celebpeek
  • Home
  • Bollywood
  • Hollywood
  • Lifestyle
  • Fashion
celebpeek
  • Music
  • Celebrity News
  • Events
  • TV & Streaming
Home » TV & Streaming » Page 41
Category:

TV & Streaming

Best Movies Streaming November 2025: 'Fantastic Four,' 'Materialists'
TV & Streaming

Best Movies Streaming November 2025: ‘Fantastic Four,’ ‘Materialists’

by jummy84 November 1, 2025
written by jummy84

With the holiday season right around the corner, various streaming platforms are bringing in the big guns when it comes to launching Oscar contenders and/or blockbusters this month. Disney+ will premiere Marvel’s summer blockbuster “Fantastic Four: First Steps,” and it’s sure to be on a loop for comic book movie fans as there are no additional Marvel movies on the theatrical release calendar for the rest of the year. “Freakier Friday,” featuring the return of Lindsay Lohan and Jamie Lee Curtis 22 years after the first movie, is also debuting on Disney+ this month.

Netflix is keeping its Oscar season going this November with the streaming premieres of “Frankenstein,” Guillermo del Toro’s passion project that stars Oscar Isaac as the mad scientist and Jacob Elordi as the tormented monster, Richard Linklater’s French New Wave love letter “Nouvelle Vague” and “Train Dreams,” an understated indie drama that is quietly becoming one of Netflix’s strongest best picture contenders.

For the A24 crowd, the beloved indie studio’s continued partnership with HBO Max means two buzzy summer titles, “Materialists” and “Eddington,” will hit the Warner Bros. Discovery streamer this month ahead of Thanksgiving.

Check out a rundown below of the biggest movies new to streaming this November.

  • Fantastic Four: First Steps (Nov. 5 on Disney+)

    THE FANTASTIC FOUR: FIRST STEPS, (aka THE FANTASTIC FOUR), Pedro Pascal as Reed Richards / Mister Fantastic, 2025. © Marvel / © Walt Disney Studios Motion Pictures / Courtesy Everett Collection
    Image Credit: ©Walt Disney Co./Courtesy Everett Collection

    Marvel fans are sure to flock to Disney+ this month as “Fantastic Four: First Steps” makes its streaming debut after grossing $521 million in the theaters worldwide over the summer. Depicting the titular superhero family are Pedro Pascal as Reed Richards/Mr. Fantastic, Vanessa Kirby as Sue Storm/The Invisible Woman, Joseph Quinn as Johnny Storm/The Human Torch and Ebon Moss-Bachrach as Ben Grimm/The Thing. Julia Garner also stars as The Silver Surfer alongside Ralph Ineson as Galactus and Paul Walter Hauser as Harvey Elder/Mole Man.

  • Frankenstein (Nov. 7 on Netflix)

    FRANKENSTEIN, Jacob Elordi as The Monster, 2025. ph: Ken Woroner / © Netflix / courtesy Everett CollectionFRANKENSTEIN, Jacob Elordi as The Monster, 2025. ph: Ken Woroner / © Netflix / courtesy Everett Collection
    Image Credit: ©Netflix/Courtesy Everett Collection

    Guillermo del Toro’s “Frankenstein” arrives on Netflix with strong reviews and Oscar buzz. A passion project from the Oscar-winning filmmaker, del Toro adapts Mary Shelley’s iconic novel with Oscar Isaac as the eponymous mad scientist and Jacob Elordi as his misunderstood creature. At TIFF, the film came in as the runner-up for the fest’s coveted people’s choice award — an accolade that’s traditionally a key bellwether for the Oscar race. The supporting cast includes Mia Goth and Christoph Waltz. 

  • Materialists (Nov. 7 on HBO Max)

    MATERIALISTS, from left: Dakota Johnson, Pedro Pascal, 2025. ph: Atsushi Nishijima / © A24 / courtesy Everett CollectionMATERIALISTS, from left: Dakota Johnson, Pedro Pascal, 2025. ph: Atsushi Nishijima / © A24 / courtesy Everett Collection
    Image Credit: Courtesy Everett Collection

    A24 scored an indie box office hit with “Materialists,” Celine Song’s romance movie that crossed the $100 million mark at the worldwide box office over the summer. Headlined by Dakota Johnson, Chris Evans and Pedro Pascal, the film centers on a New York City matchmaker caught in a love triangle between her deadbeat ex-flame and a millionaire new guy. Variety gave the film a positive review, writing: “It’s a sharp and serious social romantic drama full of telling observations about the way we live now, and about how connected that is (or not) to the way we’ve always lived. And there’s a dark side to it. It’s ‘Sex and the City’ filtered through a sobering reality check.” 

  • Freakier Friday (Nov. 12 on Disney+)

    FREAKIER FRIDAY, from left: Jamie Lee Curtis, Lindsay Lohan, 2025. ph: Glen Wilson / © Walt Disney Studios Motion Pictures /Courtesy Everett CollectionFREAKIER FRIDAY, from left: Jamie Lee Curtis, Lindsay Lohan, 2025. ph: Glen Wilson / © Walt Disney Studios Motion Pictures /Courtesy Everett Collection
    Image Credit: ©Walt Disney Co./Courtesy Everett Collection

    Expect “Freakier Friday” to be a popular streaming choice on Disney+ all holiday season long. The sequel to the 2003 comedy classic once again stars Lindsay Lohan and Jamie Lee Curtis as a daughter and mother who swap places, but this time the women find themselves swapping with the daughter and soon-to-be daughter in law of Lohan’s character. “The movie winds up being rather touching,” wrote Variety‘s film critic Owen Gleiberman in his review. “It’s all about how Harper and Lily, in trying to break up their parents’ engagement, discover that they really do want to be sisters.”

  • Eddington (Nov. 14 on HBO Max)

    EDDINGTON, Joaquin Phoenix, 2025. ph: Richard Foreman /© A24 / Courtesy Everett CollectionEDDINGTON, Joaquin Phoenix, 2025. ph: Richard Foreman /© A24 / Courtesy Everett Collection
    Image Credit: Courtesy Everett Collection

    Ari Aster’s “Eddington” struggled at the box office with nearly $14 million worldwide, but the dark comedy is sure to gain more traction when it debuts on HBO Max this month. Starring Joaquin Phoenix, Pedro Pascal, Emma Stone and Austin Butler, the movie is set in a small New Mexico town come undone by politics, COVID and more. “Just when you think you’ve got ‘Eddington’ pinned down as a coherent and even conventional suspense tale, the movie wriggles out from under you and enters a terrain of stranger things,” writes Variety’s chief film critic Owen Gleiberman in his review. 

  • The Roses (Nov. 20 on Hulu)

    THE ROSES, from left: Olivia Colman, Benedict Cumberbatch, 2025. ph: Jaap Buitendijk / © Searchlight Pictures / Courtesy Everett CollectionTHE ROSES, from left: Olivia Colman, Benedict Cumberbatch, 2025. ph: Jaap Buitendijk / © Searchlight Pictures / Courtesy Everett Collection
    Image Credit: ©Searchlight Pictures/Courtesy Everett Collection

    Benedict Cumberbatch and Olivia Colman lead Jay Roach’s reimagining of the 1989 black comedy “The War of the Roses.” The film follows Ivy (Colman) and Theo (Cumberbatch), a seemingly perfect California couple with successful careers, great kids and a loving marriage. But when Theo’s career begins to nosedive as Ivy’s ambitions take off, their ideal life crumbles and the couple’s hidden resentments bubble to the surface.

  • Train Dreams (Nov. 21 on Netflix)

    TRAIN DREAMS, Joel Edgerton, 2025. © Netflix / Courtesy Everett CollectionTRAIN DREAMS, Joel Edgerton, 2025. © Netflix / Courtesy Everett Collection
    Image Credit: ©Netflix/Courtesy Everett Collection

    “Clint Bentley’s moving adaptation of Denis Johnson’s Pulitzer Prize finalist novella has steadily emerged as one of the most critically acclaimed films of the year — and a potential dark horse best picture contender,” Variety’s Clayton Davis recently wrote about the Netflix original “Train Dreams.” Set in the early 20th-century Pacific Northwest, the film stars Joel Edgerton as Robert Grainier, a solitary railroad worker navigating profound personal loss as the American frontier expands around him.

