memory you have of Chance that you feel like exemplifies his spirit on set?

That was just a wonderful thing to do because the story that Doug tells in the car, that’s the type of person Chance was. He was the type of guy whose wheels were always turning, and if he was getting taken advantage of or something was going on that he didn’t think was right, you can best believe he was going to find a way to come out on top. I’m glad the writers put that in there for Doug at the end.

The Chance that I knew was somebody who was so blindingly intelligent. He could speak on any subject. He could talk about politics, money, music. He had an encyclopedic knowledge of so many different things. We talked about how he became an actor, and he said he was planning to become a lawyer at first, and then ended up finding acting. Sometimes I’d be on set and would listen to rock hymns from my era. I would sing a couple of bars from one of those songs, and he would pick up where I left off. He knew all of it, and he knew it better than me. That’s a lot of how we connected. He really was just remarkable. I’ve never met anyone like him before, and I won’t again. 

Sage tells Polarity that no man is more powerful than a man with nothing to lose. Polarity has lost a lot, but when you look at who is around him in the finale, it doesn’t feel like he has nothing to lose. How might Polarity’s actions in the finale reflect someone who still very much has something to live for, even beyond his son? What has this new family he’s forged given him?

These kids have given him an opportunity to get it right. They’ve given him an opportunity to do better, to make amends and redeem himself. He’s turned an eye to a lot of abuse, a lot of criminal activity, to horrible things out of his own greed, ambition and hopes for his son. These kids have given him a new lease on life. He can never totally fix the harm he’s done, but they allow him to do a little bit to make up for the fact that there’s a long period of time in his life where he did not do anything to help the world. He only did things to help himself, and he paid the ultimate price by losing his son. He realizes that, and that hits him very hard. He probably feels like he’s going to dedicate the rest of his life to making up for that, and protecting these children as best he can.

After Marie restores his powers, Polarity becomes a major key in how the gang is able to stop Godolkin. But when it first happens in episode seven, it seems like a surprise to him and Cipher. The season has focused a lot on the mechanics of how supe powers work, so is that ability to keep Godolkin out of his head an expansion of not just what audiences but Polarity thought he could do? And how exactly is Polarity able to keep Cipher out?

From what I understand, Polarity’s powers of magnetism are so immense that he can create some type of force field around his own brain to keep anything from getting into it. I think he’s probably figured out that he can find a way to keep Cipher from controlling other people’s brains as well, but he can only do that one brain at a time so that becomes the challenge. Up until now, [Polarity has] always [thought his powers were] just a carnival trick. He’s never used his powers in any real way to help anybody, other than to get attention and be a star. It dawns on him: “I never knew I was capable of this before.” In that sense, he’s very much like some of the kids in the show. They’re doing things they never knew they were capable of, and that’s just the tip of the iceberg for Polarity’s powers. He’s realized. “I can really change things. I can use my power to protect people.”

Emma describes Polarity staying behind as a suicide mission, which leaves the moment feeling like a real full-circle sacrifice. How does that choice to stay behind not just embody Andre, but also the real man who raised Andre?

Polarity is fully willing to sacrifice himself for these kids. He knows if there’s any way that the world is going to change, they’re the ones that are going to do it, and he has to do everything he can to make sure they get that opportunity at the end of season two. I’ve never discussed it with the writers, but I do feel like Polarity is like, “Vought is going to come to this campus, and they’re going to raise hell, and I need to find a way to protect the kids that are here. So anything and everything that I have to do, I will do, and I don’t care what it costs me.” He’s staying behind because there’s no other adult in this entire world who cares about the kids. Polarity says, “It has to be me.’

Polarity and Emma built a bond this season that helps save them both and turns them into the heroes they want to be. Part of that journey is some tough moments, but there’s also so much humor. Can you talk about working with Lizze to create that earnest vibe between you too, which may have played a part with getting Polarity to where he lands at the end of season two?

Lizze’s a wild card, and that’s the best possible situation to be in as an actor. You’re dealing with all these curve balls coming from different directions, and she gives you so much to play off of. None of our dynamic or chemistry was talked about or planned. It’s natural energies, how they bounced off each other. We both cared a lot about doing good work, about really listening to each other and staying in the moment. We both cared a lot about Chance. So everything you see came out of those things. At the beginning of season two, Polarity really had, in my mind, decided, “It’s over. I don’t have any real reason to even exist on this Earth.” She yanks him out of that and gives him a tiniest kernel of a reason to keep going and try to get some type of justice, some type of answer for what happened to his son.

I was not anticipating Polarity defending Cate, but there are some parallels in terms of their relationships with Vought and Andre. Do you think he forgave Cate — and possibly himself — in that moment? 

I don’t think Polarity will ever, ever forgive himself for the way he lived his life and for the way his son died, and I don’t know that he forgives Cate. But he understands how somebody could get sucked into something that would make them do something so wrong; that can make them less than who they really are or should be. He has empathy for her in that sense, but I don’t know that he forgives her because the loss is too great, and the consequences have been too monumental. He understands and respects that he’s in no position to judge her.

In episode seven, Sage says, “You’re still going to die, Polarity, just not today.” What kind of fate might audiences expect for him post-finale? He clearly wants to live, but is that an option in the wake of what awaits him with Vought?

I absolutely think he can survive it. He has to. In the world of The Boys, and what’s going on with Homelander [Antony Starr], everything that Homelander is doing is unsustainable. At some point, it’s going to blow up. Something’s going to happen. He’s going to be stopped in some way. When that happens, there’s going to be a void. Who’s going to fill that vacuum? That is where I think Polarity comes in. Whether it’s in Vought or at the university, Polarity is a big part of whatever happens post-Homelander because Vought is still corrupt, even if Homelander is rendered ineffective in some way. Vought is still very, very corrupt, and it’s still a lot to protect these kids from those corporate interests.

***

All episodes of Gen V season two are now streaming on Prime Video. 

October 23, 2025 0 comments
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Nobody Wants This soundtrack | Full lists of songs from Netflix comedy
TV & Streaming

Nobody Wants This soundtrack | Full lists of songs from Netflix comedy

by jummy84 October 23, 2025
written by jummy84

Nobody Wants This returns for season 2 as Joanne and Noah attempt to try to make a righjt good go of it following a dramatic, swoon-worthy season 1 finale in which he thjrew caution to the wind and committed

Netflix’s latest romcom starring Kristen Bell and Adam Brody as star-crossed lovers has proved to be a huge hit, landing the No 1 spot on the platform’s most-watched list.

Nobody Wants This stars Bell as an agnostic podcaster and Brody as a rabbi who cross paths one day and, despite not being one another’s type on paper, fall madly in love.

The pair’s intense chemistry is accompanied by a sizzling soundtrack, featuring the likes of HAIM, Dua Lipa and Celeste, as well as some lesser known artists that are certain to become your new faves.

The soundtrack contains some already certified bangers, such as Sabrina Carpenter’s Manchild and Chappell Roan’s Good Luck, Babe!

But it also boats a raft of new recordings ,which you’ll no doubt have on repeat for the foreseeable.

Find them below.

Nobody Wants This season 2 soundtrack

  • In The Dark – Selena Gomez
  • You’ve Got Another Thing Coming – Teddy Swims
  • Who’s Your Boyfriend (Acoustic) – Royel Otis
  • Heart Letting Go – Chris Stapleton
  • If the World Burns Down – Kacey Musgraves
  • That’s What I’ll Be – Baylee Lynn
  • Palomino – FINNEAS
  • Your Girl – Towa Bird
  • My House – Alessia Cara
  • Saddle Again – Role Model
  • Climate Change – Just Jayne
  • This Version of Us – Ella Langley
  • What – BENEE
  • Reach You – Portugal. The Man
  • Dancing in the Smoke – GIVĒON
  • Melodies – Dermot Kennedy
  • Homesick – Cuco
  • Bite My Tongue – Cassandra Coleman

Nobody Wants This season 1 soundtrack

Kristen Bell as Joanne and Adam Brody as Noah in Nobody Wants This. Stefania Rosini/Netflix

Episode 1

  • Summer Girl – HAIM
  • ugi – strongboi
  • Cinderella – Remi Wolf
  • Now I’m in It – HAIM
  • You and I – LÉON

Episode 2

  • See Her Out – Francis and the Lights

Episode 3

  • Water the Flowers, Pray for a Garden – Valley
  • When The Love Is Gone – Anna Graves
  • Love on the Brain – Rihanna

Episode 4

  • Fly – Anna Graves
  • MY DEMONS – GLU & Phantogram
Kristen Bell as Joanne and Adam Brody as Noah, standing next to one another in a sex shop

Kristen Bell as Joanne and Adam Brody as Noah in Nobody Wants This. Adam Rose/Netflix

Episode 5

  • Together Forever – STRFKR
  • Wanna Go Back – babyidontlikeyou
  • Can’t Win – LABRYS
  • Always Been You – Shawn Mendes

Episode 6

  • Sure Feels Good – Willie J Healey

Episode 7

  • Knock Knock – Mac Miller
  • Say Cheese – Paul Russell
  • Mirror Mountain – Mini Mansions
  • Tubthumping – Chumbawamba

Read more:

Episode 8

  • Obsessed – Olivia Rodrigo
  • If You Need to, Keep Time on Me – Fleet Foxes

Episode 9

Episode 10

  • All I Ever Asked – Rachel Chinouriri
  • (Theme From) New York, New York – Frank Sinatra
  • Crank That (Soulja Boy) – Soulja Boy Tell ‘Em
  • Levitating – Dua Lipa
  • I’ll Make Love to You – Boyz II Men
  • Strange – Celeste
  • See Her Out – Francis and the Lights

Nobody Wants This is streaming now on Netflix. Sign up for Netflix from £4.99 a month. Netflix is also available on Sky Glass and Virgin Media Stream.

Check out more of our Drama coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more from the biggest stars in TV, listen to The Radio Times Podcast.

October 23, 2025 0 comments
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Ice Road Truckers
TV & Streaming

Riley & Zach Harris Face First Perilous Lake Crossing Without Their Dad

by jummy84 October 23, 2025
written by jummy84

[Warning: The below contains spoilers for Ice Road Truckers Season 12]

The October 22 episode of Ice Road Truckers featured a huge moment for Zach and Riley Harris as they went on their first solo run without their father Shaun. How would they cope on the perilous lake crossing? Read on to find out.