  • The History of Sound (Nov. 1 on Mubi)

    THE HISTORY OF SOUND, from left: Josh O'Connor, Paul Mescal, 2025. © Focus Features /Courtesy Everett CollectionTHE HISTORY OF SOUND, from left: Josh O'Connor, Paul Mescal, 2025. © Focus Features /Courtesy Everett Collection
    Image Credit: ©Focus Features/Courtesy Everett Collection

    Directed by Oliver Hermanus (“Living,” “Moffie”) and starring Paul Mescal and Josh O’Connor, “The History of Sound” follows two young men, Lionel (Mescal) and David (O’Connor), in the shadows of WWI who are determined to record the lives, voices and music of Americans. As they begin to log the events, the two fall in love. The film was penned by Ben Shattuck, adapted from his own award-winning short story. The movie also marks Mescal’s first project as an executive producer. 

  • Downton Abbey: The Grand Finale (Nov. 7 on Peacock)

    DOWNTON ABBEY: THE GRAND FINALE, (aka DOWNTON ABBEY 3), from left: Allen Leech, Michelle Dockery, 2025. ph: Rory Mulvey / © Focus Features / Courtesy Everett CollectionDOWNTON ABBEY: THE GRAND FINALE, (aka DOWNTON ABBEY 3), from left: Allen Leech, Michelle Dockery, 2025. ph: Rory Mulvey / © Focus Features / Courtesy Everett Collection
    Image Credit: ©Focus Features/Courtesy Everett Collection

    The “Downton Abbey” franchise comes to an end in “The Grand Finale,” which should delight fans on streaming ahead of Thanksgiving as it launches on Peacock. The synopsis reads: “The Crawley family and their staff enter the 1930s, where Mary finds herself at the center of a public scandal and the family faces financial trouble. The entire household is forced to grapple with the threat of social disgrace and must embrace change as the staff prepares for a new chapter with the next generation leading Downton Abbey into the future.”

  • Nobody 2 (Nov. 14 on Peacock)

    NOBODY 2, Bob Odenkirk, 2025. ph: Allen Fraser / © Universal Pictures /Courtesy Everett CollectionNOBODY 2, Bob Odenkirk, 2025. ph: Allen Fraser / © Universal Pictures /Courtesy Everett Collection
    Image Credit: ©Universal/Courtesy Everett Collection

    Bob Odenkirk returns as the overworked assassin Hutch in “Nobody 2,” a sequel to the 2021 action movie which also stars Connie Nelson, John Ortiz, Colin Hanks, RZA, Christopher Lloyd and Sharon Stone. After deciding to take his family to a tourist town for a vacation, Hutch unexpectedly finds himself dealing with a crime boss after encountering her local bullies. The movie grossed $41 million worldwide over the summer.

  • The Bad Guys 2 (Nov. 21 on Peacock)

    THE BAD GUYS 2, from left: Mr. Piranha (voice: Anthony Ramos), Mr. Snake (voice: Marc Maron), Mr. Shark (voice: Craig Robinson), Mr. Wolf (voice: Sam Rockwell), 2025. © DreamWorks Animation / © Universal Pictures /Courtesy Everett CollectionTHE BAD GUYS 2, from left: Mr. Piranha (voice: Anthony Ramos), Mr. Snake (voice: Marc Maron), Mr. Shark (voice: Craig Robinson), Mr. Wolf (voice: Sam Rockwell), 2025. © DreamWorks Animation / © Universal Pictures /Courtesy Everett Collection
    Image Credit: ©Universal/Courtesy Everett Collection

    DreamWorks Animation’s sequel “The Bad Guys 2” features the voices of Sam Rockwell, Marc Maron, Awkwafina, Craig Robinson, Anthony Ramos, Zazie Beetz, Danielle Brooks, Natasha Lyonne and more. The synopsis from Peacock reads: “Our now-reformed Bad Guys are trying (very, very hard) to be good, but instead find themselves hijacked into a high-stakes, globe-trotting heist, masterminded by a new team of criminals they never saw coming: The Bad Girls.”

  • Nouvelle Vague (Nov. 14 on Netflix)

    NOUVELLE VAGUE, Zoey Deutch as Jean Seberg, 2025. © Netflix / Courtesy Everett CollectionNOUVELLE VAGUE, Zoey Deutch as Jean Seberg, 2025. © Netflix / Courtesy Everett Collection
    Image Credit: ©Netflix/Courtesy Everett Collection

    Richard Linklater’s Cannes darling “Nouvelle Vague” is a valentine to the making of Jean-Luc Godard’s iconic 1959 “Breathless” and to the beginnings of the French new wave movement. Shot on 35mm film in black-and-white, the film stars Guillaume Marbeck as Jean-Luc Godard, Aubry Dullin as Jean-Paul Belmondo and Zoey Deutch as New Wave darling Jean Seberg. Linklater’s movie depicts the young Godard as a film critic, as a friend to other New Wave filmmakers such as Francois Truffaut and Jacques Rivette and as a director whose relationships with Seberg and Belmondo gave birth to one of cinema’s most iconic touchstones. 

  • In Your Dreams (Nov. 14 on Netflix)

    IN YOUR DREAMS, from left: Stevie (voice: Jolie Hoang-Rappaport), Baloney Tony (top, voice: Craig Robinson), Elliot (voice: Elias Janssen), 2025. © Netflix / Courtesy Everett CollectionIN YOUR DREAMS, from left: Stevie (voice: Jolie Hoang-Rappaport), Baloney Tony (top, voice: Craig Robinson), Elliot (voice: Elias Janssen), 2025. © Netflix / Courtesy Everett Collection
    Image Credit: ©Netflix/Courtesy Everett Collection

    The Netflix animated movie “In Your Dreams” features the voices of Craig Robinson, Simu Liu and Cristin Milioti. The official synopsis reads: “‘In Your Dreams’ is a comedy adventure about Stevie and her brother Elliot who journey into the absurd landscape of their own dreams. If the siblings can withstand a snarky stuffed giraffe, zombie breakfast foods, and the queen of nightmares, the Sandman will grant them their ultimate dream come true…the perfect family”

  • One to One: John & Yoko (Nov. 14 on HBO Max)

    IMAGINE: JOHN LENNON, John Lennon, (photo from recording of 'Imagine' album, 1971), 1988. © Warner Bros. / Courtesy Everett CollectionIMAGINE: JOHN LENNON, John Lennon, (photo from recording of 'Imagine' album, 1971), 1988. © Warner Bros. / Courtesy Everett Collection
    Image Credit: ©Warner Bros/Courtesy Everett Collection

    On August 30, 1972, John Lennon performed at the “One to One” benefit concert at Madison Square Garden. It was his only full-length show after leaving The Beatles. This new HBO documentary includes restored footage from the concert and other never-before-seen material from its production. Per HBO: “The documentary takes that legendary musical event and uses it as the starting point to explore 18 defining months in the lives of John and Yoko.”

  • Left-Handed Girl (Nov. 28 on Netflix)

    Left-Handed GirlLeft-Handed Girl
    Image Credit: Netflix

    Shih-Ching Tsou’s “Left-Handed Girl” is Taiwan’s official Oscar entry this year and was picked up by Netflix earlier this year. Co-written and edited by “Anora” Oscar winner Sean Baker, the movie follows a single mother and her two daughters as they relocate to Taipei to open a night market stall. The cast includes Janel Tsai, Nina Ye, Teng-Hui Huang and Shih-Yuan Ma.

  • The Ugly Stepsister (Nov. 25 on Hulu)

    THE UGLY STEPSISTER, (aka DEN STYGGE STESOSTEREN), Lea Myren, 2025. ph: Marcel Zyskind /© Memento Films International / Courtesy Everett CollectionTHE UGLY STEPSISTER, (aka DEN STYGGE STESOSTEREN), Lea Myren, 2025. ph: Marcel Zyskind /© Memento Films International / Courtesy Everett Collection
    Image Credit: Courtesy Everett Collection

    “The Ugly Stepsister” freaked out the Sundance Film Festival at the start of the year and is now arriving on Hulu this month. From director Emilie Blichfeldt comes a body-horror reimagining of the classic Cinderella story. “The Ugly Stepsister” follows Elvira as she prepares to earn the prince’s affection at any cost. In a kingdom where beauty is a brutal business, Elvira will compete with the beautiful and enchanting Agnes to become the belle of the ball. Lea Myren, Thea Sofie Loch Naess and Ane Dahl Torp star.

  • Sovereign (Nov. 7 on Hulu)

    SOVEREIGN, from left: Nick Offerman, Jacob Tremblay, 2025. © Briarcliff Entertainment /Courtesy Everett CollectionSOVEREIGN, from left: Nick Offerman, Jacob Tremblay, 2025. © Briarcliff Entertainment /Courtesy Everett Collection
    Image Credit: Courtesy Everett Collection

    Nick Offerman gives a powerful dramatic performance in the crime thriller “Sovereign,” written and directed by Christian Swegal in his feature film debut. The movie follows an anti-government fanatic and his son who venture across the country while constantly finding themselves on the wrong side of the law. It’s loosely based on real-life events surrounding the West Memphis police shootings in 2020.

  • Armand (Nov. 18 on Hulu)

    ARMAND, Renate Reinsve (center), 2024. © IFC Films /Courtesy Everett CollectionARMAND, Renate Reinsve (center), 2024. © IFC Films /Courtesy Everett Collection
    Image Credit: ©IFC Films/Courtesy Everett Collection

    “The Worst Person in the World” star Renate Reinsve is a protective mother who comes under fire in Halfdan Ullmann Tøndel’s “Armand,” which was shortlisted for last year’s international Oscar race after winning the Caméra d’Or for best first feature at the 2024 Cannes Film Festival.  “Armand” centers on well-known actress Elisabeth, who is abruptly called into a parent-teacher meeting at her 6-year-old son’s school. Here she is presented with allegations that trigger a tangled web of accusations between parents and faculty.

  • Come See Me in the Good Light (Nov. 14 on Apple TV)

    COME SEE ME IN THE GOOD LIGHT, from left: Andrea Gibson, Megan Falley, 2025. © AppleTV+ / courtesy Everett CollectionCOME SEE ME IN THE GOOD LIGHT, from left: Andrea Gibson, Megan Falley, 2025. © AppleTV+ / courtesy Everett Collection
    Image Credit: ©Apple TV/Courtesy Everett Collection

    “Come See Me in the Good Light” won Sundance’s 2025 Festival Favorite award. The synopsis explains the movie is a “poignant and unexpectedly funny love story about poets Andrea Gibson and Megan Falley, who face an incurable cancer diagnosis with joy, wit, and an unshakable partnership. Through laughter and unwavering love, they transform pain into purpose, and mortality into a moving celebration of resilience.”

  • Bride Hard (Nov. 28 on Hulu)

    BRIDE HARD, from left: Rebel Wilson, Anna Camp, 2025. © Magenta Light Studios / Courtesy Everett CollectionBRIDE HARD, from left: Rebel Wilson, Anna Camp, 2025. © Magenta Light Studios / Courtesy Everett Collection
    Image Credit: Courtesy Everett Collection

    The Rebel Wilson-led action comedy “Bride Hard” begins streaming on Hulu this month. Wilson plays Sam, a maid of honor for her childhood best friend. Out of her comfort zone, and with fellow bridesmaids judging her every move, she struggles to maintain her cover. But when a team of mercenaries take the uber-wealthy guests hostage, it’s up to Sam to do what none of the other bridesmaids can – wage war on anyone who would ruin the most important day of her best friend’s life.

  • The Family Plan 2 (Nov. 21 on Apple TV)

    THE FAMILY PLAN 2, from left: Van Crosby, Peter Lindsey, Michelle Monaghan, Mark Wahlberg, Zoe Colletti, Reda Elazouar, 2026. ph: Christian Black / © Apple TV+ / Courtesy Everett CollectionTHE FAMILY PLAN 2, from left: Van Crosby, Peter Lindsey, Michelle Monaghan, Mark Wahlberg, Zoe Colletti, Reda Elazouar, 2026. ph: Christian Black / © Apple TV+ / Courtesy Everett Collection
    Image Credit: ©Apple TV/Courtesy Everett Collection

    Mark Whalberg returns for the Apple sequel “The Family Plan 2.” The synopsis reads: “It’s the holiday season and Dan (Wahlberg) has planned the perfect vacation for his wife Jessica (Michelle Monaghan) and their kids to celebrate overseas—until a mysterious figure from his past (Kit Harington) shows up with unfinished business. An international game of cat-and-mouse ensues as Dan and his family battle, bicker, and bond their way through a series of bank heists, holiday hijinks, and car chases amid scenic European terrain.”

  • The Cut (Nov. 1 on Paramount+)

    THE CUT, Orlando Bloom, 2024. © Republic Pictures / courtesy Everett CollectionTHE CUT, Orlando Bloom, 2024. © Republic Pictures / courtesy Everett Collection
    Image Credit: ©Republic Pictures Corp./Courtesy Everett Collection

    A ripped Orlando Bloom headlines “The Cut” opposite Caitríona Balfe and John Turturro. He plays a journeyman boxer struggling to make weight ahead of his final chance at winning the title. Variety praised Bloom for giving “an all-time great performance” in a rave review, adding: “What separates Bloom’s performance from the pack is the way he carries himself. The Boxer is always rankled and always on guard, with eyes that seem to dart and search for opportunity. He has a suppressed hunger within him, and tight facial muscles that speak to a rough upbringing.”

  • Fire And Water: Making The Avatar Films (Nov. 7 on Disney+)

    AVATAR: THE WAY OF WATER, Jake Sully (voice: Sam Worthington), 2022. © Walt Disney Studios Motion Pictures / Courtesy Everett CollectionAVATAR: THE WAY OF WATER, Jake Sully (voice: Sam Worthington), 2022. © Walt Disney Studios Motion Pictures / Courtesy Everett Collection
    Image Credit: ©Walt Disney Co./Courtesy Everett Collection

    “Fire and Water: Making the Avatar Films” will premiere Nov. 7 exclusively on the streaming service Disney+. The two-part documentary will offer a deep-dive into the making of 2022’s “Avatar: The Way of Water” as well as a glimpse at the upcoming “Avatar: Fire and Ash” with behind-the-scenes footage and interviews with cast and filmmakers. Some of the many names that appear in the film include Cameron, the late producer Jon Landau, and stars Sam Worthington, Zoe Saldaña and Kate Winslet.

  • A Very Jonas Christmas Movie (Nov. 14 on Disney+)

    A VERY JONAS CHRISTMAS MOVIE, from left: Joe Jonas, Nick Jonas, Kevin Jonas, 2025. ph: John Medland / © Disney+ / Courtesy Everett CollectionA VERY JONAS CHRISTMAS MOVIE, from left: Joe Jonas, Nick Jonas, Kevin Jonas, 2025. ph: John Medland / © Disney+ / Courtesy Everett Collection
    Image Credit: ©Disney+/Courtesy Everett Collection

    Joe, Nick and Kevin Jonas are giving Jonas Brothers fans the ultimate holiday gift with their new Disney+ movie “A Very Jonas Christmas,” which features cameos from Billie Lourd, Laverne Cox, KJ Apa, Andrew Barth Feldman, Andrea Martin, Kenny G, Justin Tranter, Randall Park and Jesse Tyler Ferguson. The plot synopsis reads: “Kevin, Joe and Nick Jonas face a series of escalating obstacles as they struggle to make it from London to New York in time to spend Christmas with their families.”

  • Champagne Problems (Nov. 19 on Netflix)

    Champagne ProblemsChampagne Problems
    Image Credit: Netflix

    Even with a handful of Oscar contenders launching on Netflix this month, from “Frankenstein” to “Train Dreams,” the streaming giant will probably lure in the most viewers with its original rom-com offerings like “Champagne Problems.” The official synopsis reads: “Sydney Price (Minka Kelly) is a determined executive who gets the chance to lead a major acquisition for Chateau Cassell, a beloved champagne house. She travels to France around Christmas as part of the negotiations and has a charming run-in with Henri Cassell (Tom Wozniczka), a stranger who turns one simple evening into something special. But her plans for a whirlwind romance are quickly upended when she discovers that this charming Parisian is the founder’s son of the very company she is hoping to acquire.”

  • Jingle Bell Heist (Nov. 26 on Netflix)

    Jingle Bell HeistJingle Bell Heist
    Image Credit: Netflix

    Expect another Netflix hit movie with “Jingle Bell Heist.” The synopsis reads: “Sophia (Olivia Holt), a sharp-witted retail worker, and Nick (Connor Swindells), a down-on-his-luck repairman, are small-time thieves with their eyes on the same Christmas Eve score: robbing London’s most notorious department store. Forced into an uneasy alliance, as secrets surface and feelings for each other deepen, Sophia and Nick put their relationship and the heist in jeopardy.”

  • Past Lives (Nov. 2 on HBO Max)

    PAST LIVES, from left: Teo YOO, Greta Lee, 2023. © A24 / courtesy Everett CollectionPAST LIVES, from left: Teo YOO, Greta Lee, 2023. © A24 / courtesy Everett Collection
    Image Credit: Courtesy Everett Collection

    With Celine Song’s “Materialists” making its streaming world premiere on HBO Max this month, it’s only fitting the streamer is also bringing Song’s rapturous debut “Past Lives” to its library for November viewing. Nominated for two Oscars (best picture and best original screenplay), “Past Lives” follows Greta Lee’s Nora as she reconnects with her childhood sweetheart (Teo Yoo), confronting what her life might have been. The drama was named the fourth best movie of 2023 by Variety film critic Peter Debruge.