The History Channel show’s latest installment started with Todd Dewey, who had survived the Asheweig Road, and was set for a 600-mile journey back to Muskie Creek with a 45,000-pound rock screener. He felt every bump along the way and was concerned about making it through the ice crossing. Todd investigated the ice in the area, but the snow made it hard to get a good reading. With max or even a few pounds over to haul on the dangerous stretch, he essentially flew blind and hoped for the best.

He kept the door half open to see if he could hear the cracking of the ice. Todd made it through the rough patch, but there was more to go before he could breathe a sigh of relief. The trucker passed by the hill where he broke an axle eight years ago. Would history repeat itself? Todd started to roll backward. He was stranded, having to figure out a way to get going again. “Not again. Come on,” he said. There came a point where Todd had to break the rules a bit in the area and broke out the chains. It was his only way to make up the hill. Once he reached a safe spot took the chains off. Todd made it back to headquarters with a sense of accomplishment. He officially conquered his “redemption road.” 

Lisa Kelly (History Channel)

Meanwhile, Lisa Kelly was on her longest run of the season with 700 miles more back to Muskie Creek from Lac Brochet. She had a $100 bet and bragging rights on the line with Scott “Scooter” Yuill for who could log the most by the end of the season. The “Ice Queen” endured -40 degree temperatures, which created an environment for machinery failure. She chained up the tires to get her up the hill, but the frigid air wasn’t making things easy. The trailer brakes were frozen. Lisa grabbed a hammer for a quick fix, but had to ultimately cage the brakes. She screwed  the bolt manually to compress the spring and hold the brakes open. This worked as Lisa was able to move forward.  “It’s complete survival mode,” Lisa said, describing her problem-solving method. After receiving a massive kudos for a job well done with a new client, she checked in on her horses. “I do this for them,” Lisa said. She got a taste of home with a visit with some local horses. 

Scott, at Keewaywin,  loaded up for his own return trip back to Muskie Creek. The crew added a 20,000-pound backhoe, which will be transported on unpredictable terrain over 400 miles. His chain broke on the tires without any more links. He once again turned to the bungie cords to tight things up. “I have to red neck the sh*t out of this,” Scott explained. Day turns to night and would get stuck in a snow bank. “This road is kicking my ass,” he said. Scott radioed  the road crew for help. While waiting he checks in with his wife Kelly. He reflected on the sacrifices being made and the risk involved with the job away from home. The rescue crew pulled him out to get him going again. Scooter arrived at Muskie Creek after “by far the roughest road I’ve been on.” It was then time for rest before he had to do it all over again. 

Zach and Riley Harris were on a first solo run without their dad Shaun. With the Harris & Sons owner considered semi-retired, he hoped the two would prove themselves. The duo had to run up steel and appliances across 600 miles to Fond Du Lac. Shaun encouraged them to keep their speed down as, “they’ve had some close calls” in the area. Riley was the more experienced driver and took the lead to instruct Zach when trucks passed them from the other lane. It was a narrow fit all the way. “We almost shared paint jobs,” Riley said during one pass. The traffic was what concerned Riley, especially when you can’t see them coming. At one point, they lost radio communication, which concerned rookie Zach. Riley stopped after figuring out Zach can’t hear him. Zach’s truck blew a fuse in the dashboard, so they replaced it to get the radio operational again. At Lake Athabasca, the trucker bros made the 20-mile ice crossing on their own. It was dicey during some parts, but got through to the other side, which would surely make Shaun  proud. 

Ice Road Truckers, Wednesdays, 9:30/8:30c, History Channel

October 23, 2025 0 comments
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Sterlin Harjo on 'The Lowdown' — Showrunner Interview
TV & Streaming

Sterlin Harjo on ‘The Lowdown’ — Showrunner Interview

by jummy84 October 23, 2025
written by jummy84

Sterlin Harjo is a playlists guy. You name it, the writer, director, and showrunner of “The Lowdown” is using music to help him think about his storytelling — and then sending a ton of those playlists to music supervisor Tiffany Anders to see if they can use some of the tracks in the show. This was also true of their collaboration on Harjo’s first FX series, “Reservation Dogs.” On “The Lowdown,” Harjo and Anders have been able to weave some of the texture of Oklahoma into the series through its music cues. 

“I always come in with so much music, and Tiffany has a very similar approach. Also, we like a lot of the same stuff, which helps. Tiffany’s there when I need an alt or I run out of an idea for something. She’s always providing bangers that I love,” Harjo told IndieWire on a recent episode of the Filmmaker Toolkit Podcast. “She always brings — something like Ted Lucas, for instance, [during] ‘Reservation Dogs’ she turned me onto that, which I just loved and I put it in the finale.” 

THE MASTERMIND, Josh O'Connor, 2025. © MUBI /Courtesy Everett Collection

Harjo’s connection between music and writing is a very busy two-way street. He keeps a guitar on set when directing, and titles episodes after specific pieces, even if those titles ultimately don’t stick. “I’m such a disgruntled musician. I love musicians. While we made ‘The Lowdown,’ I constantly had a guitar on set and, you know, I was playing guitar with Ethan [Hawke] or Tim Blake Nelson would bring his Mandolin and we would sing songs together. It’s a way to — you know, I’m playing music on a Bluetooth or guitar and the crew just has a good time and we just have fun. It’s kind of like hanging out. It’s so important to me, the way I want to make films.” 