  • Drop (Nov. 14 on Prime Video)

    DROP, Meghann Fahy, 2025. ph: Bernard Walsh / © Universal Pictures / courtesy Everett CollectionDROP, Meghann Fahy, 2025. ph: Bernard Walsh / © Universal Pictures / courtesy Everett Collection
    Image Credit: ©Universal/Courtesy Everett Collection

    The Blumhouse horror movie “Drop” arrives on Prime Video this month at no extra cost to subscribers after making its streaming debut on Peacock over the summer. Meghann Fahy stars as a widowed mother whose first date takes a nightmarish turn when she begins receiving threatening text messages. “Christopher Landon crafts a pulpy surveillance mystery that gives way to something giddy and exciting,” reads Variety’s review. “The film’s complicated setups are executed with a deft and capable hand.”

  • Mickey 17 (Nov. 26 on Prime Video)

    MICKEY 17, Robert Pattinson, 2025. © Warner Bros. / Courtesy Everett CollectionMICKEY 17, Robert Pattinson, 2025. © Warner Bros. / Courtesy Everett Collection
    Image Credit: ©Warner Bros/Courtesy Everett Collection

    Bong Joon Ho and Robert Pattinson’s “Mickey 17” becomes available on Prime Video at no extra cost to subscribers this month. Based on the 2022 novel “Mickey7” by Edward Ashton, “Mickey 17” stars Robert Pattinson as an “expendable,” a clone that is sent on fatal missions colonizing an ice planet and then “reprinted” with most of his memories intact every time he dies. The supporting cast includes Mark Ruffalo, Steven Yeun, Naomi Ackie and Toni Collette.

November 1, 2025 0 comments
0 FacebookTwitterPinterestEmail
Alex Lutz Talks 'Connemara' With Mélanie Thierry
TV & Streaming

Alex Lutz Talks ‘Connemara’ With Mélanie Thierry

by jummy84 November 1, 2025
written by jummy84

Actor and director Alex Lutz touches down in L.A. this weekend for the Northern American Premiere of romantic drama Connemara at The American French Film Festival (TAFFF) on Saturday evening, after which he will participate in an onstage conversation.

The work, which world premiered in Cannes in May, is the fourth solo feature in the director’s seat for Lutz, who has more than 60 film and TV acting credits under his belt, with roles including Pierre Bergé in the Hulu series Becoming Karl Lagerfeld and his César-winning performance as jaded pop star in Guy, which he also directed.
 
In Connemara, Mélanie Thierry (The Zero Theorem, Da 5 Bloods) stars as burned-out executive Hélène who returns to her nondescript childhood hometown in France’s north-eastern Vosges region to reset, where she reconnects with childhood friend Christophe, played by Bastien Bouillon.
 
The former local ice hockey champion never left the town and is now a single father living in straitened circumstances as he juggles looking after his son and elderly father.
 
Lutz has adapted the feature from the 2022 eponymous novel by Nicolas Mathieu, whose And Their Children After Them was also adapted to the big screen by directorial duo Ludovic and Zoran Boukherma in 2024.
 
“I’d done a romance before, Strangers by Night, with Karine Viard but there was something in this story, which was more sombre than a classic romance,” says Lutz.
 
“There were also a number of themes that interested me enormously such as the passing of time and the question of what it means to stay or leave when you come from a smalltown, and what it’s like to return to a smalltown in the provinces, having left and built a career in a big city.”
 
“This is the case of Hélène, who was that girl next door, who studied like crazy to achieve professional success, with a life in Paris, two kids and an apartment that looks like something out of Elle magazine… but then she hits her 40s and suffers a real burnout.”
 
Lutz was also drawn to the setting of the film, a peri-urban hinterland, which is neither the town nor countryside.
 
“There are places like this all over Europe on the outskirts of towns, which are a mix of small houses with commercial zones… everything looks very convenient but there’s also social violence underneath.”
 
Lutz co-wrote the screenplay with Amélia Guyader and Hadrien Bichet, who was his first assistant director on Strangers by Night, over three stages.
 
“I started off on my own and was joined very quickly by Amélia. She did a lot of work with me, analyzing the novel. We really dissected the novel,” recounts Lutz.
 
“We built the screenplay as if we were trying to create a skeleton from the novel, stripping away the layers. When I had a version, I was happy with, I spent some time alone with it again.”
 
“In the final stretch, on the last drafts of the script, I worked with my wonderful artistic collaborator, Hadrien Bichet… He’s also a screenwriter, and director too, so it was a real joy to have this final, collaborative writing process.”

Mélanie Thierry and Bastien Bouillon in Connemara

Incognito Pictures, Supermouche Production, Studiocanal – Jean-François Hamard

On the casting of the film, Lutz says he had been tracking the work of Bouillon since around 2022, when his career started to really take off with his role in Dominik Moll’s The Night Of The 12th, which played in the Cannes Premiere section in 2022, the same year Guy world premiered in Cannes Critics’ Week.
 
“And I’ve always liked Mélanie, so they’re people I’ve been following for a few years now, although I wasn’t set on them initially. I had lots of ideas,” says Lutz.
 
“I first offered the role to Bastien… I didn’t want to fall into the trap of showing an athletic guy, who is a bit overweight, suffering inside. I felt the character needed a sort of energy, and how do I say this, something almost feminine, with elegance.
 
“Bastien offered all of these elements… he also has this ability to completely light up the screen, at the same time as being completely down to earth.”
 
Lutz discussed the role of Hélène with a number of actresses but was impressed with how the character resonated with Thierry, while she also offered an element of grit that he was looking for.
 
“I didn’t want a female character in the vein of a Jane Austen heroine. I wanted there to be anger, hardness, and to show the challenges facing a woman in a high-profile job, while managing her family, who allows herself, as she says, to let her hair down for once.”
 
Connemara is the first feature directed by Lutz in which he does not also co-star, but the actor-director points to his long-running and ongoing work in the theater, where he got his first big breaks as an actor and then director in the 1990s, creating his own company Le Coût de la pomme in 1996.
 
“I’ve directed a lot of theater without being in the cast, so it’s not something new to me,” he says.
 
He adds it is impossible for him to say whether he prefers acting over directing but admits his sweet spot is mixing the two
 
“It can be complicated but I love directing at the same time as playing in films.”
 
Diagnosed with dyslexia as a child, Lutz reveals his biggest challenge remains writing, even if he loves to write.
 
“I always have this feeling of having to get my homework in… even if I’ve written books, plays and films, this feeling never goes away, while acting and directing actors, that’s something else entirely, I think because it’s not connected to my chaotic scholastic path,” he explains.
 
Alongside, acting and directing, Lutz has recently added another string to his bow, with the creation of production company Grands Ducs Films with Bichet and Thomas Santucci, in partnership with Studiocanal.
  
Projects in the early stages of development include a TV drama series in which two characters, with nothing in common, find themselves forced to spend time together.
 
“It could be because a plane doesn’t take off, or another unexpected circumstances… and it may be tied to a certain location like an airport… we’re thinking about it now,” he says.
 
In the meantime, Lutz will next be seen on the big screen in Isabelle Carré’s Les Reveurs, about a woman who overcomes mental health issues through theatre, which hits French cinemas on November 12.

November 1, 2025 0 comments
0 FacebookTwitterPinterestEmail
Trump Faces Apparition in Halloween Episode
TV & Streaming

Trump Faces Apparition in Halloween Episode

by jummy84 November 1, 2025
written by jummy84

In the latest entry into the sporadic but pretty great South Park Halloween episode canon, creators and showrunners did not present a traditional Halloween episode centered around the holiday, but a biting and spooky satire of the Trump administration and suggests some otherworldly repercussions for the very real demolition of the White House’s East Wing.

The situation for Stan Marsh and his family is getting grim: the four have been living in a motel since Tegredy Farms went kaput earlier in the season, and now they will be moving in with a very unwilling Grandpa Marsh in his assisted living home. Stan is not pleased and is looking for a way out of there, like now.

In Washington, D.C., we find lovebirds President Trump and Satan gazing on as the East Wing of the White House is bulldozed and destroyed. But Satan, it seems was misinformed by his beau and thinks the construction is for a nursery for their little bundle of Antichrist, who, looking at the size of Satan’s bump, will arrive soon. Putting their domestic argument aside, they are off to the Oval Office to attend a security briefing.

In the meeting, they learn that someone might be trying to stop the baby from being born — and three characters are, in fact, doing that exact thing: Peter Thiel, who is hellbent on stopping the Antichrist; Vice President J.D. Vance, who wants a happy Trump for his nefarious career ladder climb; and Trump in the Oval Office meeting. United States Attorney General Pam Bondi is told she has human shit literally on her nose as she lays on the brown nosing to Trump, assuring him that there is no way this will happen to the greatest president of all time. 

But the bombshell comes when it’s revealed that by demolishing the East Wing of the White House, the Trump administration has unleashed some sort of vengeful supernatural wrath. The president explains that he’s been noticing a creeping feeling and seeing what looks like a woman in a hat appearing in the mirror and the hallway.

Back at South Park Elementary, Stan is at his wits’ end after spending too much time in the facility with his family. After grousing about it with the boys, he then breaks the fourth wall in what turns into a biting satire on the crypto space and ushers in the return of Kyle’s relative, the nerdy and wheezing Cousin Kyle Schwartz as the crypto scam’s money man. Let’s let Stan explain phase one of his scheme. 

“How many weeks has it been now, dealing with one stupid thing after another?” Stan says to the show’s audience (and is talking about the show here, in case you don’t catch on). “The truth is, I think a lot of people are afraid to admit it. Yeah, everyone knows South Park sucks now and it’s because all this political stuff is being totally bogged down in it. Remember when we used to do stuff, ever since all this political crap took over.”

He’s maybe right. Here’s more.

At 1600, the president continues to see something appearing in the mirror and the hallway of the White House. Viewers then get to see the South Park rendering of Trump in the shower, micropenis on full display. As he towels himself off, what appears to be a woman with a hat is again in the room. But who is she and what does she want?

To expose the truth, it seems. After a grotesque rendering of Trump advisor Stephen Miller allows Cousin Kyle into the White House for a meeting with Donald Trump Jr. to do some cryptoscamming, or “take a big dump” on investors — something Trump the younger says he loves through an unending grin — the entire Trump administration, or at least the ones we’ve seen depicted on the show over this and last season, are conducting a seance led by an even more shit-nosed Bondi.

Bondi (with the shit now all over her face), is leading the seance and quickly becomes a conduit for whatever the spirit or entity haunting Trump’s White House wants to say. It has something to do with “lies,” which are being told by a man. Bondi, speaking for the apparition, mumbles something about “Epstein” — which Trump quickly shouts down. “He lies… corruption… lies…” Bondi garbles, speaking for the ghost. 

Suddenly, Cousin Kyle breaks down as he runs out of the room. He can’t take it anymore, the apparition is right, crypto is a scam, and he’s ashamed of what he’s been doing. It allows the rich to launder money and get richer, he confesses while sobbing. Trump and his gang of administrators remain silent as the episode closes and it’s back to the status quo… at least for now. 

Alls well that ends well this Halloween episode, which didn’t have any real Halloween included. Except for Stan, who is tragically is back at the assisted living facility at episode’s end.

November 1, 2025 0 comments
0 FacebookTwitterPinterestEmail
Brackley Town v Notts County FA Cup TV channel, live stream, kick-off time
TV & Streaming

Brackley Town v Notts County FA Cup TV channel, live stream, kick-off time

by jummy84 November 1, 2025
written by jummy84

League Two Notts County head to National League outfit Brackley Town on Saturday in the first round of the FA Cup.

The visitors, who are chasing promotion in the fourth tier, have entered the world’s oldest cup competition at this stage along with the rest of the teams from the EFL’s two lowest divisions.

Notts have not failed to make it past the first round of the FA Cup since they returned to the Football League a few years ago – and won’t want to start now.

Brackley Town have dropped to 17th in the National League as a result of four defeats in their last five games.

That is hardly ideal form ahead of Notts’ visit but they did thrash Woking 6-2 in the replay of their FA Cup fourth round qualifying tie earlier this month.

RadioTimes.com has rounded up everything you need to know about how to watch Brackley Town v Notts County on TV and online.

Read more football features: Best players in the world | Best players of all time | Live football on TV today

When is Brackley Town v Notts County?

Brackley Town v Notts County will take place on Saturday 1st November 2025.

Check out our live football on TV guide for the latest times and information.

Brackley Town v Notts County kick-off time

Brackley Town v Notts County will kick off at 5:30pm.

What TV channel is Brackley Town v Notts County on?

The game will be shown live on TNT Sports 3 from 5:15pm.

Fans can also tune in to watch the game for free on BBC Two from 5:15pm.

There are multiple ways to get TNT Sports. If you already have BT Broadband, you can add TNT Sports to your existing contract from just £18 per month. You can add the ‘Big Sport’ package for £40 per month which includes all TNT Sports and 11 Sky Sports channels via a NOW pass.

You can also access TNT Sports via discovery+ and stream directly to your smart TV.

How to live stream Brackley Town v Notts County online

You can watch the match on TNT Sports via discovery+ Premium monthly pass without signing up to a contract.

You can live stream the online match via BBC iPlayer.

The streaming platform is available on a range of devices, from desktop and laptop computers to smartphones and tablets via the app.

Regular discovery+ subscribers can also stream matches on a variety of devices including laptops, smartphones and tablets via the discovery+ app.

discovery+ is the new streaming home of TNT Sports, showing events including live Premier League, UEFA Champions League, Premiership Rugby, UFC, Boxing and MotoGP. Learn more here: discoveryplus.com

Listen to Brackley Town v Notts County on radio

You can listen to the match on BBC Radio 5 Live Sports Extra 2.

BBC Radio 5 Live Sports Extra 2 is available on DAB radio or you can tune into the station via most TV packages. You can also listen to BBC Radio 5 Live Sports Extra 2 online via the BBC website or BBC Sounds app.

Advertisement

Brackley Town v Notts County odds

In working partnership with the Radio Times, bet365 has provided the following betting odds for this event:

bet365 odds: Brackley Town (15/4) Draw (14/5) Notts County (8/11)*

For all the latest football odds and more, visit bet365 today. Bet £10 & Get £30 in Free Bets for new customers at bet365.

Min deposit requirement. Free Bets are paid as Bet Credits and are available for use upon settlement of bets to value of qualifying deposit. Min odds, bet and payment method exclusions apply. Returns exclude Bet Credits stake. Time limits and T&Cs apply.

*Odds subject to change. 18+. T&Cs apply. GambleAware.org. Note – The bonus code RT365 does not change the offer amount in any way.

Check out more of our coverage or visit our and to find out what’s on. For more TV recommendations and reviews, listen to .

November 1, 2025 0 comments
0 FacebookTwitterPinterestEmail
Captain Sig Hansen Suffers Medical Emergency at Sea
TV & Streaming

Captain Sig Hansen Suffers Medical Emergency at Sea

by jummy84 November 1, 2025
written by jummy84

What To Know

  • Season 21 of Deadliest Catch concluded with high drama as Sig Hansen suffered a health emergency at sea after two heart attacks.
  • Jake Anderson overcame crew injuries to meet a massive quota, and moving closer to owning the Titan Explorer outright.
  • Other captains, faced medical emergencies, mechanical failures, and dangerous weather, but managed to overcome challenges.

[Warning: The below contains spoilers for Deadliest Catch Season 21]

There has been a lot of blood, sweat, and tears shed during Season 21 of Deadliest Catch. It all led up to a dramatic one-two punch of episodes during the October 31 double episode finale. Sig Hansen was stressed with an offload bairdi quota deadline coming in four days. He received a call from Jake Anderson, who wasn’t too far off, asking if his former mentor wanted to partner up. Sig initially turned him down. Jake had another idea to boost numbers. He opted to weld and set pairs of pots across the narrow channel in a zig-zag pattern. His hope was to herd the crab in like sheep dogs through baited gear. Sig eventually came back and went with Jake’s herding approach. Sig’s Northwestern went north while Jake’s Titan Explorer went south.

The plan proved fruitful. However, Sig was starting to feel the physical and mental demands of captaining a vessel deep into a season. Feeling especially tired, he called his son-in-law Clark Pederson to the wheelhouse to take over while he went to lay down. Later on a crew member checked on Sig to find him on the floor in his room. It was a dramatic scene that even led to the producer to ask if he needed help. There was vomit spotted nearby. The crew wanted to alert the coast guard, but Sig refused. “I was just dizzy,” Sig explained. “It feels tight on my chest.” 

Knowing he had two previous heart attacks, Clark consulted with a cardiology specialist via phone to see what they should do. The medical professional asked him to take his blood pressure and check his pulse. Sig mentioned having shoulder pain. “How fast can you get him medical attention,” the specialist asked. He suggested elevating his legs for increased blood flow and to head to a medical clinic ASAP. They made it back to port. Sig headed off to see a cardiologist and get checked out.  