The important thing, which Anders also helps with, is not letting the music take over too much. But a lot of Harjo’s sensibility as a writer and director — the way that “The Lowdown” lingers on b-roll and establishing shots to create a sense of place, the series’ easy downshifts between its comedy and thriller modes of being — echoes the rhythms and cadence of the music he’s thinking about. And Harjo and Anders are able to add to that sense of place, but using music that speaks to the specific cultural melting point that exists in Oklahoma.  

Episode 4, for instance, opens on Tim Blake Nelson’s character, the late Dale Washberg, out on the prairie, speaking on his life and who he is (was) as a person, which may have led him to kill himself or someone to murder him — to be determined! You have the image of Nelson, a veteran of many a Western odyssey, in a cowboy hat and Western duds, looking out onto the land, and a song caught halfway between warm and mournful on the soundtrack. The cue hints at something deeper, more unseen, going on. And there is. 

“The opening of Episode 4, there’s this great track and there’s yodeling in it. You might think that that’s some white guy from Appalachia. He’s a Cherokee guy who sings these beautiful songs in the Cherokee language, you know? The song is actually about being young — it’s like, ‘when I was a boy’ and it’s a nostalgic song. You don’t even have to speak Cherokee to hear that nostalgia in the song. It makes so much sense for that moment,” Harjo said. “It’s moments like that, for me, that music, film, cinema, writing, everything comes together in one, and it’s just, it’s a storytelling device and so important to the work that I do, I think.” 

FX's The Lowdown -- "Short on Cowboys" Episode 4 -- Pictured: (l-r) Ethan Hawke as Lee Raybon, Ryan Kiera Armstring as Francis. CR: Shane Brown/FX
‘The Lowdown’

The music of “The Lowdown” is lovingly curated by, from, and about Oklahoma artists. Tulsa-based singer-songwriter Ken Pomeroy plays Dale Washburn’s daughter Pearl in front of the camera, but also lends her voice to a key Lee (Hawke) and Francis (Ryan Kiera Armstrong) father-daughter research montage in Episode 5, for instance. 

But beyond that, Harjo knew that setting the story in Tulsa was important for the themes he wanted to explore in “The Lowdown” and the kinds of both emotional and literal roadblocks he wanted to throw up in front of Lee as he attempts to solve the mystery of Dale’s death. In Tulsa, Harjo said that “Tulsa’s a character. You feel the need of people to leave and the people that need to stay; the architecture in Tulsa is like, ‘Oh, this had money once. There was an oil boom.’ There’s all this art deco and these amazing buildings downtown that are hardly used now. There is this duality to that, in the place.” 

It’s a duality that can be further emphasized in moments of disconnect, or moments of heartbreaking harmony, between music and image throughout the show. “There’s secrets; there’s darkness; there’s things that are covered up; there’s an underbelly. Those are the places where these types of stories are set and thrive because that’s what they are about. They’re about people with things to hide.” 

Not the banger playlists that go with “The Lowdown,” though. Those you can find pretty easily. 

To hear Sterlin Harjo‘s full interview, subscribe to the Filmmaker Toolkit podcast on Apple, Spotify, or your favorite podcast platform.

“The Lowdown” is now streaming on Hulu.

October 23, 2025 0 comments
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Greta Lee on her final episode of "The Morning Show"
TV & Streaming

Greta Lee Exits ‘The Morning Show’: Stella’s AI Disaster

by jummy84 October 23, 2025
written by jummy84

SPOILER ALERT: This post contains spoilers from “If Then,” the sixth episode of “The Morning Show” Season 4, now streaming on Apple TV.

Ladies and gentleman, Stella Bak has left the building. And the country. And the show.

In the sixth episode of the” fourth season of “The Morning Show,” the tech genius turned news division leader at UBN played by Greta Lee saw the carefully curated and swiftly ascendant life she built for herself come crashing down on top of her –– in front of 200 journalists, her boss Celine (Marion Cotillard) and the rest of the world.

“For me, this was that moment before an explosion,” Lee tells Variety. “It’s all of the centrifugal force that’s been piling up after years and years of having to operate a certain way. She has gotten quite savvy since the day she first arrived, but I think that it’s clear — or it was clear to me — that it’s not sustainable.”

Courtesy of Apple TV

It’s been one stumble after another this season for the woman who was first introduced to audiences in Season 2 as an intimidating problem-solver who’d sold her tech business and carved out a place for herself at a leading news network where women didn’t often find themselves in the C-Suite. But this season, Stella put everything on the line for her supposedly groundbreaking AI program (mind you, this is taking place in spring 2024) that can translate UBN’s popular anchors into any language ahead of the network’s global coverage of the Paris Olympics. But in the sixth episode, Stella’s crisis of conscious over her decision to not promote her friend Mia (Karen Pittman) because of pressures to elevate her male counterpart; Mia’s defiant return in which she declares Stella to be an enemy of the very progress she has long championed; and her ongoing affair with Miles (Aaron Pierre), Celine’s husband, leave Stella adrift.