Clark Pederson/Discovery Channel

It was then up to Clark to finish things up with 60,000 pounds of bairdi still to catch. This was the first time he captained by himself. Back on land in Washington, Sig met with the doctor. Sig spoke about what led up to the event including being up for a day-and-a-half and drinking a ton of coffee, in excess of 15-20 cups. Sig admitted he was also still smoking. Arrhythmia increased the risk of having a heart attack. The doctor encouraged him to stop smoking and lay off the caffeine, especially in such a high stressful job. The doctor suggested he may also want to reconsider fishing more. “You’re not doing yourself any favors being on the boat.” Needless to say, Sig had a lot to think about regarding his future. Clark made it back home as the conquering hero. He met the quota, which translated to $52,000 for each deckhand. Sig was proud of his son-in-law and thankful for his efforts. So much he gifted him a new set of wheels. Sig  As for retiring Sig said, “I don’t see that happening. Quite, frankly, I don’t want to.” 

Meanwhile, Jake had his own issues aboard the Titan Explorer with a big quota looming. His key deckhand Mac White hurt his knee, but he limped on through until he reached a point he needed to step aside. Jake hoped to get him back in the game as the 40-year veteran was an important member of the team. Mac valiantly made it back on deck to finish the job. Jake met his quota with a mammoth 400,000 pounds of bairdi worth $2.9 million. Now it was just about writing a check and filling out paperwork to own the Titan Explorer outright. His crew received $145,000 each for their efforts. 

Keith Colburn

Discovery Channel

In Anchorage, Alaska, Keith Colburn was getting himself checked out at the hospital. His brother Monte held down the fort on The Wizard. There were still 100,000 pounds of crab left to catch. An alarm sounded ,and he lost steering. The plan was to weld piping down below the vessel to operate the steering manually while they work on another motor over the next few hours. The waves were coming in strong as Monte communicated directives of where to steer while the pots were placed. 

Keith received good news from the  panel results on his kidneys and back. He may return to work. Back on the boat, Joe, chief engineer, was able to get the steering going again. Then it came back to hauling to finish the season strong. Monte took a break to pick up his brother from the airport. With an offload done, they were getting out there for opilio before the cannery closed. Despite turbulent weather and conditions, their numbers picked up and headed home. 

Rick Shelford had a difficult opilio season as well and battled particularly icy conditions. He made a last-ditch effort to make his goal on the Aleutian Lady as he dropped 120 pots in the midst of 20-foot breakers. Rick had to deal with a potentially disastrous leak that put his crab tank and 65,000 pounds of crab worth $425,000 in danger. Luckily, the crew managed to locate the leak and seal it up. 

Though it wasn’t smooth sailing when his deckhand Noah got smacked in the face with a steel hook. Rick likened it to getting punched in the face by Mike Tyson. With blood coming out of his mouth, Noah had cracked teeth. Rick had no choice but to head back to the Dutch Harbor for him to get helped by a dentist. Rick headed back on the waters to get the rest of his crab. He finished with 220,000 pounds for his quota, which meant a $55,000 pay day for each hand. Overall a job well done. 

November 1, 2025 0 comments
0 FacebookTwitterPinterestEmail
Why Yorgos Lanthimos Shot VistaVision in Basement Set Film
TV & Streaming

Why Yorgos Lanthimos Shot VistaVision in Basement Set Film

by jummy84 November 1, 2025
written by jummy84

In “Bugonia,” after Teddy (Jesse Plemons) kidnaps Michelle (Emma Stone), a large percentage of the movie takes place inside the conspiracy-obsessed kidnapper’s house. Specifically, his basement, where he goes to extreme lengths to get what he wants from the powerful, cunning CEO he’s holding captive.

While a guest on this week’s episode of the Filmmaker Toolkit podcast, director Yorgos Lanthimos discussed why the limitations of the basement setting were cinematically necessary.

“Films build microcosms, and those can be of varying sizes, and this is one of the smaller ones. That creates a lot of tension and allows you to scrutinize the situation,” said Lanthimos. “It’s like looking through a microscope a little bit, if you limit things, if you go further and deeper and closer, [you ask as a viewer], ‘What is there?’ And especially if there’s an explosive dynamic, you’re so close, it’s amplified.”

'The Love That Remains' ('Ástin Sem Eftir Er')

Working within restricted space, Lanthimos felt the need to go big with the filmmaking, both with supervising sound editor/re-recording mixer Johnnie Burn’s sound design and composer Jerskin Fendrix’s music, which is by far the biggest score in the score-adverse director’s career.

“I just felt that the juxtaposition of a really big soundtrack would be interesting,” said Lanthimos. “There’s a lot of big themes and a lot of big feelings, so I wanted that to be represented in an extreme way in the soundtrack and music and sound design. It’s a similar reason that we ended up shooting the film on VistaVision.”

That’s right, “One Battle After Another” and “The Brutalist” aren’t the only two recent films that breathed life back into the once-dead large-format and barely functioning VistaVision cameras that had spent decades on the shelf. But unlike Lathimos, Paul Thomas Anderson and Brady Corbet reached for the VistaVision to lend a big-screen grandeur to what were the directors’ most expansive and epic films to date.

While on the podcast, Lanthimos recognized how counterintuitive it was shooting his smallest (spatial speaking) film on the largest possible negative, but said that after using VistaVision to shoot the reanimation scene in “Poor Things,” the director and his cinematographer Robbie Ryan knew the format would be perfect to frame his “Bugonia” characters. “It was all about these characters, it was all about this very intense environment, photographing them in a large format, making their portraits bigger than life in a way, just added this necessary layer to express all these big ideas and feelings.”

Aesthetically, Lanthimos preferred the VistaVision over the more well-established and less cumbersome 65mm film cameras — the images weren’t as wide (he wanted “boxier”), and the tonality, depth, and richness of the image appealed to his and Ryan’s sensibilities.

“After ‘Poor Things,’ we kept thinking about the images, and Robbie [kept] asking around about the VistaVision cameras,” said Lanthimos.

On “Poor Things,” they had only been able to use VistaVision on the non-dialogue reanimation scene because the old cameras were too loud to record sync sound. Afterwards, the persistent Ryan eventually tracked down a quieter Wilcam 11 VistaVision camera.

“We discovered this one camera that exists in the world, that’s functioning, which is quieter than those cameras, but it’s huge, and temperamental, and very difficult to load, and it takes a lot of time,” said Lanthimos.

BUGONIA, from left: director Yorgos Lanthimos, cinematographer Robbie Ryan, Emma Stone, on set, 2025. ph: Atsushi Nishijima / ©Focus Features / Courtesy Everett Collection
Yorgos Lanthimos, cinematographer Robbie Ryan, Emma Stone, and the Wilcam 11 on the ‘Bugonia’ set©Focus Features/Courtesy Everett Collection

The descriptor of the Wilcam 11 as “functioning” is up for debate, as it created constant problems on the “Bugonia” set. “One Battle After Another” cinematographer Michael Bauman told IndieWire the quieter WilCam 11 was so cumbersome and temperamental (completely failing during some camera tests according to camera operator Colin Anderson), PTA deemed it “unreliable” during the testing phase. On “One Battle” they went with the louder VistaVision camera, switching to Super 35mm for interior shots where the camera was in very close proximity to the actors delivering dialogue, and testing ways to eliminate “the extremely” loud camera noise in post-production when the camera was at a certain distance or outdoors.

Lanthimos expressed “surprise” that the dialogue-heavy “One Battle” got away with the noisier camera, before acknowledging how unique his film’s needs were. “I guess we had a lot of scenes in a basement, a very enclosed space — the sound of a camera that loud was really problematic for us. We couldn’t get the camera many feet away, in order to try and dump down the sound a little bit. And so for us, there wasn’t any other solution. And in the end, it kind of became an advantage. We embraced it, we went with it, and it just became a restriction in a way that makes you more creative.”

To hear Yorgos Lanthimos’s full interview, subscribe to the Filmmaker Toolkit podcast on Apple, Spotify, or your favorite podcast platform.

November 1, 2025 0 comments
0 FacebookTwitterPinterestEmail
We Are the Fruits of the Forest
TV & Streaming

‘We Are the Fruits of the Forest’ Review: Rithy Panh’s Insightful Doc

by jummy84 November 1, 2025
written by jummy84

Rithy Panh can credibly hold the title of both Cambodia’s most important film director and one of the greatest documentarians alive. A survivor of the brutal Khmer Rouge regime that claimed the lives of his family members, he began studying filmmaking in France before returning to his native country in the late 1980s. His nonfiction output largely focuses on the aftermath of the Cambodian genocide and moves fluidly between brutally direct vérité (“S21: The Khmer Rouge Killing Machine,” 2003), archival material (“Irradiated,” 2020) and, in the case of the his most celebrated film “The Missing Picture” (2013), claymation. With his most recent film, “We Are the Fruits of the Forest,” Panh opts for a more restrained but still incisive approach to the plight of a specific group of downtrodden people in his nation’s present.