In her voiceover across the episode, she laments that she has given in to the toxic pull of her “inner straight white guy” by doing what he would do –– “I fell into bed with the one person who could blow up his life.” While Miles isn’t the only thing putting pressure on the detonator, it doesn’t help the situation when she and Celine take the stage to present their ambitious Olympics coverage plan to the media. Hoping to distract the headline-hungry press from the network’s various other scandals, Stella rolls out a demonstration of her AI program, using her own manufactured image, despite telling Celine it isn’t ready. Unfortunately, her worst fear comes true when it not only malfunctions on stage, but regurgitates all the hurtful, racist and damning things Stella had spoken into it (aka herself) the night before in a digital-age version of taking a look at the mirror and asking if you like what you see.

The PR nightmare leaves Stella no choice but to resign. She initially retreats into the arms of Miles, and they resolve to run away to Naples together. But when she arrives at the airport with a hopeful smile and more time on her hands than usual, he texts her a simple “I’m sorry.” She gets on the plane anyway, and even Lee doesn’t know what awaits her on the other side.

“This is the end for her, as far as I know,” Lee says, confirming her exit, at least from Season 4. “But of course, since the show is so prescient and a direct commentary on what’s happening, I would love to see what kind of world would exist where she comes back, and what she might have to say.”

Stella’s undoing wasn’t a spiral contained to Season 4, though. Lee is of the camp that her downfall (at least professionally) started last season when she endured an excruciating lunch with a pair of slimy corporate investors. In order to gain their support and money, they forced her to command a waitress (also a woman of color) to lick a spilled drink off the table to prove she was one of the boys. Lee says Stella never recovered from compromising her ideals so irreversibly in that moment.

“But I’m hoping she will now get a chance to,” she adds. “I think that’s part of the problem for her. It’s like she hasn’t been afforded the opportunity to reflect or to forgive or even, in a lot of ways, acknowledge in a bigger way some of the things she’s endured and done in order to get to where she is. So I’m hoping she’s doing that on a beach somewhere.”

The implosion of Stella’s image, literally thanks to her own AI, is two-fold. It exposed her own deep concerns about the ways she has contributed to the company’s stunted progress for people and women of color at the network (Mia scolds her earlier for this, saying, “You’re not one of us — you never were.”). But her AI also talks about her affair with Miles –– right in front of Celine. The French CEO uses it to immediately take Stella out, corporately speaking.

The AI version of Stella presented in the series wasn’t quite the leap forward in technology that Hollywood fears and reviles, but rather just another task handed to Lee this season.

“Initially, I had to read opposite myself,” she says of the filming process. “The reality of what we’re doing is we’re showing tech that is developing as we speak. You see all the pitfalls of it, and how dangerous it can be if these guardrails aren’t put into place. So when I was doing it, it was a mess. I was doing a combination of reading with someone on script, and then also an image of myself that was like not quite the final product. Then going back and seeing what they generated and being totally weirded out by it — because trying to have any sort of the timing, comedic or dramatic, with a non-sentient representation of yourself is very weird.”

But she couldn’t just play herself. Lee and the creative team worked to find ways to make the AI present as technologically perfect, but also make sure the imperfections of AI were still on full display.

“We talked at length about how many blinks we were gonna do and blinking in the wrong place and how funny that is, because there are limits to the avatars,” she says. “That is what is so uncanny about them and why, arguably, they will never be good humans. There are certain qualities that are impossible to nail. So, yeah, we did get to play with a lot of that, and we had a lot of laughs.”

When she is betrayed by her own likeness, Stella can only look out onto a shocked audience, and happens to find a familiar –– albeit, not friendly –– face among them. Mia is watching from the nosebleed seats, and Stella has to process that moment through her as well. The two have been apprehensive advocates for each other over the past two seasons, and this season Stella vowed to go to bat for Mia’s bid for news director. But when she recanted on that to further her own ambition with AI and the network, Mia became the embodiment of Stella’s failings, one that haunts this scene like a ghost of what might have been.

Courtesy of Apple TV

“That moment was so fully loaded because she knows that there’s a betrayal between them, the kind that you can’t come back from,” Lee says. “For each of them and for so long, the option to fail was something that just never existed. Like, it just wasn’t possible. So to experience the pinnacle of failure in such a public way and have Mia be a witness to that, is almost too much to bear. That exchange, that wordless exchange across that room, is like a hundred words being said between the two of them.”

During the entire episode, Mia, Miles and Celine have all told Stella in one way or another why her decisions have set herself up for failure. With Miles especially, he admonishes her for choosing a man she could never truly have, despite their impassioned pleas to choose each other over his comfortable life and her career. However, his rejection of her at the airport in the execution of said plan may be the deepest cut in Stella’s no good, very bad day. She is left broken, unsure if she should still get on the plane or try to mend the wreckage in her wake.

In the final scene, Lee hesitates for a moment before letting Stella choose. 

“I think it’s a whole new sensation that she has literally never experienced before,” she says. “It’s a lot to process within a few moments. When she realizes Miles isn’t coming, she is taking stock and realizing she has nothing. But the surprising thing for her and someone like her is in that moment of realizing she’s got nothing, it sort of means she’s got everything. That’s the gift of the horrible circumstances that have fallen on her. She really is free. I think, arguably, that step toward the plane is the scariest thing she’s probably ever done in her life.”

Don’t cry for Stella too much. Let’s not forget she sold her tech company for hundreds of millions, and had plenty of zeros on her paycheck before exiting stage left at UBN. So her next chapter will be very well-funded, even if her personal and professional lives are in shambles. But Stella has proven she is nothing if not resilient. The big question now is whether she will return to the show, as so many (maybe too many?) of UBN’s former execs have. Lee says she loves working with “The Morning Show” ensemble, and is always excited to spar with them over media jargon. But conversely, she’s also very protective of Stella and her journey, and she doesn’t think she should come back any time soon.

“When I think about her and what I want for her, I don’t know if there’s a place for her that exists quite yet,” Lee says. “I think the world has to shift a little bit more to make room for her in the way that I would want to see her. Otherwise, we’ll just see her being a slave to this corporation. Being a slave to unfulfilled desires, and I don’t want that for her.”

Given that “The Morning Show” exists about a year and change behind our own timeline, audiences may be waiting a long time for our current world to be worthy of Stella Bak’s resurrection. Until then, Lee hopes she is spending some of those millions somewhere far from the 24-hour news cycle.

“I want her to be completely taken by surprise by what’s out there for her,” Lee says. “If she ever comes back, I want her to be sort of like Matthew McConaughey as the beach bum, with bongos and the hair. I want her to really be roughed up a little bit by real-world living. Just to feed her soul a little bit, and become a person. Because I really do think it’s from that place that maybe she would have something ingenious to offer.”

But for those who watched the episode and momentarily thought Stella had suddenly died off screen, you weren’t alone. When Alex (Jennifer Aniston) announces Stella’s resignation on air, the reflective script on her career at UBN sounded an awful lot like a eulogy, so much so that some people even mentioned it to Lee.

“Jen was crying when she came to set on my last day,” Lee says. “It was so sweet, and Mimi [Leder] had such beautiful words that day. We are a family, so it was really moving. But you’re not alone if you thought that was a eulogy. Some other people on our crew were like: ‘This is a eulogy. What’s happening?’”

October 23, 2025 0 comments
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Everything We Know So Far
TV & Streaming

Everything We Know So Far

by jummy84 October 23, 2025
written by jummy84

More “Jimmying,” boop-ing and other behavioral pattern disruption are in store with Apple TV’s comedy Shrinking set to return for a third season.

Season 3 of the show — co-created by star Jason Segel, Ted Lasso alum Brett Goldstein and Bill Lawrence who is behind other Apple hits like Bad Monkey and Ted Lasso — will contain the usual shenanigans established in the previous installments as well as some new faces.

For everything we know about Shrinking Season 3, read on.

When does Shrinking Season 3 come out?

Shrinking Season 3 will premiere Jan. 28, 2026 with its first episode. The following episodes will follow weekly on Wednesdays through April 8.

The show wrapped production in July 2025, and production took place in the heart of Pasadena shortly following the wildfires that ravaged Los Angeles at the beginning of the year.

How many episodes are in Shrinking Season 3?

There will be 11 episodes in the third season. Season 2 had 12 episodes, and Season 1 contained 10.

Will there be new characters in Shrinking Season 3?

Yes, Jeff Daniels has boarded Season 3 as Jimmy’s father. Michael J. Fox will also appear this season, and while his role is under wraps, there could be a connection to Harrison Ford’s therapist Paul Rhoades, who has Parkinson’s disease. Fox has been battling the same illness for three and a half decades.

Who else is back for Season 3 of Shrinking?

Aside from Jason Segel’s Jimmy and Harrison Ford’s Paul, returning cast includes Christa Miller (Liz), Jessica Williams (Gaby), Luke Tennie (Sean), Michael Urie (Brian), Lukita Maxwell (Alice) and Ted McGinley (Derek). Returning guest stars also include Devin Kawaoka (Charlie), Brett Goldstein, Damon Wayans Jr., Wendie Malick and Cobie Smulders.

RELATED: ‘Shrinking’ Wraps Season 3 As Harrison Ford Praises Crew As “The Very, Very Best”

Goldstein made his front-of-camera debut on the series in Season 2 as Louis Winston, a pivotal character to Jimmy and his daughter Alice’s story. Wayans Jr. portrays Derrick, good buddy of Jimmy’s neighbor Derek and love interest for Gaby. Malick plays Paul’s girlfriend and former doctor Julie, and Smulders appeared in Season 2 as Sofi, from whom Jimmy purchased a yellow Mini Cooper for Alice’s 16th birthday.

What is the theme of Shrinking Season 3?

In a post-mortem interview about Season 2 with Deadline last year, Bill Lawrence revealed that the Season 3 theme is moving forward after Season 1 focused on grief and Season 2 focused on forgiveness.

Who else is behind Shrinking Season 3?

The series is produced by Warner Bros. Television for Apple TV. Lawrence and Goldstein are under overall deals with Apple. Lawrence’s Doozer Productions also produces.