After a brief drone shot over the trees, “We Are the Fruits of the Forest” begins with Panh’s main recurring formal gambit for this particular project: a split screen presentation of silent black-and-white archival footage. The subject in both that found material and his film at large is the Bunong people, an indigenous ethnic group living in the highlands of northeastern Cambodia. Historically, they have grown large-grain rice in mountain forests, clearing sections of trees to create fields according to their ancestral ceremonies and offerings. By the 21st century, the Bunong have become beholden to the demands of companies seeking to access their cultivations, forcing them to harvest and clear forests at a much more rapid pace and take on additional products like cassava, rubber and honey.

Panh’s contemporaneously shot footage forms the bulk of “We Are the Fruits of the Forest,” remaining focused on the inhabitants of what appears to be one unnamed village as they cycle through the various duties needed to maintain their already precarious status. Though there are scenes reflecting a more relaxed way of life, including a few of the village children watching an action movie on a cellphone, the vast majority of sequences take place without any obvious visual signifiers of a more putatively modern world.

To convey that, “We Are the Fruits of the Forest” relies equally on extensive voiceover. Though no specific credits are provided, it seems that one single male voice is used to represent the anxieties of his village, if not his entire people as a whole. It is his words that are used to contextualize the images of work on screen, explaining various customs and the animist beliefs that govern their society. Also addressed are the various classifications of forests that the Bunong may or may not work in, the increasingly predatory bank loans that they must rely on as their crop yields become ever poorer, and the racist insults that wider Cambodian society uses to refer to them. The man occasionally mentions his father, but his words are generally used in an explanatory manner, informed by a deserved pride in his people’s work and understandable concerns about their future.

Such a monovocal approach, especially considering that little of the frequently heard dialogue between the village people is actually subtitled, does run the risk of being repetitive, as the same problems surrounding each facet of the Bunong people’s lives are evoked again and again. But there’s an elegance to Panh’s rhythms and his focus on the many faces of the village that continually proves of interest. Even as this might be Panh’s first nonfiction film to avoid even a glancing reference to the Khmer Rouge, the numerous references to modern capitalism’s erosion of Bunong customs (including some of their people’s adoption of Christianity) ensures that this new focus for Panh is by no means a lighter or less urgent topic.

All this, of course, is tied back into Panh’s use of archival footage. While past and present are juxtaposed less frequently than might be expected, the material is used in an overtly poetic manner, offering brief glimpses of a previous way of life. Most strikingly, the same image is often displayed in both frames, as if to suggest a double vision that seeks to divine a greater understanding of these long-gone figures and landscapes. Woven throughout “We Are the Fruits of the Forest” is an image of a topless Bunong woman, often shown in a brief flash that intrudes into the present. Whether this is meant as a literalization of the spirits of the forest or (as suggested by the voiceover) a bad omen is left up to interpretation, but it captures the vivid past and present lives of these people, and how quickly modern forces can cause them to fade away.

November 1, 2025 0 comments
0 FacebookTwitterPinterestEmail
'South Park' Admits "South Park Sucks Now" In Halloween Episode
TV & Streaming

‘South Park’ Admits “South Park Sucks Now” In Halloween Episode

by jummy84 November 1, 2025
written by jummy84

Two episodes into its sudden Season 28, South Park is poking fun at itself following criticism of its very political 27th season.

In Friday’s special Halloween episode ‘The Woman in the Hat’, Stan admits that “South Park sucks now” after his dad loses his job at the USGS amid the government shutdown, forcing them to move into his grandfather’s retirement home.

“Everyone knows it. South Park sucks now, and it’s because of all this political shit,” he says in a tongue-in-cheek nod to the Comedy Central show’s controversial Season 27 return.

In attempt to make South Park better, the kids create a “South Park Sucks Now” crypto meme, which Stan hopes gets them out of the retirement home.

The episode culminates in a seance at the White House, overseen by Pam Bondi, who constantly has poop on her nose, and is attended by Brendan Carr and Kristi Noem. They assemble after Donald Trump is being haunted by Melania, who lurks in corners under her hat.

Donald Trump is haunted by Melania in ‘South Park’.

According to Stephen Miller, ghost Melania was unleashed with the “vengeful wrath” that came from tearing down the White House’s East Wing. Meanwhile, Ed and Lorraine Warren are summoned to investigate the phenomena.

The episode ends with Kyle’s cousin Kyle being arrested at the seance, where he tries to get Don Jr.’s approval to sell the crypto, admitting publicly that it’s all a scam.

November 1, 2025 0 comments
0 FacebookTwitterPinterestEmail
Woody Harrelson's upcoming thriller 'Last Breath' has landed a release date in theaters.
TV & Streaming

Woody Harrelson Says He Won’t Do Another Season of ‘True Detective’

by jummy84 November 1, 2025
written by jummy84

Woody Harrelson is happy with his work on the first season of True Detective, but he has no interest of reprising his role of Detective Marty Hart in future installments of the HBO series.

On the third hour of NBC’s Today show Friday, Dylan Dreyer asked Harrelson if he would ever return to the show. She pointed out that his co-star Matthew McConaughey, who played Detective Rust Cohle in the first season, recently said he was open to returning.

“He actually said that he would be into it, ‘If Woody and I think it’s good enough. It wouldn’t even be a choice,’” Dreyer said of McConaughey’s recent comments.

“Matthew’s so funny, but in fairness, never,” Harrelson responded. “Not a chance.”

He went on to explain there was a specific reason why he didn’t want to reprise his role on True Detective. “Because it turned out great. I love that it turned out the way it did,” he said. “If anything, doing another season would, I think, tarnish that.”

The first season of True Detective was a critical success, with the show earning four nominations at the 2014 Emmys. Additionally, both Harrelson and McConaughey earned Emmy and Golden Globe nominations for their roles.

While Harrelson doesn’t plan to return to the world of True Detective, he revealed he is working with McConaughey in the near future. “We are doing something together and this is a comedy, half-hour, and hopefully people dig it,” Harrelson said without revealing any further information about the project.

However, he was likely referring to their upcoming scripted series Brother From Another Mother, which follows the two actors attempting to live together on McConaughey’s ranch in Texas. The upcoming series is set to air on Apple TV, though a release date has not yet been announced.

Harrelson shut down the idea of returning to True Detective just weeks after McConaughey revealed what it would take for him to return to the series.

“We’re pretty excited about the idea, but there’s no script yet. When I read the original ‘True Detective’ script and everything Rust Cohle said … it was fire. It was so good that a sequel would have to take it a step further,” he told NME earlier in October. “We’re all thrilled by the idea, but for now it’s just an idea. However, if Katherine Schaffstall Nic [Pizzolatto] writes something that Woody or I think is really good, saying no wouldn’t even be an option.”

November 1, 2025 0 comments
0 FacebookTwitterPinterestEmail
Return to Paradise cast | All the characters in season 2
TV & Streaming

Return to Paradise cast | All the characters in season 2

by jummy84 November 1, 2025
written by jummy84

Return to Paradise spin-off Death in Paradise is back for its second season and once again, Mack and Glenn’s will-they-won’t-they takes centre stage.

In the season 1 finale, the detective overheard her former partner declaring his love for her, which wouldn’t have been remotely complicated had he not just gotten engaged.

“Confronting matters of the heart is Mackenzie’s blind spot – anything intellectually difficult, she storms toward; emotionally, she runs,” said lead Anna Samson.

“Episode 1 deals with how she chooses to respond to it all, with the question of what will happen between her and Glenn hanging over the second series. All I can say is it’s not simple, and it’s far from smooth sailing.”

And we wouldn’t want it any other way.

Tai Hara went on to say that his character is “completely unaware that Mackenzie’s heard him confess his feelings for her, so he’s just trying to move on and follow through on his wedding with Daisy.”

“So when she arrives back the very next day, it’s a whirlwind of emotions for him,” he added. “There’s this relief at the possibility for them to explore their unfinished business, but it also complicates his relationship with Daisy at the same time.

“Season 2 for Glenn is really this pursuit of trying to be a decent guy. He’s trying to do his best to remain loyal to both Mackenzie and Daisy.”

Yikes. Rather you than us, mate.

But who else will be joining them in the brand new episodes? And where have you seen them before?

Read more:

Find out about the Return to Paradise cast below.