Lawrence, Segel, Goldstein, Neil Goldman, James Ponsoldt, Jeff Ingold, Liza Katzer, Randall Winston, Rachna Fruchbom, Brian Gallivan, Ashley Nicole Black and Bill Posley executive produce.

RELATED: How ‘Shrinking’ Composer Tom Howe Expanded The Music For Season 2 And Scored That Final Brett Goldstein Scene – Sound & Screen TV

October 23, 2025 0 comments
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Drew (left) and Jonathan Scott now film all of their renovation shows in Los Angeles to lessen the stress of juggling multiple businesses.
TV & Streaming

HGTV’s ‘House Hunters,’ ‘House Hunter International’ Get 400-Episode Order

by jummy84 October 23, 2025
written by jummy84

HGTV has bolstered its slate of real estate shows by freshening up its House Hunters and House Hunter International series with a giant 400 episode renewal order through 2026.

The House Hunters franchise, launched 25 years ago and attracting over 13 million viewers monthly, will return as real estate experts continue to steer potential buyers to local dream property purchases.

Botched Homes will see New York City-turned-Florida contractor Charlie Kawas and his crew fix failed renovations in a reality series from producer Mounment and set to debut in 2026. HGTV also ordered 16 half hours of Neighborhood Watch, a home surveillance footage series from Arrow Media also to debut next year.

Also upcoming from HGTV is the house hunting series World’s Bargain Dream Homes, where home buyers dream big and buy low in the show from Twenty Twenty Television. And HGTV home reno stars Drew and Jonathan Scott are set to star and executive produce 14 episodes of Property Brothers: Under Pressure from Scott Brothers Entertainment.

The new real estate series sees the Scott twins help wary buyers grapple with commitment issues to possibly make the biggest purchase of their lives.

“With this programming order, HGTV is delivering more of our tried-and-true formats that drive consistent ratings for the network, while also featuring new talent and concepts to engage our devoted fans and attract different audiences,” said Howard Lee, chief creative officer, U.S. Networks at Warner Bros. Discovery in a statement.

House Hunters is produced by Pie Town Productions, while the spinoff House Hunters International series is produced by Leopard USA.  

October 23, 2025 0 comments
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Louis Emerick on his Hollyoaks future after Brookside crossover twist
TV & Streaming

Louis Emerick on his Hollyoaks future after Brookside crossover twist

by jummy84 October 22, 2025
written by jummy84

There was more to the much-hyped return to Brookside Close than pure nostalgia, as the special crossover with Hollyoaks for its 30th anniversary revealed an almighty twist that uncovered an epic plot with decades of dramatic backstory.

Detective Donny Clark, who arrived in Hollyoaks village 18 months ago to reconnect with long-lost daughter Vicky Grant, has actually been Mick Johnson from Brookside all along. If this audacious development has shocked the audience, imagine how Louis Emerick felt when he was told he’d been playing his most famous role in plain sight, and didn’t have a clue?

“I was summoned by our executive producer Hannah Cheers for a meeting, but she wanted to walk and talk in the park, not in her office,” recalls Emerick, speaking exclusively to RadioTimes.com about the day he was let in on one of the biggest soap secrets of the year.

“It was all quite covert, like a spy film. She pitched the whole thing: the Brookie crossover, the storyline that connected it, and Donny turning out to be Mick. I was waiting for her to say it was an April fool, only this was July!

“Before she actually told me, Hannah was going round the houses trying to explain it and seemed to be soft soaping me, to prepare me for what she was about to say. I wondered whether Donny was going to turn gay in his middle age or something unexpected – I was ready for anything! The whole idea was so far out of left field, but I was really excited.”

Explanatory dialogue tells us that 20 years ago, in the shared Brookie-Oaks universe, Mick Johnson had an ill-advised affair with gangster Froggy Black’s wife. Vengeful Froggy planned to have Mick murdered, so to protect his family, Mr Johnson faked his death and made a fresh start under the new identity Donny Clark.

With Froggy now living in the same village as ‘Donny’ – what are the chances? – the detective’s past has come back to haunt him and his identity has been compromised. This forced a return to Brookside Close to warn daughter Gemma, along with assorted old pals including Sheila Grant and Billy Corkhill, who took in orphaned Gemma, that they could be in danger from Froggy’s criminal empire. The story continues in a hard-hitting edition of Hollyoaks Later, but where does this leave Donny/Mick in the main show? And what should we call him now?

“Initially they wanted the character to be known as ‘Mick’ from this point, but I thought that was a step too far and went against it,” explains Emerick. “Hannah went with it too. There’s more drama in as few people as possible knowing the truth.

“So Mick is gone and he’s still Donny, but trying to keep his past a secret. Donny has been a police officer for years, how will he explain he used to be someone else? And will those who know use it to their advantage? There are threats against him and his loved ones. And you’ve got to ask yourself, Donny’s kept all this hidden for 20 years – what else is he hiding?”

Emerick confirms Mick’s grown-up daughter Gemma, played by ex-Coronation Street star Tisha Merry, will be sticking around in Hollyoaks wanting answers from the father she grieved for. Brookside viewers, and Emerick, remember Gemma as a sweet little kid – to say she’s changed is an understatement…

Louis Emerick as Donny. Lime Pictures

“I think my Gemma has been substituted by an alien! The sweet girl Mick left is like the lead character in The Devil Wears Prada times 10! Gemma is a scheming baddie and the brains behind some terrible things that happened in the Later episode. And she’s dating Warren Fox!

“Gemma wants to punish her dad. Tisha and I have spoken about this and I think it’s a bit harsh. Her dad went out of her life for 20 years but for the right reasons – Gemma’s life was in danger. We’ll see Gemma trying to get at Donny’s fiancée Misbah, and even have a go at Mercedes McQueen! Vicky likes the idea of having a big sister, and her and Gemma seem to have a good relationship. But Gemma’s not to be trusted so I’m sure somewhere down the line that’s all going to change…”

Hollyoaks was conceived in 1995 as a younger-skewed spin-off from Brookside, and there were occasional crossovers and Easter eggs in the early days that acknowledged it occupied the same fictional world. Over time, and once Brookside was axed in 2003, that aspect was discarded – until now.

Respectfully paying tribute to its parent show is a master stroke on Hollyoaks’ part, and has seen a wave of nostalgic appreciation for the groundbreaking Brookie, which changed the face of television drama when it was launched back in 1982. It’s also got Johnson recalling his journey to the show, and how he has an old neighbour to thank for helping him on his way.

“It was 1989, I was a jobbing actor but was out of work at that time. An old lady who lived opposite called Rita knocked on my door one day, because she knew everyone else was out at work, saying she had a leak in her house and water was coming through the ceiling. I’m to DIY what an elephant is to hang gliding so I didn’t have a clue, but I knew to turn the stopcock off! So the water stopped and she got a plumber.

“Rita was so grateful. My phone had been cut off, because I couldn’t pay the bill, so she offered to pay it as a thank you. I said there was no need, but asked if I could give her phone number to my agent – this was before mobile phones – so they could get hold of me. Two weeks later I got the Brookside audition, and Rita’s coming back and forth with my schedule and call time written on a sheet of A4. She was the go-between with my agent! It was a domino effect from there, one ep of Brookie led to a BBC film with Miranda Richardson and Zoë Wanamaker, then I went back into Brookside and the rest is history.”

Donny speaking to Sheila as Benny sits in a cab in Hollyoaks on set at Brookside Close

Donny speaking to Sheila as Benny sits in a cab in Hollyoaks on set at Brookside Close. Lime Pictures

Emerick’s blend of roguish charm and air of authority has seen him work constantly since he quit Brookside in 2001, with recurring roles in Coronation Street, Casualty and Last of the Summer Wine, along with numerous guest appearances in everything from New Tricks to Vera and on stage.

The charismatic actor is full of stories from his early days on Brookie, where he got his big break alongside seasoned performers who were experiencing soap fame in their later years. “Bill Dean, who played Harry Cross, was in Scum which was a huge, groundbreaking film in the 70s, and also in Dennis Potter’s TV drama Pennies from Heaven. I was already starstruck, and being a Brookside fan before I was in it, I couldn’t believe I was working with Harry Cross! I used to go down the corner shop near the Close to get Bill’s ciggies.

“Another one I remember was Gladys Ambrose, who was Billy Corkhill’s mother-in-law, Julia Brogan. She and her husband were in the circus back in the day as a comedy acrobatic act, then she went on the variety circuit. She was wonderful and so glamorous, always in ridiculously high heels. When they made her a regular after years of guest stints she burst into the green room saying: ‘I’ve waited 45 years to become an overnight success!’

Hollyoaks inherited Brookside’s mantle of tackling taboo topics no other television show will touch, highlighting incel culture two years before Adolescence, and recently exploring sibling sexual abuse with unflinching commitment. As a final reflection on the impact of Sir Phil Redmond’s creations, Emerick says he is proud to have been a part of both shows that have broken so many boundaries, and praises the genre’s ongoing efforts to shine a light on uncomfortable issues.

“For the audience, seeing characters on a soap go through what they’re going through in real life enables them to reach out and get help. They can relate to it. Soaps are very much still a vital part of our lives, and will continue to be for some time.”

Read more:

Episodes of Brookside are available to watch on STV player. Hollyoaks is available to watch on catch-up on Channel 4.

Visit our dedicated Soaps page for all the latest news, interviews and spoilers.

Check out more of our Soaps coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more TV recommendations and reviews, listen to The Radio Times Podcast.

October 22, 2025 0 comments
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Rhonda in
TV & Streaming

‘Married at First Sight’ Preview: Rhonda Forget Her Husband’s Name After Their Wedding (VIDEO)

by jummy84 October 22, 2025
written by jummy84


Find out how Pat reacted to Rhonda’s slip-up.

October 22, 2025 0 comments
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'The Mastermind' Kelly Reichardt — Filmmaker Interview
TV & Streaming

‘The Mastermind’ Kelly Reichardt — Filmmaker Interview

by jummy84 October 22, 2025
written by jummy84


‘The Mastermind’ Kelly Reichardt — Filmmaker Interview




























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Director Kelly Reichardt tells IndieWire about sending Josh O’Connor’s art thief through the haze of the 1970s.

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October 22, 2025 0 comments
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