Return to Paradise main cast

  • Anna Samson as Mackenzie Clarke
  • Tai Hara as Glenn Strong
  • Lloyd Griffith as Colin Cartwright
  • Catherine McClements as Philomena Strong
  • Celia Ireland as Reggie Rocco
  • Aaron McGrath as Felix Wilkinson
  • Andrea Demetriades as Daisy Dixon

For more information about the characters and where you’ve seen the cast before, read on.

Anna Samson plays Mackenzie Clarke

Anna Samson in Return to Paradise. John Platt

Who is Mackenzie Clarke? A detective inspector with the Metropolitan Police in London who reluctantly returns to her hometown of Dolphin Cove in Australia – where she comes face to face with her ex, who she still has feelings for.

“She battles against community, emotion, love, and friendship – all things that we as human beings need; but she thinks she doesn’t,” said Clarke.

“So that’s where a lot of the drama and comedy comes from – and from her being placed back in the community that she left six years ago in quite extreme circumstances. She left someone at the altar. It’s no small thing to have to return to that, and she brings home with her a great sense of guilt. She’s pushing against all the emotions that being back home brings up – old places, memories, and relationships. She’s trying to push them down, but they have a habit of coming back up, don’t they?”

What else has Anna Samson been in? Most people know her as Mia Anderson in Home and Away.

Tai Hara plays Glenn Strong

Tai Hara as Glenn Strong, waking out the sea, with a crab in his hand, wearing blue trunks, towards Mack

Tai Hara as Glenn Strong. Red Planet/BBC Studios/John Platt

Who is Glenn Strong? He’s a forensic pathologist and Mackenzie’s ex-fiancée. She abandoned him at the alter several years ago, but in the season 1 finale he admitted that he still loves her… to his dog.

“Season 2 for Glenn is all about building up to the wedding and then figuring out how to deal with the fact that Mackenzie hasn’t left town,” said Hara. “It’s an impossible situation, and we see how it plays out over the course of the series.

“Despite Glenn and Daisy being set to marry, there’s still so much left unsaid between him and Mackenzie.”

What else has Tai Hara been in? You probably know him from Home and Away. You might also recognise him from Colin from Accounts.

Lloyd Griffith plays Colin Cartwright

Lloyd Griffith in Return to Paradise, stood by the sea and wearing a suit.

Lloyd Griffith in Return to Paradise. John Platt

Who is Colin Cartwright? A detective constable who works closely with Mackenzie.

“Colin is the heart of the community,” said Griffith. “He’s a police officer. He’s been in Dolphin Cove for about five years. He loves the community. He loves the sense of togetherness and belonging. I think it’s something that he probably didn’t have back in England.

“They’ve really accepted him here. They love him. He’s got a slightly different accent, but you know, he pulls his sleeves up, literally and metaphorically, and he just gets stuck in.”

What else has Lloyd Griffith been in? He’s best known for Ted Lasso.

Catherine McClements plays Philomena Strong

Catherine McClements as Philomena Strong, stood on a veranda, green trees in the background, wearing a blue police uniform

Catherine McClements as Philomena Strong. Red Planet/BBC Studios/John Platt

Who is Philomena Strong? A senior sergeant. She’s also Glenn’s mum and was all set to be Mackenzie’s mother-in-law before she suddenly left.

Samson described the dynamic between Mackenzie and Philomena as “interesting”, adding: “They are two very strong, intelligent women who deeply respect and admire each other, but are at odds because of what Mackenzie has done.”

What else has Catherine McClements been in? Her credits include Rush, Water Rats and Tangle.

Celia Ireland plays Reggie Rocco

Aaron McGrath plays Felix Wilkinson and Celia Ireland plays Reggie Rocco, dressed in their police uniforms stood next to each other

Aaron McGrath plays Felix Wilkinson and Celia Ireland plays Reggie Rocco. Red Planet/BBC Studios/John Platt

Who is Reggie Rocco? A police volunteer. Griffith described Ireland as “the funniest actor you’ll ever, ever, ever encounter”.

“She’s like the queen of corpse, she’ll just do something,” he added, “and she has this amazing way, like her eyes go when she knows the camera’s not on her.”

What else Celia Ireland has been in? She’s best known for All Saints and Wentworth.

Aaron McGrath plays Felix Wilkinson

Aaron McGrath as Felix Wilkinson, wearing a blue police uniform, looking at evidence

Aaron McGrath as Felix Wilkinson. Red Planet/BBC Studios/John Platt

Who is Felix Wilkinson? A police constable who is mostly paired with Reggie. He might be the younger one, but it’s Felix who’s often telling reggie to behave.

What else has Aaron McGrath been in? You might recognise him from Glitch, Ready for This, Gold Diggers, Preppers and Back to the Rafters.

Andrea Demetriades plays Daisy Dixon

Anna Samson as DS Mackenzie Clarke, Tai Hara as Glenn Strong and Andrea Demetriades as Daisy Dixon in Return to Paradise. Mackenzie is stood in front of the other two, talking to them. Glenn and Daisy are holding hands.

Anna Samson as DS Mackenzie Clarke, Tai Hara as Glenn Strong and Andrea Demetriades as Daisy Dixon in Return to Paradise. Red Planet / BBC Studios / John Platt

Who is Daisy Dixon? A bartender at the beach club. Daisy is engaged to Glenn and their wedding is imminent.

“That love triangle between Glenn, Mackenzie and Daisy gets even more complicated,” teased Samson.

What else has Andrea Demetriades been in? She has appeared in Crownies, Janet King and Squinters.

Return to Paradise season 2 guest cast

Episode 1

  • Ardal O’Hanlon (Death in Paradise, Father Ted, My Hero) as DI Jack Mooney – Mack’s boss back in London.
  • Danielle Cormack (Shortland Street, Wentworth Prison) as Asher Svensson – she runs a company called Sharktech, which explores shark research to stop human ageing.
  • Cameron Knight (Blue Bloods) as Brian Chandler – a senior scientist at Sharktech and one of the world’s leading shark experts.
  • Michelle Lim Davidson (The Newsreader, Utopia) as Susie Huen – another Sharktech scientist.
  • Damian Walshe-Howling (Janet King, Last King of the Cross) as Craig Park – head of operations and Asher’s husband.
  • Greg Stone (Neighbours, Fake) as Damo Rocco – Reggie’s ex-husband. He despises Sharktech.
  • Ron Smyck (Spiderhead) as Trevor Bongiovanni – a taxi driver who is friends with Glenn. He hates Mack.

Return to Paradise season 2 will start airing at 8pm on Friday 31st October on BBC One and BBC iPlayer.

Add Return to Paradise to your watchlist on the Radio Times: What to Watch app – download now for daily TV recommendations, features and more.

Check out more of our Drama coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more TV recommendations and reviews, listen to The Radio Times Podcast.

November 1, 2025 0 comments
0 FacebookTwitterPinterestEmail
Newer Posts
Older Posts

Social Connect

Facebook Twitter Instagram Pinterest Youtube Snapchat

Recent Posts

  • 2009 feels like a whole other world away

  • Watch Ariana Grande and Jimmy Fallon Perform a History of Duets

  • Spotify’s Joe Hadley Talks ARIA Awards Partnership

  • Nick Offerman Announces 2026 “Big Woodchuck” Book Tour Dates

  • Snapped: Above & Beyond (A Photo Essay)

Newsletter

Subscribe my Newsletter for new blog posts, tips & new photos. Let's stay updated!

Categories

  • Bollywood (1,929)
  • Celebrity News (2,000)
  • Events (267)
  • Fashion (1,605)
  • Hollywood (1,020)
  • Lifestyle (890)
  • Music (2,002)
  • TV & Streaming (1,857)

Recent Posts

  • Shushu/Tong Shanghai Fall 2026 Collection

  • Here’s What Model Taylor Hill Is Buying Now

  • Julietta Is Hiring An Assistant Office Coordinator In Dumbo, Brooklyn, NY (In-Office)

Editors’ Picks

  • 2009 feels like a whole other world away

  • Watch Ariana Grande and Jimmy Fallon Perform a History of Duets

  • Spotify’s Joe Hadley Talks ARIA Awards Partnership

Latest Style

  • ‘Steal This Story, Please’ Review: Amy Goodman Documentary

  • Hulu Passes on La LA Anthony, Kim Kardashian Pilot ‘Group Chat’

  • Hannah Einbinder Slams AI Creators As “Losers”

  • Facebook
  • Twitter

@2020 - celebpeek. Designed and Developed by Pro


Back To Top
celebpeek
  • Home
  • Bollywood
  • Hollywood
  • Lifestyle
  • Fashion
celebpeek
  • Music
  • Celebrity News
  • Events
  • TV & Streaming